Arts

Fringe Bonus: The Return of “Trad”

Charlie DelMarcelle and Mike Dees as "Da" and Thomas.

Charlie DelMarcelle and Mike Dees as "Da" and Thomas.

“Trad,” a play by Irish comedian Mark Doherty and a popular production by the Inis Nua Theater Company is returning to Philadelphia as part of the 13th annual PhiladelphiaLive Arts-Fringe Festival in September.

A comic take on the hero’s journey, the play follows the path taken by Thomas, a 100-year-old Irish bachelor farmer and his even older “Da” as they search for the child Thomas sired 70 years before. In the course of their sojourn, they experience a little culture shock, much like someone who hasn’t been back to Ireland in the last decade or so might experience today.

“We’re incredibly excited to be part of the Philly Fringe and to bring ‘Trad’ back for another go-round,” says Inis Nua Artistic Director Tom Reing. “When we produced ‘Trad’ as part of the Live Arts Festival two years ago, it received a great response. We have such a good time with this show,we wanted to bring it back for a longer run, not only for the audience but for ourselves.”

In addition to performing in the Philly Fringe, Inis Nua will also be producing “Trad” in NYC as part of the First Irish Festival, running concurrently with the Fringe.

“It’s going to be a lot of work, but we’re really excited to be performing in both cities,” Reing says. “We’ll be splitting the weeks up, half in New York, half here at home.”

Playwright Mark Doherty’s radio credits include “Only Slaggin,'” “A Hundred and Something,” “Stand-up Sketches” and “The Bees of Manulla” for RTE, and “The O’Showfor BBC Radio 4. He has written for, and appeared in, various TV shows, including “The Stand Up Show” and “Back to the Future” for the BBC, and” Couched,” a 6-part comedy series for RTE.  He has also workedextensively as a stand-up comedian and actor. He was the recipient of the 2004 BBC Radio Drama Award (Stewart Parker Award) for Trad. Doherty also wrote and starred in the movie,” A Film with Me in It.” 

Inis Nua Artistic Director and founder,Tom Reing, will helm the production. His credits include all Inis Nua productions to date (A Play on Two Chairs, Tadhig Stray Wandered In, Crazy Gary’s Mobile Disco, Skin Deep, Made in China ). Tom has also directed for (among others) Azuka Theatre, Shakespeare in Clark Park, Brat Productions and at the Walnut Street Theater.

The cast includes Barrymore-Award-winning Mike Dees as Thomas, Inis Nua favorite Charlie DelMarcelle as Da and Associate Artistic Director Jared Michael Delaney as Sal/Fr. Rice. “Trad” also features musician John Lionarons on hammer dulcimer, fiddle, accordion and tin whistle, providing live sound on stage.

 You can see “Trad” at the Amaryllis at the Adrienne Theater, 2030 Sansom Street, Philadelphia on the following dates:

September 3 at 8 PM; September 4 at 8 and 10 PM ; September 9 at 7 PM; September 10 at 9 PM; September 11 at 9 PM; September 16 at 6 PM; September 17 at 9 PM; September 18 at 7 PM;  September 23 at 8 PM; September 24 at 8 PM; September 25 at 8 PM. 

Tickets are $15 and available by calling 215-413-1318.

Arts

Philly Debut of “The Brothers Flanagan”

Funny how things work out.

About eight years ago, Bill Rolleri wrote a play about a couple of Irish brothers who own a bar in Philly and are at odds over everything, from whether to put in a TV to whether they should sell the place below market value, given the fact that a serial killer prowling the neighborhood is really cutting into business.

 A few months ago, Rolleri and some friends held a benefit at Fergie’s Pub in Philadelphia to raise money to stage the play. They didn’t really make enough, but Rolleri’s play, “The Bros. Flanagan,” will still go on. . .in a Philly pub, owned by an Irish guy who thinks TVs in bars are an abomination.

 “What better place to see a play about two brothers who own an Irish pub in Philadelphia than in an Irish pub in Philadelphia,” asks producer Stephen Hatzai.

 Fergus Carey, who owns Fergie’s and several other pubs in the city, first saw “The Bros. Flanagan” a few years ago when Rolleri presented it during a festival of new plays at InterAct Theater Company. “He came up to me and said, ‘I presume you have a day job,” deadpans Rolleri, raising an eyebrow or two from Hatzai  and Carey who are sitting with him at a dark corner table one afternoon recently at the popular Sansom St. watering hole and restaurant.

 “Did I?” asked Carey.

 “No,” said Rolleri.

 “I didn’t think so,” Carey says. “I’m not that rude. He makes things up,” he adds, nodding his wild, silvery locks toward Rolleri. “Which is a good skill for a playwright.”

 “The Bros. Flanagan” is part of the 13th annual Philadelphia Live/Arts and Fringe Festival which kicks off September 4. The Inis Nua Theatre Company’s popular production of “Trad,” another Irish play, is also part of the festival, which is known for its cutting edge artists and performances and unconventional venues, like art galleries, the YMCA, churches and, of course, pubs.

 Carey, who came to the US planning to write plays and act “and didn’t,” has become that theater essential—a supporter of the arts. He is chairman of the board of Brat Productions, a local theater company and “The Bros. Flanagan” won’t be the first play staged in his upstairs room. Just last winter, you could have seen a production of “Beowulf,” a musical monologue called “Buddy Felch Tells It LikeIt Is,” and “Go Irish: The Purgatory Diaries of Jason Miller” with your beer.

 “Fergie is such a theater animal,” says Hatzai. “He loves things that are a little off-beat.”

 And he thinks that a pub is just the place to see a play. “It’s a fun thing to sit in a bar and hear someone tell you a story,” says Carey, who won’t have a TV set in his pubs because he thinks they’re conversation killers. “And what is a play but great storytelling?”

 Rolleri’s play certainly is.The story: Business at the Flanagan brothers’ struggling bar isn’t helped by the terror gripping the neighborhood in the wake of a series of murders, deemed by the police to be the work of one killer. But that’s not the only violence in this four-man play. The brothers are at each other’s throats over just about everything, but mainly about selling the bar whose market value drops with each scary headline.

Into the mix Rolleri adds a police officer who is part of the task force hunting for the killer and a real estate speculator with political ties whose aim is to “buy the bar for peanuts.” There’s a lot of drama, some comedy, and, of course, it being a play set in a bar, there’s some fighting.

 It’s taken Rolleri eight years to get his play produced, but it hasn’t been sitting in a drawer somewhere. “The Bros. Flanagan” has been rewritten many times. “A lot of people’s hands have been in this play,” Rolleri says. “I’m almost ashamed to put my name on it.”

 “But he did,” quips Hatzai. 

 And he got a few of the city’s finest actors to play in it. Character actors Michael Toner and H.Michael Walls play the eponymous brothers, while Jerry Rudasill is the police officer and Chris Fluck the smarmy real estate speculator.

 But he never really raised enough money to produce it, which may be why he has more than a few butterflies. “We never hit our budget, so we’re going ahead on faith,” says Rolleri.

 “The Bros. Flanagan” will run September 5, 12, 19, at 2 and 6 PM; September 6 and 13 at 4 PM; September 9 and 16 at 7 PM at Fergie’s Pub, 1214 Sansom Street, Philadelphia. Admission is $20. And if you buy one entrée, you get one free. Call 215-413-1318 for tickets or info, or order tickets online.

Music

Ceili Group Festival Tickets on Sale

You'll be dancing too.

You'll be dancing too.

The Chicago supergroup, BUA, called by Irish Music Magazine “the essence of a superb band,” will headline the Saturday night concert at the thirty-fifth Annual Philadelphia Ceili Group Irish Music and Dance Festival, scheduled for September 10-12 at the Irish Center in Philadelphia.

Also on tap: noted County Armagh singer Len Graham; Pairaic Keane, a brilliant fiddler from Dublin and son of Chieftain’s fiddler Sean Keane; and Brian O’hairt, of St. Louis, who was the first American and youngest person to take first place in the All-Ireland Fleadh ballad singing competition, senior division.

But if there’s a theme fort his year’s festival, it’s that Philly has plenty of local talent. Sharing a stage with the out-of-towners will be Cruinn, a local trad band featuring RosaleenMcGill, Augie Fairchild and Tom O’Malley, and six-year-old Haley Richardson, the local fiddler who won first place at the Mid-Atlantic Fleadh Cheoil in Pearl River, NY, and will be traveling to Tullamore, County Offaly,  this year to match her skills with other under-12s at the Fleadh Cheoil na hEireann, the all-Ireland music festival.

The festival kicks off on Thursday with Tim Biritton and Friends in Concert. Britton, who now lives in Fairfield, Iowa, is a virtuoso on the Irish uillean pipes (and a noted maker of same) who grew up in the Philadelphia area and was a fixture, with his musical family, on the Philly folk and Irish scene. He has performed with the likes of Eileen Ivers, Mick Moloney, Robbie O’Connell, and Bela Fleck.

On Friday, a set/ceili dance is scheduled at 8 PM in the ballroom with the local and popular McGillian Band. In the Fireside Room, A Night of Irish Song will be hosted by local singer and Ceili Group member Courtney Malley and feature Len Graham; Brian O’hAirt; the Jameson Sisters (local singer Terry Kane and harper Ellen Tepper), Matt Ward, and others. After the event, there will be a session to which all musicians and singers are invited.

After the concert on Saturday night there will be a traditional “House Party” in the Fireside Room honoring the late Frank Malley, a local musician, singer, and longtime CeiliGroup member and festival director, who died recently. His daughter, Courtney Malley, will perform, as well as other singers, musicians, and story tellers. And, since it’s a House Party, there will also be dancing and it won’t break up until the wee hours, if at all.

There will be food, the bar is open, and there will be vendors and workshops, some by festival performers. This is one of our favorite events of the year–don’t miss it. 

For more information on thefestival or to purchase advance tickets, go to the Ceili Group website or emailphillyceiligroup@gmail.org.

Columns, How to Be Irish in Philly

How to Be Irish in Philly This Week

It’s going to be one busy Saturday!

First, singer and peace activist Tommy Sands is headlining at the Sellersville Theatre with his children, Fionan and Moya. If you mention you belong to a Celtic society, you pay $17 instead of $24 a ticket, so hurry to the phones right now.

There are three festivalsgoing on. The Hibernian Hunger Project Festival at Shady Brook Farm in Yardley features just about every local high-energy Celtic band, including the Bogside Rogues, the Shantys, the Birmingham Six, and Jamison. Plus, proceeds go to support this worthy charity of the Ancient Order of Hibernians which provides thousands of meals each year to the area’s homebound residents.

The Mid-Summer Scottish and Irish Music and Wine Festival brings some interesting flavors to Lancaster County’s Host Expo Center. The Bogside Rogues will be doing some traveling—they’re on the bill for this festival too. Also, Paddy’s Well, Seven Nations, Charlie Zahm, Brother, the Tartan Terrors and a number of dance schools will be there. Free wine tastings. This festival runs the whole weekend.

And in Berks County, the annual Celtic Oyster Fest takes place at St. Benedict’s Grove in Mohnton with live music and oysters (who may also be live too, at least for a while). There are other things to eat and drink, plus music.

On Sunday night, join WTMR radio hosts Vince Gallagher and Marianne MacDonald for an evening of song and dance at a benefit at the Irish Center on Emlen Street in the Mt. Airy section of Philadelphia..

They’re still dancing up a storm on Thursday nights at the Irish Center. Head on over to learn the foxtrot, box step, jive or even a set dance so you don’t look like a fool on the dance floor at one of the balls.

News, People

Remembering Sean Cullen

Sean Cullen was a union steamfitter by trade, but to his many friends in the Far Northeast, he was a man of many talents and wide-ranging interests.

Cullen, a member of the Ancient Order of Hibernians Division 88, died May 22 in an accident on his beloved Harley motorcycle on Knights Road, in front of Frankford Torresdale Hospital. He was 36. He leaves behind a wife, Alicia—he met her at Archbishop Ryan—and a 7-year-old son, Ryan.

According to 88’s Paddy O’Brien, who knew Sean for close to eight years, his death leaves a big hole in the community.

“I knew Sean as a member of Division 88,” he says. “A lot of the other guys knew him longer; they knew him from the neighborhood. Sean ended up being our go-to guy. If somebody needed something they’d say, ‘Call Sean.’ He was our handy man. He’d load up that little red truck of his with tools, he’d come to your house. We built people’s rec rooms…we did all kinds of stuff. Sean was the leader of all that.”

Sean Cullen was a guy who could have done many things with hs life, O’Brien added. For example, he could just as easily have been a Philadelphia police officer. His parents, Bert and Mary Cullen, were retired police officers, and his brother Jimmy is a narcotics officer. Sean took the department test, but, as O’Brien recalls, the steamfitters union called first.

Friends recall Cullen as a man who wouldn’t say no. No one was surprised when he became athletic director for Calvary A.A., and recently its lacrosse coach,even though there wasn’t much in the way of participatory sports in his background.

“We used to say that he was the most unathletic athletic director in the history of sports,” O’Brien laughs. “He never played anything himself. He ended up as one of those people who learned the games and learned to coach. He’d ever picked up a lacrosse ball in his life. He’d just find out what it took. he spent his own money to go to classes to learn about lacrosse, just to teach the kids.”

Sean Cullen clearly left his mark on the community. Over 1,000 mourners came to his funeral at Our Lady of Calvary Church.

Friends and family are honoring Sean’s memory by establishing a trust fund to assist in Ryan Cullen’s education.

On Saturday August 29, Quaker City Yacht Club, 7101 N. Delaware Avenue, Philadelphia, Pa 19135 will host a fund-raising event from 12-5 p.m. The cost of the event is $30 and includes domestic draft, wine, soda and food. Entertainment will be provided by popular local band The Cram and DJ Tommy Kuhn.

Three Monkeys co-owner Gavin Wolfe has partnered with the generosity of Muller Beverage and the Philadelphia Credit Union to sponsor the event. All proceeds will go directly to the family.

The second event, on Sunday October 4 from 12-4 p.m. will be hosted by Joe Santucci at his Woodhaven Road location. There will be an outdoor tent available in case of inclement weather. The $25 event donation includes domestic draft, wine, soda and food samplings of Joe’s original Best of Philly menu items. Again, all proceeds will directly benefit the family. There will also be live entertainment and a DJ.

Music

Tommy Sands: His Circle is Wide

The notion of family is an elastic one for Tommy Sands, the song man from County Down. There are his brothers and sister, Ben and Colum and Anne, with whom he records and tours as The Sands Family. And now there are his children Moya and Fionan, who have recorded his latest CD with him and are currently on tour together. And there is, in a larger sense, the world he has traveled and embraced with his songs of peace and tolerance.

Tommy, Moya and Fionan are making a stop at The Sellersville Theater Saturday, August 22, and will be singing songs from their CD, “Let the Circle Be Wide.” Having his children on tour with him, Tommy told me recently over the phone, “is really wonderful, it’s bringing your own home with you. When they were little, I used to record songs and stories they could listen to while I was away.” Having grown up surrounded by the music, they’ve now become a part of it themselves.

“I was going to India to play over there, and my daughter Moya, who’s also very interested in traveling, she said she’d like to go, and I said ‘You can’t go unless you’re a musician!’ Suddenly I heard the fiddle being practiced very, very strongly in her bedroom. So she came with me. Then Fionan had been traveling with Sinead O’Connor, and he decided to join me too. So we all ended up coming together.”

This coming together on the album features Tommy on vocals and guitar, Moya on fiddle, vocals, bodhran and whistle, and Fionan on mandolin and banjo. The first track, “Young Man’s Dream,” (“Aisling an Oigfhir”) is a reworking of that hallowed Irish ballad, “Danny Boy.” Tommy’s version came after a lot of digging into the origins of the song, and is authentic to the words that may have originally belonged to the melody of “The Londonderry Air.”

“The ‘Danny Boy’ lyrics were written in 1910 by Fred Weatherly. He exchanged the first melody for that of ‘The Londonderry Air.’ His song was written in a style with very high notes; the famous long high note in ‘Danny Boy’ is just a passing grace note in the original.”

The last track on the CD, “Let the Circle Be Wide” shares its title with the album, and is a song that Tommy has sung live to audiences all over the world, but has never recorded until now. It’s a song that embodies the coming together between Tommy and his global audience, a means of giving and taking that leaves both artist and audience with a feeling of hope: “Each place has its own incredible type of audience, with so much to be learned.I realized any audience, they have a story to tell. I traveled around Cuba once with a group of Cuban troubadours. We went out in a bus to hurricane-hit villages, people living in little houses, their hearts were very low. But the music was very encouraging, I didn’t want to leave.” “Playing in Moscow was a bit difficult in the sense. I had a good a idea nobody in the audience would understand anything I was saying, so I wrote a song called ‘Armenia’ and the second chorus they were able to sing it with me. Now it was a wonderful situation! I loved it!”

“India is fascinating, too. Old people are very important there. They’re regarded as having great wisdom, and they have very important insight. There’s also so much I have to learn about the music of India…you know, some people say that the music of India and Ireland is connected. And so it is, as well as the music that comes from other parts of the East. What we have in Ireland is related to that.

I remember I met up with a group of people called The Bauls, in Bengal, they’d welcome anyone into their tribe regardless of religion, provided you could sing a song. And one of them asked me, ‘Do you come from the West? What’s this scale you have, do-do-do?’ I said, ‘You mean do-re-mi?’ And he said ‘Yeah!’ and turned around and said ‘Come here lads!’ and the next thing they were all singing ‘do-re-mi-fa-sol-la-si-do…and they sang this most incredible scale that sounded like a sean nos song from the west of Ireland. It was fascinating.”

A kindred spirit to Tommy, Pete Seeger, recently celebrated his 90th birthday concert in Madison Square Garden, and Tommy was asked to perform at the event honoring his friend. “I felt like I was going to see a hero. There was an atmosphere there that was quite incredible. Pete has always been a big inspiration, not only to me but I think to the rest of the world. I played in Tel Aviv, in Jerusalem, Moscow and Pete Seeger’s songs are sung everywhere.”

I asked Tommy how he knew that he, and his songs, would have such a role to play in bringing peace to Ireland, and he left me with these thoughts: “Growing up, I heard the old songs, with subjects about difficult times. I noticed these songs had been sung which I didn’t know very much about. I didn’t plan to be a political songwriter. I was going to observe what’s going on with my own people as a songwriter, you look a little bit into the future, a little bit into what might happen, so the songs are there to be listened to, to contribute to the understanding, maybe not just as an observational thermometer but as a thermostat to some degree as well.”

News

It’s Party Time!

Get set for a rollicking good time and help raise some money for two great Irish radio shows.

 WTMR 800-AM radio personalities Vince Gallagher and Marianne MacDonald are hosting an evening of nonstop music in the ballroom of the Irish Center on Sunday, August 23, with local favorites, The Malones, the Vincent Gallagher Band, the Boyces, Patsy Ward, Kevin Brennan, Loaded, and many more.

There will be set and ceili dancing in the Fireside Room with Kevin and Jimmy McGillian, Judy Brennan and John Shields. Bring your instruments–there will be a trad session in the dining room. And in the Barry Room, a Chinese auction will be in progress till the end of the event with lots of fabulous prizes.

Ticket price of $20 includes a buffet dinner, all the entertainment, and door prizes.

For tickets or information, contact? Vince Gallagher, 610-220-4142, Marianne MacDonald, 856-236-2717 or  The Irish Center, 215-843-8051.

History

Learn More About the Irish at Gettysburg

In the nearly 150-year-old photo, Col. Patrick Kelly’s Irish Brigade looks grim.  These men were survivors of what one called “a whirlpool of death” on the Gettysburg’s Wheatfield on July 2, 1863. At the end of that day, only a little over 300 of Kelly’s 530 men were still alive. And the numbers were even more agonizing. When the Civil War started, 2,500 men enlisted in the Irish Brigade.

Today, the statue of a lone Celtic Cross, with the image of a wolfhound lying loyally at its feet, marks the spot where Irishmen, many of whom fled the famine, died for their new country.

Learn more about the role the Irish played in the American War Between the States on September 6 on a special tour of the battlefield featuring tour guide and expert on the Irish and Gettysburg, Richard Bellamy. You’ll travel by air-conditioned coach from the Irish Center, 6815 Emlen Street, Philadelphia, and start with a visit to the Visitor Center, Museum and Cyclorama and view “A New Birth of Freedom,” a short film narrated by actor Morgan Freeman.

After a picnic lunch, Bellamy will conduct a tour of the battlefield with an emphasis on the role of the Irish. Afterwards, the tour will go to Ott House in Emmitsburg, MD, for dinner featuring live musical entertainment. Expected return is 10 PM.

The tour costs $95, which includes transportation, all admissions, the tour, a bag lunch, bus refreshments, sit-down dinner with a choice of four entrees, and entertainment.

A few seats are still available. For more information, contact Marianne MacDonald at rinceseit@msn.com or (856)236-2717.