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Martin Quinn

Music

Following in the Family Trad

Shawna and Angelina Carberry, after their show on July 11 at the Irish Center in Philadelphia.

Shawna and Angelina Carberry, after their show on July 11 at the Irish Center in Philadelphia.

Her great-great grandfather Peter played the melodeon and her great-great grandmother crooned traditional tunes to her grandchildren in “The Holla” near Kenagh, County Longford. Her great-grandfather Kevin played banjo for County Longford ceilis and house dances alongside his pipe-playing brother, Peter. Her grandfather Peter is a stalwart of Irish traditional music, renowned for his accordion and banjo playing, as well as the Manchester trad bands like Toss the Feathers, Skidoo and Good Tradition that he formed. 
And her mother Angelina has performed with the all-girl trad group The Bumblebees, and is an outstanding banjo player whose flowing confident style is celebrated for being steeped in the tradition.
So it should come as no surpise that there’s a new kid on this musical block now, and she got to shine onstage at The Irish Center last week alongside her mother, Angelina, and her stepfather Martin Quinn. Shawna won’t turn 12 until August, but she has already discovered her own passion and talent for playing the fiddle.
“I’ve been playing the fiddle for about 7 years I think. I played the piano, too, but I got bored with it. I know 3 or 4 tunes on the banjo, and I took Kathleen Coneely’s class on the whistle at The Swannanoa Gathering in North Carolina,” Shawna told me when we sat down for a chat after her lovely performance. “I don’t really read by music, I learn by ear. Listening to the tunes and then learning them. Most days I practice for an hour. I did get really lazy for a bit, and went off it for a month,” Shawna laughed, “but now I’m always playing.”
Her teachers have included Connemara’s highly acclaimed fiddler Liz Kane, as well as step-dad Martin. “I like playing with him and my family. It’s more fun practicing with them.”
Shawna has so much fun playing with her family, in fact, that she has started a band with her aunt Roisin Carberry, 10, on the box, and her cousin Hannah Lane, 12, who sings and is learning the banjo and whistle. “We play in the pubs and at sessions. I like doing it, it’s really fun. We need more practicing but since we moved to County Longford from Galway last year we’re closer now and see each other more.”
Moving back to Longford also means she gets more lessons and encouragement from her grandfather Peter, as well. “Whenever I see him, he always asks ‘How are ya hon, have you been practicing?’ and if I say no, he says ‘Why not?’ and starts giving it out to me,” Shawna giggled. “But if I say yes, he says ‘Good woman. What tunes have you been learning?’”
All that practicing is paying off in a big way; Angelina revealed that Peter is going to ask Shawna to play on the CD that he’s currently recording. Pretty exciting stuff, as Shawna’s hazel eyes grew wide and her smile beamed even brighter, “He is? I didn’t know that!”
But for the next few weeks, this lovely and talented young musician is going to be kept busy touring the States. “It’s my third time here,” she says. “ I get to travel with my parents when I’m not in school and I like when I get to play a few tunes at the gigs with them.”
She also has found a way to preserve a little of the trip to take home with her, “When we’re going from place to place, I have my video camera with me, and I take video as we’re driving, telling a little bit about where we are.”

Her mother smiled as Shawna relayed this information, clearly quite delighted with every facet of her daughter–this brightly emerging talent in the next generation of the Carberry musical dynasty.

If you missed the Carberry-Quinn concert, and can’t wait for Shawna’s appearance on Peter Carberry’s upcoming CD, listen to her here.

Check out our photos too.

And see even more photos of the event.

Music

Making Musical Memories

Between numbers: Angelina Carberry and Martin Quinn.

Between numbers: Angelina Carberry and Martin Quinn.

If you missed Friday night’s concert with tenor banjo player Angelina Carberry and button accordionist Martin Quinn, you missed an opportunity to hear a particularly pure form of traditional Irish music.

This is not a slam against the Irish supergroups and other, perhaps more commercial Celts, who often blend other forms of music into the traditional. Hey, there’s lots of room in our big music tent.

But there were moments during the Carberry-Quinn performance—many moments, in fact—when it seemed like you were hearing the music in a raw, unadorned form, when the lily was unquestionably ungilded.

Carberry, with her distinctive percussive style, and Quinn, with his long, lingering chords, took Irish Center listeners on a journey back to the source. Angelina and Martin made me feel like I was sitting in a bar in Doolin or Westport.

Adding to the enjoyment was Angelina’s 11-year-old daughter Shawna, who sat in on fiddle for a couple of numbers.

We’ve preserved many of those moments for you—including an impromptu traditional music session that sprang up post-concert.

Check it all out:     

Check out the videos:

A Blazing Set of Reels
http://www.irishphiladelphia.com/video/carberryquinn01

Angelina Carberry and Martin Quinn Play “The Princess Royal”
http://www.irishphiladelphia.com/video/carberryquinn02

Button Box Player Martin Quinn Sits in at a Philadelphia Irish Music Session
http://www.irishphiladelphia.com/video/carberryquinn03

Reel Time With Angelina Carberry, Daughter Shawna, and Martin Quinn
http://www.irishphiladelphia.com/video/carberryquinn04

A Set of Jigs Featuring Angelina Carberry, Daughter Shawna and Martin Quinn
http://www.irishphiladelphia.com/video/carberryquinn05

Music

Carberry and Quinn: In Concert at the Irish Center

A few weeks ago, I was listening to a few reels from Martin Quinn and Angelina Carberry’s eponymous CD and felt unusually relaxed. I couldn’t figure out why. I was heading off on vacation and I had a pile of laundry to do the size of Mount Agamenticus. I had a story to turn in virtually the minute we got back from Maine. I hadn’t even gotten the suitcases down from the attic.

It took me a while, but I figured it out: It’s the banjo (her) and the button accordian (him). Those are the instruments the anchor musicians play at my local session at Ambler’s Shanachie Pub. On the Tuesday nights that I’m there, I don’t have a care in the world. And one night, I even saw Angelina Carberry and Martin Quinn sitting in with Fintan Malone and Kevin McGillian.

Carberry and Quinn will be coming to the Irish Center this Friday night, July 10, for a concert sponsored by the Philadelphia Ceili Group.

Born in Manchester, England, Angelina Carberry came to Irish music naturally—her father, Peter, and her grandfather were both musicians. She gravitated to the tenor banjo as a child after a stint on the tin whistle. And Martin wasn’t the first accordian player she teamed with. In 1998, she released a CD called “Memories of the Holla” which she made with her father on accordian and John Blake on guitar. She has since released a solo album (though Quinn, now her husband, can be heard on a few tracks) called , “An Traidisiun Beo.”

Martin Quinn, a native of Armagh, comes from a long line of musicians and story tellers. He’s considered one of the finest exponents of the button box, which he teaches, and has toured Europe with the groups Dorsa and La Lugh.

I talked to Martin Quinn a couple of weeks ago by phone from his home in Longford, Ireland. Here’s what he had to say.

How did you and Angelina get together?
Well, we met in Milltown Malbay at the Willie Clancy Festival.  We were both playing a session at Queally’s Pub, and ended up playing a few tunes together. So yes, the music brought us together and we’re playing together for nine years.

Do you play concerts all year?
Mostly during the summer. We’ll do occasional concerts on weekends during the year, but don’t go away for weeks at a time because Angelina teaches lot of music, and I tune and repair accordions.

What does that entail?
I get them, take them apart and put them back together. Hopefully. [Laughing]

In your bio, your family is described as. . .
Raconteurs, yes. I have uncle  who’s quite a famous storyteller, a real character from Armagh, Michael Quinn, he’s 83 now, and he’s actually performing at the Catskills this year.  He’s a great character, a carrier of old songs and local history.  His father, my grandfather, was the same as well.

How about you?
I can tell the odd lie. But that would not have been my main pursuit.

Where did the music come from?  
My mother plays the accordian. She wouldn’t play in public, but she taught me my first tunes. Both grandfathers played fiddle and melodeon, and both  were singers. My mother can sing too. I have lots of cousins who play music and an auntie of mine plays banjo as well. And my sister plays the accordian too.

You apparently gravitated toward traditional music, but were you ever tempted to play more modern tunes?
When my mother played, it was usually a  hornpipe or a jig. That’s what I learned first.  I played with a few ballad bands when I was in my teens—people will ask you to fill in for somebody. But I always had jigs and reels ringing around inside me head.

One of the things I love about Irish traditional music is how musicians learn tunes not so much from recordings but from each other. I just heard Paddy O’Brien at a house concert and he not only remembers something like 3,000 tunes, but who he learned them from. Is that how you learned?
I probably learn tunes every week from someone. It’s inevitable that you’ll go to a session and hear something you haven’t heard before. Of course, they might have learned it off a CD themselves beforehand. You don’t know. [Laughing.} We moved away from Armagh when I was 12 to live in County Meath and we were quite close to an old fiddle player, Joe Ryan, from West Clare. I used to see him at music sessions every week, playing his unique style. It really inspired me. When he turned up it was very special and I looked forward to it. When I met Angelina I met her father and her uncle. I would sit and listen to them rather than play with them and picked up a lot. I was definitely inspired.

The other thing I really love about traditional music is that even the most famous players will take the time to pass along songs to whoever shows up at the session.
That’s beauty of traditional music.  The most famous musicians will welcome you into their houses and sit down a play a tune with anybody. That’s the way the music is. It’s what we’ve all come from. If it goes any other way, it will be lost.

Carberry and Quinn will play on Friday night, July 10, at the Philadelphia Irish Center, Carpenter and Emlen Streets, starting at 8 PM. Tickets are available at the door or online.