News, People

Awards Time!

Thomas LaVelle, right, with Paul Phillips, as La Velle receives the first Paul Phillips Award honoring outstanding parade marshals.

The Philadelphia St. Patrick’s Day was more than a month ago but its spirit lingers on.

On Wednesday, April 18, prize winners picked up their awards at Finnigan’s Wake in Philadelphia, where the presidency of the Philadelphia St. Patrick’s Day Observance Association passed from Kathy McGee Burns to Bob Gessler, founder of the Hibernian Hunger Project.

The Vince Gallagher Band and singer, Karen Boyce McCollum, provided the dancing music at the event, which was attended by members of the CBS3 parade coverage team who also handed out awards.

We were there and have lots of photos.

How to Be Irish in Philly

How to be Irish in Philly This Week

Matt Mancuso on fiddle.

We have the perfect Saturday for you. Head over to Kelly Drive in the morning to take in the annual Irish Memorial Run, which raises money for the Irish Memorial at Penns Landing.

You can rest up in the afternoon, then head over to Ambler to hear some fabulous Irish traditional music in someone’s livingroom! Not just anyone, but a member of the Philadelphia Ceili Group which is sponsoring an evening with fiddler-guitarist-mandolin-player Matt Mancuso (despite the name, he has Irish roots), an All-Ireland competitor and a member of the Irish supergroup Grada and the Cathie Ryan Band, and Patsy O’Brien, one of Irish music’s most respected guitar accompaniest and, an award-winning songwriter with three critically acclaimed CDs.

It’s a house concert, of course, so you need to RSVP and get directions (check the calendar for contact info). If you’ve never been to a house concert, believe me, it’s a real treat. You won’t want to hear music any other way.

Sunday is also a great day to be Irish. The Sons and Daughters of Derry are holding their very fun family social at the Irish Center, with music provided by Shantys and Irish dancing by the Cummins School. There’s a buffet dinner and lots of great activities for the kids. A real family-friendly day.

Martin Hayes, his musical partner Dennis Cahill and some of their most talented friends—the ones who can be called “masters”’—will be performing at the Annenberg Center for the Performing Arts in Philadelphia on Sunday night. They’re bringing the sound and some of the flavor of the Bantry, County Cork,, Masters of Tradition annual music festival to Philly. A must-see.

Mid-week, all the floats, dancers, and marchers who won award in the Philadelphia St. Patrick’s Day Parade will be getting their trophies and plaques at Finnigan’s Wake. Of course, there will be beer, food and entertainment.

The Irish American Genealogy Group is meeting on Thursday at the Irish Immigration Center in Upper Darby. Join genealogist John McDevitt and some of the regulars who can help you locate your Irish ancestors.

On Friday, Theatre Exile debuts “A Behanding in Spokane,” a play by Martin McDonagh that explores the violent American culture, post 9/11—in a powerful and funny way, of course. It is an Irish play, after all. Theatre Exile last year produced the very successful McDonagh play, “The Lieutenant of Inishmore.”

Next weekend is jam-packed. The 9th annual Project Children Benefit is being held at the Rochard T. Rossiter Memorial Hall in National Park, NJ, just over the bridge from Philadelphia. Tickets are disappearing for this fundraiser to support the program that brings children from Northern Ireland to the US for the summer.

Master harpers Grainne Hambly and William Jackson will be performing “The Music of Mayo” at the Irish Center (and doing workshops beforehand). This is another in a series of programs that explore the music of the West of Ireland, sponsored by the Philadelphia Ceili Group.

And it’s St. Patrick’s Day (again?) at the Reading Phillies at FirstEnergy Stadium in Reading.

Food & Drink, People

Smells Like Victory

Deborah Streeter-DavittInside the Paoli Presbyterian Church kitchen, the air is heavy with the sweet scent of vanilla, orange and chocolate. Easy listening music blares from a boom box in one corner of the room, and in another corner, the industrial-sized twin Blodgett convection ovens emit a low roar.

Perched on cooling racks near an open screen door rest close to two dozen four-inch bundt cakes, a big 10-inch granddaddy bundt, and a coffee table-sized sheet cake. These tantalizing golden-brown confections are the result of a couple of hours’ labor by the exceptionally well organized Deborah Streeter-Davitt, the self-described “head caketress” behind MacDougall’s Irish Victory Cakes. She has help from her father, the Rev. Richard Streeter. (A former pastor of the church, he describes his role in the enterprise as “chief orange squeezer.”)

You might have seen, and tasted, Streeter-Davitt’s handiwork at a local Celtic festival. Her cakes are also available in more than a dozen small markets and farmers’ markets throughout the Delaware Valley. They’re also available online.

The success of MacDougall’s Irish Victory Cakes marks a kind of victory for Streeter-Davitt, who pursued a dream and became a baker following a layoff about three years ago from her longtime job in the financial services industry.

“Necessity breeds creativity,” laughs Streeter-Davitt, who seems not to break a sweat in the 80 degree-plus commercial kitchen, which she rents on Tuesdays and Thursdays from the church. (A local biscotti maker also leases the space.) Her green apron bears the imprint of floury hands. and she tucks her dark, wavy hair into a little heart-decorated painter’s cap, from which an uncooperative loose tendril escapes. Whisking flour and sugar into eggs, melting and stirring chocolate, scooping yellowy batter into heavyweight Nordic Ware pans, manhandling sheet cake pans into the oven, Streeter-Davitt seems the very picture of contentment.

The work consumes many more hours than she was used to devoting to her previous profession, but for Streeter-Davitt, it’s all worthwhile.

The layoff coincided with another imminent turning point in her life. “I was turning 50 in a few years, and I thought … hmmmmmmm. That was two and a half years ago. Up to that point, there was always something missing. Salary and travel all over the United States couldn’t fill that hole. I didn’t realize how fulfilling this would be. Now, I feel like I’m doing something I’m meant to be doing.”

Streeter-Davitt has been baking since the ‘80s. She says that’s when she came into possession of a recipe for a simple but rich, dense, buttery cake. The recipe belonged to her great-grandfather James MacDowell (of the MacDougall Clan) from Belfast. Before World War I, MacDowell had gained no small measure of fame for his delicious, lavishly decorated cakes. He baked for kings and queens. Just after the war, he left his fame behind and moved to the Syracuse, N.Y. area, where he toiled away in a tiny, neighborhood bakery. MacDowell decorated cakes for all the local wealthy households—all so his grandkids would have the opportunity for an education.

MacDowell’s story is the “victory” in the victory cake, says Streeter-Davitt. “It was his victory to bring the family here to the United States. He was a famous champion baker back home, but he gave it all up for his children and grandchildren.”

Streeter-Davitt, for her part, has taken some liberties with the basic butter cake recipe. She adapted the base recipe to create several distinctive, and distinctively named, flavors, from Dassie’s Traditional (with Wilbur chocolate and butterscotch chips) to Skeeter’s Grand Slam (chocolate, butterscotch, peanut butter and marshmallow) to Albie’s Loopy Leprechaun (chocolate, butterscotch and “two cheers of whiskey”). Many of the ingredients are local, and all cakes include at least a kiss of whiskey.

When the local appetite for Victory Cakes is at its greatest, it’s all hands on deck—mostly meaning “relatives, and friends of relatives.” It’s a huge amount of work, baking cakes in large quantities. For a batch, think in terms of two dozen eggs, a pound of butter, a pound of sour cream, five pounds of flour, and six cups of sugar. (And there are a few secret ingredients in the mix that make the cake deliciously different.)

St. Patrick’s Day, of course, is a major undertaking. “We probably made close to 800 minis (the four-inch individual cakes), 150 petites (the two-pound cake), and 20 mighties (the five-pounder),” Streeter-Davitt says.

Baking, she adds, is only half of the job. There’s frosting and decorating, wrapping and labeling, transporting, marketing and more. Yeoman’s labor, but all infinitely worthwhile to MacDougall’s energetic head caketress, both on a professional and a personal level.

“What’s fun about this job is that I get to work with my dad, and carry on his granddad’s legacy. You can’t put a price tag on that.”

More info:

610-608-6889
macdougallscakes@aol.com
www.macdougallscakes.com
PO Box 563 Malvern, PA 19355

People

Traffic-Stopping Irish Dancers

The McDade Cara Dancers on YouTube.


Wanna know how to stop traffic?

Check out this video of dancers from the McDade Cara School of Irish Dance in Delaware County who danced in the middle of the street to One Direction’s song, “What Makes You Beautiful.”

Sisters Leanne and Laura McGrory choreographed the dance for their St. Patrick’s Day Show. They chose One Direction because, well, they’re the world’s cutest boy band and their shows are sold out for the year. Hey, boys, you can come with some backstage passes for the world’s cutest Irish dancers, can’t you?

News, People

2012 Philadelphia Rose of Tralee Chosen

Outgoing Rose of Tralee Beth Keely with 2012 Rose of Tralee Elizabeth Spellman.

A 27-year-old social worker from Havertown was crowned the 2012 Philadelphia Rose of Tralee at a gala on Sunday, April 1, at the Radnor Hotel in St. Davids.

Elizabeth Spellman, who works at St. Christopher’s Hospital for Children in Philadelphia, is a graduate of Merion Mercy Academy and The Catholic University of America. She joined a volunteer program called Amigos de Jesus, based in Malvern, PA, and after graduation spent two years teaching English and acting as social worker at an orphanage for boys in Honduras, where she learned Spanish. She traces her Irish roots to Mayo and Sligo.

Spellman will compete this summer at the International Rose of Tralee Festival in Tralee, County Kerry. The “Rose” is a popular competition, drawing young Irish women from around the world. It’s televised in Ireland. The Philadelphia Rose Centre celebrated its 10th birthday this year. Founded by Sarah and Karen Conaghan (Race), the center this year gave its Mary O’Connor Spirit Award, named for the original Rose of Tralee, to the center’s original Rose, Noreen Donahue-McAleer.

McAleer, who teaches third grade in the Abington School district, began Irish dancing at the age of three and competed worldwide, including at the Irish Dance World Competition in Galway when she was 17. She opened the Cummins School of Dance in 2001 when she earned her Irish dance degree (teagascoir Choimisiuin le Rinci Gaelacha, or TCRG).

The Glenside resident is married to Peter McAleer and they have one son, Pearse. Her nieces, Abigail Donohue and Saorla Meeagh were “Rosebuds” this year—the youngest group of girls that take part in the pageant.

The outgoing Rose, Beth Keely, gave a tearful farewell speech in which she recalled all the events of her year, including helping to grant the wish of a terminally ill teen in Ireland—to spend a day with the Rose of Tralee contestants.

CBS3 consumer reporter, Jim Donovan, reprised his emcee duties this year. Donovan, who appears at many local Irish events, greeted the crowd with his usual, “Hello, Irish people!”

We were there and took many, many pictures so you could pretend you were there too.

How to Be Irish in Philly

How to Be Irish in Philly This Week

Comic Corey Alexander will be one of the laughmeisters at AOH Dennis Kelly Div. 1 Comedy Night.

You have almost one more week to rest up after the St. Patrick’s Day marathon, then the Irish events start to pick up by next weekend.

One reminder: The Shanachie in Ambler is gone, but its weekly session lives on down the street at Finn McCool’s at 34 E. Butler Pike every Tuesday. The musicians start to assemble at 7 PM. Bring your bouzouki and join in.

We like a good laugh, and the Dennis Kelly AOH Div. 1 is delivering them on Friday night, April 13. It’s comedy night at The Palombaro Club featuring local comics Corey Alexander and David James and it benefits Hero’s Homecoming Fund, an organization started by an AOH member that helps wounded soldiers.

Alexander, a Steve Carrell look-a-like, hails from the Philly area and has played at Caroline’s, Gotham, Catch a Rising Star, Comedy Zone, and Comedy Works, among others. He was recently drafted to perform as part of NYC Comix “Best of New Talent.”

David James, also a local lad, won the Helium Comedy Club’s first annual “Philly’s Phunniest” Competition in 2006. Check out the videos on his website  to find out why you should never heckle a professional comic.

A little glimpse into the following week:

On Saturday, April 14, lace up your running shoes for the 2012 Irish Memorial Run. Proceeds from this event, which takes place on Kelly Drive, helps defray costs for the upkeep of the Memorial at Front and Chesnut Streets.

On Sunday, the Annenberg Center on Walnut Street will host some of the world’s top Irish traditional musicians, including Clare fiddler Martin Hayes, fiddler Cathal Hayden; singer Iarla O Lionnaird, guitarists Dennis Cahill and Seamie O’Dowd, accordionist Mairtin O’Connor, and uilleann piper David Power. Read our interview this week with Martin Hayes.

Also next week: The award winners from the Philadelphia St. Patrick’s Day Parade will actually get their awards at a program at Finnigan’s Wake in Philadelphia on Wednesday.

On Thursday, Theatre Exile presents the Martin McDonagh play, “A Behanding in Spokane,” in which the playwright explores—in a funny way, of course—the culture of violence in post 9/11 America.

Also on the calendar for April: St. Patrick’s Day in April at the Reading Phillies (April 21), a benefit for Project Children, which brings children from Northern Ireland to the US in the summer (April 21), and Celtic harpers Grainne Hambly and William Jackson (April 21).

Events are added to the calendar every week, so check back frequently.

People

Father Joseph Kelley is the People’s Choice

Father Joseph Kelley

Father Joseph Kelley

Among the South Philly Review’s 2012 Readers’ Choice award winners:

Termini Brothers for cannolis, John’s on East Snyder Avenue for roast pork sandwiches, the South Philadelphia Tap Room for the best selection of craft beers, and Father Joseph J. Kelley of St. Monica’s at 17th and Ritner for top priest or minister.

Kelley’s name bubbled to the surface in the section of the Readers’ Choice award balloting devoted to the neighborhood’s favorite people, a short list that included the likes of civic leader Barbara Capozzi and local DJ Johnny Looch.

Kelley confesses he’s flattered, but he kiddingly suggests that with so many relatives scattered throughout South Philadelphia, he had an unfair advantage.

“I grew up with these people,” he laughs. “My life is an open book. There can’t be any surprises there.”

Kelley’s boyhood home was at 933 Pierce Street, on the other side of Broad Street from St. Monica’s, in St. Nicholas of Tolentine parish. The neighborhood is a well-known blend of nationalities, with Italians and Irish figuring prominently. Kelley’s family tree sprouts off in both directions. His father’s name was John, and the Kelley family roots go back to County Monaghan; his mother, Phillomena, was a Coppola. Consequently, Kelley grew up with both traditions.

Kelley’s parish likewise is a marriage of two great European Catholic communities. For most of its early history, St. Monica’s was stoutly Irish, with pastors named McManus, Timmins, Walsh and Farrell. Their portraits hang in the hallway of St. Monica’s rectory. Relics of the parish’s Irish past aren’t hard to find. There’s a monument in memory of Monsignor Aloysius F.X. Farrell along the 17th Street side of the church. Farrell led a hugely ambitious rebuilding project following a catastrophic fire in the 1970s. Just a few steps away stands a blue historical marker honoring light-heavyweight boxing champ Tommy Loughran, the “Philly Phantom,” who grew up nearby.

The parish is mostly Italian now, though there are still plenty of Irish in the mix.

Kelley, resplendent in his flowing cassock, is tall, with dark, curly hair. His features seem to favor the Coppola side of the family. On the day we meet, he’s looking forward to an annual get-together with siblings, nieces and nephews in which they will spend hours baking Easter ham pies, some of which will be shipped overnight to South Philly exiles now living in Florida.

Kelley has been a priest for nearly 25 years, and for 21 of those years he has been posted in Philadelphia. “That’s very uncommon,” he says. Early assignments included Sacred Heart at 3rd and Reed, and St. Edmonds at 21st and Snyder. In 1999, he was named principal of Archbishop Wood High School in Warminster.

He was thrilled when, in 2003, Cardinal Bevilaqua assigned him to be pastor of St. Monica’s. “It was just after Ash Wednesday, and I got a call that the cardinal wanted to see me,” he says. Kelley surmised that a new assignment was in the offing, but he had no inkling what was to come next. A friend and fellow priest guessed Kelley was going to be sent to St. Monica’s, but he didn’t believe it. Then, when the cardinal offered him the pastorship of this vibrant South Philadelphia faith community, he recalls, “My jaw hit the floor; I was absolutely stunned.”

Although Kelley enjoyed his time in the Bucks county ‘burbs, he’s grateful to be back in his old stomping grounds.

“I’m a city kid,” he says. “I’m green. I never use a car. I take the subway, or I walk.”

It’s not hard to see how Kelley was the people’s choice. He seems to know everyone. As he stands on the stone steps in front of the church, he sees a young man walking down Ritner from 17th. “Hey, how’s your mom?” Kelley calls out. “You’re coming for Palm Sunday, aren’t you?” A warm and friendly conversation ensues.

The Readers’ Choice award took Kelley completely by surprise, he says, and left him with a feeling of deep gratitude.

“I grew up with these people. I’m related to these people. When you love a place so much, and you love a people so much, it’s good to know you’re loved back.”

People

Five Questions With Martin Hayes

Martin Hayes and Dennis Cahill

Martin Hayes and Dennis Cahill

There’s Irish music with trombones, Irish music with Bruce Springsteen lyrics, and then there’s Irish music played on traditional instruments and not all that different from what you might have heard by the fireside anywhere in County Clare a hundred years ago.

The old stuff is as pure as the wind rustling across the Burren, as raw as peat smoke. Fiddler Martin Hayes, himself from Maghera, East Clare, knows this territory all too well. He easily and lightly treads the well-worn path. He’s equally familiar with some of the more experimental applications of the tradition, to be sure. With his frequent collaborator guitarist Dennis Cahill, he formed the band Midnight Court in the 1980s, a melding of rock and jazz. But it’s the pure drop, as the old-style music is sometimes called, that Martin Hayes plans to celebrate as he, together with six talented colleagues, appear April 15 at the Annenberg Center in the “Masters of Tradition” concert.

If you’re going, you’ll hear some of the finest musicians Ireland has to offer. In addition to Hayes: David Power on uilleann pipes; singer Iarla Ó Lionáird; Cathal Hayden, fiddle; accordionist Máirtín O’Connor; and Seamie O’Dowd and Dennis Cahill on guitar.

The “Masters of Tradition” concept has its roots in a long-running annual festival of traditional Irish music in Bantry, County Cork, in conjunction with West Cork Music, a classical music organization. Hayes is the artistic director of the Masters program. In 2009, Hayes was invited to bring the “masters” to Australia for concerts in the iconic Sydney Opera House. Still, the concept has never had an airing in the United States—until this year.

We interviewed Hayes by phone recently. He took the call in a parking lot in Galway; you could hear the breeze blowing. Here’s what he had to say about the concert tour and the music he loves so well.

Q. Tell me about the Masters of Tradition Festival, the one that happens in Bantry in late June-early July. I know it began in 2003. How did it get started, and what was your role?

A. It started in West Cork. In Bantry, each year there is this highly regarded chamber music festival. We were invited to play in the festival. They had been talking about doing something with traditional Irish music. It was an opportunity to play traditional music in an almost chamber music-like environment, in Bantry House. It’s one of Ireland’s big, old aristocratic gentry homes, a very, very large home, with wonderful acoustics and great warmth. A lot of the concerts take place there. We also play in the Church of Ireland in Bantry.

There’s a tradition of Irish music being played in the big old homes of Ireland, in the gentry houses, but in recent years we had never played in that context. The idea was to present the music in Bantry House with a lot of attention to detail, and nuanced.

Q. It seems to me that when you use the word “tradition,” you mean something very specific. First of all, how do you define that, and second, why is sticking to the tradition so important to you?

A. To define is not so easy. As somebody said, nobody can tell you what good traditional music is; they can only tell you what isn’t. I’m not looking for the rock and roll fusion, but I’m not opposed. There are few things I haven’t tried myself. Sometimes, with a musical form like this, you can experiment and experiment and experiment. But every once in a while, it’s good to retrench, to re-examine what you have, and start the cycle all over again.

Q. Is there room for everyone in the Irish music tent? What do you think when musicians take liberties?

A. I kind of don’t care, and one reason I don’t care is that, in the late ‘80s, there was I. I was trying to fuse Dixie Dregs into Irish music. I was playing with a fusion drummer at that time. Everybody ought to have the freedom to try everything they want.

Q. How and why did you decide to take the show on tour?

A. It was accidental. A number of years ago, when I was in Australia, I mentioned the festival to my agent. I didn’t say I wanted to do anything, but he mentioned the Sydney festival and the Sydney Opera House. They (the organizers) said, “Why don’t they come out and play at the festival?” I said “OK.” This opportunity doesn’t often come up. We ended up doing two nights, and it was a great success. Everybody said, “I want to do more of this.” So here we are doing a little more of it.

Q. What do you hope that audiences will get out of the Masters tour that they might not get from other Irish music performances or concerts? What would make you feel like you’d accomplished what you set out to do?

A. It’s kind of like an invitation back to the music again. It’s pressing the “reset” button, and we’ll go back and re-introduce you to the music. It’s not an intellectual exercise, but one in which you can experience the richness of the music in the raw form in which it has come. You get a very wide and comprehensive sense of what the music is all about.