News

Local Reaction to “Bloody Sunday” Report

This week, the British government released a report on the 1972 Bloody Sunday shootings, placing the blame for the 14 deaths that day squarely on British soldiers.

Bloody Sunday

A wall mural in Derry created by Bogside artists commemorating Bloody Sunday.

In an unequivocal apology, British Prime Minister David Cameron called the shootings “unjustified and unjustifiable,” noting that the demonstrators marching through Londonderry that day were unarmed and that the soldiers, who fired more than 100 rounds and killed some wounded marchers at point blank rage, acted in violation of their orders.

This one day of violence led to an escalation of “the troubles” in Northern Ireland which raged on for decades, leaving more than 3,000 dead.

In Derry, the release of the Saville report—which cost $280 million and involved more than a dozen years of testimony from thousands of witnesses—was greeted by cheers. Family members of the slain demonstrators, many of them teenaged boys, expressed relief that, as one said, “the truth has been brought home at last.”

In the Delaware Valley, many Irish-Americans, particularly those with a link to Northern Ireland, were also relieved—but with reservations. We asked some of them to share their feelings on this landmark event.

Seamus Boyle, Philadelphia, national president, Ancient Order of Hibernians

A native of County Armagh who emigrated to the U.S. in 1954 as a young boy, Boyle returns every year to march in the Bloody Sunday commemoration parade and has come to know some of the families of the slain protesters.

“[The Report] is great news but it’s about 38 years too late. It’s something that at least gives the families closure and now they can rest in peace. It’s good that it did come out, and great that we got an apology from the British government—the first ever—but at the same time they give you an apology they said that [former Provisional IRA leader and current Deputy First Minister of Northern Ireland] Martin McGuinness was there with a submachine gun. [The Saville Report, which raises the possibility that McGuinness was armed, said there was insufficient evidence to make any finding on the claim, other than McGuinness did nothing to justify the actions of the British soldiers that day.]

“While it will help give closure to the families, so much has happened over there in past 30 years during the Troubles, it’s hard just to give up and say this is fine. It’s hard to forgive and forget. A guy I know, TJ Carraher, his son was killed at a roadblock. For no reason at all, the soldiers opened fire and killed one son and wounded another. It’s hard for that man to forgive and forget. There was an awful lot of damage and hurt done by British soldiers that wouldn’t have been done if there hadn’t been British soldiers on Irish soil. I know that people say they were there to protect us, but they weren’t there to protect the people; they were there because the British government thought it was their country.

“I was over there in the late ’60s early ’70s. I got married over there in 1970 and built a house. It [the Irish civil rights movement] was just starting when I left to come back here in 1971. Every year, twice a year, my wife and I would go back and we’d be subject to harassment because, I believe, I was very active here and come from a big Republican family. One of the things that sticks out in my mind, is that every time I went home I would say to my mother-in-law, ‘When was the last time there were soldiers on the road,’ and she would say, ‘The last time you were here.’

“When you’d go out to Mass on Sunday they would stop you and hold you back so you would be late. Once, a soldier stopped me and asked for my license. I showed him my license and he didn’t look at it. He looked at me and said, ‘Well, Mr. Boyle, where were you headed for?’ Afterwards, my daughter, who was only five at the time, said, ‘Daddy, did you know him?’ I said, ‘No.’ And she said, ‘Well, he knew you. He didn’t look at your license and he knew your name.

“But the Saville Report is what we’ve been waiting for. The families have been waiting so long and the government kept putting it off, putting up, just hoping it would go away. But the families didn’t want it to go away. They wanted the world to know what happened. Now we do.”

Pearse Kerr, Jenkintown, Freedom for All Ireland officer, Pennsylvania Ancient Order of Hibernians

Pearse Kerr, who was born in the U.S. to Irish parents, was raised in Belfast. One morning around dawn when Kerr, then 17, was sleeping, British soldiers came to his home and dragged him away without explanation. He spent the next week in Castlerea Prison, unable to see family or an attorney, while he was interrogated and tortured.

“The only thing good about [the report] is that it brings some closure for the families. But there’s nothing new about it to the Irish people. They knew it was a murderous action. On both sides of the divide they knew. They were talking about the youths of Derry as though they were a bunch of hooligans when they were a group of young people who had enough of political turmoil. There was such a depth of bigotry and discrimantion, at that point they didn’t have an option except to protest.

“The fact that it took the British government so long to admit it shows what we’re dealing with. Think of how hard it’s going to be to make them hold up to the Good Friday agreement [the peace accord that calls for an eventual united Ireland]. It’s great that they admitted their problems, but at the same time they have nothing to be proud of. It went on for so long and those families suffered.

“When I was 17 I was taken out of my home, yanked out of my bed and they didn’t even let me put on my clothes. My mother was passing my clothes to me as they were taking me down the stairs. I got into a Jeep with just my boxers on. But that wasn’t anything out of the ordinary. There were probably six or seven taken from my neighborhood that morning. I was taken under Section 13 of the anti-terrorism act that allowed them to keep me for seven days for questioning without any legal representation or family visits. That was all part and parcel of the Separate Powers act, laws that they didn’t use anywhere else but in Ireland that allowed for internment without trial. In some cases they would release people and once they were outside the gate they would re-arrest them and hold them for another seven days. This was at the height of their torture program in 1977.

“I suffered a broken wrist, a dislocated neck, fractured ribs, multiple bruises. But in some cases they killed people. They’d be found hanging in their cells and they would claim it was suicide. In on case they threw a guy out of the window three stories up and said he tried to escape. He was beaten so bad his own mother couldn’t recognize him. My perspective of it is that it’s a day late and a dollar short.

“I’m glad it’s finally out in the open. But I don’t have any kudos for them—those families suffered way too long. It makes you wonder how long is going to take to heal the whole situation. After all, that’s just one incident.”

Liz Kerr, Jenkintown, Freedom for All Ireland officer, LAOH Brigid McCrory Division 25

“If you read the report, it’s almost hard to believe—how bad it was, how deep the cover-up was, the lengths that they went to lie for 38 years, while those families suffered for 38 years.

“The worst part was when the Queen gave Derek Wilford [commander of the 1st Battalion of the Parachute Regiment in Derry that day, whom the report says disobeyed direct orders not to send troops into Bogside that day] a knighthood within a year, and the parachute regiment were given medals. If there’s really going to be closure, they’re going to strip them of their honors. Those honors were given to them based on a lie. And the moment they got those awards was truly insult to injury to those families. It’s one more thing that will have to happen for them to be completely honest. The victims were mostly high school age boys, 17 years old, and probably looked younger. They were executing teenaged boys.”

“I was glad to see David Cameron’s coming out with the report, especially since he hasn’t been in office long. It’s a good sign. I’m hoping it’s a good sign. He was pretty harsh in his comments—that it was unjustified and unjustifiable—and I’m glad it took it to that level.

“Bloody Sunday really moved the civil rights movement into a war, and I’m hoping the release of this report can be another watershed moment, and that based on this we can move toward a united Ireland.”

Patricia Noone Bonner, Longtime Member of Irish Northern Aid and Clan na Gael

“I don’t care how long a time it’s been. They had to get it done.

“People were killed for no reason. They (the protesters) didn’t start it. They were not carrying weapons. They were just struggling for civil rights. I remember that time well. I’m sure I heard about it on television. We were all up in arms. In my opinion, I am sure that’s why the armed struggle started.

“From the point of view of the families, it (the report) may help move things forward. but still … how do you ever get over losing anybody, especially a child?

“Should there be prosecutions? I don’t know. I don’t think the soldiers should be. It’s the higher-ups who should be prosecuted. Those soldiers would not have fired if someone had not told them to.”

John Ragen, President of the Irish Club of Delaware County

“For my generation (he’s 32), we’re learning about it. It’s our history and definitely something we should all know. Why do I care? It’s’ something that was such a travesty, it should be made public. And if you don’t learn about it, history has a tendency to repeat itself.

“The report coming out shows that the British were not there for the people, they were there for the land. I’m sure it (the report) will bring people together. The Protestant ministers have already extended their hands out to the families of the people who were killed or injured. (Read the story in the Irish Times.)

“The prime minister’s apology was well-written. It may be enough for a lot of people, but the military who were involved should be held accountable. The soldiers should be brought up on perjury charges, at the very least.”

Jeff Meade also contributed to this report.

People

Hot Afternoon, Icy Lemonade, and a Good Cause

Alex's Lemonade Stand

Hey ... you get the idea, right? Click on the photo to see more.

Last Saturday afternoon, temperatures soared into the high 80s throughout the Delaware Valley, but it felt even hotter out on West Chester Pike in Upper Darby.

But the heat evidently didn’t bother many of the volunteers who turned out to help the Philadelphia Rose of Tralee Centre support pediatric cancer research with a spectacular (and very yellow) Alex’s Lemonade Stand at the Irish Immigration and Pastoral Center at West Chester Pike and Cedar Lane. Even Sarah Conaghan, managing director of the Mid-Atlantic Rose of Tralee Centre, was a study in bright lemony yellow, right down to her necklace—which looked like a string of miniature lemons.

The volunteers included many of the Delaware Valley’s best and brightest young Irish-American women—including 2009 Rose Jocelyn McGillian, the Donegal Association’s 2010 Mary from Dungloe Kiera McDonagh, 2009 Mary from Dungloe Emily Weideman, 2008 Miss Mayo and 2010 Mid-Atlantic Rose finalist Colleen Mullarkey , and Jessica Greene, also a Mid-Atlantic Rose finalist.

(And if I’ve left anyone out, one or more of these women will let us know.)

Also among the volunteers: a wildly enthusiastic collection of Rosebuds, the younger girls who serve as a kind of honor guard. While the rest of us, wilting, sought refuge in the immigration center’s air conditioning, they hung around outside and drew posters, poured cups of lemonade, blew bubbles, made multicolor pipe-cleaner crowns (my favorite: the one that spelled out “H E L P.”), applied little lemon tattoos to their faces, and ran up and down the block below the immigration center yelling at the very top of their lungs for passing drivers to pull over right that very moment (“I KNOW YOU SEEEEEEEEEEE MEEEEEEE!!!!!!”) and buy a big cup of lemonade for cancer research.

Not so surprisingly, this high-pressure salesmanship often worked. They are Rosebuds—hear them roar.

Between the lemonade stand and online donations, the Rose of Tralee raked in close to $700—not a bad little haul.

Click on the photo above to see the whole photo essay.

Columns, How to Be Irish in Philly

How to Be Irish in Philly This Week

Irish Network

Some serious networking going on here—at the first get-together of the Irish Network-Philadelphia at Tir na nOg.

Irish Ambassador Michael Collins makes an appearance in Philly this week at the official launch of Irish Network-Philadelphia, an organization that brings together Irish and Irish-Americans from every walk of life for networking of every stripe. It all takes place on Thursday night, June 24, on the rooftop of the Phoenix Building at 16th and Arch. The first round of tickets ($50) were sold out, so a second batch was issued and they’re going fast.

Don’t forget—this weekend is the 10th annual Penn-Mar Irish Festival in Glen Rock, near York. Enjoy music by Amhranai Na Gaeilge, Barleyjuice, Irish Blessing, Martin Family Band, Raining Hearts, Rossnareen, The Spalpeens, and Susquehanna Pipes & Drums. Irish dance performances will be presented by Broesler School of Irish Dance, Hooley School of Irish Dance, McGinley School of Irish Dance, Ni Riain School of Irish Dance, and Oh! Gill’s Irish Dancers. There are children’s activities, vendors, prize, food, and you get points because the proceeds goes to fund Penn-Mar Human Services, a nonprofit that provides support for people with disabilities and their families.

On Tuesday, go to happy hour at the AOH Div. 87 hall on Wakeling Street in Philadelphia and help supply food for the needy: To get in, you need to bring a food card or a money donation for the Hibernian Hunger Project.

On Wednesday, author Tom Lyons will be at the Irish Immigration Center in Upper Darby to talk about his new book, “You Can’t Get To Heaven on the Frankford El” during the regular 12:30 lunch.

On Friday, Green Willow is bringing Scottish musician Paul McKenna and his band to Timothy’s at Wilmington Hall on the riverfront in Wilmington. This is the first U.S. tour of this band that combines traditional music with original songs and tunes. You can have your dinner at Timothy’s and enjoy the river breezes while listening to the music.

And don’t forget—get your tickets now for the 2010 Mid-Atlantic Rose of Tralee Selection Gala on Saturday, June 26, at the Irish Center. Four Philadelphia-area women will be competing with Rose winners from the Mid-Atlantic states to be crowned the Mid-Atlantic Rose. The winner will go to Ireland this summer to vie for the international crown on national TV in Ireland—it’s the most watched program on Irish TV!

The 2009 Rose of Tralee, Charmaine Kenny, of London, will be coming to Philadelphia for the event.

For $35, you get a buffet dinner, entertainment, and a chance to be part of a real reality show! And you can order your tickets online.

Music

Blackthorn Does a Freebie in Collegeville

Blackthorn concert

A young listener gets into the act. Photo by Brian Mengini. (Click on the photo for more.)

One of the great things about summertime in the Delaware Valley are the free concerts where you can bring your blanket and your baby and occasionally your bucket of beer, to steal a line from James Taylor.

Blackthorn played a freebie this week in Collegeville (look for them July 7 at Central Park in Doylestown and July 8 at Prospect Park’s Park Square Summer Concert series). Fortunately, photographer Brian Mengini was there and captured these moments.

Click on the photo at right to see Brian’s excellent photo essay.

Columns

How to Be Irish In Philly This Week

June 16, 2007: Bloomsday at the Rosenbach.

June 16, 2007: Bloomsday at the Rosenbach.

Do other ethnic groups celebrate their heritage as much as we do?

Just this weekend, you can attend an entire day of Irish language immersion (no English allowed, at Philly’s Irish Center), head out to hear some Irish music at the annual New Jersey Irish Festival in Lakewood, NJ, and another Celtic Festival in Cochranville in Chester County. You can tune into Irish music on the radio (on Saturday to John Buckley at 1540 AM and Michael Concannon at 740 AM, then on Sunday to Vince Gallagher and Marianne MacDonald at 800 AM). You can even watch the rough-and-tumble game of hurling (between the Philadelphia Shamrocks and the Allentown Hibernians) at the late, great Cardinal Dougherty High School.

And this is Bloomsday week, when James Joyce lovers around the world celebrate Joyce’s masterpiece, “Ulysses.” They’re celebrating it in the Philadelphia area too, with a primer at Fergie’s Pub on Monday, a lecture at the Rosenbach Museum on Tuesday, and celebrity readings (including Inquirer food columnist Rick Nichols and Mayor Michael Nutter) at the Rosenbach on Bloomsday itself, June 16, the day main character Leopold Bloom wanders the streets of Dublin, chronicled by Joyce in stream of consciousness style. The Rosenbach has an original, signed manuscript of “Ulysses” in its collection, available for viewing and worshipping. Later in the week, you can sign up for a tour of the Rosenbach’s English literature collection where you may be able to actually touch it!

Do the Ukranians have all this? What about the Liechtensteiners? Are the Italians doing the tarantella and serving up cannoli at a festival every other weekend? I think not. We are way ahead in the heritage wars.

As they say on cable, but wait, there’s more.

On Saturday, head down to the Irish Immigration Center in Upper Darby for a nice cool drink of lemonade. The Rose of Tralee Centres is sponsoring an Alex’s Lemonade Stand to help raise money for research into childhood cancers. The nonprofit Alex’s Lemonade Stand was founded by the parents of little Alex Scott who died of brain cancer. She set up her own lemonade stand to raise money for cancer research. If you can’t make it to Upper Darby, you can donate here.

On Saturday, you can also light up a stogie and watch the US Vs. England in World Cup Soccer at McFadden’s Ballpark World Cup Cigar Party. For $45 to $55, you get an open bar, appetizers, sandwiches and, of course, a cigar, as well as a chance to view the action on wide screen TV. Of course, you’ll cheer for US.

Don’t forget next Friday’s Gas Pump Ceili at the Irish Center. Radio host Marianne MacDonald and musician Luke Jardel are sponsoring this fundraiser for the people of Kingston Springs, TN, who were literally deluged during the May flooding of the Nashville area. At the time, MacDonald was leading a group of local Irish dancers and others on a tour of the Nashville area when their bus was stranded on the flooded highway. Eventually they made their way to Kingston Springs, where they were again stranded for several hours.

“The folks in this little town offered us food, water and lodgings,” explains MacDonald. “They have lost many homes, businesses and a school as a result of the floods. We ended up having a ceilidh in the parking lot of the gas station where we were stranded, which was filmed and eventually made its way to YouTube. We would like to raise money to donate back to them to thank them for their gracious hospitality.”

Next Saturday is the annual Penn-Mar Irish Festival in Glen Rock, PA, near York. Yes, it sounds far away, but maybe the musical lineup will lure you: Barleyjuice, Amhranai Na Gaelige, the Martin Family Band, Raining Hearts, Rossnareen, the Spalpeens, and Susquehanna Pipes & Drums. There’s a traditional Irish session in the afternoon (bring your instruments!) and loads of Irish dancers and some terrific vendors.

The Penn-Mar Irish Festival is also a chance for some good-deed-doing. Proceeds from the event benefit Penn-Mar Human Services, a nonprofit that provides support services to families and people with disabilities and other human service needs throughout southern York County and northern Baltimore County, MD.

News

Hot, Steamy, Windy—But the Crowds Got All Irish at Penns Landing

Penn's Landing

We caught this little miss clambering on the Irish Memorial during the Mass that preceded the Irish Festival. Cute, but don't do it again! (Her parents spotted her and put a stop to it.)

When it comes to the annual Penns Landing Irish Festival, the crowds never let a little heat, wind, or even rain stop them. They load up on “Irish Ice”—what water ice is called this one day a year—and enjoy the day.

On Sunday, June 6, the crowds came. . . to hear Paddy’s Well, the Hooligans, Round Tower, and Blackthorn; see 11 Irish dance schools strut their stuff; and play “duck hunt” in one of the many fountains that dot the multilayer amphitheatre where the event is held each year.

As in previous years, the festival opened after a Mass, celebrated by Father Ed Brady of St. Isidore’s Parish in Quakertown, at the nearby Irish Memorial. This year’s Mass paid tribute to the recent Inspirational Irish Women awardees. Members of the committee that planned the May 23 event participated: Keira McDonagh and Emily Weideman were readers, Jocelyn McGillian, a mezzo-soprano, sang to the accompaniment of harper Ellen Tepper. Honoree Liz Kerr of LAOH 25 and her husband Pearse brought the gifts. Honoree Kathy McGee Burns, vice president of the Philadelphia St. Patrick’s Day Observance Association, participated in the raising of the flags over the Memorial park.

We were there and have photos from both events.

  • View the Mass at the Memorial.
  • View the Penns Landing Irish Festival.
  • View more of the Penns Landing Irish Festival
  • Music

    Review: “The Ravishing Genius of Bones” by Brian Finnegan

    ravishing genius of bonesBrian Finnegan’s new solo CD is not so much a departure from his other gig—as the whistle and flute front man for the modern trad ensemble Flook—as a huge, breathtaking elaboration on many of the unique and daring themes he has explored with that band over the years.

    On “The Ravishing Genius of Bones”—an obscure reference to an accompanying poem about an old accordion player—Finnegan is joined by two of his Flook bandmates, bodhránist John Joe Kelly and Ed Boyd on guitars. You might be tempted to look upon this recording as just a variation on a theme—a kind of “Flook Not Flook.” That would be a mistake.

    “The Ravishing Genius of Bones” is Finnegan’s “Lawrence of Arabia,” a musical epic with a cast of thousands. Well, maybe not thousands—but well over 20 world-class musicians representing a variety of genres. In addition to Kelly and Boyd, members of Finnegan’s other band KAN (Aidan O’Rourke on fiddle and guitarist Ian Stephenson) form part of the large, rotating cast of players, along with co-producer Leon Hunt on banjo and dobro (he’s a former student of Bela Fleck), alternative bluegrass band Crooked Still and the St. Petersburg Strings.

    Virtuoso mandolin player Rex Preston, part of The Scoville Units with Boyd and Hunt, sits in for a couple of numbers, and banjo player Damien O’Kane (he played on Flook’s “Haven,” and John Joe Kelly accompanied him on his solo album “Spring Hill”) drops in as well.

    With so much cross-pollination going on (heck, even steel drums make an appearance), “Bones” was bound to defy easy categorization. Is it Celtic? Jazz? Bluegrass? Indie? Pop? Symphonic? Answer: Yes. It’s all that and more, which is probably just how Finnegan likes it.

    There are just nine tracks on the album. Most of the compositions are Finnegan’s own—including my favorite, an evocative air called “Last of the Starrs,” with Finnegan on flute and accompanied by the St. Petersburg Strings. It floats along with gravity-defying lightness and beauty.

    The second set features Hunt shifting back and forth on banjo and dobro, accompanying Finnegan on tunes that probably will remind you of some Flook numbers. I’ll tell you the titles—“Lunchtime Boredom,” “Bok-Espok,” “Rusty Gully” and “Superfly”—but I’m not sure they’ll mean anything to you. (They didn’t mean anything to me.) But … no matter. The set starts out slow, syncopated and jazzy—a kind of easy shuffling rhythm. It all ends up scary fast, even more scarily syncopated and jazzy. (Is that helpful?) Anyway, all this bluegrass-tinged Celto-jazz is some of the cleverest work on the album.

    Boyd and Kelly charge into the “Back to Belfast” set (with Lucy Wright twanging away on mouth harp), Finnegan jumps in on whistle, and before you know it, we’re all motoring along at, oh, say, 85 mph. Call it a reel set, but most dancers would be dead of heart attacks by the end.

    There are other barn-burners on the recording, including “Castlerock,” a Damien O’Kane tune in the sixth set, the appropriately titled “Joy.” It too features some rapid-fire percussion by John Joe Kelly, with Leon Hunt on banjo.

    What most stands out about this album is Finnegan’s attention to every detail. “Bones” is not a collection of sets and tunes that merely go together–it’s a complete and unified vision, a kind of giant wall mural of musical ideas and themes.

    One last thought. I rarely take note of CD artwork—it always seems to be four or five guys standing in a field with mountains in the background. Inevitably, the guys are holding their fiddles and button accordions, as if a concert is about to begin in the middle of Killarney National Park. “Bones” boasts perhaps the loveliest artwork I’ve seen on an album cover in a long time. It’s all misty twilight blues, an enchanting firefly-lit dreamscape with koi swimming in the grass and fantastical birds sprouting translucent insect wings. Credit Germano Ovani, an Italian illustrator of children’s literature who lives in Edinburgh, for this enchanting vision.

    Clearly, Brian Finnegan left not one detail to chance—not even the cover. These “Bones” are fully and exquisitely fleshed out.

    Dance

    Day of the Dancers

    Coyle dancers

    Little Coyle dancers get a bit of coaching.

    If you love Irish dance, most of the major Delaware Valley-area dance schools take to their tappy little toes at the annual Penn’s Landing Irish Festival. The 2010 festival was no exception.

    Irish dance schools such as McDade, Timoney, Rince Ri, Cara, Coyle,
    McHugh, Cummins, Celtic Flame, Gibson, Campbell, 2nd Street, Emerald
    Isle, and Christina Ryan-Kilcoyne performed in the music tent and at the
    main stage.

    Some of the schools chose to wear the full regalia, flouncy wigs and all; others chose to dress for the weather … which was, of course, really hot.

    Festival-goers just plain loved it all, either way.

    Here are a few quick peeks at their performances.

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