News

Local Irish Protest Gaza Bloodshed

Finding common cause at the Irish Memorial

Finding common cause at the Irish Memorial

Israel’s bombardment of Gaza has brought demonstrators out around the world—including Ireland. In 16 locations throughout the island nation last Saturday, thousands took to the streets in angry protest, calling for an end to the bloody violence that has Palestinian civilians caught in the crossfire between Israel and Hamas.

The day after that, on a warm July afternoon in Philadelphia, a little over 20 local Irish and Irish-Americans, joined by about 10 Palestinian-Americans, carried their own protest to the Irish Memorial on Penn’s Landing.

They draped black and white Palestinian keffiyehs (traditional scarves) around the necks of the iconic figures of Irish immigrants descending from the boats that brought them to America. A few others tried to hang the Palestinian flag, but couldn’t find a spot that would hold it.

One of the organizers, Kevin Ward, wearing a green T-shirt emblazoned with a shamrock and the words “Made in Ireland” across the front, wanted to be sure potential critics knew what drew him to be there.

“The Irish are doing this because we can understand the struggle the Palestinians are going through. We’ve been oppressed ourselves by the British Empire. We can relate to where these people are coming from. We all know this is an uneven fight. This is not a war. They’ve already demolished 55 percent of Palestine in this attack right now—what’s left of it.”

As for the location—the Memorial—Ward thought it entirely appropriate, given that it stands in remembrance of the suffering the Irish endured under British oppression.

Organizer Aine Fox said the protest came together almost spontaneously. “We all just happened to cross paths at an Irish Center fundraiser. I was happy to see people who understand the context better than most Americans do. Just from a human perspective … this is just a small act of solidarity.”

For tourists and local dog-walkers passing by, the scene might have seemed like an unusual slice of American life. There were accents from the West Bank and Donegal; green Phillies caps and traditional hijabs (head scarves); Palestinian flags and the banner of the Kevin Barry Gaelic Football Club.

It was a kind of United Nations moment, Irish and Palestinians lined up in front of the memorial, holding hand-lettered cardboard protest signs—“Israel is a terrorist with a billion$ budget,” “End the Occupation Now,” and “Saor Gaza Anois” (“Free Gaza Now,” in the Irish language)—all chanting “Brick by brick, wall by wall, the Israeli apartheid has to fall.”

Some of the Palestinian protesters said they really weren’t surprised at Irish interest in their cause, given Ireland’s history with Britain.

“Palestinians are searching for the same thing,” said Jihad Abdeljaber, born in the United States of Palestinian parents. “This brings us together as one people for justice. We appreciate Ireland’s support, and the support of people around the world. It’s a crisis of humanity.”

The protest didn’t last long, but those who were there felt they’d made their point, and they hoped people would listen. For Brian McGarrity, Hamas doesn’t enter into the equation. It’s the suffering of the people. “The amount of casualties … its been more of a massacre than a war.”

Ward, standing nearby, concurred, saying Hamas is a terrorist organization. But at the same time, he suggested Israel’s response to Hamas missile attacks was disproportionate. “Let’s say England said tomorrow, we’re going to go get the IRA. So in order for us to destroy the IRA, we’re going to level the whole island. Let’s be sure we get them all.”

Fox, for her part, just wanted people to understand that the protest is about drawing attention to oppression by a foreign power. “I grew up in West Belfast,” she said, “and I understand that perfectly.”

Here are the photos

Sports

Penn State Pride Heads to Dublin

Linda and Michael Bradley, with Penn State coach James Franklin, and the hefty Dan Rooney Trophy

Linda and Michael Bradley, with Penn State coach James Franklin, and the hefty Dan Rooney Trophy

When the Nittany Lions square off in their season opener against the University of Central Florida in Dublin’s Croke Park on August 30, passionate Penn State grad Michael Bradley will be just one of the thousands of fans watching the game.

Bradley, director of the Philadelphia St. Patrick’s Day Parade and one of the Irish community’s best-connected and most efficient organizers, confesses he had virtually nothing to do with this memorable football game. Gaelic Athletic Association (GAA) and PSU officials hammered out details, he says, with the involvement of Pittsburgh Steelers chairman and former U.S. Ambassador to Ireland Dan Rooney.

“Once he got involved, it started snowballing,” Bradley says. “I was out after that.”

They call it the Croke Park Classic (pronounced crowe), and it’s the first game played outside of the United States for both teams. The last time an American football match-up took place in Croke Park was 1996. It was the Shamrock Classic, Notre Dame vs. Navy. Notre Dame won. Of course.

The winner of this match-up will carry home the very heavy (Bradley has held it) Dan Rooney Trophy, a wood made of bog yew from Ireland, and steel recycled from Three Rivers Stadium.

Configured for this game, Croke Park will hold 70,000. (The stadium typically holds 82,000 for the far more customary Gaelic football and hurling.) Attendance at the Shamrock Classic was poor, but that won’t be an issue this time, Bradley says. “We’re up around 43,000 tickets.  We should be pretty close to sellout by game time.” (Penn State travel packages are already sold out.)

For its part, the GAA knew it had its best chance of success with Penn State. “The GAA really pushed to get Penn State. They have the largest alumni association in the world.”

Even though Bradley was content to let others take the lead, he had the opportunity to become acquainted with the athletic director, Dave Joyner, and the then head football coach Bill O’Brien. “Bill and I became kind of close. He’s Irish, with roots in County Clare. His wife is named Colleen. It was a perfect match.”

He also made the acquaintance of new coach James Franklin. Franklin’s father was black, but his mother was from England. “He said to me, “You know where were they married? Ireland. I’m more Irish than you are, dude.’”

For Franklin’s players, this might be their first trip to Ireland, and after all of the trauma of the past few years, Bradley hopes that, for the players at least, it’s part of the healing process. “It’s great for the kids. They’re really excited about it.”

The excitement won’t last all that long, though. “Franklin is a real taskmaster,” Bradley says. “He’s sticking them on the plane and flying them right back.”

Like any Penn State game, this one will be preceded by a pep rally—this one in Temple Bar. And for this, Bradley has taken on a job—organizing a band for the occasion. “I’m sending out emails to alumni members who are coming on the trip who play an instrument, and I’m asking them to bring it. I don’t care if it’s only 10 guys. It’ll be a lot of fun.”

How to Be Irish in Philly

How To Be Irish in Philly This Week

Solas is coming to Bethlehem for Musikfest.

Solas is coming to Bethlehem for Musikfest.

Here is my dream: I have the entire next week off, I’m staying in Bethlehem, and rolling out of bed every day to music, music, music. And goodies from the Moravian Book Shop.

It’s Musikfest time in the Christmas City and they have the big names—Sheryl Crow, Keith Urban, Alan Jackson, Steely Dan (I love Steely Dan), the Moody Blues (I love the Moody Blues), not to mention our peeps: the John Byrne Band, Solas, Seamus Kennedy, Scythian, Blackwater, and Barleyjuice. There’s even a group called Bastard Bearded Irishmen appearing next Saturday at one of the platzes (Pennsylvania Lottery Volkplatz) which is what they call stages in Bethlehem.

I just put the Celtic acts up on the calendar so check it out so see when you want to make the trek northward.

This Saturday, you down-the-shore types will find Jamison at The Wharf in Wildwood and on Sunday, they move over to Shenanigan’s is Sea Isle City. Next Saturday you’ll catch them at the Wildwood Crest Summer Music Series. This is a busy band that always puts its gigs up on our calendar and takes advantage of the free publicity. Smart band too! They know that Facebook events don’t reach as many people as you think. Facebook wants you to pay to get to more people. No one wants to do that. Zuckerberg is rich enough.

But I digress. On Sunday, August 10, look for two terrific Irish trad musicians, Mick Conneely and David Munnelly playing at The Irish Center in the nice, cozy dining room. It’s a house concert in a public place–very up close and personal. If you’d like to sign up for workshops with these two remarkable musicians, please go to the Philadelphia Ceili Group’s website. They’re sponsoring this event.

News

Philly Says Goodbye to One Vice Consul, Hello to Another

Departing Irish Vice Consul Peter Ryan.

Departing Irish Vice Consul Peter Ryan.

The Irish government’s departing vice consul Peter Ryan said he once made a speech to a group of Penn State students at 3 AM at a Penn State frat party. It consisted of two words: “Diplomatic immunity.”

There was some confusion as to how he got to that frat party—Philly St. Patrick’s Day Parade Director, Michael Bradley, claimed that Ryan, whom he took to Penn State for a visit, asked to go. Ryan claimed Bradley just dragged him there.

That was generally the tenor of the evening—Thursday at the Union League—as representatives from all the major Irish organizations in the Philadelphia area, as well as two city councilman, met to say goodbye to Ryan, a popular figure in Philadelphia, who is leaving to become the Irish Ambassador to Hong Kong. They did a little roasting too.

The crowd of more than 100 people was also introduced to the new vice consul, Anna McGillicuddy, a Dublin native (with Kerry roots) whose previous posts were in London and Vienna. A mother of two young children, ages 3 and 10 months, McGillicuddy was an All-Ireland medal winner in Gaelic football—a fact not lost on the 20-some local representatives of Gaelic sports who attended the reception.

McGillicuddy says that the first thing her predecessor told her was that she had to come to Philadelphia—and it was one of the first things she did since she and her family arrived in the US a week or so ago. She and Ryan were feted at a reception at The Irish Center earlier in the day where, she said, “I was told I have deep roots in Philadelphia—Connie Mack. I don’t think we’re related, but there aren’t a lot of McGillicuddys.”

For the uninitiated: Cornelius McGillicuddy, known as Connie Mack, was a baseball player and team manager and owner—he managed the Philadelphia Athletics for the club’s first 50 seasons, starting in 1901. Mack, who retired at age 87, was the first manager to win the World Series three times. A stadium named for him at 21st and Lehigh was home to the As and later the Phillies. A church now sits on the site.

Anna McGillicuddy vowed to be as much a presence in the city as Ryan was. “She now knows it’s an hour-and-eight-minute-ride on the Acela,” from New York, where the consulate is located, Ryan joked.

Ryan said that he was touched to be given, earlier in the day, an American flag that had flown over the White House. He said he was taking it to Hong Kong with him. “It will be the first [Irish] consulate to have the US flag flying outside,” he told the crowd.

See our photos from the Union League event here.

Arts, News

His Family History, On Screen

Alan Brown answers questions after the film.

Alan Brown answers questions after the film.

Most people are content to write their family history or fill in branches on a family tree template. Alan Brown turned his into a film.

“The Minnits of Anabeg” tells the story of an English Protestant justice of the peace, owner of 1,000 acres in Nenagh, County Tipperary, who worked to save the people in his community from the ravages of what’s come to be known as the Great Famine during which a million Irish died and the same number emigrated.

That man was Brown’s great-great-great grandfather. The movie, which Brown made though his London-based company, Krown Films, was shown on Tuesday at the Irish Center. Brown, who wrote and directed the film, was on hand to answer questions.

The film uses the device of a writer digging into the past to introduce Brown’s ancestor Joshua Minnit who interceded with the British government to help reduce the amount of food taken from Ireland to feed British forces abroad. That allowed Brown to introduce the word “genocide” into the film—a more modern view of a famine caused not by a lack of food, but by the failure of one crop, a certain kind of potato, that was the staple of the lower classes in a country otherwise rich with food and livestock.

Minnitt’s son Robert, who fell in love with a local Catholic girl (whom he later married over his parents’ objections), took his support of his neighbors even further—telling a local Catholic publication about the horrors of the workhouses, where families were split up, men set to breaking stone for roads and women washing laundry, and children taken from their mothers if they were older than two and trained for domestic service.

The workhouses were overcrowded and many people, starving and desperate, clamored to get in anyway. Many of them died there, said the film’s associate producer, Ciara O’Sullivan, who also played a role in the film. Concurrent with the famine was a cholera epidemic.

Brown’s grandfather, he told the crowd at The Irish Center, was Jim Minnitt, son of Joshua’s son, Robert. Jim Minnit himself helped the republican cause in the 20s and 30s by helping wanted rebels escape from British hands. Jim, an auto mechanic, had one of the few cars in the area.

After his marriage, Robert Minnitt was given a small house on the outskirts of his father’s home and lived out the rest of his life with his wife, Eileen Kennedy, and their 13 children, serving as the town postman. He never spoke to his father again and Jim Minnitt never really knew his grandparents.

Brown wasn’t the only one in attendance whose family history was shown on the screen Tuesday night. Also in the audience was Brendan O’Connell of Newtown Square, his son, Ryan, his mother Georgina, and sister Deirdre O’Connell of Flourtown. The O’Connells are descended from Jim Minnitt’s sister—Robert Minnit’s daughter.

“We only worked it out in the last couple of years,” said Brendan. “My brother keeps up with the local Nenagh news and he saw that the film was being made. I emailed Alan in Ireland and we figured out how we were connected.”

Several Tipperary natives also attended the screening. Sisters Sarah Walsh and Mary Brennan both emigrated from an area near Nenagh along with their sister, Kathleen. They remembered the Minnits’ home, Anabeg. “The house is still there,” said Sarah Walsh. “My sister lives nearby. And my brother used to work at Minnitt’s garage.”

Brown has been showing his film in the US to Irish audiences like those at The Irish Center after debuting it in Nenagh on July 26.

To see other photos from the evening, including one of the “Minnit cousins,” click here.

Dance, Music

Ragas Meet Airs at The Irish Memorial

Indian dance at The Irish Memorial

Indian dance at The Irish Memorial

Until the first chords of Burning Bridget Cleary’s “Saucy Sailor” began over the loud speaker at The Irish Memoral on Penn’s Landing on Saturday, the idea of marrying an 6,000-year-old form of Indian dance called Bharatanatym with Irish music seemed, well, like a stretch.

But it wasn’t. The rhythms of the Celtic folk song harkened to the ancient beat of Indian music. Ragas, as it turns out, are a lot like airs.

Shaily Dadaila, founder of Usiloquoy Dance Designs, saw her dream of performing her beloved Indian ballet to Celtic and Indo-Celtic tunes when she and her troupe of dancers performed twice at The Irish Memorial on Saturday afternoon and evening. Her dance production, Ragas and Airs, is partially funded by the Pennsylvania Council on the Arts and is still in development. But there was enough choreography to present a half-hour’s worth of the graceful and evocative dance, which tells its stories not only through footwork, but with hand movements and facial gestures.

This wasn’t the first time that music from both traditions came together. The troupe also performed to 17th century music that was British and Irish in origin, but with Sanskrit lyrics, and to tunes by modern-day Irish jazz musician Ronan Guilfoyle who wrote them to combine both Irish and Indian traditional music.

After an early morning rain, the weather broke into sunshine and heat—but with a breeze that kept the audience cool—as the troupe performed on a rented stage in front of the 60-ton bronze sculpture depicting Irish fleeing the famine and arriving in America.

In an interview before the performances, Dadiala said the monument resonated with her the moment she saw it a few years ago, just after arriving in the US from India to begin a master’s program in pharmacy.

“You see all the people descending from the ships, all leaving home and missing it for the rest of their lives. I understood that,” she said. Read more of that interview here.

View our photos of the performance of “Ragas and Airs.”

History

An Interactive Timeline of the Philadelphia Irish Center

Mayo Ball

Mayo Ball

A lot of people see the words “Irish Center,” and assume the Irish have always been there.

Nope. It started out not long after the beginning of the 20th century as a club for automobile hobbyists—with a full-time mechanic, no less. It was also the first home of the Germantown Jewish Centre. Dancers, singers, pipers, county organizations, and more have called it their home for more than 50 years. It has played host to ambassadors and rebel-rousers. It has seen big parties in the ballroom, and quiet little gatherings (sometimes not so quiet) at the bar.

As we continue to raise the money to keep the doors to this landmark open for another 50 years, we thought you might like to see what it is we’re trying to save—and what we hope you will try to save. Maybe it will inspire you.

The timeline is interactive. Mouse over the little dots top see the milestones, some great and small, pop up.

We probably don’t have all of the dates right—you can feel free to correct us–and we invite you to share your own historical photos. Post them to our Facebook page, and tell us what we’re looking at. Remember to include the dates.

News

Irish Center Campaign Tops $20,000

Because they're happy: Susan Conboy plants a big one on Seamus Sweeney's cheek at the fundraiser.

Because they’re happy: Susan Conboy plants a big one on Seamus Sweeney’s cheek at the fundraiser.

The fundraising campaign to save the Philadelphia Irish Center topped $20,000 this week, following an intense web-based effort and a fundraising “house party” at Maloney’s Pub of Ardmore on Saturday night at which the Emerald Society Pipes and Drums made a $1,000 pledge.

Check out our photos from the Maloney’s event.

The Irish Center is seeking to raise $50,000 this year in order to pay its property taxes, which went up by 300 percent his year because of a citywide reassessment, and to replace a $25,000 range hood in the kitchen, which is the fundamental to the center’s livelihood as an event space.

The Maloney’s fundraiser, which was underwritten by a $600 check from the Mayo Association, is the first of several planned throughout the next two months. Up next: A concert/cabaret on August 17 at the Irish Center with Cahal Dunne, a singer, songwriter, storyteller, and comedian known as “Ireland happy man.” He won Ireland’s national songwriting contest with a tune called “Happy Man.” Tickets are $20 and includes the show, light refreshments, and door prizes. They’re available by calling the Irish Center at (215)843-8051.

On September 19, teams will compete for prizes in Quizzo , the pub version of Trivial Pursuit, at the Irish Center. Teams—there are at least 20 forming now—contribute $60 to play. Prizes and raffles are being sought now; the first donation came from Pat Durnin of McKenna’s Irish Shop, who is giving $25 gift certificates. To sign up or donate , visit the page on Facebook  or email Marianne MacDonald at rinceseit@msn.com.

And save the date: September 6, for a comedy night at The Irish Center. More on that to come.

Also on tap: NBC10 visited the Irish Center last week to do a story on its financial woes. We’ll keep you posted about when that will run either on the site or our Facebook page.

To donate, go to the Irish Center’s website  or the fundraising site. We also have a banner ad on our pages that you can click through to donate.