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June 2011

News

Bristol Hosts Its 15th Celtic Festival

Irish tunes at the gazebo

Irish tunes at the gazebo

The wonderfully diverse Bristol is a small borough in Lower Bucks County—population 9,726—but it has a big Celtic heart.

You can see it on display Sunday from 1 to 8 p.m. as the borough’s Celtic Heritage Foundation takes over Lions Park at the foot of friendly Mill Street (at Samuel Cliff Drive).

Dave McGlynn, for one, is looking forward to the day. “Each ethnic group in the borough has a festival in the summer time,” says McGlynn, vice president of the 300-member group. “The Puerto Rican Day Festival is in July, the Afro-American Festival is in August, and the Bristol Lions Italian Festival is in September. We’re the first one, in June.

“Fifteen years ago, when we started, we held it in July. The we found out it was a little warm for the Celts. So we switched it to the end of June. Turns out that’s not always too cool, either.”

This Sunday should be pretty nice, though. The weatherman predicts partly sunny skies, with the high a relatively comfy 84.

Expect the day to be jam-packed with Irish tunes. The music begins at 1 p.m., with the band No Irish Need Apply. The Martin Family Band follows at 3, and the Bogside Rogues at 6, running to the festival’s end.

You’ll see plenty of the area’s toe-tapping dancers, too, with the McCoy School appearing at 2:15, and the Fitzpatrick School at 5.

All of that action happens at the gazebo behind the Bristol Riverside Theatre. Bring a lawn chair.

Between tunes and steps, you can check out the many food and merchandise vendors in the park nearby.

If the experience of past years is any indicator, you can expect to run shoulders with a lot of local Irish.

“We get anywhere from 4,000 to 5000 people,” says McGlynn. “We get good crowds.”

Learn more.

Arts, People

5 Questions With Colin Quinn

Colin Quinn (photo by Carol Rosegg)

Colin Quinn (photo by Carol Rosegg)

History class is in session. It’ll only take 75 minutes, but at the end you’ll know everything.

You’ll know how empires rose and fell. You will learn how the British conquered the world through the sheer force of their withering contempt, why the Chinese just couldn’t stop building that wall, and why there are fewer countries more irrelevant than Australia.

And it’ll all be lots funnier than history as taught by Sister back in the fourth grade. She was a humorless cow, anyway.

“Long Story Short,” Colin Quinn’s acid interpretation of the events that shaped great nations and then brought them to their knees—punch-drunk, bewildered and condemned to keep committing the same disastrous mistakes over and over again—comes to the Susanne Roberts Theatre this week. The one-man show, directed by Jerry Seinfeld, runs from June 28 through July 10, 2011.

You’ll remember Quinn from his five-year stint on Saturday Night Live.  His face redefines the meaning of craggy, and his widow’s peak carves out an impressive capital letter M across his forehead. Quinn has amazingly literate comedic sensibilities, and he offers up some head-spinning observations on the human condition, but the lines are delivered in a streetwise Brooklyn-ese, with a voice that sounds like a truck dumping a load of crushed rock. He stalks the stage (with a crumbling Roman amphitheatre as a backdrop), making some astonishing points as he goes along. For example, a riff in which he compares Antigone of Greek mythology to “Jersey Shore’s” self-obsessed Snooki, or re-envisioning Caesar as Goodfella mobster Ray Liotta. The show is fast-paced—in Quinn’s world, each empire rises and falls in about ten minutes’ time.

Of course, you’re not meant to take any of it seriously. Scott Brown, writing for New York Magazine, recalled a quote from director Seinfeld in which he described the making of “Long Story Short” as “taking a fatuous premise and proving it with rigorous logic.”

We chatted with Quinn by phone this week, and here’s what he had to say about the show and his Irish-American upbringing.

Q. A headline for the Hollywood Reporter review described your show like this: “The History Channel meets Comedy Central.” It was actually a pretty good review, but that kind of Hollywood pitch line description doesn’t really measure up to what you’ve done. The history of the world in 75 minutes is an Olympian task. How hard was it to pull all of that material together and make all the connections?

A. It like to play around with this stuff, anyway. I always think in terms of “combinations.” It’s always in my head somehow. It’s all people stuff to me. Altogether, it took a few months to bring together—different hours, different times.

Q. If you’re going to talk about the British Empire and the Roman Empire (and more), you really do have to have some sense of history. You couldn’t have tackled the “demise of empires” with just a Cliff’s Notes knowledge of history. So I suppose I could put this more delicately, but how did you get so smart?

A. Most of it, I feel like its common enough knowledge. And we (comedians) have a lot of free time. We can read any time we want. I read a lot. I don’t reads that much history—I was never all that interested in history. I’m really more interested in the global village. I feel like everything else. These connections have been going on since time began.

Q. For those who haven’t seen the show, how did you figure out that you could make the connection between Antigone and Snooki?

A. That junction is just based on the fact that what people used to watch is not like what people watch now. (Now) we see Snooki crying on her knees over the loss of her cell phone.Most people wouldn’t know who Antigone is, but I went to a few acting classes so I know my stuff.

Q. You’ve probably been asked this before, but did you have any qualms about how or whether stand-up translates to a long-running Broadway monologue—the kind of story-telling that has been compared to the work of Spalding Gray? What were the challenges?

A. My own form of comedy is long-form, rambling comedy. I just wanted to do something thematic for a change of pace. To me, that was really like a natural state. It wasn’t like I was doing a bunch of one-liners before that, anyway.

Q. We’re an Irish web site, so of course we need to ask you something Irish. Happily, you’ve already gone there with an earlier show, “Colin Quinn: An Irish Wake.” And here again you’ve been lauded for your story-telling powers. The New York Times review described you as a kind of modern-day incarnation of the Irish “seanchai.” (“Story-teller,” in the Irish language.) You grew up in Brooklyn, coming from an Irish family, and knowing a lot of the local Irish–evidently providing you with a wealth of material. Can you tell us how growing up Irish influenced you?

A. Irish people, they like to read more than most people. I feel like that helps a lot. And I feel like Irish people are very verbal. I definitely feel like my Irish blood helps me to be a performer and a writer of comedy.

For more information on the show, check out the Philadelphia Theatre Company Web site.

How to Be Irish in Philly

How to Be Irish in Philly This Week

Enter the Haggis

One of the most popular groups to come out of Canada since Dudley Do-Right, Snidely Whiplash and Nell Fenwick is Enter the Haggis. They’re a Toronto-based Celtic rock band that doesn’t spend much time in Toronto. They’re on the road about 150 days out of the year, hitting major and minor venues and probably every Celtic festival from coast to coast, racking up an impressive number of fans.

You can see what the fuss is all about on Saturday at the brand new World Café Live at the Queen in Wilmington, DE where they’ll be on stage rousing the rabble. Very high energy—like an overdose of Red Bull. If you travel out to Manheim on Friday, you can also catch them at the Celtic Fling and Highland Games on the grounds of the Pennsylvania Renaissance Faire. They’ll be back in the area on July 24 for a show at the Sellersville Theatre (book now—they usually sell out).

If you’re in Wildwood on Saturday, wander over to Caseys on Third in North Wildwood to hear Jamison.

Also on Saturday, join the Philadelphia Soul for its Irish Theme night with green beer and Irish music and dance as the Soul kicks the daylights out of the Arizona Rattlers at the Wells Fargo Center. It’s arena football.

On Sunday, Bristol Borough is holding its 15th annual Celtic Day with Now Irish Need Apply, Martin Family Band, the Bogside Rogues, and the McCoy and Fitzpatrick Schools of Irish Dance. It’s on the borough’s picturesque waterfront and there will be food and merchandise for sale. BYO lawnchair.

Later in the week (that would be Wednesday), comedian Colin Quinn will be doing his one-man show, directed by Jerry Seinfeld, called “Long Story Short” at the Suzanne Roberts Theatre on South Broad Street in Philadelphia. (It runs through July 10). Quinn gives you the history of the world in 75 minutes and includes his take on everyone from Socrates to Snooki. (I saw the HBO special of the show and it was hilarious.)

As always, check the calendar for all the details.

Sports

How the Notre Dame Rugby Sevens Got Their Kicks

No one escapes the rough and tumble that is rugby.

No one escapes the rough and tumble that is rugby. (Photo by Brian Mengini)

It’s called seven-a-side rugby, with seven players instead of the standard 15.

But don’t let anyone fool you. It doesn’t matter whether seven guys are on the field or 15 … this game is hard-hitting and just a little nuts.

We had a chance to see rugby sevens up close and personal recently when the Sevens Collegiate Rugby Championship came to town. (Specifically: The Philadelphia Union stadium in Chester).

All of it was fun to watch, but still, upstanding Irish persons that we are, we just had to take in a game featuring the Notre Dame Fighting Irish.

We’re happy to report that they kicked the hind ends off the team from Boston College, 30 to zip.

That sent the Fighting Irish on to games with Navy, Utah, Ohio, and Dartmouth (see scores below).

  • NOTRE DAME- 28 V OHIO STATE – 7
  • NOTRE DAME -19 V DARTMOUTH – 24
  • NOTRE DAME -17 V UTAH – 21
  • NOTRE DAME-12 V NAVY -10

In the final challenger match, Louisiana State University beat ND 24 to 0.

Ultimate winner though: Dartmouth. They brought back the trophy.

The Sevens Collegiate Rugby Championships were televised on NBC. This is the first time they were held in the Philadelphia area.

We can’t match NBC’s coverage. (After all, they just spilled $2.201 billion for the rights to broadcast the Oympics. They’re in a league of their own. Most of the time, we have beer money and, if we’re lucky, enough left over for a bag of chips.) That said, we can still bring some of the excitement to you courtesy of our very talented photographer Brian Mengini.

Check out the pics.

News, People

Honors for the ‘Gold Standard of an Irish Gentleman’

Bob Haley and Joe Montgomery

Bob Haley and Joe Montgomery

When it comes to award banquets and the like, there are times when an organization has a hard time figuring out who to honor.

For the Firefighter John J. Redmond Division of the Ancient Order of Hibernians, it was a no-brainer.

At their Hibernian Service Award ceremony Friday night at the Firefighters Union Hall in Center City, the Redmond AOH honored the only living person to have an AOH division named after him (Division 65 in Upper Darby): Joe Montgomery.

“He was chosen by a committee of our executive board,” says Bob Haley, president of Ancient Order of Hibernians Division 22. “Joe’s name wasn’t even challenged.”

Haley, who is 48, recognizes well that Joe Montgomery is from another generation (he’s 90), but he says Montgomery is not set in his ways and he’s open to new thoughts and ideas. Since he’s been around the block a few times, though, Montgomery can be relied upon to provide wise counsel. And the young guys are all too willing to learn from the master.

“Joe is a friend to almost every division in the Philadelphia area and throughout Pennsylvania,” said Haley. “Joe is Pennsylvania’s oldest Hibernian. He’s been around long enough so that he knows what’s been tried and hasn’t worked. He’ll sit there and listen to you and what you have to say, and he’ll give you advice. Still, he likes to say, ‘It’s your generation who will keep the AOH going.’

“Joe’s been to every convention, not just the state but the national. He’s been an officer on almost every level. Everybody knows Joe Montgomery.”

In addition to Montgomery’s longtime dedication to the AOH, Haley says Montgomery is noteworthy for yet another reason: He’s what Bob Gessler, founder of the Hibernian Hunger Project and a leader among Philadelphia Hibernians, has called “the gold standard for an Irish gentleman.” Haley notes that Montgomery used to live at 11th and Jackson and, as a younger man, worked as a teamster.

“He went to work in a suit and tie every day,” says Haley. “He’d change into his work clothes when he got to work. That’s the kind of guy he was.”

The division honored several other people of note:

Hibernian of the year
Hubert Gantz
President Garrettford – Drexel Hill Vol. Fire Co.
AOH Div. 22 Recording Secretary

Irishman of the Year
Edward Dougherty
National Hibernian Hunger Project Chairman
President AOH Div. 39

Ladies Hibernian of the Year
Debbie Lenczynski
Treasurer LAOH Div. 22

 

News, People

No Fries with That

Hibernian Hunger Project volunteers Ed and Pat Costello and friend.

When you’re used to cooking for thousands, dinner for a couple dozen people  is no sweat. Okay, if you’re at the stove, maybe there’s a little sweat. But volunteers from the Philadelphia area’s Hibernian Hunger Project (HHP), a national charitable program of the Ancient Order of Hibernians, didn’t let a little heat drive them out of the kitchen.

On Monday, June 13, they prepared roast beef, mashed potatoes, baked chicken breasts, lasagna, eggplant parmagiana, various veggies, salad, and dessert for the children and families staying at the Ronald McDonald House on Erie Avenue, next to St. Christopher’s Hospital for Children.

Like the Hibernian Hunger Project, which feeds thousands of needy people around the country, the 300 Ronald McDonald Houses around the US trace their roots to Philadelphia and something Irish.

In 1974, a pediatric oncologist at The Children’s Hospital of Philadelphia, Audrey Evans, MD, met with Eagles General Manager Jimmy Murray whose team was raising funds to support a player whose daughter was being treated for leukemia at St. Chris’s. Murray reached out to McDonalds which offered the proceeds from the sales of its Shamrock Shake to build a place where families of children being treated at local medical facilities could stay. Children come from all over the country—in fact, all over the world—to Philadelphia which has three children’s hospitals—CHOP, St. Chris’s, and Shriner’s at Temple University.

The first Ronald McDonald House was carved from a seven-bedroom home on Spruce Street near CHOP and a brand new facility, with 18 guestrooms, opened in 2008 at St. Chris’s. It costs families $15 a night to stay at the Ronald McDonald House, unless they can’t pay. Then, it’s free.

As is much of the labor. There’s only a few paid staff and, though St. Chris’s house has a state-of-the-art kitchen that even Emeril would love, all meals are cooked and served by volunteers.

“I had no idea that all the food was donated,” said Donna Donnelly, who serves on the HHP Board, as she popped two trays of mashed potatoes in one of the ovens, alongside bubbling trays of seasoned chicken breasts. “I also didn’t realize that they had somebody different to cook for them every night. I can see where it would be a comfort, after a day of sitting by a child’s bedside, to come back and have a home-cooked meal.”

On the other side of the kitchen, Ed Costello and his wife, Pat, were slicing up the roasts that had been simmering in 50-gallon slow cookers of all day.

“This is making me hungry!” called another volunteer, sniffing the rich aroma perfuming the air.

At another oven, Kathy Gessler and Patty-Pat Koslowski were minding the lasagna, the eggplant parm, and the chicken gravy. “Pass me the cheese,” said Koslowski, who works for a caterer. “I need to put the finishing touches on this.”

The man who created the Hibernian Hunger Project, Bob Gessler, former president of AOH Div. 87, made the connection with the Ronald McDonald House last March, after he saw volunteers serving breakfast to families on St. Patrick’s Day. “I talked to them about having us come in and while we couldn’t do it on St. Patrick’s Day, we decided to do shamrocks for the staff and the families,” he explained. The potted “shamrocks”—actually oxalis plants—are still in all the kitchen windows.

A tribute to the staff’s ability to attract volunteer chefs, the next available time was in June.

Gessler saw the undertaking as a way to involve more people in HHP, which holds regular “cook-ins” during which they make up to 6,000 meals for the elderly and shut-ins served by Aid for Friends, a nonprofit organization in Northeast Philadelphia. All year long, local AOHs collect canned goods or raise money for HHP. They make and deliver food baskets at the holidays. “We’re always looking for ways to get more people connected to HHP,” says Gessler. While the cook-ins draw hundreds who work, assembly line style, preparing meals for freezing, volunteers rarely see the fruits of their labor—the smile on the face of someone savoring the meal.

“I saw this as something that’s on a smaller scale, something they can own,” he says. “People want to help. Sometimes they don’t know how to help. They don’t have to spend any money. We have the money. What we need are your time and talents.”

At 6 sharp, the receptionist at the front desk announced over the loud speaker: “Dinner is now being served by the Hibernian Hunger Project” and the first takers appeared in the dining room and got into the buffet line: staff members, moms, dads, grandparents, children wearing wrist tags identifying them as patients. The volunteers hung back, watching as the food was scooped and piled onto plates.

And, about 20 minutes into the meal, they got their reward. “They’re coming back for seconds!” whispered one. For a volunteer with the Hibernian Hunger Project, that’s equivalent to “my compliments to the chef.”

See the photos from the Hibernian Hunger Projects kitchen duty at the Ronald McDonald House.

Arts

Review: Gibraltar: An Adaptation after James Joyce’s Ulysses

Patrick Fitzgerald and Cara Seymour

Patrick Fitzgerald and Cara Seymour

On the one hand, there is James Joyce’s classic novel Ulysses, a book that has been described as a “complex masterpiece,” with its manifold overlapping themes, rich symbolism and a vast and colorful cast of characters.

On the other hand, there is Patrick Fitgerald’s play Gibraltar: An Adaptation after James Joyce’s Ulysses, to be presented Saturday at 5 p.m. at Plays and Players, which does something both brave and fascinating. Gibraltar plunges deeply and directly into what Fitzpatrick believes is the novel’s heart: the complex, bittersweet love story of protagonist Leopold Bloom and his wife Molly.

The play takes its name from the birthplace of Molly Bloom, played by Cara Seymour. Seymour actually plays several other roles, including the muse, her husband’s deceased Hungarian father Rudolf Virág, Gerty MacDowell (a young girl Bloom encounters on the beach), and, at one or two points, the Blooms’ cat.) Fitzgerald portrays Leopold Bloom. The play premiered in New York in 2010.

Artist Rob Berry and the crew of Throwaway Horse LLC, creators of the online comic Ulysses Seen , were instrumental in bringing the play to Plays and Players. (Read the blog post.)

I’ve previously owned up to my ignorance of Ulysses. And so I have to admit, I was looking to Gibraltar as a gentle, accessible introduction to Joyce’s Dublin and Leopold Bloom’s travels about the city on that single day, June 16.

And so, in some ways, it was just that. It’s not hard to get a grasp on the broad outlines and themes, although at times it can be hard to focus in on specifics because the lines, derived from the language of the novel, come fast and furious. Consequently, some of what transpires onstage is hard to follow.

Still, hang in there, Ulysses newbs, and you’ll catch snatches of Joyce’s language and you’ll gain precious insight into what makes at least these two characters tick—or as much as they themselves have been able to figure out.

It’s hard for me to imagine a more challenging acting assignment, but Fitzgerald and Seymour are more than equal to the task. Fitzgerald’s passion and energy shine through. He makes the stage, with its meager props—a bed, a set of stairs, some dishes and a tea kettle, a hatstand and a Victrola—seem much larger than it really is. We cease to see props; instead, we begin to see Leopold Bloom, his life and his world through the actor’s eyes.

Seymour is a revelation, particularly as she delivers Molly’s soliloquy. It’s from the final chapter of Ulysses, and it takes up most of the second half. The lines are delivered from a squeaky bed at the far right side of the stage—the bed Molly shares with Leopold. Seymour opens the window wide onto Molly’s fundamental humanity as the character takes stock of her life and her relationship with Leopold—reminiscences tinged with longing and regret. As the monologue continued, you could sense that so-called “fourth wall” actors talk about becoming ever more permeable and, finally, dissolving into thin air.

I would never suggest that Gibraltar is easy going. The Sound of Music, it is not. Still, as the week in which Bloomsday is celebrated comes to a close, take the opportunity to see what two very talented actors can do with Joyce’s challenging masterwork.

Ticket information.

Location:

Plays & Players
1714 Delancey Pl
Philadelphia, PA 19103

Columns, How to Be Irish in Philly

How to Be Irish in Philly This Week

Direct from Ireland, Michael Black will be at the Penn-Mar Irish Festival this weekend.

Here’s a few things Dad might like this weekend, as we celebrate the joys of fatherhood.

The 11th annual Penn-Mar Irish Festival in Glen Rock, PA, is this weekend. Always an incredible lineup of musicians, and this year you’ll see Michael Black (of Ireland’s famous Black family) and a special tribute performance to Patrick Halloran of the band Ceann, who died last February in a car accident. Also on stage: Amhranai Na Gaeilge, Irish Blessing, Martin Family Band, Nua (formerly Rossnareen), and The Spalpeens.

Proceeds from the event benefit Penn-Mar Human Services, a nonprofit agency that provides support services to disabled people and their families.

“Gibraltar,” an adaptation of James Joyce’s Ulysses (Bloomsday was Thursday) is at the Plays & Players Theatre in Delancey Place in Philadelphia on Saturday.

There’s a session Saturday at the AOH Notre Dame Div. 1 Club House in Swedesburg and Belfast Connection, who have been known to show up at these sessions, will be otherwise engaged playing a gig at Brittinghams in Lafayette Hill. If you miss them Saturday night, they’ll be at the Burlap and Bean Coffee House in Newtown Square on Friday, June 24. Local trad musicians Mary Malone (fiddle) and Den Vykopal (pipes) will be joining them.

Later in the week, you might want to head down to Delaware (hey, it’s not that far away) for a performance by The Outside Track, a Celtic group whose members—and music–hail from Scotland, Ireland, Cape Breton and Vancouver. They’ll be at the Lower Brandywine Church on Thursday.

The ever energetic AOH Notre Dame Division 1 is hosting a “Last Friday,” this one with Oliver taking the stage from 7:30-10:30 PM.

Seems like every sports team wants to cash in on Philly’s Irish roots by sponsoring an Irish theme night, and the Philadelphia Soul arena football team is no exception. They’ll be serving green beer (uh-oh, plastic paddy faux pas!) and live Irish bands and dancers throughout the evening Saturday, June 25, at the Wells Fargo Center. And they’ll also be playing the Arizona Rattlers. Maybe Bon Jovi will come out and do a hornpipe. Stranger things have happened.

If you’re down the shore, particularly if you’re in North Wildwood, check into Caseys on Third where the band, Jamison, will be jamming.

And next Sunday, jig on down to the waterfront in Bristol Borough for its 15th annual Celtic Day celebration featuring bands No Irish Need Apply, the Martin Family Band, and the Bogside Rogues. The McCoy and Fitzpatrick Schools of Irish Dance will be performing too. Bring a lawn chair.

And check our calendar for all the details.