Irish musician and folklorist Mick Moloney recalls a time when he was still living in Philadelphia, and L.A.H. O’Donnell, who had retired from EMI Records and lived in Chestnut Hill, contacted him with an intriguing offer: a vast trove of Irish-American sheet music.
“He was offering the collection for $3,000,” Moloney says. “Well, at the time, I didn’t have $300.”
Scholar that he was and is, Moloney looked about for another suitable home for the music, which hearkened back to the Tin Pan Alley days and a little before. No one, including the Smithsonian, had the budget. That was the last he heard of the music, although he never forgot about the offer.
Ten years later, when his circumstances had improved, he called O’Donnell again.
“I asked, ‘Is that collection still for sale?’ He said, ‘Mick, you’re one week too late. Someone just bought it.’”
























