Music, News

Penn’s Landing Irish Festival 2014

Butterfly girl

Butterfly girl

You didn’t have to be Irish to enjoy the Penn’s Landing Irish Festival.

As usual, the festival down by the river drew a diverse crowd, lots of people who were all too happy to be Irish for a day.

And they picked a good day, sunny skies against the scenic backdrop of the Delaware, with pleasure boats bouncing on the rippling water. And also providing visible proof that not all men are hearty sailors, and should definitely wear shirts.

Many of the city’s top Irish bands filled the Great Plaza with music all day.

And, hey, if you wanted to dance, who was going to stop you?

Vendors sold everything from T-shirts to wedding rings, and if you wanted a cheesesteak, a pretzel, an ice cream, or a brew, it wasn’t too hard to find them.

The day started, as it always does, with an outdoor Mass on the grounds of the Irish Memorial at Front and Chestnut.

We captured the day’s festivities with a pretty hefty photo essay.

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People

“He Only Knew How to Be a Friend”

Alan Nicholl won’t forget the day his friend Tony McCourt passed away.

It was Wednesday, July 25, 2012. McCourt, 37 years old and born in County Derry, Northern Ireland, had been dealing with a liver disease for about a decade. He had been admitted into Abington Memorial Hospital to have fluid drained from his lungs.

Nicholl and McCourt were close friends, in part because they were both from Ireland—Nicholl was born in County Monaghan, and grew up in Dublin. But they forged their closest ties through soccer. Both played for the Phoenix Sport Club in Feasterville, which boasts one of the hottest soccer programs in the country.

Theirs weren’t the only Irish accents out on the field, Nicholl recalls, but in part because of their similar backgrounds they quickly became the closest of friends. When Tony married his sweetheart Liz, friend Alan was his best man. The reception was at the Phoenix Club.

Because of his disease, McCourt had experienced “some close calls,” Nicholl says, but still he wasn’t overly concerned. “We didn’t think it was life-threatening.”

Nicholl’s wife was eight months pregnant with twins, and they had scheduled a doctor visit at Abington for the morning of July 25. “After that, we thought we’d just slide over and visit Tony.”

That visit never happened. At about 7 o’clock on the morning of the 25th, Nicholls’ phone rang. It was Liz calling. Tony McCourt was gone.

“It was the worst phone call I had ever received,” Nicholls says. “It was my worst day. I got off the phone with Liz and I called my parents. They were like Tony’s parents here in the States. I could barely get the words out. It was unbelievable.”

It was all the more unbelievable because, to everyone who knew Tony McCourt, no one on this earth was more full of life.

Teammate Brian McKinney remembers when he first met McCourt. “I had just come out of college when I started playing at the Phoenix Club. Tony was like the mayor of the place. Everybody knew Tony as a friendly guy with a great laugh.”

McCourt’s fondest dream had been to play professionally, McKinney remembers. McCourt’s cousin Paddy played for Celtic Football Club, one of the most storied clubs in the British Isles, with a history dating back to 1887. Tony McCourt was a good player, but not good enough to play on the pro level.

All the same, what McCourt lacked in talent, he more than made up for with the enthusiasm—and the unstoppable force of his personality.

“He was never the most valuable player,” Nicholls concedes, “but he was the best teammate, that’s for sure. Socially, nobody came close to Tony. He was magnetic. Tony didn’t know how to be an acquaintance. He only knew how to be a friend.”

Word of McCourt’s death spread rapidly throughout the soccer community, and the news left his friends reeling. “It was shattering to some people,” Nicholls says.

For many of Tony McCourt’s friends, the pain of his parting was eased, somewhat ironically, by his wake.

“My mom and his wife were instrumental in having his body brought back to the house, and not the funeral home,” Nicholls says. “We stayed up with him all night. He was laid out in the house like he would have been back home. That was definitely up Tony’s avenue. We sang a few songs, we had a few laughs, we had a few cries. It was quite beautiful, actually.”

Nicholls’ twin boys were born two weeks after the funeral.

“My one son,” he says, “is named after Tony.”


Tony McCourt’s friends will continue to honor his memory on June 22 with “Tony’s Tourney,” a day of soccer matches, live music—and lots of other fun—at the Phoenix Sport Club. It’s a benefit to help fund a college scholarship for a worthy player on the Council Rock High School South soccer team, which Nicholls coaches. And “worthy,” in this case, does not carry the usual definition.

“It’s going to be awarded in a way that would be consistent with Tony,” says Nicholls with a smile in his voice. “It won’t go to the best player, but to the best teammate.”

The event runs from 12 noon to 6 p.m. The entrance fee is $20 for adults, and $10 for kids. The Phoenix Sport Club is at 301 West Bristol Road in Feasterville, Bucks County.

 

How to Be Irish in Philly, News

How to Be Irish in Philly This Week

These young performers, some of whom are going to the All-Irelands in Sligo, will be performing at the AOH Irish Festival in Mont Clare.

These young performers, some of whom are going to the All-Irelands in Sligo, will be performing at the AOH Irish Festival in Mont Clare.

AOH Notre Dame Division 1 in Bridgeport calls its annual 3-Day festival the region’s “best-kept secret.” Consider the secret out.

Held at Saint Michael’s Picnic Grove in Mont Clare, it features lots of music (including some of the remarkable local kids heading to the All-Irelands in Sligo this year), ceili dancing, Irish step dancers, kids’ activities, food, drink, and vendors. And it’s a bargain—a three-day pass only costs $15. Proceeds from the event go to AOH charities. It’s going to be a beautiful summer weekend—get out there. There’s information and a map on our calendar.

On Saturday, brush up on your Irish at the Satharn na nGael, an immersion in the Irish language at the Irish Center, 6815 Emlen Street in Philadelphia. Seriously, slainte and pog ma thoin shouldn’t be the only Irish you know.

You can catch Timlin and Kane at Katherine Rooney’s in Wilmington on Saturday night. We’re going to head down there one of these weekends—we hear it’s a blast.

Also on Saturday night, The John Byrne Band is taking its Pogues show to the Ardmore Music Hall with their friends, No Irish Need Apply. And Jamison will be at Casey’s at 3rd and New York in North Wildwood.

On Sunday, harpist Ellen Tepper will play a concert at The Art of It, 315 York Road, Jenkintown, where you can also see her beautiful “stained glass” Celtic windows and whimsical sculpted dragons.

On Thursday, “The Toughest Boy in Philadelphia,” a play based on the true story of Whistling Jack McConnell, a local Irish mobster of the ‘20s who kept a strange secret, debuts at the Luna Theater.

In Camden on Thursday, the Riversharks celebrate Irish heritage night with music, dancing, and food. Check out our calendar for the password for discounted tickets.

Singer Oliver will be at McShea’s in Narberth on Thursday night.

On Friday, The Rosenbach Museum, which has an original, handwritten copy of James Joyce’s “Ulysses,” launches its Bloomsday celebration of the book with a dinner fundraiser at the Trinity Center for Urban Life in Philadelphia. Irish Ambassador Anne Anderson will attend.

Jamison will again be “downashore,” this time at Keenan’s in North Wildwood on Friday night.

You have until Saturday, June 14, to brush up on your Ulysses. Also part of the Bloomsday Festival (Bloomsday itself is Monday, June 16, the very day Leopold Bloom began his peregrinations around Dublin in “Ulysses”) is a pub quiz at Fergie’s Pub on Sansom Street. (Owner Fergus Carey is a Bloom aficionado and often a reader on Bloomsday.)

Also coming up: A musical fundraiser on Sunday, June 15, to raise money for the last excavation of the Duffy’s Cut area, where 50 more Irish immigrants are believed to be buried in a mass grave. It’s Father’s Day, so consider taking your dad for a delicious meal and some equally delicious music from the likes of John Byrne, Gabriel Donohue and Marian Makins, Paraic Keane, Gerry Timlin, and more.

History, Music, News

Taking the Final Step To Recover the Victims of Duffy’s Cut

The Watson brothers, Bill and Frank, show recovered bones to former Irish Ambassador Michael Collins and his wife, Marie.

The Watson brothers, Bill and Frank, show recovered bones to former Irish Ambassador Michael Collins and his wife, Marie.

Every day, Amtrak trains traveling the Keystone Corridor near Philadelphia’s Main Line rumble over the mass grave of 50 Irish immigrants who died—or were killed—while working on this stretch of rail line, the oldest in the system, known as Duffy’s Cut.

The men—from Donegal, Derry and Tyrone—and seven others had been brought to the United States by a man named Phillip Duffy to finish this wooded stretch of rail near Malvern in the fall of 1832. In less than two months, they were all dead, some as the result the cholera pandemic, others as the result of violence.

An Irish railway worker erected a small memorial to them, which was replaced by a stone enclosure in 2004. But their memory was shrouded in myth until 2009, more than 100 years after their deaths, when Immaculata history professor William Watson, his twin brother Frank, colleague John Ahtes, former student, Earl Schandlemeier, and a team of students discovered the first human bones—two skulls, six teeth, and 80 other bones. In all, the remains of seven bodies—six men and one woman—were recovered. Forensic testing suggested that some may not have died of cholera, but were killed, in all likelihood by local vigilantes fueled not only by anti-Catholic bigotry but fear that the workers would infect the rest of the community with cholera, which is normally transmitted through water and food.

Six of the seven recovered victims were re-buried in a 2012 ceremony in West Laurel Hill Cemetery in Bala Cynwyd. One, tentatively identified through a genetic dental anomaly as John Ruddy, a 19-year-old from the Inishowen Peninsula in Donegal, was buried in a cemetery plot in Ardara, on the west coast of Donegal, donated by Vincent Gallagher, president of the Commodore Barry Society of Philadelphia. The Watson brothers arranged for a Catholic burial, which they attended.

But 50 men remain unaccounted for. Except for the tracings on ground-penetrating radar scans that appear to show air rather than dirt in an area beneath the tracks which may indicate where the earth shifted as bodies decomposed. “We had planned to just have a memorial at the wall where the bodies were buried, but a number of people working on our behalf convinced Amtrak to let us dig for them,” says Dr. Bill Watson, who is eager, he says, “to end the story of Duffy’s Cut.”

The problem is that unearthing the long-dead Irish immigrants will be expensive. Not the work itself. An Irish immigrant named Joe Devoy, founder of ARA Construction in Lancaster (as well as the music venue Tellus 360) is donating the equipment and labor—roughly $30,000 worth—to do the earthmoving over the 40 days of the project. But Amtrak is charging upwards of $15,000 in fees, largely in labor costs for engineers to review the exhumation plans and monitor the work, which must be paid upfront before any work begins. Watson and his small nonprofit organization don’t have it.

That’s why a group from Philadelphia’s Irish community, including Irish Immigration Center Executive Director Siobhan Lyons, Irish Network Philadelphia President Bethanne Killian, Irish Memorial Board President Kathy McGee Burns, and musician Gerry Timlin, are launching a fundraising campaign, the centerpiece of which is a musical fundraiser on Sunday, June 15, at Twentieth Century Club84 S. Lansdowne Avenue in Lansdowne.

Along with Timlin, performers will include John Byrne, Paraic Keane, Rosaleen McGill, Gabriel Donohue, Marin Makins, Donie Carroll, Mary Malone, Den Vykopal and others. Makins and Donohue perform their version of the song, “Duffy’s Cut” on irishphiladelphia.com’s CD, “Ceili Drive: The Music of Irish Philadelphia.” The event, which includes food and drink and raffles, costs $25. Tickets are available online.  S

ponsorships are also available via the Duffy’s Cut website. Among the current sponsors: ARA Construction (Joe Devoy), Kris Higgins, The Friendly Sons of St. Patrick, Bringhurst Funeral Home and West Laurel Cemetery, Wilbraham, Lawler, and Buba, The Irish Memorial, The Irish American Business Chamber and Network, the Philadelphia Ceili Group, The Delaware Valley Irish Hall of Fame, Mid-Ulster Construction, Infrastructure Solution Services, Kathy McGee Burns, AOH Notre Dame Division and the Joseph E. Montgomery AOH Div. 65, www.irishphiladelphia.com, “Come West Along the Road” Irish radio show on AM Radio 800 WTMR, Lougros Point Landscaping, The Vincent Gallagher Radio Show on WTMR, Curragh LLC Newbridge Silerware, Magie O’Neill’s Irish Pub and Restaurant, Con Murphy’s Irish Pub, The Plough and the Stars, Tir Na Nog Bar and Grill, Conrad O’Brien, and Brian Mengini Photography.

Watson doesn’t know eactly why the 50 men were buried apart from their seven co-workers (who included a woman who tended to the men’s laundry). “The theory is that the bodies were moved in 1870 by a man named Patrick Doyle who was a railroad gang leader when they were found during an expansion of the tracks to accommodate locomotives and larger vehicles,” he explains.

Doyle may have put a fence near the graves, which was replaced in the early 1900s with a granite block enclosure by a mid-level railway official named Martin Clement. His superiors wouldn’t permit him to erect a plaque explaining the significance of the enclosure.

Clement eventually became president of the railroad. His assistant was the Watson brothers’ grandfather, who kept the file on the Duffy’s Cut incident which the two men discovered in 2002 when going through some family papers. It was only then that they realized that there had been 57 dead immigrants buried in and around Track Mile 59. Only seven were ever mentioned. Apparently, between the time Clement worked in the railroad’s middle management till he became its president, he had become convinced of the need to keep the matter secret.

“And of course we now know why—there were murders, and fingers would have pointed at the railroad,” says Watson. A diary kept by a local woman of the time mentioned the cholera epidemic, “but that disappeared,” says Watson. “Probably because it would have embarrassed the people who were leaders in the community.”

Janet Monge, a physical anthropologist and curator of the The University of Pennsylvania Museum, plans to examine the bones recovered from this second mass grave, just as she did the other seven, though Watson says she may not be able to be as accurate.

“We may not know as much about these bodies as we do the others because Janet thinks there may be a greater range of decomposition—they may have decomposed at a faster rate than the others,” he says. Watson is anxious to say goodbye to the Duffy’s Cut site, but not because he’s tired of being a history professor doing the work of archeologist. There’s more archeology in his future. Sleuthing has turned up several other nearby sites, including one in Spring City, where Irish immigrants were buried, victims of the same cholera epidemic—and possibly, anti-Catholic violence—as the Duffy’s Cut victims. “And we can’t go there until we’re finished with Duffy’s Cut,” says Watson.

News

Hall of Fame Seeking Nominations

DVIHF-logo
Do you know someone who has contributed to the preservation of Irish culture and tradition in the Delaware Valley?

Nominations for the 14th Annual Delaware Valley Irish Hall of Fame are being accepted now through June 24. The awardees will be honored at a dinner on November 9 at The Irish Center in Philadelphia.

Nominations must be in the form of a letter highlighting the nominee’s contributions and background and sent or emailed to:

Kathy McGee Burns
2291 Mulberry Lane
Lafayette Hill, Pa. 19444
215 872 1305
Mcgeeburns@aol.com

News

How to Be Irish in Philly This Week

Blackthorn whoops up the crowd at Penn's Landing. Photo by Gwyneth MacArthur

Blackthorn whoops up the crowd at Penn’s Landing. Photo by Gwyneth MacArthur

The annual Penn’s Landing Irish Festival kicks off the month of June. What a nice start—with Blackthorn, the Hooligans, and Jamison on stage, kids’ activities in the kids’ tent, Irish dancers, Irish food and beer, vendors, and some nice weather. And it’s free!

A Mass will be celebrated before the festival at the Irish Memorial at Front and Chestnut Streets.

And it’s not the only Irish festival happening this coming week. AOH Notre Dame Div.1 is holding its Irish festival starting on Friday, June 6, at St. Michael’s PicnicGrove in Mont Clare. It’s not free, but it’s a bargain—only $15 for a three-day pass. Celtic Spirit, the Paul Moore Band, the McGillians, and Tom McHugh will be providing the music (for listening and dancing), and of course there will be food, drinks, and vendors. All proceeds from the three-day event go to support AOH charities, like the Hibernian Hunger Project, which helps provide food for the needy.

If your Irish is limited to “Slainte!” you may want to pick up a few more useful words, which you do at the full immersion Irish language event, Satharn na Gael, which is being held on Saturday, June 7, at the Philadelphia Irish Center. Lunch and dinner are included in the $45 fee. Go to the Daltai na Gaelige (students of the Irish language) website for more information and to register. There will be a session in the evening. http://www.daltai.com/events/732/

And no, I didn’t forget rugby. (I can hear all the grumbling from the scrum crowd out there.) The 2014 Collegiate Rugby Championships are being held at PPL Park in Chester on Saturday, May 31. Go out, cheer, but save some energy for this week’s Irish festivals.

Check our calendar for details on these events and others coming up.

Arts

The Surprising Secret of Philly’s Toughest Irish Mobster

K.O. DelMarcelle as Whistling Jack with paramour Lettie (Gina Martino).

K.O. DelMarcelle as Whistling Jack with paramour Lettie (Gina Martino).

Whistling Jack McConnell was one of the toughest gangsters in Philadelphia’s Irish mob in the 1920s. He got his nickname because of his habit of whistling when he was about to turn an enemy’s face into porridge with his tattooed right arm. He variously worked as a stable boy, an ash-cart driver, a professional boxer and was engaged to three women.

But it was a paternity suit was Jack’s undoing. The only way to win in court was to admit the truth.

Whistling Jack McConnell was a girl.

And he. . .she’s the subject of a new play by Villanova grad Andrea Kennedy Hart, “The Toughtest Boy in Philadelphia,” that will make its world premier on June 12 at the Luna Theater, 620 S. 8th Street in Philadelphia, produced by Iron Age Theatre, a Norristown-based theater company.

In the production, Michelle Pauls, who is managing artistic director of B. Someday Productions at Walking Fish Theatre in Kensington, plays a character based on another male impersonator, this one the English music hall actress and singer Vesta Tilley who dazzled audiences on the British stage in drag for more than four decades. In the Iron Age production, her character is known as Tessie Belle. (In real life, Tilley and Jack never met) But that’s not all Pauls does.

“In our production, five women play all the parts,” said Pauls, who is also onstage as Jack’s mother, a traveling entertainer who left her daughter behind for her grandfather to raise.

Whistling Jack was actually born Florence Gray in Ohio. Her gender-bending didn’t start until she moved to Philadelphia with her grandfather. (See a photo of the real Florence/Whistling Jack.)

“From the earliest age, she was the kind of girl who liked to beat up boys and do boy things, and get into a lot of trouble,” says Pauls. “Her grandfather, who was an academic, said, ‘Let’s move out of this small town in Ohio and go to Philadelphia where I can get work and start a new life.’ So that’s what they did. That’s when she became he.”

Her grandfather unwittingly provided Florence/Jack with a nickname that stuck. “He taught her to whistle to befuddle any opponents and Jack would whistle before he beat up street thugs,” says Pauls. “I read in actual newspaper clippings that he used to promote awe in all these other street thugs and mob members by his feats. He even swam the Delaware twice!”

Unlike Jack, her character, Tessie Belle, chose male impersonation as a profession rather than a lifestyle. “She dressed and acted like a man on stage, but sang like a woman and never gave up her womanhood, not like Jack McConnell. She ties all the scenes together, like a spirit guide for Jack. The play is all about artifice and performing. All of us in our daily lives take on many faces and many roles as we go about our business.”

The play also uses this century old true story to explore modern themes of women’s rights, human rights, love and acceptance.

And it’s also a bit of a musical. “I sing three songs that Vesta Tilley sang,” says Paul. “All the actresses also do the sound effects which adds to the vaudeville feel.” (You can hear the original Vesta Tilley sing on youtube.)

In the cast: K.O. DelMarcelle as Jack, with Gina Martino, Susan Giddings, and Colleen Hughes.

The play, which is directed by Iron Age founder John Doyle, will run through June 29. Tickets are $20 and available via ticketleap.

 

Music

The Sligo-Bound 6 Bring Out Their Sunday Best

Livia Safko, with Haley Richardson waiting in the wings.

Livia Safko, with Haley Richardson waiting in the wings.

“We’re always nervous. We just have to make sure that the worst we do is pretty good.”

It doesn’t seem like such a heavy burden for fiddler Alexander Weir, 15, of West Chester. It least it didn’t seem that way on Sunday when Alexander and five of his friends who are headed to the All-Ireland music championship this summer played at a big fund-raiser in their benefit at Molly Maguire’s in Downingtown, emceed by Terry Kane.

But playing at a fund-raiser is one thing. Standing in front of judges in Ireland, judges who are accustomed to hearing the best players in the world—most of them with the advantage of competing on their home turf—that’s another thing. But two of the Sligo-Bound 6 are world champs from last year—under-12 fiddler Haley Richardson, and Emily Safko, also in the under-12 category, on harp. These kids are used to competing, and they’re all dazzling players. You never know what might happen.

Alexander might be pretty typical of most of the kids. Competing in Ireland isn’t something he thought he’d be doing when he took up the Irish fiddle. He started playing violin at 3, and at 5 he took up Irish fiddle. He’d already been Irish dancing, and he thought it might be fun to play dance tunes. “I was just trying something out,” he says. “I thought it could be something to do in my spare time.”

It’s turned into something more than that, but Alexander’s parents are really just taking it all one day at a time. To qualify to go to Ireland, all of the kids—Emily, her sister Livia on fiddle, Alanna Griffin, a fiddler and concertina player, Haley, Alexander, and Keegan Loesel on whistle and uilleann pipes—had to place first or second in the Mid-Atlantic Fleadh Cheoil. It’s not clear who will still be playing at a competitive level years from now, so Alexander and his friends are just focusing on right now, and supporting each other—as they have for years, even though they got into Irish music at different stages, and even though there are age differences.

“Alanna is 18 and the younger ones are 10 or 11, but they’re all respectful of one another. It’s so fabulous that they have each other. They encourage each other. That’s one of the best things about Irish music,” says Alexander’s mom Katherine Ball-Weir.

And there is also this parental side benefit, she laughs: “When our friends are out on a cold, wet soccer field, we’re in a pub with a pint in front of us.”

You can find out how much fun it was, for parents and kids. Check out our photo gallery. And there’s a neat little video under that.

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