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December 2007

Music

One More Time for “Rip”

Probably not for the first time, "Rip" McDonald takes the cake.

Probably not for the first time, "Rip" McDonald takes the cake.

“Rip” McDonald’s career in the Mummers began casually enough. He was 15 years old at the time, and he knew how to play harmonica and guitar. “One day, some of the fellas said, ‘Hey, let’s join a string band,’” McDonald says. “I said ‘OK.’ So we joined the Uptown String Band. That was in 1938.”

Since then, James “Rip” McDonald’s commitment to the musical tradition that is Mummery has been anything but casual. He just turned 84 and has made more than 60 trips up Broad Street—with a few years off during the Second World War, when he was in the service. On New Year’s Day 2008, weather permitting, he’ll strut his stuff in his last Mummer’s Parade, marching with the unit he started in 1998, the Irish American String Band.

Before Irish American, Rip—a spry, talkative Bridesburg resident with a thick grey brushy moustache—was a member of the Ukrainian American String Band. “I was a member for five years,” he says, “and each year we came in last. I said to the guys, ‘If we come in last one more time, I’m gonna leave this band.’ Well, we came in last again. A few of the guys said, ‘Rip, whatever band you go to, we wanna go with you.’ But I said, ‘I’m not going to join another band. I’m gonna start the Irish American String Band. And in 1998, on St. Patrick’s Day, I started the band.”

Irish American is one of countless string bands that McDonald has belonged to, if not had a hand in starting. His devotion to the tradition is all-consuming. After World War 2, when Mumming was starting to become a bit more polished, he learned a new instrument, saxophone, which he still plays.

“When string bands first started, they were all string instruments—banjos, mandolins, guitars, violins. After the Second World War, they wanted harmony to get a better sound, so they started to add saxophones. You just can’t get the harmony sound with string instruments. So I had one of the great old-timers teach me sax.”

Not long afterward, observing the constant turnover in string band musical directors, he resolved to do something about it. “They had a lot of music directors, but they couldn’t seem to keep them,” he says. “So I went to the Granoff School of Music (at 17th and Chestnut in the old Presser Building, where Dizzy Gillespie and John Coltrane later attended) to earn an associate’s degree in music. It took me seven years. Then I became music director for several string bands, and started making arrangements.”

Since then, it’s hard to think of a string band leadership post McDonald hasn’t held at one time or another. It’s become something of a family tradition. One son Brian is the Irish American String Band’s music director (a position initially held by Rip).

Of course, being a Mummer is not a full-time position, and it’s far from his only extracurricular interest. Years ago, he owned a tavern at Rising Sun and Wyoming, the Sun House Tavern.

Rip has also served as chaplain of several veterans’ organizations. Not a bad set of accomplishments for the son of a one-time Girardville coal miner and, later on, Philadelphia paper hanger and occasional political speech writer. “That’s where I get my ‘gift of gab,’ from my father Joe McDonald,” he says. By all accounts, he says, his grandfather, who was born in Ireland, was at least equally garrulous.

Though he does not know where in Ireland his grandfather was born, Rip—like so many Irish Americans—feels a fierce attachment to the country. In 2002, when the Irish American String Band traveled to Ireland to perform in the Dublin St. Patrick’s Day Parade, Rip had an opportunity to reinforce those emotional bonds just a bit. It was his first trip to Ireland. “What a thrill it was for me,” he recalls. “I got off the plane, kissed the ground and said, ‘Grandma and Grandpop, I’m here.’ I never thought that would happen.”

(Bonus: The band won the “Spirit of the Parade” prize, a glittering Waterford cup.)

As memorable as that parade was, though, nothing can top the thrill of marching in the Mummers Parade for this longtime vet. “I’ve been playing for 70 years, but every year when I get to the judge’s area, I just fill up. I think: Here we are again. I love it.”

Update: In the 2008 New Year’s Day Parade, Irish American came in 16th out of 18 bands; the band’s Kelly Marie Mahon was ranked 15th of 17 string band captains. (One band, Pennsport, had no captain.)

Music

And For All, a Very Good Night Indeed

Guitarist Seán McElwain, in "wren boy" guise.

Guitarist Seán McElwain, in "wren boy" guise.

If you weren’t in the holiday mood before the Irish Christmas in America concert Saturday night at the Irish Center, then you would have to have been made of stone not to be full of the yuletide spirit afterward.

Holiday or not, it would have to have been a deeply satisfying experience for lovers of Irish traditional music. The core of the band consisted of three members of the supergroup Téada: fiddler and producer Oisín Mac Diarmada, Seán McElwain on guitar and Tristan Rosenstock on bodhrán and serving as the show’s narrator. Singing and playing flute and whistle was Muireann Nic Amhlaoibh, lead singer of yet another supergroup, Danú. Rounding out the ensemble was local favorite, harper Gráinne Hambly and the superb uilleann piper Tommy Martin.

Joining the band from time to time on stage were two fine dancers from the great Irish state of Texas, Abbey Magill and Siena Hickey.

Surely, all that A-list Irish entertainment on one stage would have to be enough to melt even the iciest of hearts on this, the iciest of nights.

The show, presented by the Philadelphia Ceili Group, artfully blended the Christmas traditions of Ireland and America—including one all-too-brief appearance by the “wren boys” (Oisín, Seán and Tristan in the guise of the costumed merry-makers who hit up their friends and neighbors for food and drink on December 26, the feast of St. Stephen, an age-old Irish tradition.

The musicians also blended some familiar tunes and sets from their own work, such as a set of jigs from Martin’s “Shady Woods” CD (“Wallop The Spot,” ”The Leg of the Duck” and “Temple Hill,” accompanied by McElwain) and Muireann Nic Amhlaoibh’s latest release, “Fainne An Lae : Daybreak” (“The Emigrant’s Farewell,” accompanied beautifully by Martin) and “An Spealadóir,” accompanied by everybody). Nic Amhlaoibh and Martin also paired up later on for a memorable whistle duet.

The regular performance closed out with Nic Amhlaoibh singing “Silent Night” in Irish, and then leading the audience in a verse in English. The band had time for precisely one killer encore before packing up the minivans and driving down to Charleston, West Virginia, in the freezing rain for a 3 p.m. performance on Sunday. (Anyone who thinks this sounds like fun is nuts. For all that, they stuck around and graciously spent time chatting with members of the audience, posing for pictures and signing autographs.)

Still, I could just swear I heard them exclaim, ere they drove out of sight, “Happy Christmas to all, and to all a good-night!”

If you missed it, don’t worry—we shot some photos.

Columns, How to Be Irish in Philly

How to Be Irish in Philly This Week

If you think that a typical Irish event involves music, dancing, singing, eating and drinking, you’d be right. And that’s a fair description of a “Wren Party,” a traditional Irish get-together that celebrates. . .well, maybe “celebrates” isn’t the right word to describe a tradition that once involved killing a bird and carrying its carcass from door to door, begging for handouts. Sounds too much like a holiday envisioned by Wes Craven, even though a saint was involved. Anyway, today it’s just a lot of singing and dancing and fun-having, and there’s one scheduled for December 26 at the Knights of Columbus Hall in Glenside.

Not to your taste? How about checking out 2U, the U2 Tribute Band in concert at the Sellersville Theater? They’re not Bono Lite either. They out-edge The Edge (do his friends call him “The?”). 

And you still have time to pick out your costume for the New Year’s Eve Masquerade Ball at the Irish Center. It’s a great deal: For $50 a person, there’s an open bar, dinner, dancing to the music of Vince Gallagher and John Kelly, and, since you’ll be wearing a mask, you can make a fool of yourself and no one will be mocking you the next day. At least, not by name.

News

AOH Gives Jolly Old St. Nick a Run for His Money

Judge Pat Dugan

Judge Pat Dugan presented a citation from the state AOH to the family of fallen Philadelphia Police Officer Chuck Cassidy. From left: Judy, Colby and Katie.

There are ways in which members of the Ancient Order of Hibernians have a lot in common with Santa Claus. Yes, there are more than a few white beards and little round bellies that shake when they laugh, like bowls full of jelly—but that’s not what we mean.

What we’re talking about is the amazing generosity of spirit that typifies the AOH, and not just during this time of year, but all year-round.

That generosity was in evidence Saturday night at the Pennsylvania National Guard in Northeast Philadelphia as the AOH presented the first-ever Project St. Nicholas. The proceeds of the event benefited several local charities, including the Hibernian Hunger Project, Toys for Tots, Cure Autism Now, Project Children and the St. Baldrick’s Foundation.

“We raised thousands of dollars,” said master of ceremonies Pat “Paddy” O’Brien, chairman of public relations for the Pennsylvania AOH. “We’ll do it again next year. It’ll be even bigger and better.”

Local Irish who visited the armory throughout the day listened to music by great local bands, including the Bogside Rogues, Ballina, the Birmingham Six, Tullamore Trio and The Shantys. (More than a few weren’t content just to listen—they got up and danced.) There was plenty of great food, including a bit of soda bread. For the kids, Santa Claus showed up about midday. The Celtic Flame Dancers also made an appearance.

As the afternoon gave way to the evening’s festivities, the Hibernians took the opportunity to recognize one of their own. Judge Patrick Dugan presented a plaque from the state AOH to the family of fallen Philadelphia Police Officer Chuck Cassidy. Irish Thunder Pipes and Drums also played in Cassidy’s honor.

For O’Brien the healthy turnout was heartening. “It was good to see the AOH involved in a community event that went outside of the AOH. People came today just because they were Irish. And they came from everywhere. There’s a World War II vet who came all the way down from Scranton.”

Finally, a few other visitors were unexpected … but nonetheless quite welcome indeed.

It seems that four women from Ireland—dancers all—had just gotten off the plane at Philly International. They had an appointment in Southampton, Bucks County, so that’s where they asked the cabbie to take them. They didn’t get that far. The cabbie misunderstood and dropped them off at the National Guard Armory on Southampton Road.

“They were 15 miles of course,” O’Brien laughed. So we asked them to come in and get something to eat and drink, and we arranged for a ride for them back to Center City. I said to them, ‘If there’s any place on the planet where you want to get lost, this is the spot.”

Lost or not, we all felt just the same way.

Columns, How to Be Irish in Philly

How to Be Irish In Philly This Week and Beyond

Kick up your Christmas heels on Friday, December 14, at the Philadelphia Ceili Group’s Christmas Ceili at the Irish Center in Mt. Airy. Prepare for an old-fashioned good time with live music, dancing, and a pot luck supper (bring a contribution–a big irishphiladelphia.com smooch to anyone who brings those great little meatballs in the grape jelly sauce). The festivities start at 8 PM.

Get ready for some serious toe-tapping if you head down on Friday night to Coatesville to hear The Hedge Band, four of Baltimore’s best Irish musicians (including Billy McComiskey, who shows up here fairly regularly). As usual, Frank Dalton has put together a great show of Irish traditional music at one of the nicest venues around. The show starts at 8 PM, but come down early and grab a light dinner at the Coatesville Cultural Society’s café.

On Saturday, take the kiddies to the Irish Immigration Center in Upper Darby to meet Santa, and shop for crafty items for those hard-to-buy-for folks on your list. There’ll be music (of course–this is an Irish event, after all), food, drink, and great raffle prizes.

Did we mention music? On Saturday night, the Philadelphia Ceili Group is presenting “Irish Christmas in America,” which promises to be a magical evening of music and dance with Muireann Nic Amhlaoibh of Danú, and Téada’s Sean McElwain and Tristan Rosenstock on guitar and bodhran respectively, acclaimed harpist Gráinne Hambly and uilleann piper Tommy Martin, along with dancers Abbey Magill and Sienna Hickey. Though the weather outside is predicted to be frightful, expect the evening to be delightful. Enough to make the Grinch give back Christmas. It starts at 8:30 PM.

Still have some Christmas energy left? On Sunday, the Donegal and Mayo Associations will be holding their Christmas party at the Irish Center. You don’t have to be a member to attend (you don’t even have to be from Donegal or Mayo). The party starts with a Mass at 3 PM. At 4 PM, Santa arrives bringing toys for the kids (you’re invited to be Santa’s little helper: Bring a wrapped toy with your child’s name on it so Santa can do the honors). Christmas shopping alert: At the same time that Santa is keeping your kids busy, there will be a Home Interior Show in progress in the Barry Room. Proceeds from your gift purchases will benefit the Golden Jubilee events for the Commodore Barry Club (the Irish Center). For more info, call Michelle Higgins at 215-722-8987. And stay for dinner. It starts at 5 PM.

Our friends to the North (that would be Quakertown and the Lehigh Valley) might want to mark down December 21–that’s the date of the Christmas Dinner and Concert by Seamus Kennedy at McCoole’s. We haven’t heard him, but everyone tells us that Kennedy is a total hoot.

And on December 23 at the Old Dutch Parsonage in Somerville, NJ, enjoy an evening of seasonal songs and stories as Robert Mouland portrays Michael Keane, an actual Irish harper who came to the American colonies in 1754 with the Royal Governor of North Carolina. The setting is the Old Dutch Parsonage, a house museum built in 1751. The concert is in the parlor which is warmed by a large fireplace and lit by candlelight (oooooo). Mouland will perform on a unique array of period and antique instruments including the Irish harp, harpsichord, baroque fiddle (c.1760), baroque flute (c.1795), English guittar (c.1770) and union pipes. It starts at 7:30 PM and seating is limited. For more info call (908) 725-1015.

Post-Christmas, think about attending the annual Wren Party at the Knights of Columbus Hall on December 26. We went last year and had a great time. It’s an old Irish tradition–make it one of yours. No New Year’s Eve plans? Consider the New Year’s Eve Masquerade Ball at the Irish Center. Dance to the music of Vince Gallagher and John Kelly, enjoy dinner and drinks, and kiss your honey at midnight, all for $50 per person.

See our calendar for all the juicy details.

Food & Drink

Lift a Cup of Kindness

Originally published December 16, 2006. (But it was so good, we just had to bring it back.)

So, what are you washing down your Irish Christmas pudding with this year? Our friends at McGillin’s, the oldest Irish pub in Philadelphia (1310 Drury Lane), shared with us some holiday recipes which, if they’re not strictly Irish, do have a distinctly holiday flavor.

So what do you say when you lift your glass of Poinsettia Punch or your Pumpkin martini? A few choice Irish toasts:

“Nollaig shona duit!” (Happy Christmas!)

“Nollaig faoi shéan is faoi shonas duit.” (A prosperous and happy Christmas to you!)

“Go mbeire muid be oar an am seo aris!” (May we be alive at this time next year!”)

One caveat: Please, drink responsibly, so we all may be alive at this time next year.

Poinsettia Punch

Our friends at McGillin’s, the oldest Irish pub in Philadelphia, shared this holiday recipe which, if it;s not strictly Irish, does have a distinctly holiday flavor.

Ingredients

  • 1 magnum champagne
  • 64 oz. (2 quarts) cranberry juice
  • 16 oz. orange juice
  • 10 oz. Triple sec
  • Orange slices, for garnish

Procedure

Mix ingredients together. Enjoy!

Pumpkin Martini

This spirited drink comes to us courtesy of the good folks at McGillin’s Olde Ale House.

Ingredients

  • 1-1/4 oz. vanilla vodka
  • 1-1/4 oz. pumpkin smash (a liquor)
  • 1/2 oz. milk or half and half
  • 1 tsp. sugar
  • 1 tsp. cinnamon

Procedure

Mix first 3 ingredients. Pour over ice in martini shaker. Shake well. Then, mix sugar and cinnamon and rim martini glass with mixture. Strain liquid martini ingredients into chilled martini glass rimmed with the cinnamon and sugar mixture.

Columns, How to Be Irish in Philly

How To Be Irish In Philly This Week

Forget the mall. Take your kids to see the Irish Santa this Saturday, December 8, at the National Guard Armory, Southampton Road and Roosevelt Boulevard in Northeast Philadelphia. Bring a donation of canned goods for the Hibernian Hunger Project or an unwrapped non-violent toy for the U.S . Marines Toys for Tots Campaign as part of Project St. Nicholas, an annual event that raises donations for these and other charities.

Santa is scheduled to appear from Noon to 2 PM. Stay on for the Irish Unity Festival later on in the day and hear some some of the best Irish musical groups in the area including The Bogside Rogues, Ballina, Birmingham Six, Tullamore Trio, The Shantys and more.

Moya Brennan of Clannad will be singing her heart out in Sellersville at the beautiful Sellersville Theater (where all the seats are great) on Saturday night. Read more about her here.

If you’re in Philly Sunday, consider heading to the Dark Horse Pub for the Charles Dickens’ “A Christmas Carol” dinner and reading. For about $50, you get a five-course dinner and drama. God bless us every one! If you’re going to be in Quakertown, McCoole’s is having its Christmas party followed by a Seven Nations concert. Hmmm, heavy metal bagpipes. Very Christmasy. But we love a band in kilts, so. . .

St. Mary of the Lakes in Medford, NJ, is holding its Christmas Concert on Sunday as well. It features tenor Ciaran Sheehan, who played the Phantom in “Phantom of the Opera.”

Planning ahead: There are two fabulous concerts coming up. First, The Hedge Band, featuring four of Maryland’s finest Irish musicians, including Billy McComiskey, whom many of you have enjoyed at the Philadelphia Ceili Group’s Irish Music Festival in September. They’ll be appearing on Friday, December 14, at the Coatesville Cultural Society–another venue where there’s nary a bad seat.

The following day, take the kids to see Irish Santa again at the Irish Immigration Center in Upper Darby. There’ll also be music, arts and crafts, drinks, and great raffle prizes. And save some energy for Irish Christmas in America, an amazing concert to be held later that evening at the Irish Center in Mt. Airy.

Check our calendar (our Christmas calendar and regular old everyday one) for all the details.

Music

Interview With Harpers Gráinne Hambly and Billy Jackson

When you listen to the scarily good Celtic harpers Gráinne Hambly and William Jackson, you might assume that they both started playing before they were out of nappies.

In reality, the Claremorris, County Mayo-born Hambly and Jackson, from just outside Glasgow, were both late bloomers … and their magnificent careers never might have begun at all were it not for a chance bit of window shopping.

“It was my sister who saw the harp,” Gráinne remembers. “She (Róisín) was 7 and I was going on 15. My sister saw it in the shop window and said she wanted to play.”

At the time, Gráinne wasn’t interested. She had started out on tin whistle, and had moved on to concertina, and really wanted no parts of harp. One day, though, the girls’ parents surprised them with a week-long school taught by famed Celtic harper Janet Harbison. It was one of those awkward surprises—like getting pajamas instead of a toy for Christmas. “When I found out, I wasn’t enthusiastic,” Gráinne says. But her apathy didn’t last long. “As soon as I started to play it, I loved it right away.”

For William “Billy” Jackson, the story was not quite the same. “I had started on piano when I was 11,” he says. “I ended up being a bass player in a band. I was in London in the ‘70s, and I saw a harp in a (shop) window.” Jackson had spent a lot of time in Ireland—his parents are from County Donegal—so the music of the harp was not new to him. But on that street in London, something clicked. “Just getting to see a harp up close … I sold my bass, and all my friends said I would never work again.”

Billy Jackson is doing just fine, thank you. It was a rough go at first, though. He took six lessons with a classical harpist. (A Celtic traditional player is a harper; a classical player is a harpist.) After that, he says, he couldn’t afford any more lessons for a time. He took a few more lessons much later on as a student at the Guildhall School in London, but finding someone to teach him specifically about Celtic harp was impossible. “Some (classical harpists) regard the Celtic harp as a toy, not the ‘real thing,’” says Jackson. “They’re reluctant to teach it. I was never taught to play triplets on the harp. Nobody taught me any of it.”

But Jackson, who also plays uilleann pipes, fiddle, bouzouki and tin whistle, somehow managed … and then some. In 1976, he became a founding member of Ossian, the famed Scottish traditional band. As a solo performer, he has played for audiences all over the world. He has recorded numerous CDs and is also the winner of the 1999 “Song for Scotland” competition for his composition “Land of Light.” (Listen to it here.)

Hambly’s early experience on the harp was more nurturing than Jackson’s. In Harbison, she found both a teacher and an ardent advocate for doing things the old-fashioned way. In traditional harp, there is no sheet music. Instead, the student watches and listens to the instructor as he or she plays a line. Then, the student repeats the line, and then another line, and so on, until the whole tune is committed to memory.

“That’s the traditional way to learn in Ireland,” says Hambly. “That’s how I learned, by ear. Janet brought harp teaching back to the roots.”

Age can work against you when you’re starting out on a musical instrument, but for Gráinne, it was a powerful incentive to learn. “Generally children do start learning early,” she says. “I was in a class with 7-year-olds. That was great motivation to learn quickly. Parents often ask me, ‘Is my child too old to start?’ I don’t think any age is too old, especially if you played another instrument first.”

Like Jackson, Gráinne also tours extensively throughout Europe and the U.S. She was a member of Harbison’s Belfast Harp Orchestra, as well as the Irish National Harp Ensemble and the National Folk Orchestra. She too has recordings under her belt. (Listen to An Draigheann, or “The Blackthorn.”)

Over the last couple of years, Jackson and Hambly have been touring together, giving audiences a sampling of harp music from both sides of the North Channel. You can hear them on October 29 in their “Masters of the Celtic Harp” concert at Trinity Church in Cherry Hill. The performance begins at 7.30 p.m.

Like their musical careers, their decision to tour together was a happy accident.

They were playing a concert in Asheville, N.C., two years ago, when, Jackson recalls, “at the end of the performance, “the organizer asked us to do a couple of tunes together.” They did, and the audience loved it. At the end of the concert, Gráinne says, “people came up to us and said ‘you should do more things together.’”

Gráinne, who knows so many players in the small village that is Irish traditional music, asked her friend and fellow harper Kathy DeAngelo of Voorhees to set up some concerts. Jackson and Hambly have been playing steadily together ever since.

And the sound is pretty wonderful—but it isn’t necessarily as effortless as it seems. “It’s difficult to play two harps together,” Jackson explains. “They have to be perfectly in tune, but there are so many more strings, it’s difficult. It’s not like playing fiddle together.”

Fortunately for Hambly and Jackson—and for us—they’re both skilled multi-instrumentalists.

“I’ll play concertina while Billy plays harp,” Gráinne says. “And sometimes, I’m playing the harp while Billy plays bouzouki. It’s a bit livelier.” (Listen to Hambly and Jackson play “Celia Connellan” and “Rectory Reel.”)

Editor’s Note: Gráinne’s new CD, “The Thorn Tree,” will be released Nov. 28. But you can get a sneak preview. A CD release party will be held Saturday, Oct. 28, at 7 p.m., at the Cooper River Yacht Club. For details, call Kathy DeAngelo at (856) 795-7637.