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January 2010

News

For Local Filmmaker, Haiti’s Earthquake is Personal

A still from Maitre's film, "Fishing for Haiti."

A still from Maitre's film, "Fishing for Haiti."

Like most people, Philadelphia filmmaker Deirdre Maitre and her husband, Roosevelt, were glued to the television to watch the earliest reports of the devastating earthquake in Haiti two weeks ago.
But their interest was more personal than it was for most of us. They were scanning the screen for familiar places, familiar faces: Roosevelt’s family lives in Port-au-Prince, and Deirdre’s family founded a sustainable fish farming project on the property where the Daughters of Mary Queen Immaculate, a Haitian teaching order of nuns, operate several schools.

“It was horrendous not to know what had happened to our family and friends,” says Deirdre. “It was like walking around with a bowling ball in my stomach. We did not actually make contact with them on the phone until Friday, three days after the quake, and even then we were getting information little by little, various pieces of news from different people including my husband’s aunts, uncles and cousins here. He has a really close friend who was able to drive down via motorcycle to his mother’s neighborhood and check on them. They had a really close call. Some of their neighbors died.”

Dierdre and her husband are dealing with their grief by throwing themselves into the relief effort. Deirdre will be screening selections from two of the films she did as part of her master’s program at Temple University on Friday, January 29, at 7 PM, at the Irish Center, 6815 Emlen Street, in the Mt. Airy section of Philadelphia. “Fishing for the Future” documents the development of the Martha’s Vineyard Fish Farm for Haiti Project, founded by her aunt, Margaret Penicaud, whose family fishes on the island off the coast of Massachusetts. “Is God Sleeping?”, focuses on a young Haitian artist who is an illegal US immigrant.

She’ll be joined by Jean Marc Phanor, brother of Gilg Phanor, one of the first five Americans rescued from the rubble of the Hotel Montana in Petionville, who will tell his family’s story.

“What I want to do is highlight the organizations in my film and talk about their status to help personalize the situation,” says Deirdre. “Some of the NGOs in my film suffered significant damage. I’m hoping to help people learn about the various work people are doing there and hopefully give them some resources to help them decide where they want to help.”

Deirdre, who grew up in Massachusetts and is the granddaughter of Irish immigrants from County Cork, first traveled to Haiti in 1998 with her aunt, Margaret Penicaud. “She lived in France for many years and married a Frenchman,” Deirdre explains. “In her church, because she spoke French, she was introduced to a nun from Haiti, the mother superior of a teaching order of nuns. The Daughters of Mary Queen Immaculate invited her to Haiti to see their schools and she invited me to come along.”

From that visit grew the Martha’s Vineyard Fish Farm for Haiti Project, which, miraculously, survived the quake. Some of the schools and the nuns’ mother house were not so lucky. The buildings collapsed, and there was loss of life: one sister, one novice, a driver and his two children and 10 children living with the sisters. The nuns are sleeping in a tent in the courtyard. “My aunt has already started raising money for them,” says Deirdre, who fell in love with Haiti and its people during her first visit there.

“They are very authentic and vibrant,” she says. “They have a strong sense of community there. They are incredibly, deeply, profoundly spiritual. Not on an institutional level, not compartmentalized to church, but in their daily lives, in their dealings with one another. They’re very friendly, humanistic, and welcoming people. And with a profound sense of powerlessness, a complete loss of control of their destiny, in God’s hands completely.”

She met Roosevelt Maitre on that first trip and they became friends. Then, they became more than friends. The two were married in 2006. “Haiti has been very good to me,” she says with a smile. Roosevelt, now a buyer at Whole Foods, is a student at Community College of Philadelphia, studying management and business administration.

Like many who know Haiti well, Deirdre has been disappointed in the focus solely on the nation’s poverty, which, though real and vast, tells only part of Haiti’s story. The rest of the story is what she’s trying to relay through her films. “The NGOs I’ve been focused on aren’t relief efforts, they’re genuine partnerships with genuine leadership among Haitians,” she says.

Among them are Fonkoze, from a Creole phrase meaning “shoulder to shoulder,” that is Haiti’s largest microfinance institution offering financial services to the rural-based poor. Founded by a Catholic priest, Father Joseph Phillipe, and 34 other grassroots leaders and working with Peace Corps volunteer Anne Hastings, the little bank that could grew with fund supplied by investors from the US, the Netherlands, and elsewhere and now has millions of dollars—in part as the result of thousands of savings accounts established by Haitians.

Dr. Paul Farmer’s program, Partners In Health, has been bringing medical care to the poor for more than 20 years and is now in four countries. Farmer, a Harvard physician, is United Nations deputy special envoy to Haiti though he currently lives in Rwanda. After the quake, PIH set up field hospitals in Port-au-Prince and has 20 operating rooms up and running. Twenty-two planeloads of medical volunteers and thousands of pounds of medical supplies to support the more than 4,500 PIH medical personnel already on the ground. PIH medical personnel at the sister facility in Rwanda donated a percentage of their salaries to help.

The fourth NGO Deirdre plans to film is Cine Institute, Haiti’s first film school founded in the port city of Jacmel by filmmaker David Belle and supported by Hollywood money (director Francis Ford Coppola is on the board). “We were just in the process of setting up a time for me to visit when the quake hit,” she says. Cine Institute’s building was seriously damaged, but students dug through the rubble for their equipment and began roaming the streets to record the chaos. You can see their video reports and make a donation on their website.

“This has been a horrible, horrible tragedy,” says Deirdre, “but the focus on Haiti because of the earthquake could be a new beginning in so many ways. Time will certainly tell. Americans can play a big part in that.”

Learn what you can do to help Haiti on 7 PM Friday, January 29, at the Irish Center, 6815 Emlen Street, Philadelphia.

Music

Review: “The Turning Tide” by Solas

Solas keeps reinventing itself and yet somehow manages the trick of always staying the same: reliably, predictably brilliant.

This kind of success is all the more remarkable considering the number of personnel changes since the band burst upon the scene in 1994. Only multi-instrumentalist Seamus Egan and fiddler Winifred Horan are original members of the band. Over the years, though, the rest of the lineup has changed: three guitarists, two button accordion players and three singers. That’s not to suggest tumult is the inevitable result. On the contrary, every new musician has brought fresh perspectives to the party, and so the band and its sound have evolved. You can hear subtle changes in each of the nine albums Solas released between 1996 and 2008.

Now, along comes album No. 10, “The Turning Tide,” the second featuring singer Mairead Phelan. All of the essential elements you’ve come to expect from Solas are there. Start with mind-blowing, high-energy arrangements from Seamus Egan (“Hugo’s Big Reel”) and guitarist Éamon McElholm (“The Crows of Killimer”/Box Reel #2″/”Boys of Malin”/”The Opera House”). When the band performs at the World Cafe this St. Patrick’s Day, you can predict that those will inspire enthusiastic “whoops.” The band has been cranking out bread and butter numbers like that from day one. Add in a clever confection from Winifred Horan—”A Waltz for Mairead,” which reminds me a bit of “The Highlands of Holland” from the 2003 album, “Another Day.” Now tack on the happily tangled rhythms of box player Mick McCauley’s “Trip to Kareol” (which reminds me vaguely of “Who’s in the What Now” from “Edge of Silence”).

It could all seem formulaic, but if it is, it’s a formula for sure-fire success. At its core, regardless of who is playing the guitar or accordion—and Solas attracts the best—the band remains consistently excellent. And even if some of the selections seem familiar, Solas infuses fresh new energy and excitement into them.

Into this dependable mix steps Mairead Phelan, who joined Solas in 2008, replacing Deirdre Scanlan (who replaced Karan Casey). Phelan made her debut on the last CD, “For Love and Laughter.” Her first outing provided a tantalyzing clue as to what was to come. On “The Turning Tide,” she really comes into her own, and adds her own special imprint on the band.

It helps that she has great material to work with. I’d love to know the process Solas follows for picking tunes. On “The Turning Tide,” as always, the band has discriminating taste—for example, “A Sailor’s Life,” the old English folk song popularized by Sandy Denny and Fairport Convention; Bruce Springsteen’s “Ghost of Tom Joad”; and “Girl in the War” by Josh Ritter, whose writing invites comparisons to Springsteen and to the young Dylan.

But great tune selection can only take you so far. The singer has to be up to the task.

Mairead Phelan is there.

I was prepared to like “Ghost of Tom Joad”—it’s a great song to begin with—but Solas adds its own intriguing interpretation. Seamus Egan opens on banjo, and what follows is an arrangement that sounds more like a slow march than a folk tune. Phelan’s soft, sweet voice lends a plaintive quality to the Springsteen lyrics. The Boss would be pleased.

“A Girl in the War” was an interesting choice. Posters on the lyrics boards seem hopelessly divided on the song’s meaning. Does it have religious overtones, or is it an explicit anti-war tune? I’ll side with the latter. Check out to the lyrics and draw your own conclusions: “Peter said to Paul/You know all those words that we wrote/Are just the rules of the game and the rules are the first to go/But now talkin’ to God is Laurel beggin’ Hardy for a gun/I got a girl in the war, man I wonder what it is we done.”

Phelan’s reading of the song is spot on. She draws you in and makes you feel every note of this gorgeous, haunting song. And, again, it helps that she has a superb band behind her—on this tune, including the Philly dobro player Mike “Slo-Mo” Brenner—and the advantage of a lovely, restrained arrangement to match her delivery.

So what’s new about this version of Solas is clear in the form of a talented singer whose talents are really still just emerging.

Along with Brenner, “The Turning Tide” features contributions by long-time members of the Solas extended family—drummer Ben Wittman (he blows the doors off in “Hugo’s Big Reel”) and bassman Chico Huff, with percussion by John Anthony, who also recorded, mixed and mastered the CD.

Take a listen to “The Turning Tide.” (You’ll hear tracks on Marianne MacDonald’s radio show “Come West Along the Road” on WTMR AM 800 Sunday at noon.) I promise you’ll hear something new. And yet the same.

News

Compromise in the Works For St. Paddy’s Day Parade Costs

On Monday, St. Patrick’s Day Parade Director Michael Bradley finally had his oft-postponed meeting with Philadelphia’s city council and top representatives of the mayor’s office to discuss the $112,000 costs for this year’s ethnic parades.

The word for the day was “compromise.”

“I’m very optimistic we’re going to reach a fair settlement,” said Bradley, who is part of a new organization encompassing the diverse group of annual city marchers—Poles, Puerto Ricans, Greeks, Germans, Italians, and the Irish. Estimated total costs for all six parades is $112,000, with the St. Patrick’s Day parade the city’s highest ticket item.

A good part of that price tag will be slashed because the city agreed it wasn’t fair to charge the groups for police officers who are already on duty but reassigned to a parade. Bradley says that the St. Patrick’s Day Observance Association may also arrange for its own portable toilets and possibly other parade essentials because it can get them at a lower price than the city charges.

Though the parade will march on as scheduled on Sunday, March 14, there will still be several fundraisers leading up to it. The association hasn’t paid last year’s bill—roughly $30,000—because it’s still being negotiated and it may need to ante up the same amount this year. “We still need to raise about $60,000,” says Bradley.

The first benefit is February 7, a Super Bowl party at the Irish Center, 6815 Emlen Street, Philadelphia, where the game will be on all three flat-screen TVs at the bar. For $20, there’s a full buffet and a live half-time performance by the Vince Gallagher Band. On February 21, a fundraiser that also honors Parade Grand Marshall Seamus Boyle, national president of the Ancient Order of Hibernians, is being held at the Mayfair Community Center in Philadelphia. A $25 charge covers beer, wine, soda, and a buffet along with music by the Shantys, Ballina, The Gallagher Brothers and the Irish dance group, Celtic Flame. A third benefit is in the works for the Springfield Country Club in Delaware County, says Bradley.

Much of the credit for the new parade détente, says Bradley, goes to City Councilwoman Maria Quinones Sanchez, who is one of the organizers of the Puerto Rican Day Parade, and Councilman Bill Green, who worked behind the scenes to bring the administration and the parade groups to the table.

“They listened to us, gave us time to talk, and the representatives from the managing director’s office were wonderful to work with,” Bradley said.

Another good thing to come out of the meeting was a renewed call to determine just how much revenue the parades bring into the city to fill in that so far elusive profit column. “Bill Green was very helpful in that,” says Bradley, who estimates the St. Patrick’s Day Parade brings as many as 100,000 people to city where they “eat, drink, pay for parking, and pay taxes. Plus we meet downtown all year and support city businesses. We’re a boon to the economy of Philadelphia.”

The Philadelphia Inquirer quotes Green, who suggested the city launch and economic impact study, as telling the administration, “Start using data to make these decisions, rather than guessing.”

Bradley brought up one cost to the city that hasn’t been factored in: the resultant bad publicity that could hurt Philadelphia’s bid to host World Cup Soccer, the Olympics, and the 2012 Democratic National Convention. “How do you attract world class events by nickel and diming people?” he asked.

Columns, How to Be Irish in Philly

How To Be Irish In Philly This Week

Fun stuff this weekend to bring a chilly end to January and launch us into February, which is shaping up to be the month of fundraisers and benefits, many for the Philadelphia St. Patrick’s Day Parade.

Blackthorn is rocking Archbishop Ryan on Saturday night—a fundraiser for the Ryan Tuition Assistance Program. Although it’s a high school, high schoolers aren’t allowed. This is a strictly over-21 crowd.

AOH Notre Dame Division 1 is throwing a ceili dance on Saturday night at their hall in Swedesburg. Tom McHugh & Company will be providing the music.

On Sunday, AOH/LAOH 87 will be holding a benefit for member Donna Cannon whose daughter and her family lost everything in a house fire on New Year’s eve. The event, which will feature music and a Chinese auction, will be at the division’s Kevin Donnelly Hall on Wakeling Street in Philadelphia.

Also on Sunday, join the Sons and Daughters of Derry at the Irish Center for a Bloody Sunday Memorial Mass in memory of those who lost their lives during a clash between protesters and British soldiers in Derry’s Bogside neighborhood in 1972.

February starts with a bang on Monday as Maura O’Connell, lead vocalist of DeDanaan, appears at Sellerville with Shannon Lambert-Ryan and Runa, a Philadelphia-based Celtic group.

New to our calendar: John Byrne of the John Bryne Group is regularly anchoring a ballad and Irish trad session at Slainte at 30th and Market Street, across from 30th Street Station. Check him out this Tuesday.

Also new: It’s Irish Night at the Washington Crossing Inn on Wednesdays, featuring live music from Paddy’s Well, Boys of County Bucks, Connemara Codfish Company, Tullamore Trio and the Theresa Flanagan Band, with dinner and drink specials.

On Thursday, tune in early to WHYY-91 FM (between 6-10 AM) when reps from all over the Irish community will be taking pledges during College Challenge Week. Talk to your favorite Irish beauty queens (Rose of Tralee, Mary from Dungloe), journalists, Gaelic Athletic Association coaches, and immigration experts as you make your pledge. We expect to beat every other group they’ve scheduled this week—but, as they say during the fund drive, we can only do it with your help.

Speaking of beauty queens, on Friday, the lovely Rose of Tralee, Jocelyn McGillian, will be hosting a winter barbecue (yum) with music, food, drink, Quizzo, prizes, all to benefit the Susan G. Komen Foundation. It’s all happening at the Willows in Villanova. We’re hoping she’ll sing.

If you’re in Jersey, you can catch Sharon Lambert-Ryan and Runa at the Appel Farm in Elmer on Friday night.

This month, the Sunday WTMR-800AM radio shows will launch another on-air fund drive to get them through the beginning of the year. Listen in between 11 AM and 1PM and make a generous donation.

And don’t bother whipping up the chili for the Superbowl Party. Bring the family and friends to the Irish Center instead where you can watch the game on three big flat-screen TVs, enjoy a draft beer, and eat a sumptuous buffet that someone else is making—all for $20. Proceeds from the event will benefit the Philadelphia St. Patrick’s Day Parade which has been socked with some extra fees from the city.

Ahead—some terrific traditional music concerts planned for the Irish Center in the next two months leading up to St. Patrick’s Day. The Midwinter Scottish-Irish Festival in Valley Forge is on Valentine’s Day weekend (we’ll be there–stop by and say hi). And “The Irish and How They got That Way,” a musical by the late Frank McCourt (“Angela’s Ashes”), is at the Kimmel through the Irish holiday season. (We saw it last night and loved it.)

So, get your practice in for the big day. There’s nothing worse than being a St. Paddy’s Day Irishman. Or, as the rest of us refer to you, an amateur.

Check our calendar for all the details.

News, People

Pitch In!

Baseball season is just around the corner. Before you trade in that old glove, think about donating it so children in the US and around the world who can’t afford equipment can take their bases in style.

The McCollum Insurance Agency, 4109 Main Street, in the Manayunk section of Philadelphia, is collecting new and gently used youth baseball/softball gloves and new baseballs and softballs for Pitch In for Baseball (PIB), a nonprofit organization based in Harleysville founded by David Rhode, a businessman and avid sports coach. Some well known local folks serve on its board, among them Bill Piszek, vice president of the Copernicus Society founded by his late father, Ed Piszek, founder of Mrs. Paul’s Foods, and Bradley Korman, co-president of Korman Communities, Inc.

This past year, Pitch in for Baseball teamed with major league baseball to distribute equipment to more than 175 inner city baseball leagues in the US. PIB has sent gear to an orphanage in the Dominican Republic, a youth organization in Slovenia, and, thanks to a group of US soldiers in Iraq, to a new baseball team in Bagdad. In Philly, the group was able to help the Nelson Playground to increase the number of participants in its ball programs from 60 to 300 because of the donated equipment.

McCollum came across PIB while looking for an organization that needed sports equipment. “From day one when I started my business, I wanted to do something to help out the community,” he says. “There are drives for food and for clothing, and I wanted to try something different. And there they were on Google.”

Ideally, McCollum says, he’d love the equipment he collects to go to kids in Philly. “I really wanted to help out locally,” he says. And he was happy to see that the city’s parks department is a regular recipient of PIB’s largesse.

McCollum will be collecting baseball gear through March 15 at his Manayunk office. You can contact him at b.mccollum@verizon.net or 215-508-9000.

News

Learn How You Can Help Haiti

Roosevelt and Deirdre Maitre. Photo by Joy Moody.

Roosevelt and Deirdre Maitre. Photo by Joy Moody.

Philadelphia filmmaker Deirdre (Dede) Maitre, the granddaughter of Irish immigrants, will screen clips from the documentary work she has done over the years in Haiti on Friday night, January 29, at the Irish Center, 6815 Emlen Street, in the Mt. Airy section of Phladelphia.

Representatives from various Haitian aid groups will also be there to answer questions about the earthquake that has left an estimate 200,000 people dead and millions more homeless and without food, water, and medical care.

Maitre, who received her MFA from Temple University in 2005, has been the recipient of many grants and awards, including the Ben Lazaroff Writing Scholarship, a Philadelphia Independent Film and Video Association Subsidy Grant, and a Thesis project Completion Grant from the University Fellowship Committee of the Graduate Board of Temple University. Her husband, Roosevelt, was born in Port-au-Prince, Haiti.

She runs her own company, Maytree Multimedia, which provides digital video services to small organizations and businesses, and she freelances on independent film projects. Her own current project is “Is God Sleeping?”—a short documentary about a young Haitian painter struggling as an illegal immigrant in the United States. She recently completed a photoessay, Permission, which features personal portraits of the residents of Saint Marie, Port-au-Prince, Haiti. You can see some of her work on her website.

Irish charities, particularly Concern Worldwide, were on the ground in Haiti when the quake struck. Concern, founded in Ireland in 1968, has had a team in three areas of Haiti–La Gonave Central Plateau, and Port-au-Prince–since Hurricane Gordon hit the islands in 1994. The Irish American nonprofit, GOAL, USA, founded in Dublin in 1977, is also there. You can donate to Concern at www.concernUSA.org/HaitiAppeal and to Goal USA at www.goalusa.org.

Columns, How to Be Irish in Philly

How to Be Irish in Philly This Week

Remember last week when I told you to book early for the Blackthorn fundraiser for the Black Jack Kehoe AOH Division 4 in Springfield on Saturday? Remember how I said “sold out” was their middle name? Well, the event is sold out. No tickets will be available at the door because they can’t shoehorn in even one more person. Next time, listen to me.

There may still be time to book for Enter the Haggis at World Café Live on Saturday night. This Toronto-based band delights fans with its novel take on Celtic rhythms, matching it with rock, pop, and even funk.

On Wednesday, Kilkenny-born contemporary folksinger and songwriter Enda Keegan is on stage at Slainte at 30th and Market streets. Keegan is a recent Philly transplant who still performs mainly in New York City but is spreading his wings here. Next month he’ll be opening for John Byrne (late of Patrick’s Head) at Byrne’s CD release party at World Café Live.

Like a little Irish music with your gambling? Then head up to the Sands Casino in Bethlehem. Amadaun, a group that blends rock, bluegrass, and folk-rock with traditional Celtic sounds, is playing this week at the St. James Pub.

On Friday, January 29, at 7 PM, there will be an information session on the disaster in Haiti featuring filmmaker Dede Maitre (granddaughter of Irish immigrants) who will screen clips from the documentary work she has done over the years with various charities in Haiti. Representatives from Haitian aid organizations and members of the local Haitian community will be there.

Following the meeting, stay for the January Rambling House entertainment evening, featuring music by The Malones and whoever else wants to get up and do their party piece. There’s a bar there for the shy, free refreshments, prizes, and it all costs only $5. You can’t even see a movie for that little.

Music

A Cinderella Story

If his mother hadn’t been visiting from Ireland and sitting right there right next to me, sipping tea at Starbucks in Chestnut Hill, I’m not sure I would have believed Enda Keegan’s Cinderella story.

“Oh it’s true,” Mavis Keegan assured me.

And it starts like this: Once upon a time, a young high school dropout who picked cabbage on a farm during the day and played music in bars at night was asked by his mother’s employers to come to their home and perform for their American guests. “My mother was a chef at Castleton House, a private house in Kilkenny, where I worked as a waiter sometimes from the time I was 12 or 13,” explains Keegan, a contemporary folksinger and songwriter who recently moved from New York to Philadelphia. Mavis nods.

He was 17 at the time. The guests, James Vankennen and his wife, Gloria Ozbourne, were in their 70s. Everyone was having a brilliant time when Vankennen suddenly asked the young man if he’d like to go to college in the States. “I said ‘sure, send me a ticket,’” recalls Keegan with a grin. He’d thought it was just an offhand comment, made in the cheer of the moment.

But the next morning, Vankennen reiterated the offer. Keegan would be the second total stranger that the Vankennens would send to college. But there was a hitch. Keegan hadn’t finished high school—to the consternation of his parents—so he assumed no college would have him. A few months passed, then 10 days after Christmas, Keegan got a letter from the Shenandoah Conservatory of Music in Virginia. He was to report to classes the following Monday.

“So I was literally working on a farm picking cabbages on a Thursday and going to college on Monday,” says Keegan. “It changed my life overnight.” Today, Keegan, who performs regularly in New York, is working on a second CD to follow his first, The Bridge, a polished mix of contemporary folk-rock tunes he composed and traditional tunes including “The Water is Wide” and “Mary and the Soldier.” He moved to Philadelphia in November so his wife, Anitra, didn’t have to commute so far to her job—she’s a dancer with BalletX which performs at the Wilma Theater in Center City.

Keegan’s life had started to change when he was 10. His father, Peter, a fine baritone singer, bought him a guitar and the young Enda, the youngest of six children, taught himself to play. By the time he reached his teens, he was playing regularly in pubs and performing with the Carrick on Suir Operatic Society. But school. . .well, that was another matter.

His mother takes over the telling of that story. “I blame the Christian Brothers,” she tells me. And no, it’s not what you think. “They wouldn’t put him in the music class,” she says. “I think he would have studied everything else if he had been allowed to take music. They had a talent show for the students and guess who won it?” She nods toward her son, who appears a little alarmed at what she might say next. “He won 20 pounds, but I went back to the brother and told him to keep it. Why would they give him money for his music when they wouldn’t allow him in the class?”

“You did that?” asks Enda, clearly surprised.

“I did,” she says with a nod.

It all worked out in the end, with the help of Keegan’s fairy godparents. Of course, there were some detours. His first job out of college, where he earned a bachelor of fine arts and studied musical theater, was as a Christmas elf at Macy’s in New York City. He followed that with a stint as a “spray boy”—cologne terrorist, if you will—for Ralph Lauren. Then he worked for BMG Records in the department “on those annoying ads, ‘buy one CD, get 700 free’,” he says. (The young woman trying to work at the next table at Starbucks is shaking her head. “I’m never going to get anything done because you’re making me laugh,” she tells him.)

Eventually, he became lead singer of a group called SurreyLane, which toured the US, had a top 100 hit on the adult contemporary charts and got airplay for a 9/11 tribute song, “Love Must Grow.” In 2005, Keegan left the group to go solo. “If you’re going to be a performer, and it’s not always easy, you gotta love it, and I wasn’t loving it,” he explains.
He’s still commuting to New York to perform several nights a week at three different venues. A couple of years ago, he was hired by “American Idol” to play during the coast-to-coast audition tour during which they winnow out the thousands of hopefuls not talented or terrible enough to make the cut. Last year, he opened for Finbar Furey at O’Hurley’s in New York and produced a benefit for the NYPD Widows and Children fund featuring the Bagatelles, the Irish band headed by Liam Reilly that influenced Keegan and that other Irish singer, Bono, and whose tunes, like “Summer in Dublin” and “Second Violin,” fill the play lists of most Irish groups even 30 years after they debuted.

Keegan would like to become that established in his new city too. “I love the challenge of taking it on,” he says.

He’s gotten some help from John Byrne, a Dublin native and former helmsman of the popular local Celtic-folk group, Patrick’s Head, with whom he performed at Fergie’s Pub in the city. He’ll be fronting when Byrne, now lead singer for the John Byrne Group, holds his CD release party at World Café Live next month. “John’s an extremely talented musician and he’s been very good to me,” says Keegan. In fact, he owes next Wednesday’s gig at Slainte at 30th and Market to Byrne, who anchors the session there.

Keegan’s also working on his second CD with LA music producer Peter Stengaard, who has produced and worked with artists as varied as Ashanti, Billy Ray Cyrus, Peabo Bryson, and Joss Stone as well as songwriters Diane Warren and Carol Bayer Sager. About Keegan, Stengaard says, “Enda is a rare talent, one of those unpolished diamonds you quickly realize you need not polish because it’s already shining.”

You can hear how he shines at his website. And you can see him in person on Wednesday, starting at 9 PM, at Slainte, at 30th and Market, across the street from 30th Street Station.