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March 2010

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Top 10 Ways to Get Over St. Patrick’s Day

Oh, the bed spins!

And what’s that sweet, cinnamon and coconut aftertaste lingering on my swollen, velour-clad tongue? Oh yes … candy Irish potatoes. I seem to recall consuming my entire body weight (and then some) in Irish potatoes. When was that? Was it yesterday? Two weeks ago?

Perhaps I am emerging from a diabetic coma. But no, that can’t be it. Something else …

I remember some things, but my recollections are all out of synch, and the frozen images flash through my mind like a PowerPoint presentation produced by Keith Richards on a bad day:

Blood sausages. And God help me, I am eating one. (Click.)

Yellow plastic-clad dancers tapping up 16th Street in a monsoon. (Click.)

Hairy men in kilts singing “C’mon Eileen” at the top of their lungs. It’s like a bad record. Well, of course it was a bad record. (Click.)

A conga line of drunk people snaking down Second Street. Shiny green plastic Mardi Gras beads are strung about their necks, and they’re wearing T-shirts emblazoned with tasteful slogans like “Bite me, I’m Irish” and “Rub my shamrocks for luck.” (Click.)

A crowd, no, a host of flashing plastic shamrock deely bobbers, fluttering and dancing in the breeze, tossing their heads in sprightly dance. Poetic, yes, but really, really weird. (Click.)

A bagpipe band playing “Do Ya Think I’m Sexy?” Hell, no, I don’t! Oh, please, for the love of God and all that is holy, just please stop! (Click.)

Ah, but I do know what this is. It’s all coming back to me. I have been down this road before. And even though I always tell myself, “no, nay, never, no more,” I know I will go there again. This, dear friends, is your brain on St. Patrick’s Day.

Any questions?

As you emerge from the kelly green-tinged haze, you may wonder, as I often have, can I ever become normal again? (Was I ever normal in the first place?) And why is that accordion player staring at me with a knowing grin?

Don’t give up hope. To aid in your recovery, we offer not 12 steps, but 10.

From the home office in Horseleap, County Offaly, the official irishphiladelphia.com Top 10 Ways to Get Over St. Patrick’s Day:

  1. Order Chinese food. Szechuan ham and cabbage is not allowed.
  2. Realize that the road did not rise up to meet you. You just fell down.
  3. Walk into Finnegan’s Wake and order a perky little wine spritzer.
  4. Have your begorrah surgically removed.
  5. Stake out a spot on the Parkway for the Pulaski Day parade. It’s not until October, but you can’t be too early.
  6. Recognize that’s it’s more than just a hangover. It’s PTSD: Post Too-Ra-Loo-Ra-Loo-Ral Stress Disorder.
  7. Seek help for an Irish ballad lasting four hours or longer, as this could be a sign of a serious medical condition.
  8. Watch the worst Irish movie ever, “Far and Away,” starring Tom Cruise. It’ll put you off anything Irish. Because of this movie, Ireland joined the European Union … as Belgium.
  9. Check into the Bog Down in the Valley-O Rehab Center of Malibu, California.
  10. Henceforth, refer to anyone named Seamus as Luigi.
Music

Solas: The Perfect End to St. Patrick’s Day

Solas on stage at World Cafe Live, banging out reels, jigs and songs: If there’s a better way, a better band and a better place to close out St. Patrick’s Day, I haven’t heard of it.

Starting with a foot-stomping set of reels and ending (an encore, of course) with the wildly rhythmic “Coconut Dog,” the Irish-American band headed by native Philadelphian and multi-instrumentalist Seamus Egan kept the joint jumping all night long.

If you weren’t there—and I probably shouldn’t tell you this because you’ll be heartbroken—Solas was joined onstage by Mike Brenner on dobro (he appears on the band’s most recent release, “The Turning Tide”) and by longtime collaborators Ben Wittman on drums and Chico Huff on bass. Normally, Huff is the only non-band member to accompany the band in local performances. This was a much fuller sound, more like what you hear on recordings. Quite the treat.

Highlights of the evening:

•Winifred Horan’s lovely performance of her tune, “My Dream of You;”
•Singer Mairead Phelan’s sensitive rendering of the Josh Ritter song, “Girl in the War,” with accompaniment by Brenner and harmonies by guitarist and keyboard player Eamon McElholm;
•The band’s killer performance of “Hugo’s Big Reel,” the opening track from the new album;
•A weird and wonderful little story from Winifred Horan about the hilarity that ensues when a fan confuses “fairy forts” with “fairy farts.” And probably enough said on that score.
Oh yes, one other highlight, maybe the best of the night: a sweet a capella performance by Phelan of the old standby, “A Parting Glass.” We were in pin-drop territory on that one. Even the servers stopped buzzing about.

Truly, “goodnight and joy be with you all.”

We’ve a couple of videos from that performance.

People

Changing of the Guard at the Friendly Sons

Look for an older Irish-American fraternal organization. You won’t find it. The Society of the Friendly Sons of St. Patrick has been around since St. Patrick’s Day in 1771. George Washington was an honorary member.

Ed Last of the Friendly Sons

Ed Last shows off his Waterford bowl. (Click on photo to view more.)

And here we are, years later, and the Friendly Sons are still alive, quite well, and maintaining their very long traditions of fellowship and civic involvement.

Last week, the Friendly Sons met for their annual dinner (this one at the Union League) to effect a transition: Ed Last turned over the presidency to Todd R. Peterman.

View the videos:

People

They’re the Tops

With 217 groups marching in this year’s parade, the choices must have been tough. Here’s who won the 2010 awards:

Hon. James H. J. Tate Award
Group that Best Exemplified the Spirit of the Parade

McDade / Cara Championship Dancers

Msgr. Thomas J. Rilley Award
Outstanding Fraternal Organization
Sponsored by: AOH Division 39, Msgr. Thomas J. Rilley

2nd Street Irish Society

George Costello Award
Organization with the Outstanding Float in the Parade
Sponsored by: The Irish Society

Cavan Society

Hon. Vincent A. Carroll Award
Outstanding Musical Unit Excluding Grade School Bands
Sponsored by: John Dougherty Local 98

Philadelphia Police & Fire, Pipes & Drum Band

Anthony J. Ryan Award
Outstanding Grade School Band
Sponsored by: The Ryan Family

Catholic Elementary Schools Marching Band

Walter Garvin Award
Outstanding Children’s Irish Dance Group
Sponsored by: Walter Garvin Jr.

Rince Ri School of Irish Dance

Marie C. Burns Award
Outstanding Adult Dance Group
Sponsored by: Philadelphia Emerald Society

Tara Gael Dancers

Joseph E. Montgomery Award
Outstanding AOH and/or LAOH Divisions
Sponsored by: AOH Div. 65 Joseph E. Montgomery

All AOH & LAOH Divisions

Joseph J. “Banjo” McCoy Award
Outstanding Fraternal Organization
Sponsored by: Schuylkill Irish Society

Cairdeas Irish Brigade

James F. Cawley Parade Director’s Award
Outstanding Organization selected by the Parade Director
Sponsored by: AOH Division 87 Port Richmond

Cardinal O’Hara High School Marching Band

Father Kevin C. Trautner Award
Outstanding School or Religious Organization that displays their Irish Heritage while promoting Christian Values
Sponsored by: Kathy McGee Burns

St. Katherine of Siena N.E. Philadelphia

Maureen McDade McGrory Award
Outstanding Children’s Irish Dance Group Exemplifying the Spirit of Irish Culture through Traditional Dance
Sponsored by: McDade School of Irish Dance

Coyle School of Irish Dance

People

Walkin’ in (Liquid) Sunshine

Philadelphia St. Patrick's Day Parade

Marching with the gang from Fishtown. (Click on photo to view more.)

All along the two-block stretch between JFK Boulevard and the Benjamin Franklin Parkway, the boisterous, crazy-hatted party-goers crowded along the barricades and hooted and cheered for almost anything and anyone that passed in front of them.

Leprechauns and St. Patricks—a few of them pretty convincing, but most not—paraded past the reviewing stand at Eakins Oval.

McGuinness the huge but affable Irish wolfhound stood at his accustomed post in front of the Subway shop at 17th Street and the Parkway.

Aside from the fact that everyone, from bagpipers to the flag-waving folks on the sidelines, was encased in plastic ponchos or shielded by umbrellas and yet still dripping from head to toe, it was a pretty typical St. Patrick’s Day Parade in the city of Philadelphia.

The crowds were down by a bit, but Celtic spirits were as high as ever as the 240th Philly parade kicked off from JFK Boulevard.

A record 217 groups took part in the 2010 parade. It seemed like you couldn’t walk a block without bumping into a contingent from one of the city’s many Ancient Order of Hibernians and Ladies Ancient Order of Hibernians divisions. The AOH was particularly well represented in honor of this year’s grand marshal, Seamus Boyle, president of the National AOH.

All of the area’s major Irish dance schools hopped, skipped and kicked in front of the CBS3 cameras. Pageant queens, high school bands, mummers, union members and county societies all gamely braved the elements.

We’ve assembled a huge collection of photos to commemorate the day. Forgive us if some of our shots look a bit blurry. Try as we did to keep our lenses dry, it was often a lost cause. Many thanks to “Glamorous Gwyneth” MacArthur, our plastic tiara-wearing camera compatriot, for helping us provide our extensive photo coverage.

Also check out a couple of videos:

Check out CBS3’s coverage on the Web:

The parade will be rebroadcast on both stations on St. Patrick’s Day, from 9 a.m. to 12 noon on CBS3, and again on The CW Philly from 2 p.m. to 5 p.m. The parade is also available for 30 days on Comcast On-Demand starting Thursday March 18, 2010. To access, select the Comcast On Demand menu, then “Get Local” section. Choose “St. Patty’s Parade.”

People

All Local Parades Washed Out on Saturday

(Editor’s note: Updated at 4:40 p.m. Friday to reflect cancellation of the Springfield parade.)

With two to four inches of rain, small stream and street flooding, and high winds predicted, all of the area’s St. Patrick’s parades that were scheduled for Saturday are now postponed or canceled.

(This is not to be confused with Sunday’s Philadelphia parade, which will go on as scheduled no matter what. Rain, wind, snow, drought, locusts, disease, pestilence, rivers of blood… no problem, Philadelphians will absolutely march on Sunday.)

Of course, even though all Saturday parades are canceled, many traditional post-parade festivities will go on. So you can still strap on your green plastic leprechaun hat and party hearty.

Here’s the current status of the Saturday parades:

Conshohocken (Montgomery County)
Postponed. Originally scheduled for Saturday, the parade is officially re-scheduled for Saturday, March 27, at 2 p.m. So you’ll have to wait a couple of weeks, but—look on the bright side—it gives you a reason to stretch out the month’s celebration.

Levittown (Bucks County)
Canceled. However, two other events are going on as planned, according to the parade committee’s Theresa Gallagher. There’s a special Mass at 8 a.m. at St. Joseph the Worker Church, 9172 New Falls Road in Levittown. Later in the day, there’s a big hoolie (the after-parade party) from 12 noon to 5 p.m. at Falls Banquet Hall, 80 MY Lane in Morrisville (previously known as Trease Catering). Music by Jamison … and it’s free! Food and fun for everyone.

Springfield (Delaware County)
Canceled. It will not be rescheduled, says parade director Steve Burns. “Historically, we’ve never had a rain date,” he says, adding that it’s usually difficult to re-book bands and other marching units. “The consensus has been that, if it’s done, it’s done.”

However, the parade after-party will still go on as advertised. Ancient Order of Hibernians Black Jack Kehoe Division 4 will get the festivities rolling at 2 p.m. at the Knights of Columbus De LaSalle Hall, Baltimore Pike and Bishop Avenue in Springfield. The party goes on ’til 6 p.m., with music by the great Irish band The Shantys. The price is $15, which includes music, food and draft beer.

There’s also a party going on at Duke’s Tavern at Saxer Avenue in Springfield, starting nice and early—about 10 a.m.—and going until whenever.

And over at St. Kevin’s at 200 West Sproul Road, the McDade and Cara Irish dance schools are hosting a ceili from 2-6. To be sure, there will be lots of music and dancing. Ten bucks gets you in the door, including food, dessert, coffee and tea. Ten dollars more buys you a bottomless cup of beer. Listen to live Irish music by Steven Moran.

(Editor’s note: Updated at 4:40 p.m. Friday to reflect cancellation of the Springfield parade.)

With two to four inches of rain, small stream and street flooding, and high winds predicted, all of the area’s St. Patrick’s parades that were scheduled for Saturday are now postponed or canceled.

(This is not to be confused with Sunday’s Philadelphia parade, which will go on as scheduled no matter what. Rain, wind, snow, drought, locusts, disease, pestilence, rivers of blood… no problem, Philadelphians will absolutely march on Sunday.)

Of course, even though all Saturday parades are canceled, many traditional post-parade festivities will go on. So you can still strap on your green plastic leprechaun hat and party hearty.

Here’s the current status of the Saturday parades:

Conshohocken (Montgomery County)
Postponed. Originally scheduled for Saturday, the parade is officially re-scheduled for Saturday, March 27, at 2 p.m. So you’ll have to wait a couple of weeks, but—look on the bright side—it gives you a reason to stretch out the month’s celebration.

Levittown (Bucks County)
Canceled. However, two other events are going on as planned, according to the parade committee’s Theresa Gallagher. There’s a special Mass at 8 a.m. at St. Joseph the Worker Church, 9172 New Falls Road in Levittown. Later in the day, there’s a big hoolie (the after-parade party) from 12 noon to 5 p.m. at Falls Banquet Hall, 80 MY Lane in Morrisville (previously known as Trease Catering). Music by Jamison … and it’s free! Food and fun for everyone.

Springfield (Delaware County)
Canceled.  It will not be rescheduled, says parade director Steve Burns. “Historically, we’ve never had a rain date,” he says, adding that it’s usually difficult to re-book bands and other marching units. “The consensus has been that, if it’s done, it’s done.”

However, the parade after-party will still go on as advertised. Ancient Order of Hibernians Black Jack Kehoe Division 4 will get the festivities rolling at 2 p.m. at the Knights of Columbus De LaSalle Hall, Baltimore Pike and Bishop Avenue in Springfield. The party goes on ’til 6 p.m., with music by the great Irish band The Shantys. The price is $15, which includes music, food and draft beer.

There’s also a party going on at Duke’s Tavern at Saxer Avenue in Springfield, starting nice and early—about 10 a.m.—and going until whenever.

And over at St. Kevin’s at 200 West Sproul Road, the McDade and Cara Irish dance schools are hosting a ceili from 2-6. To be sure, there will be lots of music and dancing. Ten bucks gets you in the door, including food, dessert, coffee and tea. Ten dollars more buys you a bottomless cup of beer. Listen to live Irish music by Steven Moran.

Trenton (N.J.)
Postponed until Saturday, March 20.

Wilmington (Del.)
Canceled. But all is not lost. Far from it! The Irish Culture Club of Delaware will be hosting a hoolie at St. Patrick’s Church (normally, the end of the parade route), 14th and King Streets in Wilmington, from 12:30 to 3 p.m. Ten dollars gets you a commemorative mug and endless beer.

York (Pa.)
Canceled. However, the city is still celebrating indoors, and big-time. Click here for a detailed schedule.

Trenton (N.J.)
Postponed until Saturday, March 20.

Wilmington (Del.)
Canceled. But all is not lost. Far from it! The Irish Culture Club of Delaware will be hosting a hoolie at St. Patrick’s Church (normally, the end of the parade route), 14th and King Streets in Wilmington, from 12:30 to 3 p.m. Ten dollars gets you a commemorative mug and endless beer.

York (Pa.)
Canceled. However, the city is still celebrating indoors, and big-time. Click here for a detailed schedule.

News

One Week To Go and the Fun Has Already Started

The littlest dancers get some one-on-one coaching.

The littlest dancers get some one-on-one coaching. (Click on photo to view slideshow.)

It’s now less than a week before the Philadelphia St. Patrick’s Day Parade and the last fundraiser was truly a “fun” raiser, as Parade Director Michael Bradley called it.

Hundreds paid $25 to get into the event, which featured the popular local group, Blackthorn, a silent auction and a live auction with CBS3 personality Bob Kelly as auctioneer. Some items, like a baseball bat signed by Carlos Ruiz and an on-the-field photo session with the Philly Phanatic , went for hundreds of dollars. 

The parade is set to march down the Benjamin Franklin Parkway on Sunday, March 14,  starting at noon. It will be televised live on the CWPhilly and rebroadcast on CWPhilly and CBS3 on St. Patrick’s Day, March 17.

For the second year in a row, the parade organizers turned to fundraising to keep the parade afloat after the city, facing a budget crisis, began billing for services like police, port-a-potties, and clean-up, that the city had covered in previous years. 

While the financial situation continues to be serious,  the fundraisers have been anything but. 

Music

From Starstruck Fan to Rising Star

Mairead Phelan

Mairead Phelan ... her Facebook profile picture.

You know you’ve really made your mark on a band when they name a song after you. On “The Turning Tide,” the most recent offering from the Irish-American supergroup Solas, the sixth track composed by fiddler Winnie Horan is entitled “A Waltz for Máiréad,” after Máiréad Phelan, the young singer from Kilkenny who stepped into the breach after the departure of Deirdre Scanlan in 2008. (Rumor has it that Horan also considered naming it the Caprese Waltz because she likes the salad, but never mind.)

“It’s so sweet to have a tune named after you,” Phelan says. “Winnie is just lovely, she feels like a sister to me.” However, she’s quick to add that the band, both on tour and in the studio, is not about divisions. “It doesn’t really feel like the boys and the girls at all. We don’t really feel outnumbered—we actually get treated like princesses!”

Unlike Scanlan, who mentions in the band’s Reunion DVD that she hadn’t initially been familiar with Solas, Phelan was a fan of their work long before she joined the band. Upon meeting the other members, “I was completely starstruck,” she admits. It’s easy to assume that coming into such a talented and well-known bunch of musicians (fine, you try to describe Solas without use of the word “supergroup,” I dare you) would be intimidating, but Phelan, surprisingly, says no.

“I had met them before at the audition, so I knew they were lovely because they made me so comfortable there in that situation, which could potentially be weird. I was just so excited and curious to see how a band I loved so much went about making music. I was definitely nervous,” she adds, “but that went away as soon as we got to actually rehearsing. It’s really a lovely way to spend your day.”

Although Phelan is remarkably candid and down-to-earth when she talks about her role in the band, you get the sense that despite the hard work and relentless touring schedule, the magic still hasn’t quite worn off for her. When you hear how she came into the band in the first place, you begin to understand why. Like Phelan, box player Mick McAuley also hails from Kilkenny. The two met while she was singing at a session there in the summer of 2007, and when Deirdre Scanlan left the band about a year later, they got in touch again.

“He asked me to send a demo CD,” she recalls, “and I didn’t have one! I had a friend who’s a guitarist, and we recorded ourselves on a mini-disc player in the bathroom, because it had an echo.” For those who are curious, the tracklist on the Máiréad Phelan Bathroom Demo included the following: Richard Thompson’s “The Dimming of the Day,” two or three traditional songs, a song from the band HEM, and one from Canadian chanteuse Feist. Here’s an odd coincidence: after recently losing her own iPod, Phelan borrowed McAuley’s only to find her own demo on it, which she hadn’t heard since it was recorded.

Like the other members of Solas, Phelan brings a wide range of musical experiences to the table. Music holds an important place in many Irish families, and hers was no exception.

“My dad plays the banjo,” she says, “And my sister’s an amazing cellist. When I was four or five, like most kids in Ireland, I was given a tin whistle. I started the flute when I was ten.” She won the All-Irelands in both flute and tin whistle when she was eleven. She also spent some years studying classical piano at the Royal Musical Academy in Dublin, but ultimately decided that that particular musical path was not for her.

“I toyed with the idea of being a classical piano player… but it was all a bit serious!” she laughs. “I also thought it was ridiculous to spend so much time talking about music instead of playing it.” Although she never received formal training as a singer, Phelan began singing when she was very young, and it was something that remained constant with her throughout her musical explorations.

“Every instrument has its perks,” she says. “Like with the piano there’s so much to work with, so many colors you can produce. But singing is very close to my heart. When I hear singers, it moves me in ways that… there’s something about singing, maybe, because it’s just purely from that person, with no medium, not a trumpet or whatever to convey what they’re feeling. Just their voice.”

From her performances on the selection of traditional and contemporary songs on “The Turning Tide,” it’s clear that Phelan has an intimate understanding of how to convey emotion with her particular vocal instrument. This is especially apparent on her haunting rendition of “Girl in the War,” a tune penned by American songwriter Josh Ritter. When the band gets together to choose songs for an album, she says, “Basically, it’s a democracy. Everybody puts in songs if they have one in mind. In this album, for example, I suggested ‘Girl in the War;’ I think Seamus (Egan, the band’s leader) suggested ‘Ghost of Tom Joad.’”

This anecdote reveals another interesting characteristic of Phelan, which is perhaps part of what makes her so versatile as a singer: her musical influences range far and wide, from female-fronted indie acts like Bat for Lashes and Florence & the Machine, to classic songwriters like Paul Simon and Bob Dylan. And of course, there’s plenty of Irish trad in there—Lunasa, At First Light, and Dervish are a few of her favorites.

What’s in Phelan’s future? Well, in the immediate future, loads of tour dates—including a show at World Café Live in Philadelphia on St. Patrick’s Day, which she’s looking forward to very much. Beyond that? “Well obviously, this is amazing, so I’ll stick it as long as I can. I just feel like the luckiest girl in the world.”