Music, News

Albannach-analia

Jamesie, at play

Jamesie, at play

They’re one of the regulars—and a huge crowd-pleaser—at Bill and Karen Reid’s annual Mid-Winter Scottish & Irish Festival in Valley Forge. They’re certainly the only Scottish tribal drumming band, and the only band at the festival with a mosh pit.

Their music is electrifying, pounding its way down into your heart and soul, challenging you not to jump up and down like a tattooed, pierced marionette.

We’ve captured countless photographs of Albannach over the years—we can’t resist them, either—and we thought we’d share of bunch with you. If you’ve seen Albannach before, maybe our pics will get you riled up before you even get to the festival. (Jump up and down in your house if you want, but don’t scare the cat.)

If you haven’t seen Albannach, we hope we’ll give you a good reason to go.

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Dance, News, People, Sports

They’re Dancing Like Stars Again

Gogi O'Donnell practices a dip with instructor Lisa Oster.

Gogi O’Donnell practices a dip with instructor Lisa Oster.

For the past three years, Louie Bradley has suited up for the Delaware County Gael’s popular fundraiser, Dance Like a Star, in which eight couples vie for a trophy while raising money for the youth Gaelic sports club. He didn’t dance. He just made a little speech. He’s president of the organization.

But this year, he’ll be suited up and wearing his dancing shoes. His partner is Michelle Quinn, owner of Blush Salon in Newtown Square, who until this year was just contributing her styling skills to the event. “She’s way out of her element,” said Bradley, with a mischievous grin, when I talked to him after Sunday dance practice at Cara School of Irish Dance in Drexel Hill. “I’m out of mine too. I don’t have feet, I’ve got hooves!”

A couple of years ago, Paul McDaid was helping his DJ brother John with the music for DLAS. This year, he’s wearing a tutu, dancing with Heather Crossan. “I said I would do this on one condition,” says the 29-year-old, a recent immigrant from Letterkenny, County Donegal. “I’d do it if Louie Bradley would do it.”

(There’s a family connection here: Louie Bradley and John McDaid are married to sisters; their wives Carmel Bradley and Una McDaid are part of the committee that pulls off this extravaganza at Springfield Country Club every year.)

Some of the contestants, like Colette Morgan of Media, are Delco Gaels parents. “I got asked to be a stand-in at the last minute, and the club has been so good to me and my family, helping us with our travel expenses when the teams travel, that I couldn’t say no—it was a no-brainer,” says the mother of two teens.

One, Dermott “Gogi” O’Donnell, is a coach of the under 12 team. A couple of years ago, he has a small part—as a garda—in one of the dance sketches, but signed up as a contestant this year “because the kids asked me to.”

But you don’t have to be related or a parent to be part of the fun. Beth Hamilton volunteered because a friend who attended last year “told me it had my name written all over it. I love to dance,” says Hamilton, who does tap and jazz at the McHenry Dance Centre in Havertown.

The dancers practice every Sunday with two choreographers, Jennifer Cleary and Lisa Oster. In previous years, the dancers started the event with a waltz, did a group dance, and then each couple stole the spotlight with a special freestyle dance that involves costumes, fancy steps, and sometimes a little acrobatics.

“We decided to change it up this year,” said Cleary. “We’re opening with a foxtrot, then a swing dance, and then each of the couples pulled a decade out of a hat and they’ll be doing dances from that decade.”

The practice schedule can be grueling. In addition to the three-and-a-half hour Sunday rehearsals they’ve had every week since the beginning of January, the contestants meet with Jennifer or Lisa during the week to go over their steps and sometimes the couples get together for extra practice. “I dance in my basement,” says Bradley, laughing.

“We’ve all pretty much been eating, sleeping, working and dancing for the last five weeks,” says Morgan, who is also a fulltime nurse. “It’s been a lot of fun though. It’s stressful learning all these new moves, but hopefully it will all come together.”

It needs to come together by Friday, February 20. Tickets are $45 and aren’t available at the door. You have to order online, or contact Carmel Bradley at pbradley1510@gmail.com (610-789-9697) or Lorna Corr at aidanlorna@verizon.net (610-353-5556). You can also buy votes for your favorite couple online. 

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News, People

Mick Pic of the Week

Tom Kane strikes a pose, while Trish Daly and Una McDaid react with laughter.

Tom Kane strikes a pose, while Trish Daly, right, and Una McDaid react with laughter.

Tom Kane pulled an impromptu “Saturday Night Fever” pose in the hallway outside the rehearsal hall at Cara School of Dance in Drexel Hill last Sunday. Kane, owner of the Brick and Brew in Havertown, is one of 16 amateurs who will be vying for top prize in the fourth annual “Dance Like a Star” fundraiser for the Delaware County Gaels youth Gaelic football club on Friday, February 20, at the Springfield Country Club in Springfield, Delaware County. This was our favorite photo–and maybe our favorite moment–of the week.

News

Mick Pic of the Week

Haley

Haley

One of the great things about Robin Hiteshew’s photo exhibit in New York this week was this: he hasn’t only documented the older stars of traditional Irish music, he’s also captured images of some of the rising stars, too.

Robin took the photo of All-Ireland fiddle champ Haley Richardson at the Philadelphia Art Museum, according to mom Donna.

There were a lot of photos from the exhibit, but this is one we liked best.

News

A Picture-Perfect Night for Robin Hiteshew

Robin Hiteshew, Pat McGann and Haley Richardson

Robin Hiteshew, Pat McGann and Haley Richardson

Robin Hiteshew joined the Philadelphia Ceili Group to learn how to dance.

It didn’t take long before he had moved well beyond learning jigs, reels and polkas. The entire world of Irish dance, music and culture opened up to him quite unexpectedly—right from the start.

“People were very welcoming,” Hiteshew recalls of his first night of lessons in the early fall of 1978 at the Water Tower Recreation Center in the Chestnut Hill section of Philadelphia. “When they put on the music for dancing, and I heard those wonderful jigs and reels, it was like the muse bit me. The next thing you know, I was going down to all the record shops on South Street looking for Irish music.”

He was so inspired, he booked a flight to Ireland just under a year later, searching out the pubs and bars where traditional Irish tunes were played, soaking up the music and chatting with the musicians. “I heard Irish music three out of the four nights I was there.”

One thing led to another, and Hiteshew soon found himself in the Philadelphia Ceili Group, eventually rising to a leadership position. In time, he came to realize the importance of documenting the many Irish music superstars—although they probably wouldn’t think of themselves in those terms—who passed through the city. Ultimately, that documentation found its fullest expression in the form of yet another of Hiteshew’s passions—photography, until recently done the old-fashioned way—on film. “I knew right from the beginning that what the Ceili Group was doing was important. And so I began to document.”

Hiteshew came to know many of those musicians as they traveled through Philadelphia for Ceili Group concerts. “Musicians would wind up staying with me in those days, and I would photograph them the next morning after the concert,” Hiteshew recalls. “With Irish and early mornings … well, they were a little groggy, and sometimes they were getting on the next plane, but they were very gracious. A lot of them are sitting, holding their instrument or playing.”

Some of the photos were also taken in Ireland.

Hiteshew quickly came to understand the importance of documenting the old guard, but also the new young musicians who in turn went running with the music, making it their own. “In two cases,” Hiteshew says of his portraits, “it was a father teaching his child.” (Such as Mike and Mary Rafferty.)

The now extensive collection, he says, “demonstrates the passing of the tradition, from one generation to the next, and the vitality and relevance of the tradition in the 21st century.”

The fruits of Hiteshew’s labors were recognized Thursday night at an exhibition at the Irish Consulate in New York City.

So many faces, 50 in all, lovingly preserved in stark black in white, incredibly crisp silver prints: Leitrim flutist Eddie Cahill, fiddler Paddy Reynolds (“The Music Master of Dromard”), County Sligo master fiddler Andy McGann, Chicago fiddler Liz Carroll, singers Mary Black and Dolores Keane, multi-instrumentalist and folklorist Mick Moloney, the late great Belfast flutist and Altan co-founder Frankie Kennedy, the family trio of Seamus, Siobhan and Rory Ann Egan (taken when they were very young), and so many more … including Philadelphia’s own young All-Ireland fiddler Haley Richardson.

The simply framed prints lined the walls of the consulate’s bright 17th floor exhibit space. There were so many guests it was hard to move. Some of the region’s all-star musicians were also on hand, including fiddlers Tony DeMarco and Don Meade, and piper Jerry O’Sullivan. Later on in the evening, about a dozen of them played a rocking impromptu session—and then it got a lot harder to move, because no one was moving. They were just standing there listening.

Most who attended Thursday night’s event at the Consulate seemed overwhelmed by Hiteshew’s lifelong labor of love—including the Consul herself Barbara Jones. “This is Ireland,” she said as she gestured around the room. “Fifty photographs that have never seen the light of public space. This is the work of a genius.”

“And of course,” she added, drawing laughs from a large local contingent, “that genius is from Philadelphia.”

Hiteshew, for his part, takes a more modest view.

“I want the viewer to know something about the person in the photo and want to know more. If you look at a photo and it speaks to you, then I feel like I’ve done my job.”

Plans are currently under way to move the exhibit to Philadelphia. Stay tuned.

Photos and video below.

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How to Be Irish in Philly

How To Be Irish in Philly This Week

Drew Reid of Brother, with his digeridoo, will be at the Mid-Winter Festival.

Drew Reid of Brother, with his digeridoo, will be at the Mid-Winter Festival.

The annual Celtic Spring Concert, featuring a bevy of local musicians including Timlin and Kane and fiddler Haley Richardson, is Sunday at Sacred Heart Church in Camden, NJ. Proceeds from the event benefit the Heart of Camden Housing Corporation which is working to revive the city just across the river from Philadelphia. One of its current projects: Turning a three-story wreck of a building at the corner of Jasper and Broadway into a writers’ retreat center.

Jamison will be rocking Ryan–that’s Archbishop Ryan, 11201 Academy Road in Philadelphia–this Saturday,a fundraiser for the school.

Continuing this week: Long Live Little Knife, a play produced by the Inis Nua Theatre Company; Oscar, an opera about Oscar Wilde, at the Kimmel Center; and Misalliance, a rarely performed play by George Bernard Shaw on stage at Walnut Street Studio 5.

On Saturday, grab your instrument (or not) and join in (or not) at the newest session in town at the AOH Notre Dame Div. 1 in Swedesburg. This is an authentic Irish tradition in which musicians jam just for the fun of it. That’s the part you ought to join in for—the craic. No one will stop you if you want to dance.

On Sunday, catch Seamus Kelleher at The Hattery, 18 State Street, Doylestown, for music (and laughs—he’s a funny guy).

On Thursday, bring your Irish with you for an Irish conversation group at Villanova University. This is not for beginners. You need to know something more than “Slainte!”

Then, on Friday, it’s the opening night concert for the annual Mid-winter Scottish and Irish Festival in Valley Forge at the Valley Forge Convention Center. Charlie Zahm and Tad Marks, Angus and Drew of Brother, Albannach, and Jamison will perform from 8 till oh, who knows when?

Everyone (except maybe Albannach) will be up bright and early the next morning for the music that starts at 10 AM (11 AM on Sunday). Among the performers: Searson. Brother, the John Byrne Band, the Screaming Orphans, RUNA, Rathkeltair, the MacLeod Fiddlers, the Brigadoons, Oliver McElhone, Timlin and Kane, Belfast Connection, and the Sean Fleming Band. There will also be dancers, whisky tastings, Irish and Scots Gaelic language workshops, an introduction to the bagpipe (“Hello, chanter!”), fencing, juggling, Scottish and Ceili dancing, pipe bands, and loads of vendors you’ll love, whether you’re in the market for a kilt, a bag of haggis chips, or some sparkling Celtic jewelry.

This event has been brightening the winter for 22 years. Don’t miss it. (We don’t.) Check our calendar for all the details and look for another story on the Midwinter Festival by Friday.

Arts, How to Be Irish in Philly, Music

How To Be Irish in Philly This Week

George Bernard Shaw

George Bernard Shaw

Along with the weekend-long East Coast Celtic Supporters’ Feile in Philadelphia—most events are at The Plough and the Stars at 123 Chestnut Street—you have an opportunity to absorb some Celtic culture (that Celtic race, not football club) this week.

The Inis Nua Theatre Company’s latest production, “Long Live Little Knife,” opens at the Off Broad Street Theater at First Baptist Church. The playwright David Leddy will be on hand on Wednesday, February 4, to talk about this work which features Corinna Burns and Tim Dugan as husband and wife con artists who want to become the world’s best art forgers. The show runs through February 22. Inis Nua produces contemporary plays from Ireland, Scotland, and Great Britain.

At the Kimmel, catch “Oscar,” an opera based on the works of Irish writer Oscar Wilde, which starts a short run of five performances on Friday, Feb. 6. It’s the East Coast debut of the work.

“Misalliance,” a rarely produced play by one of Ireland’s most honored writers, George Bernard Shaw, is being mounted by The Idiopathic Ridiculopathy Consortium, a Philadelphia-based theater company best-known for illuminating, challenging and humorous interpretations of absurdist-leaning plays, at Walnut Street Studio Five in Philadelphia. In the preface to this play, Shaw apparently foresaw the state of entertainment—and a few other things–in the new millennium: “A new sort of laziness will become the bugbear of society: the laziness that refuses to face the mental toil and adventure of making work by inventing new ideas or extending the domain of knowledge, and insists on a ready-made routine.” The show runs through February 22.

No, we didn’t forget The Superbowl! You can enjoy it from the warmth of your own home, at a bar (Irish Times in Philly is doing its annual pig roast), or even at the Irish Center, where there are at least four TVs, food, and if you’re not interested in hearing Katy Perry, you can get up and dance to some live half-time entertainment.

On Saturday night, catch Jamison at RP McMuphy’s in Holmes.

On Tuesday, celebrate James Joyce’s birthday with story and song at McShea’s Pub in Ardmore.

On Wednesday, Gerry Timlin continues his history classes at McCarthy’s Red Stag Pub with the conquest of Ireland, part 2. A lot of people would have done way better in history if, one, they’d held classes in a pub, and two, Gerry Timlin taught it.

Get a respite from the cold and snow on Thursday at Bistro St. Tropez in the Marketplace Design Center in Philadelphia, where Irish Network-Philly is holding its monthly networking event with drink specials and appetizers.

Also on Thursday, people who already know a little Irish are welcome to an Irish conversation group at Villanova University’s Falvey Library, Room 204.

Thursday is also the launch of a photographic exhibit by local music historian Robin O’Brien Hiteshaw called “The Face of Irish Music: at the Consulate General of Ireland’s headquarters at 345 Park Avenue in New York City.

With the loss of pubs like the Shanachie in Ambler and Molly Maguire’s in Lansdale, there’s a dearth of venues for Irish music sessions in Montgomery County. But AOH Notre Dame Div. 1 is stepping in to fill he void. The AOHers have formed a committee to have music at their Swedesburg club house on a regular basis. There will be a session there on Saturday, February 7, between 7 and 10 PM. You don’t have to be an AOH member to attend.

Check our calendar for more details–and check back frequently, since latecomers often add events during the week.

News, People

Skin Care Just for Us

Jennifer Devlin and her husband, Steve

Jennifer Devlin and her husband, Steve

Celtic fair skin stems from a single gene from a single person who lived 10,000 years ago in the Middle East or the Indian continent, found a recent Penn State University study.

I know what you’re thinking: Damn him! Not only can’t we tan, that ghost-pale sensitive skin makes us more susceptible to skin cancer and rosacea, an acne-like condition characterized by reddened facial skin and pimples.

And cosmetics? If you’re like me, you have a closet filled with potions and creams that promised you youth and beauty but made your skin look and feel like you’d dozed off under the broiler.

Jennifer Devlin found herself in a similar situation, and she was filling up that closet for free. For 10 years, she worked for many of the top names like Estee Lauder and Lancome and was once the beauty director for Nordstrom’s.

“We were given all the products to use because they wanted us to sell them. I would put them on my skin and they would sting and they would tell me, oh. It’s just your skin, not our products. I never thought to ask what was in the product that was causing the skin to fall off my face,” says the red-haired Devlin, the founder of a rising company called Celtic Complexion, headquartered in Raleigh, NC. Celtic Complexion is one of the sponsors—and an apt one–of the Philadelphia Rose of Tralee event and seven others across the US. Celtic Complexion was also a sponsor of the Philadelphia’s Mary from Dungloe pageant and the Mayo Ball in 2014.

Devlin has had rosacea since she was in her 20s (she’s in her 40s now) and used her makeup artist skills to conceal her overly rosy cheeks. And she tried every product on the market to curb that permanent blush, with few results.

Then she met a holistic esthetician. “I told her what I was using and thought she’d be impressed with all the labels, but she just rolled her eyes and told me that the chemicals, fragrances and dyes were exacerbating my rosacea and prematurely aging my skin,” recalls Devlin.

And as someone whose livelihood depended on the sale of beauty products, she was understandably reluctant to follow the esthetician’s advice. “I believed in those companies and their products—why would they lie to me?—but she said to get off all the chemicals and use only coconut oil on my skin. I did it because this woman was in her early 50s and had gorgeous skin. I figured she must know something.”

She did what the woman recommended and, over the course of a few months, she experienced results: No more redness, no more burning—and no more concealing makeup. (In fact, she rarely wears makeup anymore, she says).

She also said goodbye to the big name beauty industry. “At 31, I went back to school to become an esthetician and began experimenting with making my own beauty products.”

Unlike mainstream brands, Devlin’s homemade beauty treatments weren’t 70 to 80 percent water. “In fact, there’s no water in them,” she says. “Once you put a water-based product on your skin, it feels good but an hour later you don’t feel anything. Once the water evaporates, your skin is left vulnerable.”

At first she just shared her products with family and friends. Then 10 years in, she decided to write a business plan and, with an angel investor, launch her own brand for women with skin like hers, women who trace their fair skin back to that one individual with the unfortunate pale skin gene from the Middle East or India. Celtic Complexion was born.

She sells her artisanal products online and makes them in her home studio, prepared and blended all by hand, by herself, in micro batches of no more than 24 products at one time. “I don’t have things sitting on the shelves getting old,” she says.

They include a non-foaming cleanser made from organic aloe juice, coconut oil, green tea extract, and several essential oils, oils made from the aromatic compounds of plants such as rosemary and lavender; a cream moisturizer rich in fatty acids from coconut and shea butter, vitamins, and pure essential oils; a hydrating winter skin bar available only October 1 through March 31 since it doesn’t withstand warm temperatures; several serums to combat aging and hypersensitive skin; an exfoliant, and tinted moisturizers containing 25% zinc oxide with an SPF of 31 for sun protection.

“Most over-the-counter products contain about 3-5% zinc oxide. Celtic complexions are usually quite fair and burn with anything, and most products don’t have enough of the active ingredient to keep you protected,” says Devlin.

She also provides a number of kits which also serve as samplers for newbies who aren’t sure they want to spring for a $60 or $70 moisturizer or pay $97.50 for a high potency anti-aging serum, her highest priced item. They include winter skin, antiaging, acne and rosacea, hydrating, or love your skin travel kits that range in price from $36 to $79.

The testimonials on her website are impressive: Her products have garnered stellar reviews from beauty bloggers and from the various Roses who have used her product. The North Carolina Rose, Nancy Boyce, even wrote about her and her products in the magazine, Carolina Style.

Devlin got involved with the Rose of Tralee pageant when someone from her local Rose Center reached out to her. She contacted other Rose centers and some, like Philadelphia, tapped  her. “I became friends on the phone or on email with a lot of people at the centers,” she says.

It’s a perfect match. The Rose of Tralee International is one of the longest running festivals in Ireland (this summer it will be 56 years old) and the selection of the International Rose—who this year is the Philadelphia Rose, Maria Walsh—is one of the best-watched shows on Irish television. The young women fall right into Celtic Complexion’s demographic–women of Celtic descent. Devlin attended last summer to cheer on her local Rose.

Full disclosure: I’ve been using Devlin’s cleanser, moisturizer and anti-aging serum for several months now and my Irish skin has never looked or felt healthier. Well, maybe it looked a little better when I was the right age to enter the Rose of Tralee pageant, but the last few decades have wrought some changes and, while the products haven’t totally reversed them, they’ve made a visible difference.

If your Celtic skin doesn’t respond the way mine did, no worries. Devlin offers a 100% money back guarantee and, in keeping with the personal nature of her business, when you contact the complaints department, you get Devlin herself. “I have no storefront, so I live and die by testimonials,” she says. “I like to take care of problems right away. You can use a whole bottle of something and if it doesn’t do what I say it can do, you get a refund and we part friends.”

You can find out more about Celtic Complexion products by visiting Jennifer’s website.