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Meet Maria Walsh, the 2014 International Rose of Tralee

Maria Walsh of Philadelphia, 2014 International Rose of Tralee

Maria Walsh of Philadelphia, 2014 International Rose of Tralee

Here are a few things you probably don’t know about the new International Rose of Tralee, Maria Walsh, the first Rose from Philadelphia:

After emigrating with her family from Boston to Shrule, County Mayo at the age of seven, she grew up dreaming of becoming the Rose of Tralee, though she never thought it would happen, up until the second, while standing on the stage at The Dome in Tralee, she heard announcer Daithi O’Se say the word, “Philadelphia” after an interminably long drum roll. The Irish bookies had her pegged the winner from the start, but even her family didn’t bet on her.

She once appeared in an Irish reality show in which 40 people were vying for position on an Irish football team. “I was second to the last to get kicked off but then I tore my groin muscle and couldn’t play. I had an Oscar worthy moment when I cried on national TV–and I don’t cry,” confesses the 27-year-old who combines delicate Audrey Hepburn good looks with a wicked Irish sense of humor.

Her ease and naturalness in any situation may have played a large part in winning her the Rose of Tralee crown, but it worried her handlers—and her—just a bit. Her language can be, well, salty. “Before I went out on stage they told me, ‘Don’t swear, and talk slower,’” she recalled this week, sitting, crownless (though she volunteered to go get it) in the atrium near her office at the fashion house Anthropologie, where she’s the studio manager, in Philadelphia’s Navy Yard. No F-bombs were dropped, to everyone’s relief, including hers.  As she came off the stage, she said teasingly, “‘Did I swear?” and they said no, and I said, ‘grand!’” She laughs.

The Rose isn’t the only honor she’s won that brought her fame. In 2005, she was named “Hostess of the Year” for Ireland’s No Name Club, an organization founded in 1978 for young people 15 and older who want a nonalcoholic alternative to pub culture to meet and socialize. Since the age of 12, Walsh has been part of the Pioneers, a Catholic organization whose members take a pledge not to drink.

She tans. She credits her mother’s Connemara roots. One of four children of Vincent and Noreen Walsh (who, like her daughter, was born in the US but grew up in Ireland), she shares her dark, Black Irish skin with her mother and youngest brother, while their two other siblings inherited red hair and freckles. “They’re the typical white Irish people,” she says laughing.

She once wanted to become a nurse “so that I could help people.”

One of the Rose commitments she’s looking forward to the most is spending a week in Calcutta with the Hope Foundation, an Irish charity that provides shelter, education and medical aid to the city’s poorest children—the homeless. She’ll also be going to Chernobyl with her fellow Roses and escorts to work for a week with abandoned and orphaned children, most of whom have mental and physical disabilities.

No, it’s not just the Miss America Pageant with an Irish accent, and Maria Walsh is no ordinary pageant winner. She’s a funny, confident, gutsy woman who plays Gaelic football, loves banter, doesn’t pass up a chance to do volunteer work (“I still get roped into collecting at the church gate for some charity when I go home,” she says), and, until she fell in love with a woman two years ago, never really thought much about being gay. “I dated boys up right up until that, but this was the first time that I found someone I was willing to work my life around,” she says simply. (She’s still close to her now ex, who lives in Ireland.)

She still doesn’t think much about it—much like her Philly supporters–and probably wouldn’t talk about it except that after her win, she got a phone call from a reporter the Irish Sun newspaper who said she wanted to talk to Walsh about “your sexual orientation.”

She still doesn’t know how the reporter found out, though she’s not particularly secretive about it. “Maybe they found something on social media sites—I don’t know,” she says. She hadn’t discussed it with anyone in the Rose organization because “it just never came up, nor should it. I identify with a lot of things, with Pioneers, with volunteer work. . .what am I supposed to say? ‘Oh, by the way, I’m gay?’ It was not a thing for me. Why should it be?”

The Rose organization didn’t blink either. “They don’t get nearly enough credit for being ahead of their time,” Walsh says. In recent years, the 55-year-old Rose of Tralee Festival has increasingly been called “irrelevant” by social commentators, though, after this year’s event, the critics may backpedal on that one. The Rose organizers gave her the go-ahead to talk to the reporter and, ultimately, she was happy with the article and the subsequent mini-storm of stories that followed.

“My biggest concern was this would become a negative issue for the Rose of Tralee organization or the Philly Rose Center. But there was a very positive response. Basically, what people have been saying is “what a great ambassador for the Rose, fair play to her,’” Walsh says.

Her parents already knew and although her Dad has expressed some trepidation for her, they were more than accepting. “My Dad said he was worried about my future, how this would affect my career, whether I’d be able to get married, how I might be hurt because of how I chose to live. He said, ‘You’re choosing a hard life, Maria,’ and I said, I’m choosing my life.”

She wasn’t worried about their reaction. Maria Walsh is her parents’ daughter. Her mother was her Pioneer role model, and both parents are heavily involved in community work. Her father helped expand the town’s community center at largely his own expense when grants fell through; her mother is the chairperson of the local ladies club (“so I got roped into tea mornings all the time,” Walsh says laughing).

Volunteer work may be in the Walsh genome, but she also credits her upbringing for giving her confidence to strike out on her own path from early on, whether it was eschewing alcohol, moving to the States for work, or falling in love with a woman. “I grew up in a great family atmosphere,” says Walsh. “If I wanted to do something, my parents would never say, no you can’t do that. It would be ‘what time?’ and ‘where?’ and they’d be there. They’ve always supported what’s best for me.”

The sudden death of her cousin Teresa in a car accident several years ago brought profound sadness—she was only 19—but has since become a source of strength. In her cousin’s honor, Walsh had three little ladybugs—what the Irish call ladybirds, and something her cousin loved—tattooed behind her ear. And not long after, with some friends, she went to Eddie’s Tattoo on Fourth Street to have the words, “The trouble is—you think you have time” tattooed on her forearm. It reminds her, she says, to carpe diem, to seize the day.

“It’s because of Teresa,” she says. “It’s often difficult to find the time for everything, for work, friendship, love. You’re always saying, oh, I’ll do it tomorrow. I even say it, even though I have this to remind me. The truth is, you don’t always have tomorrow and that can help make big decisions easier to make. That’s why I entered the Rose of Tralee. It’s why I try to make the most out of every day.”

And to make the most out of the opportunities that come her way. She wasn’t, she admits, thinking that she might become a strong role model for other young women like her when she sat down with a reporter to talk about her sexuality. But it’s what’s happened. “There are a lot of young people out there who are struggling with their identity. I’ve gotten a lot of letters and I just got one recently from a young woman who thanked me for coming out publically because it made it a lot easier for her parents to understand her,” she says.

As she told the RTE’s Ryan Tubridy, host of “The Late Late Show” last week: “If I could help one young person come out and deal with it in a positive way, then my year as the Rose of Tralee will already have been completed.”

But she hopes she’s a role model in other ways too, and that also appears to be happening. Case in point: She was on the plane on the way home from Ireland last Sunday after appearing on the “Late, Late Show,” when a little Irish girl came up to her and asked her if she was the Rose of Tralee. “She said, ‘Can I have a photo with you?’ I said, ‘ yes, give me a couple of seconds, where are you sitting?’ So I got my crown and sash and went to where she was sitting. She was literally shaking with excitement. I gave her my crown and my sash to put on. And I asked her, ‘So, do you want to be the Rose of Tralee when you grow up?’ And she said, ‘Oh yes, now that I’ve met you.’”

Walsh smiles. Mission accomplished: One childhood dream realized, and successfully passed along to someone else’s childhood.

News, Religion

Look Good? You Could Win It for a Week

Take a chance, win a week's vacation here.

Take a chance, win a week’s vacation here.

If you’re looking for hope in Camden, New Jersey, you might start with the five Catholic Partnership Schools. Each stands as a little island of excellence and hope in a city where those values can be exceedingly rare. Camden is far better known for its infamous crime rate and desperate poverty—and for its failing schools. It’s a place where the graduation rate is less than 50 percent, and only three out of 882 SAT test takers in 2012 were judged ready for college.

Here’s why the Catholic Partnership Schools are different. “It’s really about creating a safe and nurturing environment and student-centered academic programs, and we really are defined by faith-based values,” says Director of Development Keith Lampman. We really do believe that educating Camden’s children in the most efficient and modern manner is the best way to break the cycle of poverty and violence.”

And they do it all for a lot less money than the public or charter schools. It costs $8,000 annually to educate a student at the five schools—Holy Name, Sacred Heart, Saint Anthony of Padua, Saint Cecilia, and Saint Joseph Pro-Cathedral.

By comparison, it costs nearly $24,000 to educate a child in the Camden public schools, and $16,000 for kids in charter schools. Families chip in an average of $900 annual tuition—maybe more or maybe less, depending on ability to pay. Most students in the Camden Partnership schools are non-Catholic. Enrollment in the five schools is about 1,000.

Catholic Partnership Schools are getting good results for their relatively modest investment, Lampman says. “We’re closing the achievement gap. In language arts, by 8th grade, our students are at the national norm or above it. It’s the same with reading. We surpass it in math.”

Paying for those schools is no easy task, but after six years of operation, Lampman says, the partnership and its many donors continue to rise to the challenge.

One of the ways the partnership is raising funds this year should be appealing to anyone who loves Ireland. It’s a raffle for a week in a 19th century Irish cottage in central Mayo, donated by Bill McLaughlin, director and founder of the Irish American Business Chamber & Network (IABCN). It is situated on a 22-acre working farm—and don’t worry, it’s fully modernized, with a beautiful up-to-date kitchen and bathroom, skylights, and hardwood floors. The prize includes round-trip airfare for two.

Donor Ann Baiada came up with the idea at the first gala cocktail party last May. It’s where the partnership introduced its “Fund a Future Initiative.” The dollars raised in the raffle will go directly into that initiative, Lampman says.

The Fund a Future Initiative, says Lampman, “allows us to keep our doors open. One of the things I always tell people is that we’re going into our sixth year with this replicable model of Catholic education, and we have no debt.”

Perpetuating that successful model is Lampman’s job, but it’s also important on a personal level.

“It means a lot to me. I’m not Catholic, but I am absolutely moved every time I go into those schools. Going into those schools is life-changing.”

  • You can help keep a good thing going, too. Purchase a raffle ticket for that glorious Irish cottage. They’re $100, and only 500 tickets will be sold. Get the details here.
News, People, Photo Essays

Happy Redhead Days!

Courtney Vincent of Upper Dublin.

Courtney Vincent of Upper Dublin.

This weekend in the Dutch city of Breda, redheads from 80 countries will gather for Redhead Days, now an annual congruence of natural redheads that started unintentionally in 2005 when an artist, looking for models for paintings of redheads inspired by the redhead paintings of Dante Gabriel Rossetti and Gustav Klimt, put an ad in the local newspaper.

From 150 gingers (he only needed 15), the festival has grown to more than 7,000 redheads of every hue, from strawberry blond to carrot red to copper to auburn. This weekend the international gingers will party, compare hair color, consult with hair and fashion experts, have their photos taken, and enjoy the exhibit called “Red Hot,” photographs of sexy red-haired men shot by British photographer Thomas Knight. (It’s in New York this week. Here’s a preview.)

I had my own redhead festival of sorts over the last six weeks, photographing redheads like Courtney Vincent, above, all over the Delaware Valley. You can see our Ginger Snaps here or below. (There’s text and more photos on our flickr site.)

Why such an interest in a hair color that occurs in just about two percent of the world population? Well, it’s just that. Red is rare. If you’re Irish or Scottish, you may find that hard to believe since there are more redheads in the Celtic population than most others. The statistics are conflicting and confusing, but in general about 12 percent of the Irish and 15 percent of Scots have red hair. By one estimate, as many as 80 percent of people carry the recessive gene for red hair, even if there are no redheads in their families. So that Internet rumor that circulates every few years that redheads are going to become extinct? Unlikely.

Redheads are like the original X-men—mutants. The hair color is caused by a series of mutations of the melanocortin 1 receptor (MC1R) gene, which acts as a switch between red and yellow pigments and black and brown pigment. (If you’re looking for yours, it’s on chromosome 16.) Because it’s a recessive gene, both parents need to carry it for you to have red hair.

But the trait isn’t limited to the Celts. Two of the earliest known redheads were a 43,000-year-old Neanderthal from Spain and a 50,000-year-old Neanderthal from Italy. There were redheads among the ancient Greeks, and the Romans encountered plenty of redheads when they were conquering southern and western Germany, where they still abound.

While largely a European phenomenon, random redheads are found in the Middle East, Central Asia, and in China. A tribe called the Udmurts, living in the Volga Basin in Russia, are the only non-western Europeans to have a high incidence of red hair (10 percent of the population).

No matter where they think they come from, all redheads share a common ancestry that can be traced back to a single Y-chromosomal haplogroupL R1b. What’s a haplogroup? Glad you asked. Think of it as like a big clan. And if you have red
hair, you’re part of it. Because it’s linked to a Y chromosome, the ancestor you all share is a man. (Possibly those Neanderthals mentioned above, but more recenly a Norwegian: recent studies suggest that Vikings may have been involved in the spread of red.)

There are a few other things you redhead share, besides the pale skin and freckles.

About those freckles. They’re just nature’s way of saying you’re at risk for skin cancer. Even worse, that MC1R gene predisposes you to melanoma, the most lethal of all the skin cancers. Harvard researchers found that along with red hair, the gene may make redheads more susceptible to the damaging effects of ultraviolet rays of the sun, in part by getting in the way of the cancer-protective effects of a tumor-suppressor gene called PTEN.

One thing that may protect you is your pain tolerance. You don’t have much. You may avoid getting a sunburn because studies show that redheads feel pain more acutely than people with other hair colors. You’re especially sensitive to the cold. Scientists believe that the ginger gene causes another gene that determines cold sensitivity to become overactive.

Anecdotal evidence—that’s just unconfirmed reports from the field—suggests that redheads may need more anesthetic when undergoing surgical or dental procedures. In one small study, a researcher gave electric shocks to women of many different hair colors (yes, that’s how they do it) and found that the redheads needed about 20 percent more anesthetic to dull the pain. Redheads also bruise more easily.

Do cold-sensitive redheads nevertheless have fiery tempers? That one’s just myth. So if you’ve been trying to pass off your frequent outbursts as “my redhead coming out,” you are now officially busted.

[flickr_set id=”72157646975652906″]

Arts, News

A New Look at the Easter Rising

terrible beautyAs World War I wore on, German zeppelin raids were making Nottingham in England’s East Midlands increasingly unsafe, so British Army Lt. Frederick Dietrichsen of the Sherwood Foresters Regiment sent his Irish wife to Dublin, along with their two children.

Dietrichsen, a lawyer in peacetime, was among the reinforcements sent to assist in putting down an armed insurrection in the same city. It was Wednesday morning, April 26, 2016, two days after a ragtag army of revolutionaries, led by a charismatic school teacher, Patrick Pearse, had launched what became known as the Easter Rising, the seminal event in Ireland’s long quest for independence from British rule.

Dietrichsen’s wife saw the troops marching up the street as they headed toward the Mount Street Bridge, a key entrance to the city, which was held by the rebels. Dietrichsen fell out for a brief, loving meeting with his wife and children, and then rejoined his men.

Less than an hour later, he was dead, one of the first British soldiers to be killed in the initial volley of shots from the volunteers, in what is now remembered as the Battle of Mount Street.

This was one of many poignant stories that riveted the attention of documentary director Keith Farrell and producer Dave Farrell as they conducted research for a new 90-minute docudrama, “A Terrible Beauty/ÁIille An Ufais,” which will have its world premiere September 6 at 6 p.m. at International House, just a few blocks from the University of Pennsylvania campus. The event is co-sponsored by the Irish Immigration Center , together with AOH Dennis Kelly, Division 1, Delaware County, and the Irish Easter Centennial Commemoration Committee.

The Farrells are not unfamiliar to Philadelphia audiences. Their recent film, “Death on the Railroad” shed new light on the suspicious circumstances surrounding the death of 57 Irish immigrants,who were working on a stretch of the Philadelphia and Columbia Railroad , near Malvern, in the autumn of 1832.

The new film takes a slightly different approach. It tells stories of the Rising from the perspective of the people who were there in Dublin during those bloody six days—the ill-fated Irish volunteers, British soldiers, and Dublin citizens.

“It became clear to me that to tell these stories, I would have to dramatize them,” says Keith Farrell, reached by phone from County Wicklow. “The characters speak to each other, and they speak to the camera as well. We see their actions in dramatic form. When the actors look at the camera, they’re speaking their actual words.”

Many of those stories paint a complex picture of people taken completely by surprise.

In a time of war, being dispatched to Dublin to put down a rebellion was probably the last thing Dietrichsen ever expected to have to do. He was far from alone.

“The British soldiers never expected to find themselves fighting on the streets of Dublin,” Farrell says. “They expected to be in France, fighting in the trenches. No one told them where they were going. To find yourself fighting in the second great city of the empire must have come as a shock.”

Everyday Dubliners caught in the crossfire were just as stunned, Farrell says—and in more than a few cases, outraged and completely unsupportive of the rebellion.

“The citizens of Dublin were not happy. Many had sons and husbands at war in the British army. (35,000 Irish soldiers serving with the British army would die in World War I.) They were getting separation allowances from the British government. When the Rising happened, they weren’t getting that money. All of the bakeries were closed. No one could get bread. The city was completely disrupted. No one could get to work, so no one had any money.

“There were huge numbers of civilian casualties in Dublin. (Many fell at the hands of the British. The worst atrocity occurred on Friday of that week, when soldiers of the South Staffordshire regiment murdered 15 innocent civilians on North King Street.) Dublin was devastated by the Rising. People said it looked like Ypres in Belgium. The citizens of Dublin paid a price. While it’s mythologized, it was really a difficult, dirty guerrilla war. I was like a mini-Stalingrad.”

Then there was the question of the volunteers themselves. “A lot of Irish Volunteers didn’t know there was going to be a rising. They thought they were just going out on maneuvers.”

After the battle began, Farrell says, the volunteers themselves were initially optimistic. That optimism didn’t last long. “I don’t think the leadership were optimistic. Even the ordinary guys realized pretty quickly that they didn’t stand a chance. They probably would have been proud that they held out six days.”

Farrell culled his stories from a variety of sources.

He found one particularly rich treasure trove. “Between 1930 and 1940, the Irish Army interviewed survivors of the Irish war of independence. That included British soldiers, members of the Royal Irish Constabulary, anyone who was involved. They transcribed them, and stored them in army archives.”

Obtaining access to an accounting of the North King Street massacre wasn’t easy. Decades after the fact, the report was sealed. Farrell filed a freedom of information act request to get the painful details released. The report had been shielded by a 100-year rule. “There I suddenly had access to accounts from Dubliners on the north side of the city, ordinary citizen accounts. Women who lost their sons, wives who lost their husbands.”

Farrell also tapped into the memories of two brothers who fought with the volunteers. “They fought together in the Battle of North King Street. As old men, they never talked about the war to their sons, but they left their accounts with other people.”

The story of the Rising, Farrell says, continues to resonate with the Irish. 1916, he says, was “a bit like your Battle of Bunker Hill. It was a loss for the rebels, but it was an iconic moment. It was the beginning of our war of independence, and that’s why it captures our imagination.”

The Irish audiences are completely aware of the complexity surrounding the events of those few bloody days in 1916, but some Americans might be surprised what they learn from this new film. They might not be aware of all of the back-stories—stories that can only be told by the people who were there.

“What I try to do is try to tell the human side. Even the ‘bad guy’ has a complicated background. There’s a tendency to make it all black and white. You can mythologize a lot. What I wanted to show was people affecting people affecting people. I don’t try to make a postscript to say whether it’s good or bad. I leave that up to the audience. ”


Siobhan Lyons, director of the Irish Immigration Center, has seen a sneak preview of the film, and she regards it as essential viewing.

“It’s a fantastic film. It’s really, really good. Even for, me, I feel like I know quite a bit about the Easter Rising. I know a lot about the politics, and the importance of the Rising, but I had never thought as much about the battles. You can still see bullet holes at the General Post Office (the epicenter of the revolt). You can just imagine the bullets flying. When you see it dramatized, you see what it really meant. It’s a must-see for anyone who calls themselves Irish in Philadelphia.”

Tickets are $50. They include an after-party at St. Declan’s Well on Walnut Street, with music by well-known local singer Marian Makins, who is putting together a playlist around 1916, together with flutist Paddy O’Neill. The new Irish Vice Consul Anna McGillicuddy will also be there.

 

A TERRIBLE BEAUTY… background to story. from Tile Films Ltd on Vimeo.

News, People

Our Rose Returns

Even her fellow passengers fell in love with Maria Walsh.

Even her fellow passengers fell in love with Maria Walsh.

Before Maria Walsh, the new International Rose of Tralee, showed up at the arrivals gate at Philadelphia Airport on Tuesday, her fellow passengers, seeing the crowd and the banners there to welcome her, stopped to give their own review of Philly’s Rose.

“She is truly a rose,” said one woman, who didn’t give her name. “I met her on the plane. She’s a sweetie!”

Another woman, who, with her husband and children, had just returned from an Irish holiday, had encountered the new Rose before. “We went into one town and when they found out we were from Philly they said, ‘Oh, that’s where the Rose of Tralee is from. She’s here,’” she said. “Everyone was very excited.”

But not as excited as the 30-some people who were waiting for Walsh, the first-ever International Rose of Tralee from the Philly Rose Center in its 12 years. When they spotted her—looking chic in her gray patterned dress and pearls and remarkably awake for someone with no sleep—they burst into cheers.

Walsh quickly pulled her crown out of her bag and maneuvered it onto her head, grinning from ear to ear. She thanked the crowd for coming, said she was “glad to finally be home,” and posed for photos with anyone who asked, including one woman she met on the plane.

Philly’s Rose, who was tied for first in all the betting parlors in Ireland from the moment she arrived there, was a first in other ways too. For one, she’s the only Philly Rose who’s had an Irish accent. Born in Boston, she moved to Ireland with her parents and siblings when she was seven, settling in Shrule, County Mayo. The immigration pattern comes naturally—her mother was also born in the US and moved back to Ireland with her parents; Walsh’s father is Irish-born. She moved to Philadelphia about three years ago.

She is also proud of the fact that she is a Pioneer—an Irish-based program for teetotalers. Walsh doesn’t drink. And she is apparently the first Rose with visible tattoos—three ladybugs on her neck that serve as a memorial to a cousin who died in a car crash and the phrase: “The trouble is, you think you have time” on her arm which she says, “reminds me to always carpe diem because you never know.”

And, as she announced to a reporter in Ireland, she is gay which, though the Irish press was all over it, is clearly a non-issue for her Philly-based fans who will be gathering on Saturday at St. Declan’s Well Pub and Restaurant, 3131 Walnut Street, in Philadelphia, a pub co-owned by the father of the 2012 Rose, Elizabeth Spellman, who accompanied Walsh to the Rose event in Tralee this year. The festivities start at noon and are open to the public.

As for Walsh, her plans for the day were simple. She was going to work. She’s studio manager for the fashion and lifestyle brand, Anthropologie, based at Philadelphia’s old Navy Yard. “I was supposed to be back on Monday so I think I’d better go to work and check in,” she said laughing.

View our photos of Maria’s arrival back in Philadelphia.

Arts, News, People

Get Ready to Laugh: Here Comes Mick Thomas

Comic Mick Thomas

Comic Mick Thomas

Mick Thomas is from a small town in County Wexford. “That’s in the southeast of Ireland. It’s the Florida of Ireland, except without the nice weather,” Mick told me as we chatted this week on the phone. I am already laughing, then he makes it worse. “It’s 20 degrees out and people flock to the beach. [Insert high-pitched heavily accented voice here] ‘Oh God, it’s lovely out.’”

Thomas, who now lives on Long Island, is a staple on the New York comedy scene, opening for comedy greats like Colin Quinn, Dom Irrera, Louis Anderson, and the late Greg Giraldo; performing with Jerry Stiller and Christopher Lloyd; and headlining clubs like McGuire’s Comedy Club (where he recorded his first CD, Live at McGuire’s), the Comic Strip, and the Governor’s Comedy Club, among others. He also provides the comic relief on the Celtic Thunder cruises.

He’ll be appearing next Friday night, September 5, at The Irish Center, with fellow Long Island comic Dennis Rooney opening for him. It’s a fundraiser for the Center, which has fallen on hard financial times. Thomas says he likes helping causes, especially if he knows ahead of time what they are. He got burned once.

“I never say no to worthy causes,” he says. “But I once did a gig in the Hamptons before I found out what the cause was. They were raising money to hire people to scrape barnacles off their yachts. I was genuinely angry. I made fun of them for an hour and all they did was laugh. ‘Do you not understand that people are dying of cancer and I’m raising money for you to hire Mexicans to scrape barnacles off your yachts?’”

Thomas, who moved to America 10 years ago “to marry one of your women,” says that he wasn’t the funniest guy in Wexford by far. He gives that accolade to his two brothers, neither of whom does it for a living. “The two funniest people in the world are my two brothers.” They—and the rest of his family and friends back in Wexford—are also his toughest audience.

“I went back to Ireland for a tour and did a theater in my hometown and I bombed horribly,” he recalls ruefully. “Family, friends, the local people—they won’t give it up to ya. They’re out there, ‘We paid for this? We know all these stories.’ Eventually, people are shouting out the ending. ‘And you spent the rest of your life in jail. We get it. Yer wasting valuable drinking time.’”

But Thomas says he’s pretty much hardened to the effects bombing on stage. Before he became a stand-up, he was a four-time Ireland professional kickboxing champion and the European kickboxing champion. “I’ve never had any phobia about bombing on stage. I once got knocked out in front of 7,000 people. That was embarrassing. If somebody doesn’t like a joke, who gives a crap?”

He was more than knocked out. Over the nearly 10 years he spent in the kickboxing ring (starting at 16 and while also working as a banker) he was seriously injured. “If you look carefully at me, my left eye closes more than the right. My smile is crooked from a broken jaw. And I only have one kidney now too.”

That, I observed, isn’t visible. “Oh, I don’t know,” he retorts. “’Ye’ve got a weird walk on ye—ye must be a one-kidney guy.’”

When he followed his then girlfriend, now wife, Kelly, to New York 10 years ago, he decided to follow his other passion for making people laugh. “I went to a comedy class where I learned all about the business. You can’t learn to be funny. You either are or you aren’t. But it was helpful businesswise.”

He also caught the eye of Jon Starr, the actor-writer known for his role in “The Adventures of Tintin” and “Date Night.” “He took me under his wing and I started with a seven-minute set and slowly built it up, adding material, till I had an hour.”

Thomas started doing open mikes, then began getting booked for money, opening for the headliners. Lately, he’s been the headliner. He’s also done TV, including Live at the Gotham. He recently auditioned for another show that could provide a huge break—but we can’t go there yet. “I don’t want to jinx it, but they liked me,” he says.

But it was that audition where he learned something he sort of knew—that he can “get away with a lot more than the average person,” in part because of his accent and in part because, “even though I’m very honest, my comedy isn’t malicious, it doesn’t come from a hurtful place. And I’m the always the victim of my story, even when it’s about my kids.”

For example, he does a bit on going to see his daughter’s first dance recital. “She was up there for six minutes and she was by herself doing a solo—that’s what solo means–and she was dancing, and I welled up and got teary-eyed and I’m not afraid admit I realized. . .that I had wasted so much money on these dance lessons. She was absolutely shite. She was terrible, really bad at dancin’. And I’ve seen some bad dancin’. I’ve been to strip clubs in Chernobyl. Just awful dancin’.”

You can watch the bit here.

He laughs when I bring up the bit, which I loved. “It happened again,” he tells me. “I picked her up from karate this week and watched for a while and thought, jeeze, she’s terrible. But of course I said, ‘good, honey, keep at it you’re doing great.’ She has no coordination, good God. She gets that from her mother. But really, how many parents are on the sidelines thinking that?”

Show of hands?

Many comics today measure their success by whether they get their own sitcom. While he wouldn’t turn it down, Thomas says his passion was, is, and always will be standing in front of a live audience, making them laugh. “It goes back to when I was a kid, when I was five. I remember allmy family members saying, ‘oh, he’s funny’ and I thought this was what I wanted to do for the rest of my life, make people laugh for a living. Of course, I didn’t know what ‘for a living’ meant. I thought it as like an episode of ‘Bob the Builder’ and the doctor made the same money as the baker and my role would be to be the funny one. I didn’t understand ‘pay scale.’”

You can see Mick Thomas and also help raise money to scrape the barnacles off the Irish Center on Friday, September 5, starting at 7 PM. Tickets are $25 and are available at the door.

News, People

Philly’s Rose Becomes the 2014 International Rose of Tralee

Maria Walsh, the 2014 International Rose

Maria Walsh, the 2014 International Rose

The crowd at Maggie O’Neill’s Restaurant in Drexel Hill on Tuesday were sitting on the edge of their seats as they heard Daithi O’Se, host of the International Rose of Tralee Show on Rte1, intone, “Ladies and gentleman, the 2014 International Rose of Tralee. . . “ which was followed by the world’s longest drum roll. It seemed to go on for minutes.

But when he finally finished his sentence with the word, “Philadelphia,” the crowd erupted in screams and applause. You almost couldn’t hear him say her name: Maria Walsh. (See video below.)

The 27-year-old Philadelphia transplant whose short hair, neck tattoos, and confident demeanor (and probably her Irish accent) were a delight to the Irish press, appeared as surprised as she did when she was chosen to represent Philadelphia in April at a gala event at the Radnor Hotel. She’s been blowing up Twitter and on the front page of every newspaper in Ireland for days, particularly in Mayo, where the Boston native grew up from the age of seven.

“I am so happy that there’s a video of that moment at Maggie O’Neill’s because it’s such a blur,” said Karen Conaghan Race who, with her sister, Sarah Conaghan, founded the Philadelphia Rose Center 12 years ago. “We had a really full house and it was a Tuesday afternoon. I like that everyone was there and not at work!”

That fact reflects “the strong base of support in this community that a lot of other centers don’t have,” said Race. “The Irish community in Philadelphia is unbelievable. This wouldn’t be possible without it.”

Race said she’d been monitoring the Internet and “I’ve never seen such an overwhelmingly positive to an international Rose, ever. Usually you’ll see comments like, ‘it should have been this person,’ but when they announced her win in the International Rose of Tralee site it got 13,000 likes and hundreds and hundreds of comments that are positive, which on the Internet is a rare thing.”

She attributes that to Walsh herself. “Who she is on stage is who she is. She’s a comfortable, natural person, so effortless. She doesn’t have to put any of it on. She has a special way about her—people take to her instantly.”

For example, Walsh told the crowd at The Dome in Tralee that after returning to the US several years ago after graduating with a degree in journalism and visual media from Griffith College in Dublin, she lived in New York, then traveled south to Philadelphia for the job at Anthropologie. “She said she was glad she moved to Philadelphia, where she’s lived for three years,” said Race. “New York is intense and didn’t provide her with the life-work balance she wanted. She said Philadelphia is a great city for young people who want a career and a life.”

Check out a video interview she did with The Independent.

She also told the story behind the three ladybug tattoos she has behind her ear—they were a favorite of her cousin, Teresa Malloy, who died in a car crash at the age of 19 in November 2009. “It’s moments like this, like being in the Rose of Tralee, that make you really seize the day and appreciate life and take everything as it comes,” Walsh said. “She has given me a lot of good luck to date, so I know she’s looking down on me and my family.”

She also talked about being a Pioneer—part of the Pioneer Total Abstinence Association of the Sacred Heart, a program for Catholic teetotalers—and how difficult it is for Americans to comprehend that some Irish just don’t drink.

In April, CBS3’s Jim Donovan, host of the Philadelphia Rose event, asked her what superpower she would choose if she could, Walsh drew cheers and applause from the large Mayo contingent in the room when she said she would choose the power to guarantee that Mayo would bring home the Sam Maguire cup, the prize for the winner of the Gaelic football finals in Ireland.

So, no surprise, Walsh decided to stay on in Ireland to watch Mayo take on Kerry on Sunday in this year’s All-Ireland football quarter finals. She herself played Gaelic football in Philadelphia with the local women’s senior football club, the Notre Dames.

When she returns, she faces a year of “adventures,” starting with media inerviews as well as touring all the Rose Centers in the US and working for a charity which is selected by the International Rose of Tralee committee.

“I think she’s going to heighten the profile of this festival so much, not just in Ireland but everywhere,” said Race of the first Rose ever grown in Philadelphia. “Right now, we can’t wipe the smiles off our faces. Talking to you right now, I’m grinning like a fool.”

Take a look at our photos from Maria’s two experiences at the Philadelphia Rose of Tralee event–and a few of her on the Gaelic football field with the Notre Dames.

News, People

Happy Birthday, Vince!

Vera and Vince Gallagher

Vera and Vince Gallagher

Vincent Gallagher, president of the Commodore Barry Club, recently celebrated his 70th birthday at a party at The Irish Center–along with a belated birthday for his wife, Vera.

Karen Boyce McCollum performed with Gallagher’s band–and even got guest, singer Gerry Timlin, up to sing a song or two.

We were there and got these photos of family and friends enjoying an evening at the Irish Center.

The Irish Center is facing a financial crisis as the result of a citywide real estate reappraisal which upped the center’s taxes by about 300 percent. Maintenance and repair costs have also contributed to the perfect storm of woes. You can  help the center out of its temporary problems by sending a donation to the Irish Center, Commodore Barry Club, 6815 Emlen Street, Philadelphia, PA 19119, or online.  The Center is almost halfway to its goal of $50,000 for the year.

In addition to bringing gifts for his birthday, Gallagher said, many friends brought checks for the Center. “It really made me feel good,” he said.