People

“I Was Completely and Utterly Shocked”

Stephanie Lennon enjoys a serenade by Vince Gallagher.

Stephanie Lennon enjoys a serenade by Vince Gallagher.

By Stephanie Lennon

My Irish heritage has always been a huge part of my life. Growing up, Irish music was the theme song in our home, the tea kettle was always warm, and visits between Donegal, Ireland and Philadelphia were customary. I grew up with a complete sense of my family in Ireland, as well as my Irish citizenship (I hold dual citizenship).  I have been lucky enough to sit in the old farmhouse that my grandmother grew up in, hear stories of fairy rings and banshees, and watch my cousin, Brendan Devenney, win “Man of the Match” during Donegal GAA games. More often than not, it was the Irish who made the trek across the Atlantic to enjoy time with “the Philadelphia Lennon’s,” but we also traveled across the pond to experience our native soil firsthand. 

As I was walking out the door on November 27, my cell phone rang and it was my cousins from Donegal. They were calling to wish me the luck of the Irish during the 2011 Philadelphia Mary from Dungloe Pageant. They asked if I was nervous, and without hesitation, I replied no. The previous night, as I said my evening prayers, I asked my grandmother, Mary Cannon Lennon, who hailed from Newtowncunningham, Donegal, to send me some Donegal Luck from heaven.

As soon as I entered the Irish Center, I felt completely comfortable. Michelle Mack, the chair for the Mary from Dungloe contest, and Kiera McDonagh, the reigning Philadelphia Mary from Dungloe, greeted each one of us. As the introductions started flowing, I found connections to the other girls. Each one of us was unique, with amazing resumes to wow the likes of Miss America. We brought our own energy and unique personality, as well as our passion for our Irish heritage. This contest, which emphasized personality, community involvement, knowledge of Irish history and most importantly a love for Irish heritage allowed each of us to highlight our individuality within the framework of the Philadelphia Irish society.

Throughout the night we exchanged stories, experiences and laughs. We danced the reels together and shared good craic and by the end of the night, I felt that I had made eight new friends. It wasn’t until midnight that I felt nervous. As we followed the grand march on stage, I started to wonder. After what seemed like hours, Theresa Flanagan Murtagh, the emcee, announced the runners up. Then, followed by a loud drum roll, she announced my name as the 2011 Philadelphia Mary. I don’t think I heard it at first, but out of the corner of my eye, I saw my family jump out of their seats in applause and it hit me.  I was completely and utterly shocked.

I don’t know if it was my grandmother, Mary from Donegal, looking down on me from heaven or the fact that she met my grandfather at the original Irish Center shortly after they both immigrated to Philadelphia. Either way, I am blessed with the honor of being the 2011 Philadelphia Mary from Dungloe. I am looking forward to the coming year, as I represent the Donegal Association at various events and functions, including the St. Patrick’s Day Parade and the International Mary from Dungloe contest in Ireland this summer.

Music

Music and Memories

A memorial to Don Trefsger at the Mermaid Inn session Sunday.

A memorial to Don Trefsger at the Mermaid Inn session Sunday.

Some glad morning when this life is o’er,
I’ll fly away;
To a home on God’s celestial shore,
I’ll fly away.

I’ll fly away, Oh Glory
I’ll fly away;
When I die, Hallelujah, by and by,
I’ll fly away
.
They were all there on Sunday: singers, fiddlers, an uilleann piper, and tin whistle, accordion, mandolin and harmonica players. Traditional Irish and bluegrass. Old guys with gray beards and young kids wearing flip-flops. The Mermaid Inn’s barroom isn’t all that spacious, but musicians of all stripes took up half of it.

They sat facing each other in a circle of hard-backed wooden chairs, the afternoon sunlight pouring through the bar’s stained glass windows, and they sang songs of remembrance. Songs like “Amazing Grace,” Hank Williams’ “I Saw the Light” and the Gospel bluegrass standard, “I’ll Fly Away.”

When bassist Don Trefsger left this world, a year and a half after the motorcycle accident that left him paralyzed, he clearly left behind many good friends, and a surfeit of songs.

Non-musical relatives, friends and fellow congregants from Cumberland County Community Church took up the rest of the room and overflowed into a small adjoining dining room. There were so many, they required name tags. maybe the only person who didn’t need a name tag was Chris Brennan Hagy, who organized the memorial. She attended to Trefsger and was so often at his side that he referred to her as his “angel.”

Trefsger himself was there, in a way. A small gold box containing his ashes sat on a wide window ledge off in a corner, surrounded by memorabilia, including his tweed cap, a souvenir shirt from his visit to the Grand Ole Opry, “live at the Mermaid” CDs on which he played, and a cluster of snapshots.

One by one, the people who loved him stood to share their memories and tributes.

Fiddler Kay Gering recalled a man who, even in the toughest time of his life, found room in his heart for everyone. Seeing him in the nursing home where he spent his final months and seeing how he responded to his many visitors, she said, “made me see the grace a person can have in the most difficult situations. Don had a beautiful soul in him. His spirit just came out in that difficult process.”

Sal Roggio, pastor of the Cumberland County Community Church, where Trefsger played in the musical group, recalled times when he would just sit with him between services and talk about music and life. Little did he know how much that life was going to change.

Visiting him in the nursing home, Roggio said, he saw Trefsger in his darker moments. But he came to terms with his fate, he noted, and certain hymns spoke to him, especially “Blessed Assurance, Jesus Is Mine.”

In coming to grips with his own sense of loss, Roggio perhaps spoke for everyone in the room. “He was only with us a short time,” he said, “but he left a big footprint. He left a mark.”

Columns, How to Be Irish in Philly

How to Be Irish in Philly This Week

Harper Ellen Tepper will be playing a Christmas show in Bethlehem.

Harper Ellen Tepper will be playing a Christmas show in Bethlehem.

Hoping to get my Christmas spirit on this weekend at the Irish Center. Maybe you’ll find yours there. On Sunday, the Mayo and Donegal Associations are holding their Christmas Mass with dinner afterwards, and that rolls right into “Irish Christmas in America,” the gorgeous musical production from one of Ireland’s top traditional groups, Teada, with singer-musician-comic Seamus Begley guest starring along with harper Grainne Hambley and sean nos dancer, the devilishly handsome Brian Cunningham from Connemara.

Before that, on Friday night, there’s a Christmas Ceili in the Fireside Room with music and dancing and a roaring fire. And all within a few feet of one of the greatest bars ever. And if you’re downtown, stop in at Tir na Nog for the Irish Network-Philly first-ever Christmas party.

In Bethlehem on Saturday, local harper and singer Ellen Tepper will be playing at McCarthy’s Tea Room for two seatings of McCarthy’s traditional Irish Christmas dinner. If you’ve never been to Bethlehem at Christmas—it’s known as the Christmas City, after all—you’re missing a lot. Do a little shopping (at Donegal Square or the Moravian Book Store, two of my favorite spots), stop in at the Hotel Bethlehem to see if there are any vacancies, or wander in to the Bethlehem Brew Pub for a burger and brew before sitting down to a great meal and wonderful music.

Of course, there’s so much going on this Saturday that you’re going to be missing something: Slide is at the Zellerbach Theatre, Burning Bridget Cleary is at Steel City Coffee House in Phoenixville, “Dublin Carol” is continuing its two-week run at the Amaryllis Theatre in Philly, Shane O’Donnell’s documentary “Wizards of the PCT” is playing at the MacSwiney Club in Jenkintown (with live music!), and St. Malachi’s Church in Doe Run is holding its annual candlelight Celtic Christmas event.

On Sunday, along with all the festive goings-on at the Irish Center, Father John McNamee, pastor emeritus of St. Malachi’s Parish and celebrated poet, will be reading from his latest book, “Derrybeg and Back,” at the Society Hill Playhouse at 3 PM. He’ll also sign copies of the book—Christmas present alert!

Fiddler Paraic Keane and Mad Mission will be playing at Con Murphy’s Pub on the Parkway Sunday night too—go there after you hear Father McNamee. It’s a hop, skip, and a jump away.

On Monday, a real treat—a preview reading from the play, “Pumpgirl,” which the Inis Nua Theatre Company is bringing to Philadelphia’s Adrienne Theatre January 11-23. Meet the cast at Fergie’s Pub on Sansom Street at 6 PM. Check out Fergie’s new menu—BBQ!

On Friday, December 17, Coyote Run is presenting its annual “A Kilted Christmas” at the Sellersville Theatre. That’s the lead-in to another killer Irish weekend, with trad musicians Patrick Mangan and Ryan McGiver concerting at the Irish Center and lots of fun elsewhere leading up to the big day.

Don’t forget—Sunday, the WTMR 800AM Irish radio shows are conducting a fund drive. Listen in starting at 11 AM and call in your pledges to one of the many hard-working volunteers who sometimes spend two hours tucked into a dark, back studio with nothing but their Android phone for company, text messaging with crazy people. And you know who you are.

Music

Susan McKeown: Singing in the Dark and Radiating Light

Irish singer-songwriter Susan McKeown

Irish singer-songwriter Susan McKeown

“Oh yes I am broken, But my limp is the best part of me.” ~ Welsh poet Gwyneth Lewis from “Angel of Depression”

Creativity and depression.  Two states of being that often are inextricably etched in our collective minds when we think of artists and writers; the term “Byronic hero” immediately conjures up an image of the late great poet, brooding and melancholic, as he pens his immortal verse.

But for all that, there is still a stigma surrounding the topic of mental illness.  Susan McKeown’s new CD, “Singing in the Dark” is bringing the subject into the light in a brilliant and innovative way.

It’s a project that has been nearly 10 years in the making; the Dublin-born Grammy Award-winning singer and songwriter has the gift of being able to work on multiple projects simultaneously while never losing sight of her creative goals.

“Seven years ago, my marriage had just ended, my father passed away, and my musical partner [Johnny Cunningham] died.  What I do at times like those is to go to poetry, particularly early Irish poetry. I get so much solace from what the monks of that time wrote.  And from what women poets have written,” McKeown explained to me over lunch in New York a few weeks ago.

“I originally had an idea for an album of dark songs, because listening to dark songs has helped me go into my own world … you get something from music like that.”

“And then one day I was hanging out with Natalie Merchant, our daughters were having a playdate,” McKeown laughed. “And we were talking about my idea, and a light bulb went off. An album like this would be the perfect place to explore darkness in very human terms, and the link between creativity and that darkness.”

“Depression, and manic depression, these are not something that people talk about. People are afraid to associate themselves with it, or speak about it. When I recognized this, I realized it was time to start singing about it.”

It was Merchant who introduced McKeown to the writing of Kay Redfield Jamison, whose book “Touched with Fire: Manic-Depressive Illness and The Artistic Temperament” became part of McKeown’s inspiration as she began work on her album.

Jamison herself became an important part of the project, and she writes in the introduction to “Singing in the Dark” of how McKeown “gives beautiful voice to those who have written of their suffering … has chosen the works of writers who describe their melancholy vividly, unforgettably.”

There are inclusions from the likes of Anne Sexton whose poem, “A Woman Like That” has been turned into a powerful anthem; Gwendolyn Brooks with the haunting lyrics “I shall not sing a May song, A May song should be gay, I’ll wait until November, And sing a song of gray” from “The Crazy Woman;” and Lord Byron himself appears with the melodic “So We’ll Go No More A-Roving.”
 
Because she’s never one to make things easy on herself, McKeown decided that her album would consist primarily, though not completely, of poems that had never been put to music before. And then she set about writing the music to five of those poems herself. I know because I counted them, and when I pointed this out to her, she seemed surprised and then laughed that she’d never consciously realized that.

“I’ve always written poetry, and music. When I was twelve, I entered a school contest and came in second with my song ’The Music Box;’ I was very influenced by Joni Mitchell.

“I think of music as poetry, so I start out writing them as poems. The challenge with writing the music for this CD was to find the music that each of the poems was looking for to make them singable. I just wrote as things would come; it’s completely subjective. What’s singable to me wouldn’t be for everyone … everyone has their own index.

“The music for James Clarence Mangan’s ‘The Nameless One,’ I woke up with the chorus in my head. When something comes like that, you feel like you’ve been given such a gift.”

The poems themselves were inspired from all sorts of different sources; researching the material was a huge part of the project. 

“I got the idea for the poems from all kinds of places…’Good Old World Blues,’ I was given that one from a man I was on a second date with. There wasn’t a third date, but I got a really great song from it!”

The poem, “Mad Sweeney,” which was found as a manuscript in the 1670s, is believed to date back to the 10th century if not earlier, and McKeown received permission from Seamus Heaney to include his line ‘I need woods for consolation’ in the lyrics. But other than that, “the words are translated as they were originally written. It’s just human. And timeless. It could have been written about a homeless person today…and that’s what I wanted to get across.”

“I spent the last two years recording, we began in 2008 with John Dowland’s ‘In Darkness Let Me Dwell;’ this was always my favorite Dowland song. That one was recorded on Achill Island in Mayo with Steve Cooney. He had actually played Dowland’s music 20 years prior.”

With so much great material, and so many years of blood and sweat, how did McKeown know when it was complete? “When it’s hanging together well, and the glue is sticking, and the taste is good, then it’s done,” she laughed.

McKeown launched her CD at the end of October at Symphony Space in New York with an eleven piece backing band, following a daylong symposium at NYU’s Glucksman Ireland House. McKeown partnered with them to present the event, titled “Singing in the Dark: Irishness, Creativity, Madness.“

“I went to Ireland House because I have a relationship with them. It’s like drinking from a well … I’ve performed there many times. And it was such a great place to explore the topic in a scholarly fashion. Everyone who spoke there was so enthusiastic. I hope it’s just the first year; I would love to sponsor an annual festival to acknowledge our dark moods and how to use creativity to move out of them.”

Because there is no getting away from the link between Ireland and depression. Among the speakers were Patrick Tracey, author of “Stalking Irish Madness: Searching for the Roots of My Family’s Schizophrenia,” and Angela Bourke, who wrote “Maeve Brennan: Homesick at The New Yorker.”

And McKeown admits that, “yes, there are elements of what’s been going on in my own family … I discovered that there are three generations of men who all carried strains of manic depression, and interestingly, all three men married musical women.”

“People who are given these extra challenges as well as gifts are just trying to balance them, and learning that takes a lifetime … it’s how it is, there are high rates of creativity going along with depression.  So I felt this is a wonderful way for me to speak out about it from the creative side.”

McKeown has begun touring for the CD, with dates scheduled in March 2011 for Germany, some in Ireland, and many more U.S. venues to be added in the next year. You can keep up with her plans on her Web site http://www.susanmckeown.com/live.html

Though she won’t be taking the 11-piece orchestra around the world with her, she has her trusted team traveling with her. “The two musicians that I’m taking on tour with me are Jason Sypher and Eamon O’Leary.  I met them when I started going to a session that Eamon runs at The Brass Monkey in The West Village. It’s on Sunday nights from 5-8, and it’s great because I can bring my daughter there.”

The whole process has been one she’s cherished.

“This became something I had to accomplish in this life. It has been so satisfying to research it, so rewarding and such a pleasurable experience to record, and to do the tour … I’m just on a high. Because it’s got such meaning, and meaning for me is everything.

“I love all my albums, but this was something a bit different because it was a stretch and required a little effort.

“I like to explore and to challenge myself. I’m starting to look forward to challenges … I want to do something where people will say ‘Oh, that’s different!’ But in a pleasant way. These are songs that won’t be on your local jukebox, but that’s what makes it interesting.”

Columns, How to Be Irish in Philly

How to Be Irish in Philly This Week

Blazing fire, Christmas tree, dancing. . .there's a Christmas Ceili at the Irish Center this week.

Blazing fire, Christmas tree, dancing ... there's a Christmas Ceili at the Irish Center this week.

Christmas moves into high gear this week in the Irish community. Here’s how we roll:

Saturday
The Peter J. Hanlon Jingle Bell Run gets started at 7:30 AM at St. George’s at Venango and Edgemont. The annual event honors a former officer of AOH Div. 87 and raises money for charity.

Bring the kids to meet Santa, play games, and do arts and crafts at the Rose of Tralee’s Santa’s Workshop and Christmas celebration in the Irish Center’s cozy Fireside Room. Meet the reigning Mid-Atlantic Rose of Tralee Mairead Conley.

The Celtic Tenors will be performing that evening at the War Memorial in Trenton.

Sunday
If you’re in the gift-giving mood already, consider phoning in your pledge to help keep the WTMR 800-AM Sunday radio shows on the air. I’ll be there taking calls and I’ll toss in an extra $5 for every call I get! So, call me! (Imagine me making that little call-me thing with my hand.)

Then head on over to Finnigan’s Wake on Spring Garden Street in Philly for a day of Irish music, dancing, food, and vendors (think Christmas shopping). You might see me there too, but don’t expect me to give you $5. BYOMoney.

Also on Sunday, in Cochranville, PA, St. Malachi’s Church is giving the first of two performances of its candlelight Celtic music event, with Celtic gifts and free appetizers. The second performance is December 11.

Tuesday
Catch the preview performance of “Dublin Carol,” by Conor McPherson, at the Amaryllis Theatre on Sansom Street in Philadelphia. On Broadway, everyone’s favorite CSI actor, William Peterson (Grissom), played the lead role. This is just one of a half dozen or so Irish plays coming to Philadelphia this year, creating an unofficial Irish Theatre Festival. The play, a decidedly Irish take on the Dickens’ classic, runs for two weeks and tickets cost only $10!

Friday
Philly’s newest Irish organization, IN-Philly, will hold its Christmas party at Tir na Nog at 16th and Arch in Philadelphia starting at 6 PM. Guests of IN-Philly members get a discounted rate. Not a member? Here’s your chance to join up while everyone is feeling very jolly (not that they’re not always jolly), meet some new people, and network in a Christmassy way.

The Philadelphia Ceili Group’s Christmas Ceili is also this night. Bring your instrument, your dancing shoes and a batch of Christmas cookies and have a blast. Actually, you don’t have to bring any of those things—just yourself. But if you want to bring Christmas cookies, no one will stop you.

Looking ahead:
Saturday, December 11, you can catch a movie (“Wizards of the PCT,” a documentary about a group of wild hikers of the Pacific Crest Trail, along with music from the performers who did the soundtrack, including Damion Wolfe, Camp Arawak, and The Helots) at Jenkintown’s McSwiney Club.

Up in Bethlehem, enjoy a delicious dinner and some delicious harp music from local harper Ellen Tepper at McCarthy’s Tea Room.

Slide, an Irish group who do traditional music “with attitude,” will be at the Zellerbach Theatre on Saturday night.

Burning Bridget Cleary is on tap at the Steel City Coffee House in Phoenixville, one of the region’s most Irish towns.

Then, on Sunday, Irish Christmas in America comes back to the Irish Center featuring one of Ireland’s best traditional bands, Teada, with singer Seamus Begley. Not to be missed.

See our calendar for all the details!

News, People

New Mary from Dungloe Crowned at Donegal Ball

Karen and Barney Boyce

We catch Karen Boyce McCollum dancing with her dad, Barney Boyce, a Donegal native. Those faces tell the story: Ball-goers were having. . .a ball.

A 27-year-old speech-language pathologist from Philadelphia was crowned the new Mary from Dungloe at Sunday night’s Donegal Ball at the Philadelphia Irish Center.

Stephanie Lennon, who works with autistic and developmentally disabled children and is also the religious education teacher and softball coach at St. Cecilia’s Catholic Church, will travel to Ireland next summer to compete in the international Mary from Dungloe Festival in Dungloe, County Donegal. She succeeds Kiera McDonagh, an honors graduate of LaSalle who majored in integrated science, business and technology. McDonagh recently became engaged to attorney Justin Gdula.

Judges this year were apparently selected on a Law and Order theme: They were Montgomery County Court Judge Kelly C. Wall; John McNesby, a 22-year veteran of the Philadelphia Police Department and president of FOP Lodge #5; and Laurence P. Banville, Esq., a Wexford native, an insurance defense attorney in Philadelphia, and founding chairperson of Irish Network-Philadelphia.

Lennon’s crowning capped off a magical evening of music and dancing at the 122nd annual ball, which featured the Celtic rock group Blackthorn and Vince Gallagher and his band. This year’s ball chairman was Nora Campbell, vice president of the Donegal Association of Philadelphia. Jim Crosson was Ball co-chair and the Mary from Dungloe Pageant was organized by a former Mary, Michelle Mack, and Coleen McCrea Katz. Several former winners, including Emily Weideman (’09) and Brittany Lough Basis (’06) and Theresa Flanagan Murtagh (’91) were in attendance. Murtagh was emcee for the evening.

The 2010 Rose of Tralee, Mairead Conley, along with three former Roses—Jocelyn McGillian, Colleen Tully, and Sinead Cunningham (of Southern California)—were at the ball. McGillian was a Mary contestant this year and came in second runner-up. First runner up was 19-year-old Villanova student Kristin Ward, a native of Pearl River, NY.

Grand Marshal for this year’s ball was longtime Donegal Association member John McCaul.

The Philadelphia Donegal Association was founded in 1888 to take care of the needs of the vast influx of immigrants from Ireland’s northern most county. One of the first official acts of the new organization was to hold a concert and ball to raise money for the suffering people of Gweedore, County Donegal. Even today, the organization, through fundraisers like the ball, donates money to a variety of charities and sponsors a summer trip to the US for children from Northern Ireland.

The Mary from Dungloe Festival is one of Ireland’s biggest, founded in 1967 and named for a young woman, Mary Gallagher, whose sad love story is told in a traditional song.

Check out our photos of the event–and see the new Mary’s unusual footwear! We loved it.

People

Remembering Don Trefsger

The memorial service will take place at the Mermaid Inn.

The memorial service will take place at the Mermaid Inn. (Photo by Chris Woods)

Devotees of the Irish traditional music session at the  Mermaid Inn in Chestnut Hill will remember Donald Trefsger. He was hard to miss. “Donny” was the big guy with the big upright bass.

Friends today are mourning his loss. Paralyzed following an accident on his treasured Harley on July 11, 2009, Trefsger died November 20 of complications from his injuries. He was 62.

Fiddler Chris Brennan Hagy, who anchors the Mermaid session, was one of his closest friends. She recalls meeting him for the first time at a weekend gathering of the Philadelphia Folksong Society. “There was this big fella in the back of the room playing bass, smoking a cigar. He had tattoos,” she remembers. “That was Donny.”

That meeting was about 26 years ago. Hagy and Trefsger became fast friends, and they played together in the SPUDS contra dance band. It was only a matter of time before he would wind up taking his place in the circle at the Mermaid. He would go on to play on two “live at the Mermaid” recordings, including Hagy’s.

Trefsger was devoted to music, Hagy says. “He played in a lot of groups. He loved bluegrass. He went to folk conferences, and he traveled to the Grand Ole Opry. When he was a kid, he and his dad marched down Broad Street in the Dick Crean String Band. He was always around music.”

For the past 16 months, Hagy and other musical friends were his constant companions at Arista Care in Plymouth Meeting. They would talk for hours and play CDs. “He always had a smile for you,” she recalls.

This Sunday, a group of musicians will gather once again at the Mermaid for a celebration of Don Trefsger’s life. Hagy plans to bring along Trefsger’s trademark stool and his cremains. Before he died, Hagy says, she and Trefsger never talked about anything like a memorial, but she has a feeling he’d have liked the idea. It’s hard saying goodbye to such a good friend, but in his time Don Tresfsger had an impact on local music, and those who knew him appreciated his contribution. “Don was a good fellow, a good-hearted guy,” says Hagy. “And he loved to play.”

Columns

Behind the Scenes for 25 Years, This Year She Leads the Parade

Sister James Anne and friends.

Sister James Anne and friends.

There was never any question that Sister James Anne Feerick would grow up with pride in her Irish heritage. The 2011 Philadelphia St. Patrick’s Day Parade grand marshal recalls her childhood in Cobbs Creek:

“My father was from Ballinrobe, County Mayo, and my mother was born here, but her parents were from Foxford, in County Mayo. When we were kids (there were six), my father would tell us stories about Ireland, and on Sundays we would go over to my grandparents’ house, and they would tell us about Ireland. As kids, we were fascinated by the history that our parents had. We grew in love with the music and everything about Ireland.”

As if growing up in the household of James J. and Anna (Caulfield) Feerick were not enough in itself to inspire that love of Ireland, the broader Irish community also was a profound influence. Sister James Anne recalls house parties, sometimes at her own house and sometimes at a neighbor’s, in which Irish emigres would congregate. “They would get together and talk about their homeland. Musicians would come and bring their violins and accordions, and some would sing songs. Our parents would dance. It was just something we were accustomed to. We saw our parents having fun and enjoying each other, and it just grew on us.”

Born Anne Marie Feerick, this lifelong Catholic school educator and member of the Sisters, Servants of the Immaculate Heart of Mary (I.H.M.) recalls a childhood surrounded by the warmth of family and friends. Her family belonged to Transfiguration of Our Lord parish at 56th and Cedar in Cobbs Creek, and she attended the parish school. Transfiguration was a close-knit parish, mostly Irish and Italian. It was, she says, the center of community life in those days.

“I loved my schooling there,” she says. “I remember it being a happy time. I remember the sisters being very interested in what we were doing. We had the support of a lot of people, neighborhood people, your classmates and everything.

“After school, you’d go to your friends’ houses and ask if they wanted to play ball. There was no planning of activities. You just did it. That was our happiness—just being able to be with each other and share and learn. It was wonderful.”

That’s not to say there were no planned activities and, indeed, Sister James Anne had plenty to keep her occupied. Early on, she began to learn violin and later piano. Her parents loved all kinds of music, and this passion they successfully imparted to Sister James Anne.

Those who know Sister today can attest to her love of Irish dancing. That too is a passion acquired in childhood. She began taking Irish dance lessons when she was 7 at the nearby home of Sean Lavery, from Donegal. Every Friday night, she recalls, kids from throughout the city would converge upon his house to learn dance. Classes were from 5 to 9 p.m. Lessons were 50 cents. Those Friday nights at Sean Lavery’s house further reinforced her sense of Irishness.

“His home was packed on a Friday night,” she says. “For us, it was another connection. We would go to various competitions together and we would rent a bus. Our parents would go with us. And on the bus, you’d hear more stories of Ireland, and the music. It was just another way of keeping alive the Irish culture.”

As important as Irish cultural identity was, her parents also instilled in her the importance and significance of being an American. Immigrants to America don’t take citizenship for granted, and her father was no exception. Sister James Anne’s father studied for three years to become a citizenship, and it meant the world to him when he took the oath of allegiance. “He never wanted to forget where he came from, but he was proud to be an American.”

Catholic faith also mattered deeply. Like many of the Irish Catholic households in the neighborhood, hers proudly displayed pictures of the Holy Father and the Sacred Heart and a statue of the Blessed Mother. On Sundays, the Feericks attended Mass as a family. It was not simply an obligation to be fulfilled. In the Feerick family, faith was essential and deeply nourishing. Though they couldn’t have known it, they—together with the good example of her teachers at school—were laying the foundation for a life wholly devoted to God and service.

In her senior year in high school—she attended West Catholic Girls High School, class of ‘62—Anne Marie Feerick decided to enter religious life.

“I just think my parents were an inspiration to me,” Sister James Anne says. “Through good times and bad, they held on to their faith. And through some of the sisters that taught me, I just saw something special in them that hit me. I was already accepted to college but it was just something I wanted. There was just something special about what the sisters showed me—their kindness, their caring, their patience and their wanting to make us the best we could be. But still, I would say that the first example was my parents.”

As a member of the I.H.M. order, Sister James Anne became a teacher, serving in many capacities, including principal. With her own teachers as an example, she says, there really wasn’t any question that education was her calling.

“I liked teaching,” she says. “When I was in high school, I helped the dance teacher teach the younger kids. I also taught C.C.D. as a junior and senior in high school. I just always enjoyed the idea of being able to teach someone. It’s just the grace of God that speaks to you when you least expect it. I knew that if it didn’t work out, I would be able to pursue something else, but I really had to see if it was for me. And here I am 50 years later.”

Teaching has never been easy, and as a field it undergoes constant change. Teachers need to be up to the challenge; Sister James Anne was.

“When I first started teaching, I had 105 first graders. I remember teaching back then was very simple. Every school was doing the same thing; you did a lot of phonics and reading. Each grade covered a certain area, and you never skipped ahead. And then, later on, as they came in with the new math and the new reading I kind of got into it. It’s always good to learn something new. It was a big change, and it’s been changing ever since.”

Sister James Anne is still solidly involved in education, as director and teacher at the I.H.M. Educational Center in Bryn Mawr.

Of course, total immersion in he world of the I.H.M.s did not mean she left her heritage behind. For one thing, Sister has often taught Irish dance to students. It’s a way of developing coordination—and the kids like it. And she has continued to dance. At the recent Mayo Association Ball, were she was honored with the President’s Award, she was on her feet all night. (She is also chaplain of the Mayo Association.)

Also near and dear to her heart is the Philly St. Patrick’s Day parade, where she has been judge for 25 years.

According to parade director Michael Bradley, Sister James Anne has always been one of the parade’s unsung heroes.

“In my mind, she always does something to the best of her ability and she never looks for any credit,” Bradley says. There are a lot of people who want to stand in front and get recognition. But Sister’s been behind the scene for all these years and no one knows it. Well, I know it.”

Bradley also notes that Sister was the unanimous choice for 2011 grand marshal—the first unanimous choice in years.

Kathy McGee Burns, president of the St. Patrick’s Day Observance Association, echoes Bradley’s sentiments: “In my first year of presidency of this great parade, having Sister James Anne as grand marshal is like icing on the cake. Spiritually, she has been the chaplain of the Mayo Association for many years and as an Immaculate Heart of Mary nun, has been a positive influence on many a student. Emotionally she is a sincere, loving being who is kind and unselfish to all. Her Irishness she wears proudly on her beautiful face and in her involvement with dance, family and organizations. I am thrilled to count her as my friend.”

For Sister’s part, being named as grand marshal was a bolt out of the blue, and an honor for which she is very grateful. “I never considered myself as being a grand marshal of the St. Patrick’s Day Parade at all,” she says. “My cousins and family, they’re all excited. And I know my mother and father will be very happy up in heaven.”