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February 2011

News

Parade Fund-Raising Kicks into High Gear

Why is this man smiling?

Why is this man smiling? It's parade director Michael Bradley, and he's raising money for the parade and having fun at the same time!

You know that old saying about trying to stuff ten pounds of—well, stuff— into a five-pound bag?

That’s the situation the Philadelphia St. Patrick’s Day Observance Association faces between now and parade day, Sunday, March 13. The association needs to raise $70,000 to $80,000 between now and then, and they’re squeezing the lion’s share of their fund-raising into that really, really small window.

Attending to the logistical details of the parade—which float goes where, which dance school goes before the TV cameras and when—is relatively easy, says parade director Michael Bradley. The hard part is raising the money necessary to run the parade in the first place.

The most recent big fund-raiser was held at Ancient Order of Hibernians Division 39 last Sunday. Now, there are two more big cash-collecting events in the offing. The first one will be held Saturday, February 26, from 8 ’til midnight, at the Second Street Irish Society. “That’s a new group helping us out this year, and we’re very appreciative,” says Bradley.

The next event—and always a big boost—is the Blackthorn concert at Springfield (Delco) Country Club on Sunday, March 6, from 3 to 7 p.m.

Between those two events and our ad book, that’s the bulk of our fund-raising,” he says.

All of that fund-raising is serious business, but it can be a great time, too.

“We’re going to have a lot of fun, no matter what we do,” Bradley says. “There’s nothing worse than going to an event and feeling like they’re just taking your money. I’m not going to be involved if its not fun. That has a lot to do with our success.”

(We’ve gone to the Blackthorn event, and it was standing room only. Trust us, no one was too overly caught up worrying about raising thousands of dollars. They were too busy partying.)

That’s just how the folks organizing the parade want it. Says Bradley: “Theres no parade without the people, and if you don’t make the fund-raisers special, nobody is going to come.”

One last detail: The ad book. If you have a business or organization (or maybe it’s just you or your family), you can help out by buying an ad in the parade ad book. For details, contact Michael Bradley at (610) 308-8994.

News

They Danced All Afternoon at Division 39

Sister James and court

This year's parade grand marshal, Sister James Anne Feerick, is second from left. She's joined by Mary Frances Fogg, left, parade committee president Kathy McGee Burns, right, and Mary Patrick, right.

The AOH Hall down on Tulip Street was jammed to the rafters Sunday as Division 39 hosted a big fund-raiser for the 2011 Philadelphia St. Patrick’s Day Parade.

Jamison provided the tunes, and both the girls of the Celtic Flame School and guests alike took to the dance floor often throughout the afternoon.

There was plenty to munch on (are meatballs Irish?) and the beer flowed liberally. (No, not too liberally.)

It won’t be the last fund-raiser for this year’s parade … but it will be remembered as one of the best.

Click here to see the photo essay with captions.

How to Be Irish in Philly

How To Be Irish In Philadelphia This Week

Shannon and Matt Heaton

Less than a month away. That’s right. St. Paddy’s Day—and all the local St. Paddy’s day activities are less than a month away. In fact, this week many pubs are celebrating “St. Practice Day” to help folks get ready for March 17, commonly known among Irish bartenders as “amateur night.”

Well, there’s plenty to do to get yourself conditioned. On Friday night, for example, Tir Na Nog in Center City is hosting the Bogside Rogues for “The Great Guinness Toast,” an international more-or-less simultaneous quaffing of the brown stuff.

And the 19th annual Greater Philadelphia Mid-Winter Scottish and Irish Festival gets underway in Valley Forge with a concert featuring the Scottish tribal drum group Albannach and The Dubliners, as well as locals Jamison and The Hooligans. This one runs all weekend and features everything from swordplay to whiskey tasting, with a whole lot of music and dance thrown in. There are people who need to practice for this event too. Not us—we’ll be there all weekend and you can see how we handle all things Celtic.

Direct from Boston, Irish duo Matt and Shannon Heaton will be making their magic at Trinity Episcopal Church in Swarthmore on Friday night.

And you have your choice of two great Irish plays – Terminus at the Zellerbach Theatre and The Lieutenant of Inishmore at Plays and Players. Better yet, go to both. If you buy tickets for two or more plays in Philadelphia’s Irish Theatre Festival, you get  a 20 percent discount. Go to the Philadelphia Theater Alliance website to order.

On Sunday, Dr. William Watson, director of the Duffy’s Cut Project in Malvern, where the bodies of 19th century Irish immigrants have been unearthed, will be speaking at the Knights of Columbus Hall in Glenside.

At 12:30 PM on Sunday, Irish Network-Philadelphia is holding a public meeting at the Irish Immigration Center in Upper Darby to discuss future events. Tea, coffee and sandwiches will be provided. If you’re not a member of this networking group, here’s your chance to join and. . .network.

There are still a few spaces in a one-day course at Temple University-Fort Washington on Celtic Christianity, which will be held on Wednesday evening. Dr. Ken Ostrand will take you from Irish Christianity before Saint Patrick to today, and introduce you to a variety of Irish saints (some with amazing powers).

Big day next Friday. The Irish American Business Chamber and Network Ambassador’s Awards Luncheon will honor Aramark Corp, the Rev. Timothy R. Lannon, outgoing president of St. Joseph’s University, and businessman James Hasson and his wife, Sarah. The event will take place at the Crystal Tea Room at 100 East Penn Square in Center City. Irish Ambassador to the US, Michael Collins, will make the presentations.

Later that evening, Collins along with Consul General Noel Kilkenny will be attending a fundraiser for the Duffy’s Cut Project. Money raised at the event, which will feature the music of Paul Moore and Friends, will be used to cover the costs of continued DNA tests on the remains found at the archeological site and to erect a memorial to the dead at West Laurel Hill Cemetery in East Falls.

The details for all these events and more are on our amazing calendar. If you have an event you want to publicize, you can add it to our calendar yourself or email me at denise.foley@comcast.net.

Music

Review: “A Moment of Madness,” by Brendan Begley and Caoimhín Ó Raghallaigh

Caoimhín Ó Raghallaigh and Brendan Begley

Caoimhín Ó Raghallaigh and Brendan Begley

Button accordionist Brendan Begley and fiddler Caoimhín Ó Raghallaigh call their new CD “Le Gealaigh/A Moment of Madness.” If this be madness, there is method in it.

This 12-track recording is a bit of barely controlled wildness. I’m thinking in particular of one live track (“The Green Cottage,” “The Glin Cottage” and “Julia’s Norwegian Polka”) that brings to mind the image of a freight train roaring downhill, going faster and faster until the whole thing threatens to run off the rails.

It never does—but it’s a near thing.

There are a few moments like that on this recording, moments where musical expression could well be sacrificed on the altar of speed. In the hands of anyone less capable, that’s exactly what would happen. But wildness, Begley says, is a hallmark of the West Kerry style of accordion playing—and it’s Begley who seems to be leading this charge. You get the sense that wildness is exactly what these two musicians want to bring out in their tunes.

So yes, it is all a bit mad on occasion, but somehow they maintain their sanity.

We started out talking about a particular set of polkas. We could well talk a good deal more about them. There are six sets of polkas on this recording. As for the rest, it’s a neat little mix of jigs, a pair of laments and one set of hornpipes. Anyway, if you like polkas, you won’t be disappointed. With the exception of the aforementioned runaway train, most of them are well-suited to dancing. A particular favorite is track three—”Sean Keane’s” and “The Ardgroom Polka.” Begley plays the first tune, hitting all those deep, resonant chords, setting the pace. One of the interesting things about this CD is that you can hear the clicking of the accordion buttons on a few tracks. Maybe this isn’t what the musicians intended—it’s not the polished thing to do—but it gives the CD the ring of authenticity. It’s as if you were sitting next to Begley in the circle at a session. It’s almost visual. Ó Raghallaigh jumps in on the second tune, and the two together play with authority and great presence. They draw you in.

You’ll also be pulled in by the laments, “An Chéad Mháirt de Fhomhair” (The First Tuesday in Autumn) and “Na Gamhna Geala,” which Begley performs unaccompanied. Begley’s use of deep, droning chords is very pipe-like. There’s a stark beauty to both tunes.

Ó Raghallaigh gets his own chance to shine on a soaring set of polkas, “Tá Dhá Gabhairín Buí Agam,” “The Glen Cottage” and “I’ll Tell Me Ma.” It sounds like two fiddles playing.

With all the polkas, the jigs almost take a back seat. But not quite. The catchiest, most toe-tapping moments come on a set of jigs, “The Humors of Lisheen,” “The Munster Jig” and “Sean Coughlin’s.” You’re carried along by the rhythmic rising and falling of fiddle and box. It’s a perfect pairing.

With two players so well-matched and at the top of their game, “A Moment of Madness” is essential listening. It’s crazy good.

Music, People

Halfway to Spring: The Midwinter Festival Arrives!

Festival organizer Bill Reid gets a bagpipe lesson from Rathkeltair's Neil Anderson.

When I caught up with Bill Reid on his cellphone early Monday morning, he admitted he was “in panic mode.”

By next Friday, the first of thousands of people would be coming to the Valley Forge Convention Center for the opening concert of the Mid-Winter Scottish-Irish Festival Reid and his wife, Karen, have been organizing for 19 years. This year, he bagged his mailing list because he thought it was too old and used the list compiled by the organizers of Irish weekend in Wildwood. Some of his regulars didn’t get their usual postcards and they were calling. “Aren’t you having the festival this year?”

Yes he is. And it’s bigger than ever. And I have to say, for a guy in panic mode, Reid is really funny. I may call him every Monday morning to get the week off to laughing start.

The best part of this year’s festival: “There’s nothing downstairs,” says Reid, who is of Scottish ancestry. That means no pet lovers, computer geeks or swingers competing for parking spaces in the convention center lot or stools at the local bar. There’s only one convention in the building and it’s Celtic.

That sent Reid off on a trip down memory lane. The Pet Expo was a mess, he says. Really. And you know what he means. But the swingers’ group provided an even more embarrassing moment for Reid.

“I came in to the pre-convention meeting and was sitting with everybody and I innocently asked, ‘Where’s the swing group’s band?’ They all looked at me and someone finally said, ‘Billllll.’ Not those kind of swingers. On the bright side, at night after the festival is over we usually go over to the bar and there was plenty of room. They were off doing what they do.”

Then there was the gay and lesbian group who held a pajama party one night on the floor of the convention center. “If anybody else had walked around the corridors the way they were dressed—or not dressed. . . .” He laughs.

He’s had to handle plenty at his own festival too. “One year we had the Daughters of the British Empire take a table and we put them next to an AOH group. The first thing the ladies did was put up a picture of the Queen and a Union Jack. The AOH guys came to me and said, ‘Hey Bill, we thought there was no politics here.’ So I went over to the ladies and said, ‘do you know where you are?’ They were nice about it. They said, ‘Maybe we can take the flag down.’ What I about the Queen? I asked. The guys said, “Oh no, she can stay.’ By the end of the weekend the ladies were feeding them biscuits and the guys were helping them take down their display.”

At this point I’m thinking that maybe they should have tapped this Scotsman who traces his roots back to Paisley, near Glasgow, Scotland, to hammer out a peace accord in Northern Ireland. He accomplished in three days at Valley Forge what it took decades there. He even handles the division of labor among the vendors. “I like to be on the floor at 6:30 AM to make sure that the husbands who are there to help their wives set up help their neighbor instead. The woman there won’t yell at the guy and he won’t yell at her. It’s all peaceful then.”

That may be the only time during the three-day festival that’s it’s peaceful. Reid keeps the music cranking all day and all night long, with headliners such as the Kansas City-based group, The Elders, who describe themselves as “arse kicking Celtic Music from the heartland;” The Young Dubliners, who hail from L.A.; Seven Nations, a Florida-based Celtic/punk/metal band with longevity (around since 1993, the year the Reids launched their festival); and Albannach, whose warlike tribal music (heavy on the drums) every year draws the kilted goth crowd wearing the traditional t-shirt that reads “Outlawed tunes on outlawed pipes.”

Albannach almost got Reid into trouble with his 90-year-old mom. “She’s learned to do the Internet, email and all this. One day she went online and put in our company name, East of the Hebrides. The next thing you know my sister gets a call. ‘What is your brother doing with those tattooed men?’”

One festival regular, Brother, an exciting band with an unusual sound, is especially near and dear to Reid’s heart. Formed by a group of Australian brothers, it combines tribal drums, bagpipes and didgeridoo, a wind instrument invented more than 1,000 years ago by aboriginal people in Northern Australia. Brother’s didgeridoo player is not Australian however. He’s a local native known widely “DidgeriDrew”—and he’s the Reids’ son, Drew.

“He’s the only American,” says Reid proudly. “We were once on a plane with Solas and they wanted to know, ‘how come you never hire us?’ I said, ‘Because you’re too expensive.’ We were on our way to Denver to an Irish festival to see our son and we told them he plays with a band called Brother. Winnie, their fiddler, looks at us with surprise. ‘Your son is DidgeriDrew!’ We ran into Joanie Madden of Cherish the Ladies and she said the same thing. Turns out Drew had backed up Cherish the Ladies. That’s when I realized that I was no longer important.” He laughs.

Also on the bill this year are rockers Rathkeltair of Florida and Hadrian’s Wall from Ontario; the McLeod Fiddlers (an amazing group of young musicians from Canada); the Paul McKenna Band from Scotland; Scottish folkies, the Tannahill Weavers and Annalivia, a fiddle band drawing on musical traditions from Appalachia, Cape Breton, Scotland, Ireland and England; and local talent Seamus Kennedy, Charlie Zahm, Jamison Celtic Rock, and the Hooligans.  There are also plenty of workshops , including dance classes with Rosemarie Timoney on the Irish side and Linette Fitch Brash on the Scottish end; fencing lessons; Irish lessons; a didgeridoo-making class, and a session with Hadrian’s Wall (bring your own instrument). There’s even a workshop called “What the heck is a bagpipe?” for those inquiring minds who’ve always wanted to know and, as always, Scottish and Irish whiskey tastings. And, of course, vendors—about 40 of them, hawking everything from fine Celtic jewelry to rude t-shirts.

You’ll also see Bill Reid running around, putting out fires and occasionally starting some. He’s sharing emcee duties next weekend with Dennis Carr of the Brigadoons of Canada.

And he assures us that most of the “snowbergs” are gone from the parking lot so there are plenty of spaces. Planning a festival whose first name is “midwinter” can be fraught with anxiety. “I got an email today from someone who asked me if I was worried about the weather,” says Reid. “I said, ‘Did you have to bring up that word?’”

The 19th Annual Mid-Winter Scottish-Irish Festival kicks off on Friday, February 18, with an evening concert with Albannach, the Young Dubliners, the Hooligans and Jamison, and runs through Sunday at the Valley Forge Convention Center at Gulph Road and First Avenue in King of Prussia, just off the Valley Forge exit of the Pennsylvania turnpike. Check out our calendar for details or go to the East of the Hebrides website.

Check out some of the action from past festivals.

Columns, How to Be Irish in Philly

How to Be Irish In Philly This Week

Double proof that you don’t have to be Irish to be an Irish musician: Isaac Alderson and Jonas Fromseier.

Isaac Alderson was 11 or 12 when he discovered Irish music. A friend of his mother’s gave him a set of practice pipes and he was hooked. By the time he was 17, he was being paid to anchor Irish sessions in his native Chicago. At the 2002 Fleadh Cheoil in Ireland—the Superbowl of traditional musicians—Alderson was named the All-Ireland Senior Champion in three instruments, uilleann pipes, flute and whistle, becoming the first American ever to perform that particular hat trick.

Alderson will be on stage at the Irish Center this Saturday, bringing with him Fromseier, the Danish-born bouzouki and banjo player who, with a grant from the Danish government, wound up in Galway studying Irish music after a stint with a Danish Irish trad group called “The Trad Lads.” (The Danes, while not Celtic, do have an Irish connection: They conquered the little island long ago when they were members of the well known group, the Vikings.)

Before the Vikings land here, check out “Cherish the Ladies,” Joanie Madden’s fabulous girl group, performing at the Sellersville Theatre on Friday night. Band members change, but the quality of these amazing musicians never dims. Plus, Madden is a hoot.

Another unusual sighting this week: Belfast-born indie musician Henry Cluney from the group Stiff Little Fingers will be performing at Kung Fu Necktie in Philadelphia on Sunday.

Sunday is also the second in a series of fundraisers for the Philadelphia St. Patrick’s Day Parade, this one at AOH 39 on Tulip Street in Philly. On board for this one: Winners of the “best Irish band” in the US battle of the bands sponsored by Strangford Lough Brewing Company in Northern Ireland, Jamison Celtic Rock.

For Valentine’s Day, the Irish Immigration Center is hosting a luncheon and party at the Irish Center, 6815 Emlen Street, in Philadelphia on Monday at noonish. Great food, music, dancing—and love, they promise, will be in the air.

This week, two great Irish plays debut as part of the Philadelphia Irish Theater Festival. The Abbey Theatre of Dublin’s “Terminus,” a playing serial killers, avenging angels, and love-sick demons (of course, you’ll laugh), is at the Zellerbach Theatre. On February 16 and 17, Father David Cregan, OSA, PhD, associate professor of theatre and English, will host a post-show question and answer session with the cast. On February 17, catch the opening of The Lieutenant of Inishmore, one of the Martin McDonagh’s wildly dark and comic plays about a soldier who returns home to find that his only friend. Wee Thomas, the cat, has been assassinated. Bad things ensue. This one is at Plays and Players Theatre on Delancey Street in Philadelphia.

On Friday, Boston’s Matt and Shannon Heaton (with new baby, Nigel!) will be performing at Trinity Episcopal Church in Swarthmore. Shannon, whose newest CD is “The Blue Dress,” was named Live Ireland’s Female Musician of the year two years running (2010 and 2011).

Friday night is also the kick-off concert for the Mid-Winter Scottish-Irish Festival in Valley Forge, now in its 19th year of making winter bearable for fans of Celtic everything. There’s music, drink, food, dancing, and Irish tchotchkes for sale. Always fun.

People

A Compelling Story, a Great Honor

Liz and Pearse Kerr

Liz and Pearse Kerr

As a Catholic and a nationalist living in the Cliftonville neighborhood of North Belfast in the late 1970s, young Pearse Kerr was accustomed to being treated with suspicion and contempt—and often brutality. Orangemen forced his family out of their first home, threatening to burn it down. Out on the streets, British soldiers frequently stopped, questioned and searched him, even though they knew him by name and had stopped and questioned him many times before. Once, on his first day of high school, a soldier struck him with a rifle butt, knocking him over a wall.

He wasn’t even surprised when, in the early morning hours of August 18, 1977, British soldiers smashed the door of his house at 233 Cliftonville Road, rousted him out of bed and hustled him off to Castlerea Interrogation Center. Nor was he surprised by his treatment once he got there. “It might sound bad, and it was,” he says. “”They broke my wrist, dislocated my neck, fractured a rib, choked me unconscious, and generally pushed me around… It was nothing out of the ordinary at the time. They beat me pretty good … but they didn’t kill me. It was well-known what was going on. It wasn’t shocking or anything. It was just part of life over there.”

Kerr spent three months in custody.  He was in Castlerea Interrogation Center for seven days, then transferred to Crumlin Road Prison.  All told, he was incarcerated from August 18 to November 26. Unlike many prisoners of the time, Pearse Kerr—named after the Irish nationalist and leader of the 1916 Easter Rising Pádraig Pearse—was an American. His parents Brendan and Betty Kerr, originally from the Falls Road in Belfast, had moved to Philadelphia in 1957. Pearse was born not long thereafter at Temple University Hospital. Given his status as a U.S. citizen, Kerr’s imprisonment triggered a huge backlash in the Philadelphia Irish community, and he was released thanks to the intervention of Daily News columnist Jack McKinney and Northeast Philadelphia Congressman Joshua Eilberg.

Kerr’s harrowing story, together with his continued activism here after his return to the States, rarely fails to move people who come to know him. Evidently, Kerr’s experience caught the attention of the committee organizing the 2011 Burlington County St. Patrick’s Day Parade. They recently named him their grand marshal.

Arguably, given that St. Patrick’s Day represents all things Irish, it was a good choice. Few local people could better symbolize Irish pride.

In Kerr’s household, that pride always came first. While living in the States, his father was one of the founding members of Irish Northern Aid and was active in Clan na Gael, another Irish republican organization.

“I was brought up with an Irish nationalist mindset, he says. “There’s no taking that away.” He also knew well that his first name stood for something. (It certainly meant something to the British in Belfast, he says. “When that’s your name, spelled like that, they know exactly who you are.”)

For Kerr, his time in prison left no lingering scars, but it did affect the way he looked at life: “It was maybe a solidification of what I was always taught.”

He also knows how lucky he was. Many prisoners were not nearly so fortunate. Even at the time of his release, he was uncertain what fate had in store for him. His jailers entered his cell, tossed a bag at him and ordered him to pack his clothes.

“Nobody said to me, you’re getting released,” he recalls. I thought I was being sent to Long Kesh (site of the 1981 Hunger Strike). They took me to a court in the city center. When I got to the courtroom, I was standing in the dock and, out in the foyer, I could see my father. And I knew I was going to be released.

“We got a taxi and we went to my grandmother’s house. The following day I flew to Philadelphia for a “Free Pearse Kerr” rally … which I had the pleasure to attend.”

Even though he has been in the States for years, the experience still resonates, and his Irish pride continues to make itself known through his many local activities, including Ancient Order of Hibernians Division 25.

That’s why the Burlington County honor means so much to him.

“I had no idea. I didn’t know I was in the running,” he says. “I was shocked, I really was. It’s such an honor to be chosen. I love Ireland and I love the AOH and I love the Irish republican movement. To be able to represent all that means the world to me.”

News, People, Sports

Help Some Kids Get On Base

Help get a team ready for spring season.

Brian McCollum wants to get his mitts on your mitts. And if you have a baseball to go with them, all the better.

For the second year in a  row, McCollum is collecting new and gently used baseball and softball equipment for use by kids who might not have the money to buy their own. This year’s beneficiary of the “Mitts for Kids” drive is the Hunting Park Indians Youth Baseball Program.

“When Hunting Park is open for play this spring, we want to make sure that every child who wants to play baseball has a glove,” said McCollum, owner of McCollum Insurance in Manayunk. “If you have unusued baseball equipment lying around your house, this is the perfect opportunity to give it a new life and help a child.”

McCollum, an avid sports fan and community volunteer, started the “Mitts for Kids”program so that less fortunate kids would have the same opportunity he had as a child to play Little League baseball. Last year’s drive netted over 150 mitts that were sent to youth ball players around the world. McCollum was also named one of Erie Insurance’s 2010 Giving Network Agencies of the Year for his community service work with “Pitch in for Baseball” and his decade-long commitment to the annual MMA Research Ceili for Kayleigh fundraising event.

You can bring your equipment to McCollum Insurance Agency l at 4109 Main Street in Manayunk until March 15, To make arrangements to have your equipment picked up, please call the agency at (215) 508-9000 or visit them online at www.mccolluminsuranceagency.com.