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Map of Ireland on Your Face?

Photo from iStockHoto

Photo from iStockHoto

Skin cancer is on the rise, so much so that a couple of weeks ago the US Surgeon General Boris Lushniak, himself a dermatologist, called it a major public health problem. In the US, more skin cancer cases are diagnosed each year than breast, prostate, lung, and colon cancer cases combined.

And if you’re of Irish descent, you have a great big target plastered on your lilywhite skin. When you read any list of skin cancer risk factors, having fair skin is always at the top.

Cherie M. Ditre, MD, an associate professor of dermatology at the University of Pennsylvania, says that the Irish are better off embracing their whiteness or, failing that, finding their tan in a bottle, cream, or spray booth.

“I had an Irish grandmother from Leitrim who stayed out of the sun and still had beautiful skin the day she died at the age of 84,” says Dr. Ditre. “My Irish patients all wish they had darker skin but I always tell them, ‘your skin is really the most beautiful, really clear and pretty and white. Learn to see it that way.’’”

Lauraileen O’Connor, a musician and branch member of the Mid-Atlantic Comhaltas Ceoltoiri Eireann, an international organization that promotes Irish music and culture, wishes she had. “I grew up in California and as a kid I would slather myself with baby oil and I would really burn—there wasn’t any sunscreen back then.”

Both her mother and grandfather had skin cancer, and a few years ago, her primary care doctor noticed a suspicious spot on her back and advised her to “have that looked at.” She did. “The doctor said, ‘yeah, we’re taking that off!’” It was brown, irregularly shaped and raised and about ¼ inch across. It was basal cell carcinoma, a slow-growing cancer and probably the most common of the skin cancers.

“They really took quite a chunk out of me, about 3.4 of an inch, to get all the margins,” says O’Connor, who is a meteorologist at the National Oceanic and Atmospheric Administration in Maryland. “I developed an allergy to the tape they used to cover up the site and got cellulitis,” a potentially serious bacterial infection. “It was not pleasant,” she says.

“Basal cells cancers are what I see most often in my Irish patients,” says Dr. Ditre. “I always say that if God said I’m going to give you cancer but you get to pick one, pick basal cell, because for the most part it stays local, meaning doesn’t go to the lungs or liver, and the treatment is not disfiguring.”

Somewhat more dangerous is squamous cell carcinoma because it can travel to the lymph nodes, small, bean-shaped glands that normally carry fluid, nutrients and waste throughout the body, but which can also carry cancer cells. Actinic keratosis—scaly or crusty growths caused by sun damage—can develop into squamous cell cancer if they’re not treated. If you spend a lot of time in the sun, have blonde or red hair, and blue, green, or gray eyes, you’re at higher risk than others of developing one of these precancers.

The most dangerous of the skin cancers is malignant melanoma, cancers that develop in the pigment cells in the skin called melanocytes. They’re often triggered by intense sun exposure which causes the cells to mutate and multiply rapidly, though there’s research suggesting that some melanoma may also have a genetic basis.

Holly Conboy isn’t sure what to blame for her melanoma. Conboy says she got a few bad burns when she was a child—including some that blistered—which is a strong risk factor for melanoma. But she also has a couple of cousins who’ve had it too.

But about 10 years ago, the insurance broker from Philadelphia noticed that a mark on the bottom of her foot that she had since an injury she got when she was 15 was suddenly sore. “I was switching to summer slide-one shoes and it started irritating me. It looked like I had a blister there,” she recalls.

She thought it would heal, but instead it got worse, so she went to the doctor who did a biopsy. “A week later he called me, and told me, ‘you have melanoma,’” she says. She was shocked, but not as much as she was when he told her he wanted to amputate her leg below the knee. “I wasn’t in denial, but I knew I needed a second opinion,” she says.

A second doctor thought a more modest surgery—one that would still take about a third of the bottom of her foot—would take care of the cancer. A plastic surgeon used remaining muscle to fill in the hole left by the excision. Then she underwent chemo and other treatments. She’s been cancer free since then.

There are  many other treatments for skin cancer, including surgery, which can be disfiguring if your cancer isn’t caught and treated early. Melanoma can be survivable, but it still kills almost 10,000 Americans a year. Your best defense: prevention.

For the Irish and others with fair skin, there’s one cardinal rule, says Dr. Ditre: “Thou shalt wear sunscreen.” All the time.

In fact, she advises people of Irish descent to follow the Australian commandments: Slip, slap, slop. “Australians have the highest rate of melanoma in the world,” says Dr. Ditre. No surprise—that can happen when so many people of Irish descent live in one of the sunniest places on earth. “Australians are told to slip on a shirt, slap on a hat, and slop on the sunscreen.”

Rule of thumb for sunscreen: Look for skin protection factor (SPF) of a minimum of 30, says Dr. Ditre. She recommends several products, including Anthelios sunscreen with Mexoryl, which is the trade number for several chemicals that absorb both kinds of ultraviolet rays, UVA and UVB; TiZo, and Neutrogena Pure and Simple which contain the UV-ray-blocking minerals titanium dioxide and zinc, which are safe even for babies. “Titanium and zinc can absorb into the skin and they’re chemically inert so they don’t cause any problems or controversy. If we put zinc oxide on baby’ s bottoms [for diaper rash], why not?” she says.

If you have trouble with the esthetics of being the white spot in the sea of tan on the beach, console yourself that your skin will stay beautiful longer than that tanned bikini babe or buff lifeguard.

“Scientists have done studies of identical twins, one who lives in North Dakota, and the other in California or Florida, and the one who lives in the sunny climate can look 20 years older than the twin from the north,” says the dermatologist. “Sun exposure can turn your skin into leather.”

And really, that’s not a good look for anyone.

Read more about skin cancer and how you can prevent it at the website of The Skin Cancer Foundation or the American Academy of Dermatology. 

News

Local Irish Protest Gaza Bloodshed

Finding common cause at the Irish Memorial

Finding common cause at the Irish Memorial

Israel’s bombardment of Gaza has brought demonstrators out around the world—including Ireland. In 16 locations throughout the island nation last Saturday, thousands took to the streets in angry protest, calling for an end to the bloody violence that has Palestinian civilians caught in the crossfire between Israel and Hamas.

The day after that, on a warm July afternoon in Philadelphia, a little over 20 local Irish and Irish-Americans, joined by about 10 Palestinian-Americans, carried their own protest to the Irish Memorial on Penn’s Landing.

They draped black and white Palestinian keffiyehs (traditional scarves) around the necks of the iconic figures of Irish immigrants descending from the boats that brought them to America. A few others tried to hang the Palestinian flag, but couldn’t find a spot that would hold it.

One of the organizers, Kevin Ward, wearing a green T-shirt emblazoned with a shamrock and the words “Made in Ireland” across the front, wanted to be sure potential critics knew what drew him to be there.

“The Irish are doing this because we can understand the struggle the Palestinians are going through. We’ve been oppressed ourselves by the British Empire. We can relate to where these people are coming from. We all know this is an uneven fight. This is not a war. They’ve already demolished 55 percent of Palestine in this attack right now—what’s left of it.”

As for the location—the Memorial—Ward thought it entirely appropriate, given that it stands in remembrance of the suffering the Irish endured under British oppression.

Organizer Aine Fox said the protest came together almost spontaneously. “We all just happened to cross paths at an Irish Center fundraiser. I was happy to see people who understand the context better than most Americans do. Just from a human perspective … this is just a small act of solidarity.”

For tourists and local dog-walkers passing by, the scene might have seemed like an unusual slice of American life. There were accents from the West Bank and Donegal; green Phillies caps and traditional hijabs (head scarves); Palestinian flags and the banner of the Kevin Barry Gaelic Football Club.

It was a kind of United Nations moment, Irish and Palestinians lined up in front of the memorial, holding hand-lettered cardboard protest signs—“Israel is a terrorist with a billion$ budget,” “End the Occupation Now,” and “Saor Gaza Anois” (“Free Gaza Now,” in the Irish language)—all chanting “Brick by brick, wall by wall, the Israeli apartheid has to fall.”

Some of the Palestinian protesters said they really weren’t surprised at Irish interest in their cause, given Ireland’s history with Britain.

“Palestinians are searching for the same thing,” said Jihad Abdeljaber, born in the United States of Palestinian parents. “This brings us together as one people for justice. We appreciate Ireland’s support, and the support of people around the world. It’s a crisis of humanity.”

The protest didn’t last long, but those who were there felt they’d made their point, and they hoped people would listen. For Brian McGarrity, Hamas doesn’t enter into the equation. It’s the suffering of the people. “The amount of casualties … its been more of a massacre than a war.”

Ward, standing nearby, concurred, saying Hamas is a terrorist organization. But at the same time, he suggested Israel’s response to Hamas missile attacks was disproportionate. “Let’s say England said tomorrow, we’re going to go get the IRA. So in order for us to destroy the IRA, we’re going to level the whole island. Let’s be sure we get them all.”

Fox, for her part, just wanted people to understand that the protest is about drawing attention to oppression by a foreign power. “I grew up in West Belfast,” she said, “and I understand that perfectly.”

Here are the photos

News

Philly Says Goodbye to One Vice Consul, Hello to Another

Departing Irish Vice Consul Peter Ryan.

Departing Irish Vice Consul Peter Ryan.

The Irish government’s departing vice consul Peter Ryan said he once made a speech to a group of Penn State students at 3 AM at a Penn State frat party. It consisted of two words: “Diplomatic immunity.”

There was some confusion as to how he got to that frat party—Philly St. Patrick’s Day Parade Director, Michael Bradley, claimed that Ryan, whom he took to Penn State for a visit, asked to go. Ryan claimed Bradley just dragged him there.

That was generally the tenor of the evening—Thursday at the Union League—as representatives from all the major Irish organizations in the Philadelphia area, as well as two city councilman, met to say goodbye to Ryan, a popular figure in Philadelphia, who is leaving to become the Irish Ambassador to Hong Kong. They did a little roasting too.

The crowd of more than 100 people was also introduced to the new vice consul, Anna McGillicuddy, a Dublin native (with Kerry roots) whose previous posts were in London and Vienna. A mother of two young children, ages 3 and 10 months, McGillicuddy was an All-Ireland medal winner in Gaelic football—a fact not lost on the 20-some local representatives of Gaelic sports who attended the reception.

McGillicuddy says that the first thing her predecessor told her was that she had to come to Philadelphia—and it was one of the first things she did since she and her family arrived in the US a week or so ago. She and Ryan were feted at a reception at The Irish Center earlier in the day where, she said, “I was told I have deep roots in Philadelphia—Connie Mack. I don’t think we’re related, but there aren’t a lot of McGillicuddys.”

For the uninitiated: Cornelius McGillicuddy, known as Connie Mack, was a baseball player and team manager and owner—he managed the Philadelphia Athletics for the club’s first 50 seasons, starting in 1901. Mack, who retired at age 87, was the first manager to win the World Series three times. A stadium named for him at 21st and Lehigh was home to the As and later the Phillies. A church now sits on the site.

Anna McGillicuddy vowed to be as much a presence in the city as Ryan was. “She now knows it’s an hour-and-eight-minute-ride on the Acela,” from New York, where the consulate is located, Ryan joked.

Ryan said that he was touched to be given, earlier in the day, an American flag that had flown over the White House. He said he was taking it to Hong Kong with him. “It will be the first [Irish] consulate to have the US flag flying outside,” he told the crowd.

See our photos from the Union League event here.

Arts, News

His Family History, On Screen

Alan Brown answers questions after the film.

Alan Brown answers questions after the film.

Most people are content to write their family history or fill in branches on a family tree template. Alan Brown turned his into a film.

“The Minnits of Anabeg” tells the story of an English Protestant justice of the peace, owner of 1,000 acres in Nenagh, County Tipperary, who worked to save the people in his community from the ravages of what’s come to be known as the Great Famine during which a million Irish died and the same number emigrated.

That man was Brown’s great-great-great grandfather. The movie, which Brown made though his London-based company, Krown Films, was shown on Tuesday at the Irish Center. Brown, who wrote and directed the film, was on hand to answer questions.

The film uses the device of a writer digging into the past to introduce Brown’s ancestor Joshua Minnit who interceded with the British government to help reduce the amount of food taken from Ireland to feed British forces abroad. That allowed Brown to introduce the word “genocide” into the film—a more modern view of a famine caused not by a lack of food, but by the failure of one crop, a certain kind of potato, that was the staple of the lower classes in a country otherwise rich with food and livestock.

Minnitt’s son Robert, who fell in love with a local Catholic girl (whom he later married over his parents’ objections), took his support of his neighbors even further—telling a local Catholic publication about the horrors of the workhouses, where families were split up, men set to breaking stone for roads and women washing laundry, and children taken from their mothers if they were older than two and trained for domestic service.

The workhouses were overcrowded and many people, starving and desperate, clamored to get in anyway. Many of them died there, said the film’s associate producer, Ciara O’Sullivan, who also played a role in the film. Concurrent with the famine was a cholera epidemic.

Brown’s grandfather, he told the crowd at The Irish Center, was Jim Minnitt, son of Joshua’s son, Robert. Jim Minnit himself helped the republican cause in the 20s and 30s by helping wanted rebels escape from British hands. Jim, an auto mechanic, had one of the few cars in the area.

After his marriage, Robert Minnitt was given a small house on the outskirts of his father’s home and lived out the rest of his life with his wife, Eileen Kennedy, and their 13 children, serving as the town postman. He never spoke to his father again and Jim Minnitt never really knew his grandparents.

Brown wasn’t the only one in attendance whose family history was shown on the screen Tuesday night. Also in the audience was Brendan O’Connell of Newtown Square, his son, Ryan, his mother Georgina, and sister Deirdre O’Connell of Flourtown. The O’Connells are descended from Jim Minnitt’s sister—Robert Minnit’s daughter.

“We only worked it out in the last couple of years,” said Brendan. “My brother keeps up with the local Nenagh news and he saw that the film was being made. I emailed Alan in Ireland and we figured out how we were connected.”

Several Tipperary natives also attended the screening. Sisters Sarah Walsh and Mary Brennan both emigrated from an area near Nenagh along with their sister, Kathleen. They remembered the Minnits’ home, Anabeg. “The house is still there,” said Sarah Walsh. “My sister lives nearby. And my brother used to work at Minnitt’s garage.”

Brown has been showing his film in the US to Irish audiences like those at The Irish Center after debuting it in Nenagh on July 26.

To see other photos from the evening, including one of the “Minnit cousins,” click here.

News

Irish Center Campaign Tops $20,000

Because they're happy: Susan Conboy plants a big one on Seamus Sweeney's cheek at the fundraiser.

Because they’re happy: Susan Conboy plants a big one on Seamus Sweeney’s cheek at the fundraiser.

The fundraising campaign to save the Philadelphia Irish Center topped $20,000 this week, following an intense web-based effort and a fundraising “house party” at Maloney’s Pub of Ardmore on Saturday night at which the Emerald Society Pipes and Drums made a $1,000 pledge.

Check out our photos from the Maloney’s event.

The Irish Center is seeking to raise $50,000 this year in order to pay its property taxes, which went up by 300 percent his year because of a citywide reassessment, and to replace a $25,000 range hood in the kitchen, which is the fundamental to the center’s livelihood as an event space.

The Maloney’s fundraiser, which was underwritten by a $600 check from the Mayo Association, is the first of several planned throughout the next two months. Up next: A concert/cabaret on August 17 at the Irish Center with Cahal Dunne, a singer, songwriter, storyteller, and comedian known as “Ireland happy man.” He won Ireland’s national songwriting contest with a tune called “Happy Man.” Tickets are $20 and includes the show, light refreshments, and door prizes. They’re available by calling the Irish Center at (215)843-8051.

On September 19, teams will compete for prizes in Quizzo , the pub version of Trivial Pursuit, at the Irish Center. Teams—there are at least 20 forming now—contribute $60 to play. Prizes and raffles are being sought now; the first donation came from Pat Durnin of McKenna’s Irish Shop, who is giving $25 gift certificates. To sign up or donate , visit the page on Facebook  or email Marianne MacDonald at rinceseit@msn.com.

And save the date: September 6, for a comedy night at The Irish Center. More on that to come.

Also on tap: NBC10 visited the Irish Center last week to do a story on its financial woes. We’ll keep you posted about when that will run either on the site or our Facebook page.

To donate, go to the Irish Center’s website  or the fundraising site. We also have a banner ad on our pages that you can click through to donate.

Arts, Music, News

Indian Dance and Irish Music Tell a Universal Story

"Ragas and Airs" debuts at The Irish Memorial on Saturday.

“Ragas and Airs” debuts at The Irish Memorial on Saturday.

When sculptor Glenna Goodacre created The Irish Memorial in Philadelphia, she intended to tell a specific immigrant story in bronze the color of anthracite, that of the Irish, fleeing starvation, and risking their lives to start over in a new land.

It was not Shaily Dadiala’s story. She arrived from India in 2000 to get her master’s degree in pharmacy. But when she saw the sculpture at Front and Chestnut a few years ago, it “gave me goosebumps when I saw what it was,” she says. “You see all the people descending from the ships, all leaving home and missing it for the rest of their lives. I understood that.”

And it sparked an idea. She’d long ago abandoned her study of pharmacy to follow her first love—dancing. Trained from the age of 4 in Bharatanatym, a classical dance developed as a devotional in the Hindu temples of Southern India, she founded Usiloquoy Dance Designs, a dance company that combines the percussive footwork and hand and facial gestures of what’s known as Indian ballet with cross-cultural music.

That is why, on Saturday, at the Irish Memorial, you will see this uniquely Indian dance performed to “Saucy Sailor,” by local Celtic performers, Burning Bridget Cleary. It is part of an unfinished dance called “Ragas and Airs,” which Dadiala is choreographing, in part with the help of a grant from the Pennsylvania Council on the Arts.

As she did with the Irish Memorial, Dadiala found common ground with Celtic rhythms. “Five or six years ago I heard this most melodious music, so complex and so similar to Indian classical music and I didn’t know what it was,” she says. “When I looked into it—it was Irish music–I realized that the folklore and stories that went with Irish music had an intersection with my own culture. I live in Fishtown and I had an epiphany. Here I was living in a place that was very Irish but very like me, so different, but so much the same in our constant nostalgia for our homelands and our desire to hold on to our tradition and our stories. The Irish here are holding on to something from two centuries ago.”

For Indians, like Dadiala, the nostalgia goes back a little further. As a dance form, Bharatanatyam is about 4,000 to 6,000 years old. But it can easily tell the universal stories Diadala wants to share through dance.

“We chose the song, Saucy Sailor, which is about the element of teasing back and forth between a girl who flirts with him and then is put off by him, and he backs off, telling her that ‘many girls I can have.’ So she feels abandoned and she wants him back. This is an old story,” Dadiala says, laughing. “It appeals to a large section of humanity because it occurs over all oceans. So many of our songs are based on Krishna, the blue-eye god, and his many admirers—it was never clear who he really liked.”

Dadiala also uncovered the work of a 17th century poet from Tamil Nadu in Southern India who wrote lyrics in Sanskrit, an Indian language, to music he heard while living under the rule of the British East India Company—music that ranged from waltzes, polkas, to Celtic jigs and reels. In fact, it spawned a new genre of music called Nottuswara Sahitya reflecting the cultural interaction between the east and west in the 17th century.

“The choreography pays tribute to the historically rich textile industry run largely by Irish settlers in the Kensington section of Philadelphia while acknowledging the divine feminine represented in the lyrics,” says Dadiala.

Usiloquoy is also performing to the music of Irish jazz musician Ronan Guilfoyle, a piece called Khanda-5 Cities, which he wrote and was performed in collaboration with the South India-based Kamataka College of Percussion and traditional Irish musicians. There will also be another dance based on Guilfoyle’s piece inspired by the parallels between Sadhbh and Fionn mac Cumhail (Saba and Finn McCool) and Rama and Seeta from the Hindu scripture Ramayana (among other things, a deer plays a role in both stories).

Dadiala said the moment she saw The Irish Memorial, she knew that where she wanted to mount her production. “I prayed, please, please, please can we dance here!” she laughs. She said much the same thing to the Irish Memorial committee which quickly said yes.

Dadiala plans two performances 30 minutes in length, one at 4 PM and the other at 7 PM at the memorial, which overlooks Penn’s Landing. There will be time for a Q & A and a demonstration of the Indian dance style—with audience participation welcome. “You don’t have to feel committed—you can just peek for a few minutes,” she says.

But what she hopes you’ll take with you is that no matter where you’re from, our fundamental stories of love, fear, courage, and life, are the same. “We are taking some artistic licence, but we’re telling the same story basically of all of us,” she says. “That’s our mission: Let’s build consensus and unite the world!”

News

Big Boost for Irish Center Fund Drive!

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Were you ever afraid to talk about something really great happening because you were afraid you’d jinx it?

My partner Denise doesn’t let things like that worry her purty little head.

If you were perusing our Facebook page Monday at exactly 4:59 p.m., you would have seen Denise’s dispatch from Irish Philadelphia Pledge Central on behalf of the online fund drive to raise $50,000 to save the Philadelphia Irish Center:

Thanks to everyone who donated today! I’m going out for a bit, but when I’m back, I’m hoping to see that the second shift is up and keeping those dollahs flowing tonight. Let’s see if we can get to $9,000 by the weekend. Oh heck, let’s make it an even $10,000!

By early Tuesday morning, we’d cracked $9,000.

By Tuesday afternoon: more than $9,600.

And by 8:59 p.m.: $10,215!

That was a huge day, in what has proved to be a really big week. As we head into the weekend, we’re closing in on $11,000. There’s still a long way to go until we hit $50,000, but a week like this shows you what’s possible. We’re thankful for all the generous donations, but we’re just as thankful for the many warm thoughts and memories that went along with them, such as this one from The Durkan Family:

We would like to make a donation in memory of our husband/father, John Durkan. John emigrated from Swinford, County Mayo in the late 50’s to Philadelphia and was a strong advocate for The Irish Center. His love of Irish music and the people of Ireland was evident in everything he taught us. Our family has years of memories of events at the Center and anyone who knew him is aware that if he were here with us still he would be one of the people leading this campaign.

And this from Patti Wyatt:

We have just recently discovered all this gem of the Irish Community has to offer and have only begun to take an active part in the community. We have to save the Center for all the future generations and slow-comers like us!!

Along with this from Kathy McGee Burns:

My whole life changed, twenty five years ago when I first walked into the Irish Center. That day I was introduced to my Irish heritage. I knew that was where I belonged. Please help us save this treasure.

And that’s what the Irish Center is—a true treasure, albeit one that has fallen into financial difficulty. The Irish Center has never needed your help more than it does now. You can help save the Irish Center by visiting our online fundraising site, and giving as generously as you can.

One other really fun way to help? Head on over to Maloney’s Pub, 2626 East County Line Road, in Ardmore tomorrow night, starting at 6, for what promises to be a rollicking house party. Live music and dance, some incredible raffle items, and more, right on until 9. Tickets at the door: $25. See you there.