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Arts, News

Magnificent Desolation: Tour the Divine Lorraine

The Divine Lorraine

The Divine Lorraine

It’s an imposing 10-story frosted layer cake of a building on North Broad Street, designed by Willis G. Hale and built around 1892, when North Philly was home to the stylish high and mighty. Anyone who’s driven past the once flamboyant Divine Lorraine Hotel knows that it long ago fell on hard times, with a crumbling interior, its sooty brick walls a high-visibility canvas for local graffiti artists.

None of which stopped Siobhan Lyons, executive director of the Irish Immigration Center, from wanting to see it. That’s just what she did earlier this year, and she wants you to have the same opportunity.

“I took the tour with Next City (a Philadelphia urban improvement nonprofit),” Lyons says. “That was the first time I realized groups were able to get in there. I’ve wanted to go inside the Divine Lorraine since I arrived in Philadelphia seven years ago. Who doesn’t want to see the Divine Lorraine? It’s one of my favorite buildings in the city. I first came across Willis Hale’s work when I worked at the World Affairs Council. One of his buildings is at Juniper and Chestnut—it’s a fantastic building, very ornate. When I saw the Divine Lorraine, I realized it was another building by the same architect. He did very fancy architecture that fell out of favor almost as soon as the Divine Lorraine was completed. He died a pauper. I really like his story.”

The Divine Lorraine’s story is pretty interesting, too. Initially conceived as a luxury apartment building, it became a hotel in 1900—the Lorraine Hotel. African American spiritual leader Father Major Jealous Divine—who claimed to be the almighty himself—purchased the building in 1948 for for $485,000. It became the first fully racially integrated hotel in the nation. Among his many dictates and pronouncements, Father Divine preached the virtues of celibacy—even among married couples. Perhaps not surprisingly, that “no sex” commandment had a limited appeal. Membership in congregation dwindled. The hotel closed in 1999, and Father Divine’s International Peace Mission sold it the year after.

The hotel lapsed into decrepitude, but now there’s new hope for a revival. And not just for storied hotel, but for the North Philly neighborhood. Visionary developer Eric Blumenfeld purchased the property at sheriff’s sale in 2012. He plans to rehab the building to include rental units, with restaurants on the first floor.

For now, work hasn’t begun—which means this relic of a grander time is open for tours appealing to the curious.

That’s exactly who Lyons hopes to attract, as the Immigration Center conducts an exclusive tour—20 people only—Monday, October 14, 2013 from 3 to 5:30 p.m. “I just thought, this is a great opportunity, and it could raise some money for the Irish Immigration Center. It all worked. When I first did the tour myself, a lot of my friends said they would like to do it if they ever had the chance.”

So, once inside, what’s on the itinerary? Well, you’ll have to watch your step-and you’ll be be expertly guided, so no worries—but the payoff, Lyons says, is the magnificent view. “You get to walk all the way up to the top of the building and look out over the city. That’s just beautiful. And down in in the basement they show you a store that used to be a speakeasy during prohibition. I don’t know anyone in Philadelphia who has walked by it and didn’t want to look inside it. So now you get to see.”

Want to satisfy your curiosity? Sign up here. Another tour is planned for the spring—but for now, better hurry. Tickets are going fast.

News

Help Find Gareth Haughey

Gareth Haughey

Gareth Haughey

The Irish Immigration Center is asking for your help in locating a local man, Gareth Haughey, who went missing on September 27.

At the time of his disappearance, Haughey was living at the Summit Motel on Township Line Road in Upper Darby. His nickname is “Gaffer,” and he has worked in construction. His family is from Armagh.

“We were approached on Monday by friends Gareth works with regularly,” says Siobhan Lyons, executive director of the Irish Immigration Center in Delaware County. “They hadn’t seen him in quite a while, and weren’t sure how to go about trying to locate him. So, considering the circumstances, they reached out for help and advice.”

Lyons contacted the Irish Consulate on Tuesday for assistance notifying Haughey’s family. The Center issued a request for help in locating him a couple of days later, Lyons says, to give the Consulate a chance to inform the family “before we started broadcasting it to the broader community.”

At the moment, the Upper Darby police are waiting for notification from a family member before they can file a missing person’s report. “We need someone in the family to give us some information about where he was last seen, and information about his mental and physical status,” says Upper Darby Police Superintendent Mike Chitwood. Any family member who can provide that information is advised to call Capt. George Rhodes at (610) 734-7677.

If you know where Haughey might be, or if you have seen him recently, please contact the Irish Immigration Center at 610-789-6355.

“Thus far, we have called the hospitals, morgues, homeless shelters, but no joy,” Lyons says. “His family in Ireland and friends here in Philadelphia are anxious to make sure he is okay.”

News

A Look Back at the Irish Gathering 2013

Crafter and frequent irishphiladelphia.com Gwyneth MacArthur shows off her wares.

Crafter and frequent irishphiladelphia.com Gwyneth MacArthur shows off her wares.

Dancers, bagpipers, Glenside Gaelic Athletic Association kids, singers–if you wanted to see what the Philadelphia Irish Center/Commodore is all about, you had your chance last Sunday.

Irish Gathering 2013 drew visitors to the venerable old cultural center at Carpenter and Emlen in Mount Airy, all in search of that intangible je ne sais quoi that makes makes the Barry Club what it is—the beating heart all that is Irish in the city and beyond.

The day started with an Irish breakfast, and good food always draws a hungry and appreciable crowd. In the center’s Fireside Room, one of the loveliest spaces anywhere and frequent venue for the Philadelphia Ceili Group’s concerts, Irish radio hosts Vince Gallagher and Marianne MacDonald broadcast live through out the morning. In between tunes, they took the opportunity to take the Irish Center’s good-natured message of camaraderie and craic to the masses. A steady stream of representatives from the groups that make the Irish Center their home stepped up to the mike and made their pitch.

In the Barry Room, vendors hawked jewelry and crafts. Marita Krivda Poxon beat the drum for her pictorial history, “Irish Philadelphia.”  longtime Irish Edition editor Jane Duffin handed copies of the region’s Irish newspaper.

The afternoon was given over to music and dancing, including performance by singer Terry Kane and harper Ellen Tepper, and one of the area’s most accomplished Irish songbirds, Rosie McGill. Cummins School dancers performed, and they rounded out the afternoon by teaching newbies a set dance.

We have a lot of photos from the day. Check them out.

History, News

Remembering the Hunger Strikers

Members of AOH Div. 39 carry photos of the Hunger Strikers into the church.

Members of AOH Div. 39 carry photos of the Hunger Strikers into the church.

The Patrick Coughlin Honor Guard of AOH Div. 39 marched into St. Anne’s Church in Philadelphia on Sunday, each carrying a large black and white photo of faces that, for many Irish, have become so familiar they didn’t need to be identified. They were the 1981 hunger strikers, 10 men held in HM Prison Maze who were demanding they be treated as political prisoners of the British government: Bobby Sands, Micky Devine, Francis Hughes, Raymong McCreesh, Patsy O’Hara, Joe McDonnell, Martin Hurson, Kevin Lynch, Kieran Doherty, Thomas McElwee. See more photos by Christopher Conley Sr. here.

Father Ed Brady, pastor of St. Anne’s who serves as chaplain to many Irish organizations in the region, celebrated a Mass in commemoration of their sacrifice. One of the speakers at the Mass was Christopher Conley, Jr., who explained the historical significance of the hunger strike, from its ancient roots in Brehon law (it’s known as the “trocad”), and its link to the protests that came before, from the Mayo land wars to the great Dublin lockout of 1913. Conley shared his speech with us:

The poem “The King’s Threshold” by William Butler Yeats, which describes an ancient bard engaging on a hunger strike against a tyrannical, miserly king who refuses him hospitality, is often used as an introduction to discussion and reflection on hunger striking in Irish Republicanism. It is a fitting place to start, for its feudal setting illustrates how deep-seated the ancient act of hunger striking is in Irish culture.

Dating back to pre-Christian times, by the Middle Ages the hunger strike was enshrined in the Brehon Law codes. Known as the “toscad” the hunger strike was a last ditch method of grievance whereby a person wishing to compel a wrongdoer to justice, oftentimes over an unreasonable debt, would literally starve himself on the wrongdoer’s doorstep. If the wrongdoer allowed the hunger striker to die, it was written in the code that ” He who disregards the faster shall not be dealt with by God nor man … he forfeits his legal rights to anything according to the decision of the Brehon.”

Looking at this historical tradition of the hunger strike that legally enshrined morality over economic greed, we can see how the hunger strike came to be such a compelling and powerful tool in Irish Republicanism. A depraved level of economic oppression meant to exploit and subjugate the native Irish has long been a favorite weapon in the imperial arsenal of the British occupiers. During the genocide falsely called a famine a perverse sense of superiority and entitlement was used to justify the engineered starvation and forced emigration of millions in the name of free trade.

The next generation of Irish people responded to the legacy of genocide through resistance in the form of the land wars in County Mayo, by no coincidence the county most hardest hit by the genocide. This agrarian rent struggle against the gombeen men of British imperial landlords gave birth to a word that has taken on a wider meaning in labor disputes, the “boycott.” But it is important for us here to recognize that in its origin the boycott was a weapon used by the proud people of Ireland to subvert British rule and demonstrate to their occupiers that there was nothing in their whole Imperial economic arsenal that can break the spirit of the Irish people who do not wish to be broken.

With these precedents in mind, when we then look at the events of the great Dublin lockout of 1913 and the forgotten hunger striker James Byrne we can correctly place them in their Irish Republican context. The great Dublin lockout is not just a labor struggle which happened to have some Republicans on the picket line. Rather, the lockout was an anti-imperial Republican action to organize the Irish people through industrial unionism in order to sever the colonial chains of Britain by asserting that the Irish people had ownership of their land and therefore the right to the fruits of all labor produced there.

This was the inspirational message of James Larkin and James Connolly that inspired another James, James Byrne to join the Irish Transport and General Workers Union. A 38-year-old married father of six, James Byrne was the secretary of the Bray and Kingstown trades council and an Irish Transport & General Workers’ Union branch secretary. On October 20, 1913, he was falsely accused of intimidation of a strikebreaking tram driver and imprisoned by the Dublin Metropolitan Police. He was thrown into Mountjoy Prison, in a cold, damp cell. When he was refused bail, he embarked on a hunger and thirst strike. Although the British government gave in to the protest after several days and granted him bail, the weakened physical state brought about by the strike combined in a tragic way with the deplorable environment of his jail cell. James Byrne caught pneumonia and died in a hospital just two weeks after his arrest.

His funeral was held on Nov 3, 1913, before a throng of 3000 people. James Connolly delivered an oration from atop a cab due to the size of the crowd. In his speech Connolly underscores the Republican importance of James Byrne’s sacrifice. He is quoted as telling the mourners that “Their comrade had been murdered as surely as any of the martyrs in the long line list of those who had suffered for the sacred cause of liberty. … [and] If their murdered comrade could send them a message it would be to go on with the fight for the sacred cause of liberty, even if it brought them hunger, misery, eviction and even death itself, as it had done Byrne.”

Although we have focused on James Byrnes’ hunger strike in this 100th year Anniversary of the Dublin lockout, its important to note that highlighting him does not neglect our brave men of ’81. As a matter of fact, through studying James Byrne’s sacrifice, we are actually emphasizing the context of and adding to significance of the sacrifice of the ten brave men.

Just as James Byrnes and James Connolly were radicalized by overbearing poverty in the Dublin area, it should come as no surprise that 46 years after the great Dublin lockout the spirit of Irish Republicanism rose like a phoenix from the working-class nationalist neighborhoods of Derry and Belfast. Once again, Britain was using economics as a means of subjugation and oppression by first imposing an artificial border that created two economically unviable states, and then as a further act of conceit and contempt, in the statelet under their rule, they intentionally marginalized the Irish Nationalist community from prosperity.
Furthermore, it should come as no surprise to us that much like James Byrne, our ten brave men found themselves in cold, damp cells, denied due process of the law or any objective form of justice. We should also take moment to pause and reflect that much like James Byrne most of these ten men were husbands and fathers. And yet these men bravely and selflessly gave their lives, deliberately starving in order to compel Britain to justice, and so became martyrs in the long line list of those who suffered for the sacred cause of Irish liberty. And like the people who crowded the cemetery to hear James Connolly speak, we are all here to acknowledge their sacrifice as heroes in the liberation struggle for Ireland.

In conclusion, I would like to say that when I was first asked to give the reading today, I was nervous. After all, I would be speaking to many people who were alive when history was made, so to speak. However, I think that by asking me to give a reading emphasizes the very reason we gather to honor these brave men, because it was the devotion to the Irish cause from my teachers of the generations before me who inspired me to become involved and to begin teaching my son as well.

The current Haass talks drive home how important it is for Irish America to stay vigilant in regards to the cause of Irish freedom. But more importantly, a piece of history was made in between this Mass and our last memorial. A particularly odious antagonist in the summer of ‘81, Margaret Thatcher, has passed away. Although Margaret Thatcher received a whitewash treatment in a Hollywood movie that completely omitted the hunger strikes, nevertheless even in death she could not escape the shame that the hunger strikers had brought to her doorstep; as a matter of fact, almost every obituary mentioned it.

And there lies the poetic justice. Just like the King in W.B. Yeats poem, Thatcher scoffed at the toscad as an “old and foolish custom,” and yet through a law more ancient than the Brehon our bold men have managed to leave the onus of shame on the doorstep of Thatcher’s grave. I do say that this is poetic justice served at this point; the legacy of Irish freedom remains still an “unfinished song.” But through our continual vigilance and advocacy, we can hope to finally see a rising of the moon that lets us tell our brave men that our day has come.

News

Irish Gathering 2013

A trio of Timoneys from last year's gathering.

A trio of Timoneys from last year’s gathering.

It doesn’t matter whether you’ve never visited the Commodore Barry Club, Philadelphia’s own Irish Center, and the cultural epicenter of everything Irish in the city and surrounding counties. It doesn’t matter whether you were there a long time ago, but haven’t visited since. Frank Hollingsworth invites you to come and experience the (at least for some) the hidden treasure that is the Irish Center. You can do it this Sunday from 11 to 6, as the Irish Center hosts its second annual Gathering.

“Maybe the last time they were here, it was with their father or grandfather. Maybe they moved out to the suburbs,” says Hollingsworth, now in the home stretch of planning for the weekend celebration. “Some may have heard about it, but don’t know exactly where it is.”

If you don’t know where it is, we’re happy to tell you. It’s at Carpenter Lane and Emlen Street in the Mount Airy neighborhood of Philadelphia. 6815 Emlen St., Philadelphia, Pa. 19119, if you want to punch it into your GPS. Or just get off at the Carpenter Lane stop on the Chestnut Hill West regional rail line.

If you are still an amateur Irish person, no fear. The Gathering is a total immersion experience. You’ll be a seasoned pro by day’s end.

The day begins with two live radio shows—Vince Gallagher at 11, followed by Marianne MacDonald at noon. As the day goes on, there’ll be a lot more.

“We’ll feature all the different groups who use the Irish Center,” says Hollingsworth. “Emerald Society Pipe Band players will play. We’ll have the Cummins School of Irish Dance, and John Shields and his group of dancers. Kids from the Next Generation Irish music group are going to play. Rosie McGill is going to sing, representing the Philadelphia Ceili Group. The kids from the Glenside Gaelic Club (part of the local Gaelic Athletic Association) will be here, with information and posters. We’ve got Hollis Payer, who teaches fiddle lessons here, and also harpist Ellen Tepper and singer Terry Kane. Vince Gallagher will be getting some musicians together. If there are enough musicians around, they may start a session—especially if John Shields and his dancers are around. They can certainly keep things going. The library upstairs will be open, and Lori Lander Murphy will be here to answer questions about genealogy.”

And look for dancing in the ballroom. If you don’t know how, don’t worry. They’ll show you.

Hold your breath, there’s more. Vendors will be on hand with lots of arts, crafts and jewelry. You can also meet local authors, including Marita Krivda Poxon, who wrote “Irish Philadelphia,” a great pictorial local Irish history.

The Irish Center, which has been serving greater Philadelphia since the pope was an altar boy, currently has around 400 members. Hollingsworth would like to see that number grow. “We want to have them come, and let them know they’re welcome.”

News, People

A Message from the Heart

Tom Staunton and friends

Tom Staunton and friends

The Fireside Room at the Philadelphia Irish Center is a cozily dim little space. There’s a polished wood floor just perfect for set dancing. Off to one side, there is a long bar, a kind of elongated oval, the walls minimally decorated with artifacts like a hurling stick and an old photo of the Philadelphia Emerald Society Pipe Band. Three large television screens broadcast the latest Phillies debacle.

On a typical Saturday morning, this room would be about as bustling as the tomb of Tutankhamun, but on this particular Saturday morning, it’s a different story. A dozen or so of the regulars are propping up the bar, a trio of pipers is playing “Minstrel Boy” and “The Wearin’ of the Green,” and from time to time a few of John Shields’ dancers are dancing. And on a day when the outside temperatures are projected to hit the low 80s, a stack of logs blazes away in the fireplace. The center’s noisy air conditioning is off. Banks of blindingly bright lights illuminate all the dark corners, each one of those corners as neat as the legendary pin. A boom mic hangs over the bar. There are video cameras everywhere.

Perhaps the most obvious anomaly: The Guinness and Smithwick’s tap handles have been unscrewed and put away, and all of the folks at the bar are sipping Sprites or ice water. That’s because a camera crew is getting set to film a commercial for Penn Medicine, and pints of beer wouldn’t be in keeping with a world-renowned medical center’s message of robust health.

The center of attention is Tom Staunton, a reserved, self-effacing man well known to the Irish Center, seated with a couple of friends at a high-top table along the dance floor. His job at that moment is to do what comes naturally–chat with his friends, share jokes, have a laugh. Welcome the waitress when she arrives with a plate of beef and potatoes. Between takes, the three friends are visited by a makeup artist, who gently dabs away patches of perspiration along their foreheads and the tips of their noses. Three takes in all before the camera crew is satisfied.

The shoot began before 10 in the morning, and wrapped up around 4 in the afternoon. And all for a commercial that will last a minute on television.

The ad will draw public attention to a revolutionary new procedure at Penn for the treatment of the common but potentially lethal heart flutter known as atrial fibrillation, a condition that leaves patients with a high risk of stroke. It’s called the Lariat® procedure, and Staunton was the first one in the state to get it. Dr. Daniel McCormick performed the operation.

Staunton is happy to sing the procedure’s praises, no matter how many takes. “It really works,” he says. And that’s not just an advertising tagline. Staunton believes the Lariat procedure changed his life for the better, and he’s deeply grateful.

Staunton was diagnosed with AFib in 2012. The drug of choice for atrial fibrillation is warfarin—an anticoagulant, or blood thinner. But it’s by no means a happy choice. Management of the condition with warfarin is often extremely difficult. Doctors need to strike a balance—enough warfarin to help, but not so much that it hurts. Like most, if not all, drugs, warfarin is not without its risks. A recent Penn Medicine blog post sums it up:

While there will always be a need for blood thinners in medicine, the truth is, their effectiveness is precisely what makes them so dangerous. Warfarin, the most commonly used … is also used to poison rats and mice. Its anti-clotting properties produce death through internal hemorrhaging—a trait you want to control rodent populations, not your AFib.

Staunton can vouch for the difficulty of warfarin therapy, which requires constant monitoring. “One week it was OK,” he says, “and the next week it wasn’t.”

The Lariat procedure is a new way to treat AFib without the risks and difficulty of warfarin. There’s a long explanation of the procedure, but the short of it is that the surgeon, using minimally invasive techniques, creates a kind of lasso-shaped suture and cinches off the section of the heart responsible for the flutter, and that section eventually is absorbed into the body. The good news: No more warfarin.

Though Staunton is not accustomed to the limelight, he believes a few hours of fuss is well worth it. “If they use me here in this way, maybe it will help other people to know about this procedure and have it done.”

For his part, Irish Center manager Tom Walsh says, the Irish Center was happy to serve as center stagealthough he confesses, he didn’t know what to expect. He says the commercial’s producer initially called him and Staunton some time ago to pitch the idea. “After that, I carried the conversation forward as far as people to line up as participants. The producer came around here yesterday (Friday) for two hours. And he asked me: ‘Do you know what you’re in for here?’ And I said, no, but I’ll keep an open mind.”

The commercial will air on local television around mid-October.

Music, News

Philly Irish Rally for a Local Musician

On Thursday, September 12, Raymond Coleman’s day started at 4:30 AM with the sound of banging on his door in the Port Richmond section of Philadelphia. It was the police. The Tyrone-born musician’s van had been broken into and all of his equipment stolen. The guitars. The sound system. Even what he jokingly calls his “box of tricks,” his guitar leads and wires.

“It was awful, like taking my right arm off,” said Coleman, who has made a living as a musician since arriving the the US from Ardboe in Northern Ireland four years ago this week. “I was thinking of all the gigs I was going to have to cancel.” The father of one—daughter Branna just turned one–often does 25 or more a month.

He left a dismal post on his Facebook page later in the morning, and suddenly, his terrible, horrible no-good day took a turn. For the better.

“The next thing I knew, Frank Daly, got in touch with me,” Coleman said. Daly is the front man for Jamison Celtic Rock and co-founder of American Paddy LLC, which produced the Philadelphia Fleadh outdoor concert this past June. Daly wanted Coleman’s permission to launch a crowd-sourcing campaign on the website giveforward.com to help him replace his equipment. Coleman was reluctant. “I don’t want people to think I’m begging for money,” he said. But he agreed.

It took off. Donations, fueled by Facebook shares, didn’t just trickle in. They flooded in. Daly set a goal of $2,500 at the beginning of the day and by Friday morning there were 62 donations totaling more than $2,800, most from people Coleman didn’t know. “I can’t believe this,” he said. “I never met some of these people. It’s just amazing to me that there are so many people out there who would help out a stranger.”

Raymond Coleman

Raymond Coleman

He got donations from several foundations, including The Claddagh Fund, founded by fellow musician Ken Casey of The Dropkick Murphys, and the Mimi Fishman Fund, affiliated with the group Phish, but most of the donations came from ordinary people who also left words of encouragement on the giveforward website.

“Best of luck. There’s a song in this somewhere. Swing,” wrote one donor.

Another, who gave the last $6 in her bank account, assured him that “it’s cool. I got cash to get me through till pay day.”

Another, clearly a fan, wrote, “Oh Ray, what an awful thing! How can I not help the man who serenades me with ‘Jersey Girl?’”

And, of course, there were the friends who know the traditional first step in Irish healing is a joke:

“I heard said it was a gang of American musicians who were tired of immigrants coming here and stealing their jobs! So, I heard.”

And, “Lock the doors next time.”

Coleman comes from a musical family. “I grew up surrounded by music. There were sessions up in my Granny’s house every Monday night. My sisters sing, my brothers sing. It’s just a mad outfit,” he laughs. In fact, his brother, Mickey Coleman, is a fixture in the New York music scene and a well-respected singer-songwriter. The two occasionally perform together.

And today he feels like he has a whole other family, starting with Frank Daly. “He is such a good fella, I swear to God, he’s a saint. I’m just sitting here, speechless, I don’t even know what to say, I’m just so grateful, I feel loved,” he said. “It started out an awful day, and the next thing this happens and there’s a change of thought completely. There are so many good people out there, you forget about the bad.”

Music, News

Congrats to the Jersey Girls

Haley Richardson, left, and Emily Safko, with their trophies.

Haley Richardson, left, and Emily Safko, with their trophies.

Well, the Jersey girls have done it. Fiddler Haley Richardson of and harpist Emily Safko of Medford came home with first place trophies from the Fleadh Cheoil NA hEireann in Derry City (August 11-18), the Olympics of Irish music.
Haley, who is 11, won firsts in slow airs and fiddle, while 11-year-old Emily took home a first place trophy for slow airs on harp in the under 12 competition. The two played together last week on Marianne MacDonald’s (she’s a Jersey girl too) Sunday radio show on 800 AM, Come West Along the Road.

Check out Haley’s award-winning performances.

Reel
Hornpipe

Read an interview we did with Haley after last year’s second place Fleadh finish.

We recorded Emily ourselves a few weeks ago. This is why she won.

Read more about Emily, and some of the obstacles she’s overcome, to get where she is.

Congratulations to both girls, their parents, family, and teachers!