News, People

The Irish American Business Chamber: It’s All About Connecting

Chamber Founder Bill McLaughlin

Chamber Founder Bill McLaughlin

“Never let not knowing something get in the way of getting something done.”

Those have turned out to be words to live by for Bill McLaughlin, founder of the Irish American Business Chamber and Network in Philadelphia. And they’re his words, first uttered when the organization was a just six-month-old fledgling and was approached by members of the Governor Tom Ridge administration to help fulfill a promise Ridge made to Irish business leaders.

“Back in 1999, Ridge was on a trade mission in Ireland and he told business people there, ‘Come to Pennsylvania, we’ll help you launch your business here.’ And about a dozen companies said, ‘We’re coming,’” recalled McLaughlin with a laugh, as he dug into a crabcake platter at the Union League’s Meredith Café one frigid afternoon recently. Suddenly, there had to be a there there—and there wasn’t. “And someone said, ‘Well, there’s an Irish business chamber in Philadelphia. Let’s call them.’”

At the time, the Irish Chamber was a corner of McLaughlin & Morgan, the marketing and public relations company McLaughlin started with his wife of 31 years, Natalie. He had plenty of business and personal friends “whose names were Mc or O something” to get a chamber started, but he’d also worked hard to bolster membership by compiling lists of and cold calling other local business leaders who might have Irish genes in there somewhere.

He used the same strategy to connect the Irish companies with the right potential partners here. “We had a young guy in the office at the time, Rory Wilson, and we made him our first fulltime chamber employee,” McLaughlin recalls. “We told him for the next few weeks, spend all your time lining up meetings for all these Irish companies and that’s what we did. We knew who to call and it was just a matter of getting in the trenches and doing it.”

Knowing who to call—and calling. It was that simple. And it always seems to work.

Sixteen years ago, as the result of roping in friends and calling business leaders he didn’t know, he lured about 120 people at the first event the Chamber held—with a local CEO as guest speaker –at the Union League. At last year’s Ambassador’s Awards, an annual luncheon honoring local companies, nonprofits and business leaders, there were almost 400 people in the grand ballroom of the Bellevue on Broad Street.

He grew his own business that way. McLaughlin and Morgan morphed into a business development firm and, in 2006, spawned a marketing arm known as McDay, which he and his wife sold recently.

McLaughlin tells a story of the time one of his clients wanted to know if his firm could build their company a website. This was 20 years ago when the information highway was full of empty acreage, ripe for new construction. “I said yes we can,” laughs McLaughlin. “Of course, we couldn’t. But we could learn how to.” And he knew who to call: the then Philadelphia College of Art and Textiles (now Philadelphia University). He hired several of their instructors who taught the McLaughlin and Morgan staff how to build websites.

And when the client of a Chamber board member asked McLaughlin’s help in solving a labor dispute in Ireland, “I said yes.” He laughs again. “I said, I don’t know how to solve it, but I know people who know how to solve it.” And it got solved.

Making connections is what the IABCN has always been about. It offers an opportunity, through its seminars and workshops, for members to not only hear the ideas and success stories of CEOs and business leaders but to meet them personally, as well as to learn ways to do or increase their business with Ireland, which has always been a business-friendly economic environment.

“I know that millions of dollars worth of business has taken place because of our connections,” says McLaughlin, “business that benefits both our members and Ireland.”

Just one example: A Chamber member whose company operates call centers in Ireland was convinced to locate one of his centers in the Gaeltacht, the term for those parts of Ireland where the Irish language is still spoken, as the result of a visit to the Chamber by Udaras na Gaeltachta, the Irish regional authority responsible for the economic, social, and culture growth of these unique regions.

The Chamber’s work is clearly valued by the Irish government. Every year, the Irish Ambassador travels from DC to the city to give the Chamber’s Ambassador Award to a local business that has strengthened the ties between the US and Ireland. Past honorees have included Aramark, Children’s Hospital, Wyeth, and the Vanguard Group.

This year, QVC, the home-shopping network headquartered in West Chester, will receive the award from Irish Ambassador Anne Anderson on March 5 in the Lincoln Ballroom at The Union League, in recognition of the many hours it devotes to promoting Irish goods and crafts.

Two other awards are given that day.

The Taoiseasch or “chieftain” award recognizes an individual of Irish descent who exemplifies leadership and compassion. This year, Frank Reynolds, chairman and CEO of PixarBio, is the recipient. After suffering a spinal cord injury, Reynolds founded InVivo Therapeutics and later, PixarBio, and is the co-inventor on more than 50 pending or issued patent applications on using biomaterials for the central and peripheral nervous systems.

The Uachtaran or “president’s” award, honors Ireland’s president whose office helps build economic and cultural alliances. This year’s winner is CBS3 and CWPhilly, the local networks that have, since 2003, broadcast the Philadelphia St. Patrick’s Day parade live.

Creating the Chamber was more than a good business decision for McLaughlin. Many Irish-American families have no more than a passing interest in their heritage—resurrected once a year in March. But McLaughlin developed a passion for Ireland from the time he was a little boy, listening to his Irish grandmother talk about her homeland. He visited there for the first time in 1968. A graduate of LaSalle University, he was teaching high school history. The experience he had mirrors that of many Irish-American family historians on their first trip “home.” It all seemed so. . .familiar.

“I was 23 and was hitchhiking around and meeting people and I kept thinking to myself, ‘These people look a lot like my family,’” he says. He even ran into a woman he was sure he was related to. “She was a dead-ringer for my grandmother.”

He fell in love with Ireland and remains just as smitten nearly 50 years later. Today, the McLaughlins own a little piece of Ireland. In 1991, while on a business trip to Germany, he bought his family farm in County Mayo, where his grandmother Mary Murtagh was raised, from a Murtagh cousin. He and his wife try to spend three or four weeks there every summer, but they also offer it to many nonprofit organizations as an auction or raffle prize. This past year, a raffle raised more than $20,000 for the Camden Catholic School Partnership.

He understands that not everyone connects with their Irish heritage on the same level. “My sisters weren’t interested in visiting Ireland until we bought the farm,” he chuckles. While he loves the literature and theater, a theater outing he planned early on for Chamber members didn’t go over. “We had six couples,” he says.

“There are people who like Irish music, for example, and others who don’t. Some people really aren’t interested in Irish history or literature, but they like business and that’s how they connect.”

Since it’s all about connections, says McLauglin, “it doesn’t matter how or you make the connection.” It just matters that you do.

The photos below are from last year’s Ambassador Awards’ luncheon.

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Arts

Flights of Fancy: The Art of Deirdre Murphy

Deirdre Murphy with her bird painting on paper, now at The Shipley School

Deirdre Murphy with her bird painting on paper, now at The Shipley School

Birds dominate the artwork of Deirdre Murphy, but so does the storytelling tradition she inherited from her Irish ancestors. As she moves from painting to painting, now hanging at the Shipley School in Bryn Mawr, she explains that the birds—the hawk, the pigeon, even the little resin sculptured bird that repeats in different poses in her newest paintings on paper—are characteristic of the oral tradition of Ireland.

“Birds, being in multiple places, on land and in the air, have a different perspective and each tells a different story,” she says, pausing by the oil paintings of hawks she observed years ago in her South Philadelphia neighborhood and, more recently, on the grounds of Haverford College near her Ardmore home. “I started to do research on how birds see—my father was a scientist so I’m a total nerd–and I discovered that birds have prismatic vision. Where we see the color red, they see 20 shades of that red. Their optics are extremely sophisticated. It gives new meaning to the phrase, ‘bird brain.’”

So, her realistic hawks fly in the midst of a flock, not of other birds but of shards of color. In other paintings, there are color wheels. A pigeon (“They’re not rats with wings, they’re doves,” she insists) flutters among magnolias, magnolia leaves, and bands of disparate hues. And in other works not on display at Shipley, she paints the wheeling of birds, called mumurations, black as silhouettes against a colorful often abstract sky. Those “Sky Paintings,” as she calls them, are installed now at Philadelphia International Airport, in the hallway between terminals C and D above the moving walkway.

““I think one of the singular things about Irish heritage is our love of nature. What do they call the Irish who left Ireland? Wild geese?” she says smiling.

Murphy, who teaches at the University of Pennsylvania, traces her love of birds, and probably her artistic ability, to the Irish grandmother who “always had about 20 bird feeders up” and was an inveterate knitter. “I’m sure I got the small handwork skills from her. She was an amazing inspiration.”

Murphy is not a Philadelphia native. Born in New York, she led the peripatetic childhood of the daughter of a grant-dependent scientist father and an academic mother, whose earned a PhD in English and Irish literature. The family lived in Paris, Manchester England, Australia, and in Memphis, TN, where he father worked as a leukemia researcher at St. Jude Hospital. He eventually established his own lab in Dayton, Ohio.

She traces her Irish roots to great grandparents who emigrated from Achill Island in County Mayo. Not coincidentally, she’s applying for a residency at the Ballinglen Arts Foundation on the north coast of Mayo, a family-friendly artist retreat where she would be accompanied by her artist husband, Scott White, and their two children Liam, 10, and Fiona, 5.

A year in Japan after high school set her on the path to become a Japanese translator “but I knew I needed to go to art school,” she says. She graduated from Kansas City Art Institue with a BFA and got her MFA in painting from the University of Pennsylvania.

It was the right move. Murphy has won numerous awards and grants for her work, including the Pennsylvania Council for the Arts Fellowship in 2004, a Leeway Foundation Award, and serves as artist in residence at Vermont Studio Center and Pouch Cove Artist Residency in St. Johns, Newfoundland. She’s had six solo exhibitions in Philadelphia (including the current one, running through March 10 at Shipley School) and numerous group exhibits in New York, Delaware, Minnesota, and Oregon, as well as in South Korea and Italy. She’s represented by Gross McLeaf Gallery in Philadelphia.

This week (February 26) she is scheduled to guest on Articulate, the WHYY series with Irish-born host Jim Cotter.

Her newest works, paintings on paper she calls Sky Mirrors, explores the patterns of the constellations (she incorporates Libra—her astrological sign–and a small resin bird sculpture, turned to a different vantage point in each “so its gaze is everywhere”) and how they resemble the flocking patterns of birds—murmurations again, but in a chart form, in great swaths of a single color.

It’s clear that the story they tell is also the one of the artist. “It’s their ability to see from a different vantage point that intrigues me,” she says. “As an artist, my primary job is to see the world anew for myself and to present that to the viewer.”

As the mother of young children, she acknowledges, part of the birds’ appeal is that they’re not tethered to home—or even to one plane. “I am in awe of flight,” she admits. “I’m jealous of their ability to walk on land and fly in the air. I’m just a landlubber! But I think of myself as a visual problem-solver so they offer me a whole array of possibilities to explore.”

You can see more of Deirdre Murphy’s paintings at her website.

Dance, Music

A Look Back at the 2015 Midwinter Fest in Video

John Byrne

 

Take a look at our wee video sampler, and you’ll see and hear proof that the 2015 Mid-Winter Scottish & Irish Festival truly was Scottish and Irish.

Scottish dancers, Irish dancers. Scottish pipers, Irish rockers. That’s not even scratching the surface.

Really, when you consider how big the festival is, how many days it goes on, and how many music and dance groups there, are it would take a much longer video to fit them all in.

We took a cruise around the festival, checked out a couple of acts on stage, and two more upstairs in the ballroom.

So here is a quick look at scenes from our Saturday at the festival.

 

Music

Get Ready to Hear Ireland’s Top Traditional Group

fshomefeb20If you were a band and you had planned a tour, and that tour was scheduled to start in New England roughly at about the time the entire region was slammed by record amounts of snow, you might curse your luck.

Not FullSet, the incredibly hot, award-winning band that rocked the Philadelphia Irish Center at last September’s Philadelphia Ceili Group Concert. They sold out their first gig at The Burren in Somerville, Mass., playing to a packed house. A few nights later at the Barre Opera House in Barre, Vt., it was another big night.

“We sold it out, 800 seats,” says fiddler Michael Harrison. “We were delighted to be coming to a place we’d never come before, and we appreciate the effort people had to go through to get to the venue.”

When you find a band that exciting, evidently you’ll go through almost anything to hear them.

FullSet is that exciting. The band’s tour began just days after winning the Irish Music Awards top traditional group. Awards aren’t new to the six-member group. In 2012, the band won the Best New Group Award from Irish American News, and Best Newcomer in Bill Margeson’s Live Ireland Awards. The year before, they recorded another win: the RTÉ/RAAP Breakthrough Annual Music Bursary Award.

All of the members are steeped in traditional music: Harrison, together with: Janine Redmond, button accordion; Eamonn Moloney, bodhran; Teresa Horgan, flute and vocals; Martino Vacca, uillean pipes; and Andrew Meeney, guitar. They’re all quite young, and they absolutely put their own unique spin on things—jigs and reels played at terrifying speeds—but still, but they try to remember where the music came from.

“We all bring our influences from our own musical backgrounds, and we come together and see how we can all mix it together,” says Harrison. “It’s quite traditional in that we try to remember our roots that all we came from. It’s good to kind of honor that. We do have the foundation there, really, but we try to bring something different to it. I suppose there’s a bit of a spark on stage when we all come together. It keeps us fresh. It makes every performance special for the audience.”

FullSet does its best to keep the customers satisfied, certainly not in any manipulative commercial way. The good vibes all flow just as naturally as the good music. “We develop a relationship with the audience onstage. We play the music we like and we hope it’s the music our audience likes. We try to bring an element of surprise with the dancing and the odd bit of storytelling. We like to make sure they can close their eyes and think they’re in Ireland.”

A week from now, local audiences will get a chance to appreciate both the music and the vibes when FullSet returns to town in a Philadelphia Ceili Group-sponsored concert Friday night at the Philadelphia Irish Center. The show starts at 8. (Follow info on the Ceili Group Facebook page.)

Harrison says the band is looking forward to the trip. “It’s great to be returning. We’re really looking forward to it. We were so well taken care of by the people at the Irish Center. It’s gonna be great to come back and meet all those lovely people again.”

Harrison can only wish for one more thing. He says with a laugh, “We hope we will be getting better weather when we get to Philadelphia.”

Music, News, Photo Essays

Midwinter Fest: A Respite for the Winter Weary

Lots of happy faces, kilts, and dancing.

Lots of happy faces, kilts, and dancing.

It was bitter cold outside and so windy the doors of the Valley Forge Casino and Resort sometimes opened by themselves, but inside the music–equal parts Scottish and Irish–kept everyone warm and snug and happy. Every years, Bill and Karen Reid’s Midwinter Scottish and Irish Festival provides a welcome respite for those who love Celtic culture and hate Arctic weather.

There were lines for beer and lines for haggis, the fish and chips ran out by early afternoon, and more than a few people were getting measured for kilts (at more than $400 a pop!). We could tell you more, but we took about 70 photos and a did a compilation video where you might see yourself if you were there.If you weren’t there, you might kick yourself. Well, there’s always next year.

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How to Be Irish in Philly

How to Be Irish In Philly This Week

Gaelic Storm at Ardmore This week.

Gaelic Storm at Ardmore This week.

The Irish music is ratcheting up in advance of high holy month, which is just about a week away.

Both Gaelic Storm and the Chieftains are headed our way this week. Gaelic Storm will be at the Ardmore Music Hall in Ardmore on Wednesday, Feb, 25, and The Chieftains will be on stage at the Wilmington Grand Opera House in Wilmington on Tuesday, February 24.

Full Set, the hot supergroup of trad music, will be making a return appearance at The Irish Center on Friday, February 27.

Local groups are also gearing up. The Theresa Flanagan Band will be at McGillicuddy’s in Upper Darby on Sunday then at Washington Crossing Inn in Washington Crossing on Thursday night. Catch Slainte (Frank Daly and CJ Mills of Jamison) at the Ashburner in Philly on Thursday night and Jamison at Keenan’s North Wildwood on Friday night. This week spend “Irish Tuesday” with performer Oliver McElhone at Maggie O’Neill’s in Drexel Hill and head over to the AOH in Swedesburg for their Irish music night with McHugh and O’Neill. Blackthorn will be appearing at a benefit for the Western Delaware Valley Lions Club at Penn Oaks Country Club in West Chester, also on Friday night.

And as if Friday night wasn’t busy enough. Brian Conway, John Whelan, Mary Courtney, and Brendan Dolan will be performing at West Chester University. They’re all top notch trad performers.

‘t the less musical side of things: On Saturday, February 21, the Delco Gaels Indoor League kicks off at Maple Zone in Boothwyn, and the Officer Daniel Boyle Scholarship Fund Annual Social takes place at the FOP Heroes Hall in Northeast Philadelphia.

And next week, be sure to mark your calendars for the Duffy’s Cut Fundraiser at Maggie O’Neill’s Pub in Drexel Hill, with songs by Karen Boyce McCollum “and the Lads.” It’s also the weekend of the annual Gael Scoil, an immersion in the Irish language for kids, at Notre Dame High School in Lawrenceville, NJ.

After next week, make sure you come back here frequently since our calendar changes almost hourly. We hope to see a lot of you around somewhere, because we will certainly be around somewhere.

How to Be Irish in Philly

How To Be Irish In Philly This Week

Joan Diver of the Screamng Orphans--at Valley Forge this weekend.

Joan Diver of the Screamng Orphans–at Valley Forge this weekend.

I can tell you where I’ll be all weekend—at the 23rd Annual Midwinter Scottish-Irish Festival at Valley Forge. The lineup of bands is fabulous and includes local musicians such as Jamison, the John Byrne Band, RUNA, Timlin and Kane, Oliver McElhone, and Charlie Zahm, as well as far-away favorites like Searson, Brother, Albannach, the Screaming Orphans, Rathkeltair, the Brigadoons, the Sean Flemng Band, and The MacLeod Fiddlers.

It’s going to be cold outside this weekend. Come in, taste a little whiskey, learn to ceili dance, pick up a few words in Irish or Scottish Gaelic, and enjoy the music. Watch out for the swordplay. The Companions of the Cross and Live Steel will also be there, showing you how to fence. And if you see us, come up and say hello.

Continuing this week, the plays Misalliance by Shaw at Walnut Street Studio 5 and Long Live Little Knife at the Off Broad Street Theatre, along with the opera, Oscar, about Oscar Wilde, at the Kimmel.

Galway Guild will be rocking the Bristol AOH on Friday night and they’re the Irish music you’ll be hearing at Paddy Whacks on Welsh Road and the Boulevard on Saturday afternoon.

The Irish conversation group will be meeting again at Falvey Library, room 204, at Villanova, on Thursday. This is not a beginner’s group.

Then on Friday, the Delco Gaels’ Dance Like a Star fundraiser takes over the Springfield Country Club for an evening of music, dance performances, and comedy. See our story for more details. On Saturday, the Gaels’ 2015 Indoor League starts at Maple Zone in Boothwyn. There are about 150 children enrolled in this youth Gaelic sports program.

On Saturday, February 21, there will be a benefit to raise money for the Officer Daniel Boyle Scholarship Fund, which benefits families who want to send their children to Christian/Catholic schools but don’t have the tuition money. It takes place at Heroes Hall on Caroline Road in Northeast Philadelphia.

People

23 Years of Craziness

Your host Bill Reid

Your host Bill Reid

Bill and Karen Reid launched the Mid-Winter Scottish & Irish Festival 23 years ago. They’ve triumphed over snowstorms, unexpected construction building projects, falling ceiling tiles … we can even remember when the lights went out for hours.

Problems like that might have stopped anybody else, but for whatever reason—perhaps because it is so well planned and skillfully orchestrated–nothing stops this festival.

Probably the best example of the festival’s endurance is, in fact, the day the lights went out. You couldn’t see your hand in front of your face down in the exhibit hall at what is now known as the Valley Forge Casino. Somehow they managed. There was music and dance, even if the scrounged-up emergency lighting was just barely adequate. Best of all was the Scottish tribal drum band, whose players wrapped sticks and mallets with glow-in-the-dark necklaces, and played a rollicking set.

We’ve put together a few video interviews with Bill Reid. You’ll find out how it all got started, how his son Drew became the musical phenom known as Digeridrew, and how much craziness sometimes goes on behind the scenes.

Happy viewing!