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July 2008

Sports

Hibernians Get Ready for Next Match-Up Against the Shamrocks

Figure you’re the ’62 Mets. Your record is 40-120. Now imagine that, through some amazing disruption in the space-time continuum, you somehow wind up in the World Series.

Well, the Allentown Hibernians are hardly in the same league as the ’62 Mets, universally regarded as the worst team in Major League history. Still, they’re the closest thing to an expansion team the Irish sport of hurling has to offer—in that, not all that many months ago, many of the team members had never even played the game before. They’ve played only two games, both against the Junior “C” Philadelphia Shamrocks, and they’ve lost both. And yet, because there are so few teams playing the sport in the U.S., they’ll get a shot at a local championship—and maybe something even bigger down the road.

Pretty cool, huh?

Allentown’s Jeff Purtell is looking forward to the next match-up against the Shamrocks, scheduled for a 2:30 p.m. start at Cardinal Dougherty High School, 6301 N. 2nd Street, in the city’s Olney section.

“We’ve only played two games so far but we have practicing and scrimmaging two-three days a week,” says Purtell. “Our record is 0-2 but we’re steadily improving our skills. We’ll have portable Gaelic games goalposts in a few weeks and are making tentative plans to play Pittsburgh—possibly in a neutral location. They are another newly-formed hurling club in Pennsylvania.”

The Shamrocks’ Frank O’Meara likewise eagerly anticipates the weekend pairing. “We can never take them for granted as they have a fine team and are very competitive,” he says. “Our next game will be very close and only the gods can predict who will win.”

Despite the Shamrocks’ two victories, O’Meara notes that his team is also pretty new to hurling. “The Shamrocks Hurling club is made up of two teams: one, largely experienced, and the other, new players that are from the Philly area. While the Shamrocks (as an organization) have been around for a while, the Shamrocks team that plays against Allentown are all-American lads and, for the majority, this is the first year for them to play hurling.”

The upshot? The Hibos could surprise you. (In a way that the ’62 Mets never could have.)

Regardless of who wins this Sunday, August 3 and in the local championship game August 10, both teams will go on to play in the Boston suburb of Canton at the North American Championship August 29-31. “The Philly 1 and Philly 2 teams (Hibernians and Shamrocks) in the schedule will be determined after the outcome of the championship game. Including preliminary games in Canton, we could be playing Chicago, St. Louis, or Indianapolis in our first game at NACB (North American County Board) Championships.

“The championship game will be a great experience as we prepare for the NACB GAA Championships. It should prepare us for a higher level of competion against other teams across the U.S.”

Also playing this Sunday will be the Shamrocks Junior A team (mostly Irish-born). They’ll be up against the the D.C. Gaels Junior “A” team for the Joe Lyons Cup Championship.

Music

A Pre-Concert Tune-Up From One of the Three Irish Tenors

There is nothing that warms my sentimental heart more than hearing an Irish tenor sing “Danny Boy.” I know it’s old-fashioned and maybe syrupy enough to have diabetics reaching for their insulin, but I say this as someone who divided her teenage devotion between the Beatles and the Rolling Stones, loved Judy Collins and Pink Floyd, and blames the perpetual ringing in her ears on a Grateful Dead concert and the Clancy Brothers’ tape that circled endlessly in her Walkman. Eclectic is my middle name. And hearing an Irish tenor (or even Sinead O’Connor) sing “Danny Boy” always makes me cry.

So when I recently talked to Ciaran Nagle, one of the “Three Irish Tenors,” who will be performing on July 17 at the Colonial Theatre in Phoenixville, I had to know what songs these three classically trained singers would be performing.

It’s in there. The Three Irish Tenors sing “Danny Boy” along with many old tunes such as John McCormack’s “Macushla” (a poignant song with such staying power that Rufus Wainright performs it in live performances); the fast-paced 19th century traveling song, “The Rocky Road to Dublin; “When Irish Eyes are Smiling;” “The Donkey Serenade”; and even some of homeboy Mario Lanza’s standards.

The Mario Lanza-John McCormack songs are part of a medley the Three Irish Tenors commissioned several years ago when they performed at a Fourth of July event with singer Neil Diamond in Dublin’s Phoenix Park. “We allowed him to come on and support us,” jokes Nagle, who is one of the founding members of this group which should not be confused with The Irish Tenors (its most famous member being Ronan Tynan).

“So,” I said, “this means there are actually six Irish tenors.”

“Six?” he retorted. “There are about 6 million Irish tenors. There are two, arguably three principal groups out of Ireland. Each has had great success in the States and Canada, all have had shows on PBS, all have survived and been successful at selling out houses, and we all know each other pretty well. There’s room for everybody. Fortunately.”

The Irish tenor biz is a small one, says Nagle, so when one tenor drops out, there’s always another to take his place. The Three Irish Tenors started in 2000 when a promoter called and asked if he’d be interested in doing “tenor gigs.”

“I’d come straight from performing in Riverdance and I was delighted with the idea,” says Nagle. “The original group were all friends of mine, people I’d sung with in the National Chamber [National Chamber Choir, Ireland’s only professional chorus] and Opera Ireland. Originally, we only had a handful of dates for particular occasions. The first was the opening of a new theater in Armagh. We thought there wasn’t going to be any future in it. The Irish Tenors already existed. We didn’t believe it was going to take off and, lo and behold, it did.”

At their first gig in Armagh, they got a standing ovation at intermission. “That was quite outstanding,” said Nagle. “We were having a great laugh up there, here we were doing this and it didn’t feel like work, we’d decided on the program the week before, so we were over the moon. Then it snowballed. We were touring the country for a period of time then six weeks after our incarnation we got a call from a U.S. producer who said, ‘We have a tour lined up. Do you want to perform in it.’ Well, what were we going to say: ‘The Guinness isn’t as good over in America and, unless it’s better, we’re not going?’”

They went and have been coming back once or twice a year ever since selling to packed houses.

The current incarnation of The Three Irish Tenors includes Kenneth O’Regan and Des Willoughby. “Kenneth has one of the biggest, most beautiful voices I’ve ever heard,” says Nagle. “I knew him from Riverdance and we would meet up more on a social basis. When an opening came up and I said, ‘Kenneth, would you be interested,’ he said, ‘Absolutely, it sounds like a lot of fun.’ We don’t do open auditions and then try to make the person fit. The personalities have to work. Des Willoughby has a gorgeous, gorgeous voice, and the chemistry between the three of us is smashing. “

And, as you can probably tell, despite their classical training, their performing style bears no relation to a concert hall recital. There are no white shirts and tails, and there’s plenty of onstage—and offstage—banter.

“The more clapping and shouting and jeering and comment, whatever, we welcome that,” says Nagle. “We interact with our audience. God help you if you’re sitting anywhere near the front, and I will say no more!”

And that, he says, is the key to the Three Irish Tenors’ success. “The audience will always say, ‘you guys look like you’re having an absolutely fantastic time up there, ‘ and we are. The day it becomes a job to me, the day I don’t enjoy it, that’s it, I’ll close the door, and it’s over.”

The Three Irish Tenors will be performing on July 17, at 8 p.m., at the Colonial Theater in Phoenixville. Tickets start at $29.95.

On Friday, July 18, starting at 6 p.m., the group will entertain at a benefit for the Drexel Neuman Academy and LaSalle Academy, both independent Catholic schools, at the home of Theresa and Paul Murtagh in Media. The $150 individual ticket price includes cocktails, dinner, and a concert. For more information about the benefit, contact irishconcert@yahoo.com or call (610) 496-7390.

People

From the FOP to the Irish Memorial

Bob Hurst

Bob Hurst

You might think being president of the Irish Memorial, Inc., is a tough job. After all, you’re heading a board that oversees the largest, most visible presence of the Irish in the city other than the crowd that comes downtown for the St. Patrick’s Day parade. The Irish Memorial is a 24-foot long bronze sculpture depicting the spirit of immigrants taking on the challenges of the new world, set in a 1.75-acre park at Penn’s Landing.

But former Philadelphia Police Sergeant Bob Hurst Sr. spent his childhood in an orphanage, was hospitalized 50 times in the line of duty, mugged 278 times, stabbed eight times (once in the neck, leaving him paralyzed for more than five hours), once walked the streets of the city dressed as a nun and—in what might have been the most harrowing adventure of his life—served as the president of the Philadelphia Fraternal Order of Police for four terms. In that last role, he had to deal on a daily basis with politicians. When he served in the police stakeout unit, he says, at least he “knew who the enemy was. With politicians, the bugger’s behind you.”

So, president of the Irish Memorial? Piece of cake.

Of course, that’s not really how the 70-year-old Hurst sees it. Despite his 16 years on the street, Hurst is far from cocky. If anything, he’s got the market cornered on humility. Hurst, says his friend Bob Gessler, who has been on the Memorial board since its inception, feels such a “personal connection to the Memorial” that he goes down a few times a month just to pick up the trash. “This St. Patrick’s Day, I saw Bob with a bag in his hand going through the site, picking up trash, cigarette butts and cans,” Gessler says. “I was impressed that he wanted to make the site look better for this very public event. I told Bob so and he indicated that he did this monthly. He would come down early Saturday mornings and take an hour or so just to clean the site. This is the sort of dedication that he brings to the board.”

But Gessler left something out. “I might also chase a few bums off,” concedes Hurst. Though he’s been retired from the Philadelphia police department since 1987, Hurst is still in touch with his inner cop. That’s understandable. For a decade, Hurst was a member of the force’s so-called “Granny squad,” whose members dressed up as the mugging target group du jour, whether it was insurance salesmen or grandmothers or even nuns. “I did pose as a nun but we got out of that business real fast because we got letter from Cardinal,” recalls Hurst, barely stifling his rich, infectious laugh. “He took umbrage with the idea of using a shotgun from underneath the habit to blow people through windows. We were not the little sisters of mercy.” That last quip was almost smothered by laughter—his and mine.

Hurst has that essential quality—a great sense of humor—that allowed him to survive not only life on the street, but his early tragedies and the tough world of city politics. His mother, a native of Swinford, County Mayo, who had nine children, died at the age of 37 of breast cancer. Hurst’s father, a PTC motorman who was born in County Sligo, wasn’t able to care for his entire brood. He kept five and the other four, including Hurst, were sent to the now closed St. John’s Orphanage at 49th and Wyalusing Avenue, which was run by the Sisters of St. Joseph. His father and siblings visited every Sunday. Later, he attended St. Francis Vocational School in Eddington where he spent half the day on academics and half in woodworking shop, making church pews.

But don’t expect Hurst to moan about his tough childhood. He has only good memories of his time at both institutions. “The nuns—those women did a tremendous job under the circumstances,” he says. “They really raised us. At St. Francis we were taught by Christian Brothers and I take my hat off to them. It was a good experience. For guy who had to leave home and go to an orphanage, it could have been a lot worse.”

After graduation, Hurst went into the service, returning to start a career in insurance. He had never considered joining the police force. Didn’t even know a cop until, one night, when he ran afoul of the law. While having dinner with an old school friend who had become a doctor, the two got into an altercation with another man who, as Hurst recalls, was smart-mouthing them to impress a girl.

“Well, one thing led to another,” recalls Hurst. “I got up, slipped, fell flat on my back, but he was coming at me so I put my feet on his belly and right over he went, right through the plate window, $638 worth. I thought, well this is a fine how do you do. So I take off one way, doc takes off the other way. I must have run for two blocks, and came out to Germantown Avenue near the library, and when I did, who’s standing in front of me but a cop, Tony Kane. I looked at him and asked, ‘My only question is how did you know I was coming out here?’ He said, ‘Just a hunch.’”

Kane and his partner, Michael Chitwood (now police chief of Upper Darby), decided not to arrest the two men, but made them split the cost of the window they’d broken. About a month later, Hurst ran into the two in their unmarked car and started chatting. “They asked if I’d ever thought about becoming a cop and I said no,” Hurst says. “But I started to think about it and where it could take me.” So he enrolled in the police academy. (He credits his decision to Kane, who is now dead, and Chitwood, both of whom he still speaks of with admiration. “They could find a criminal in heaven,” he says.)

His first beat was in Roxborough, where he made the acquaintance of a young bank teller named Kathy Durning. “I always had my eyeball on her, but I couldn’t bring myself to talk to her,” he says. “You know that old saying about the Irish wedding proposal: ‘How would you like to be buried with my people?’ Well, I just didn’t have the brass to ask her out.”

One Friday night, when she was working late, she asked him to stick another dime in the meter where she’d parked her car so she wouldn’t get a ticket. “I took the dime from her and walked out to her car thinking, ‘Why the hell did I take that dime?’ and when I got to the meter, there I’d written the darn ticket already. I’d seen her car thousands of times but I didn’t recognize it. So I took the ticket and put it in my pocket and went home and wrote a $3 check and sent it in.”

So, was that how they started dating? No. “I didn’t tell her about it till we were married,” says Hurst, the infectious laugh starting to bubble up. They didn’t actually become a couple until the evening he ran into her in a bar where she was sitting with friends, there to comfort her on the breakup of her engagement. “I asked if I could sit with them, we had a very nice time, and from then on, that was it,” Hurst says.

This year. Bob and Kathy Hurst, parents of four grown children and grandparents of 12, will be celebrating their 40th wedding anniversary on a 16-day tour of Europe, though not to Ireland. “We’ve been there many times,” says Hurst, who has headed so many local Irish organizations—the Mayo Association, the Delaware Valley Irish Hall of Fame, the Danny Brown Division of the AOH—as well as serving on the boards of the Irish Center and the Friendly Sons of St. Patrick, that the top job at the Irish Memorial might be the only gavel-banging job he hasn’t had.

You have to ask others why Bob Hurst has been tapped so often to chair boards. “Bob always has his feet planted firmly on the ground, he’s always positive and optimistic,” says Kathy McGee Burns, who succeeded Hurst as president of the Delaware Valley Hall of Fame and now serves with him on the Irish Memorial board. “Whenever I have a problem, it’s Bob I go to for guidance, and he always gives it.”

If you ask Bob Hurst, the answer is much different. “A lot of people don’t know how to run a meeting with parliamentary rules,” he says by way of explanation. “When I was president of the FOP, we had a parliamentarian come in and give us some schooling on it. When you have 300 people a week at a union meeting, I found that a good chair has one blind eye and one deaf ear. I think people just think, he can run a strict, decent meeting, let’s put him in there. People think I know a lot, but I don’t know any more than the man in the moon. I just know how to run a meeting.”

But his love for the Irish community is palpable as is his deep humility, and it’s likely that that’s what people see when they’re casting around for someone to run their meetings. Roberts Rules of Order may help motions get passed smoothly, but respect for someone who isn’t above picking up trash—without wanting thanks or a pat on the back—is what makes Hurst a sought-after leader.

He’s a doer who admires other doers. When he returned from the service, Hurst started going to the newly built Irish Center where he met so many people he felt a special kinship with. Later, he became part of the core group dedicated to rebuilding it when it fell into disrepair. “Guys like Vince Gallagher, Barney Boyce, Mike Burns, Sean McMenamin, Tom Farley—these aren’t just guys you belly up to the bar with. They are people who want to do something, and I like that,” says Hurst.

“There’s an old saying that I’ve always subscribed to,” he says. “‘You can do whatever you want if you don’t care who gets the credit,’ and that’s the kind of people they are. I love being around the Irish. I love being at the Irish Center. You feel like you come as a stranger and you leave as a friend.”

A lot like you feel when you’ve spent a little time with Bob Hurst.