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How to Be Irish in Philly This Week

No Irish Need Apply

No Irish Need Apply

If you’re looking to indulge your Irishness, then Sunday could be a big day for you.

First up, the 16th Annual Celtic Day in Bristol’s Lions Park, at the foot of friendly Mill Street. It’s always a great crowd, and for good reason. Lots of music, featuring No Irish Need Apply and the Hooligans—and both of those bands are always a party. The Fitzpatrick School of Irish Dance will also be on their toes throughout the day. It’s a sure bet the pipes will be calling, too, as the Philadelphia Police and Fire Pipes and Drums will be on the march.

As with most festivals, you can count on great food and drink, vendors, and plenty of kid-friendly activities. Pack an umbrella on the off-chance, but, hey … we’re Irish. A little rain won’t dampen our spirits. The fun runs from 1 to 8 p.m.

Members of the South Jersey Irish Society are hosting their picnic at the CYO-Yardville Branch, from 11 a.m. to 7 p.m. You dance the day away under a covered pavilion. The pool will be open until 5, and you can roast your own hot dogs in one of the many charcoal grills. Play mini-golf with the kids, or send them off to the game room.

As for the rest of the week, hey, did we miss the memo? Are you all going to be in Wildwood this week? Well, hey, if you’re down there working on your burn, drop into Casey’s, 301 New York Avenue in North Wildwood, on Saturday night for Jamison Celtic Rock. Take our word for it … you’ll have a great time.

Also a fun time …

Slainte at Keenan’s, 113 Old New Jersey Avenue, North Wildwood, from 3 to 7 p.m. Saturday. You’ll see familiar faces, Frank Day & CJ Mills of Jamison Celtic Rock.

The Broken Shillelaghs at Lazy Lanigan’s, 139 Egg Harbor Road, in Sewell, N.J. The tunes start at 9.

The rest of the week, you can always count on plenty of opportunities to hear Irish music, with traditional Irish music sessions all over the place.

We know it’s a few weeks out, but we also wanted to remind you about the Graeme Park Celtic Weekend in Horsham, July 20 and 21. Lots of music, including the Glengarry Bhoys, Seamus Kennedy and our local piping pals, Irish Thunder. Mark your calendar.

Want to know more? Check the calendar for details. It’s small, but mighty.

Music, People

“I Can Rewind If I Get It Wrong”

Mike Concannon

Mike Concannon

It started out with his business, Round Tower Travel, which specialized in trips to Ireland. Mike Concannon had been running ads on The Irish Hours radio show on WVCH 740 AM, hosted by the legendary Will Regan.

When Regan passed away in 1995, Concannon placed a call to the station to find out about his ad, and when it might start running again. The answer: As soon as we get a new host. Without hesitating, Concannon asked: How about me?

The station owners met him at Cawley’s on West Chester Pike for an interview, at the end of which they told him, “get a show together on cassette tape, and we’ll see from there.”

As anyone who listens to Irish radio in the Delaware Valley knows, Mike Concannon got the job. “Since ’95, that was it. I’ve been doing it ever since.”

Concannon has a compact studio setup in the basement of his Delco home, an old-fashioned brick of a microphone dangling on a boom over the countertop of a corner bar, stacks of CDs and cassette tapes sharing space with bottles of Jameson and other Irish libations. The walls are festooned with Eagles regalia. A piraña-type fish, about the size of a saucer, is the lone occupant of a large aquarium off to the side. There used to be other fish in the tank, Concannon says, but they didn’t last long.

In the early days, it took hours to put the two-hour show together, splicing cassette tapes over the course of four or five hours. The recordings were then dropped off at the station for play on Saturday. For the past three months, Concannon has been recording electronically and emailing the show in. It now takes exactly as long as the show to produce. Pre-recording hives him an advantage over  Regan’s live broadcast. “I can rewind if I get it wrong.”

Sitting on a stool behind the bar and wearing a tweed Irish cap, Concannon seems just as thrilled doing the show as he did way back at the beginning. “Mostly I do it because I love Irish music, and now I’m hooked on it,” he says. “It’s a nice way to get in touch with your Irish roots.”

We interviewed Concannon recently. You can watch the video, above.

 

Music, News

Philadelphia Fleadh: Right on Schedule

Philly's next big Irish event.

Philly’s next big Irish event.

Ask Frank Daly how the plans are going for the Philadelphia Fleadh—many acts on 4 stages in bucolic Pennypack Park on Saturday, June 22—and he’ll boil it down to one word. “Insane.”

“I’m not even kidding,” said Daly, front man for the popular Celtic rock group Jamison, when I caught up with him on the phone this week. “I didn’t realize how fragile all the pieces of this thing are.”

Can you say, Murphy’s Law, kids? First, the primo sound guy—he does Celtic Fest in Bethlehem and major rock shows—called to say he wasn’t sure he could pull this one off. (Crisis averted—turned out to be hard, but not impossible.) Then one of the sponsors backed out. (Crisis averted: the owner of Maggie’s on the Waterfront and Goodchild Repair Center stepped in—without being asked.) Final straw: The company providing the tents and the port-a-potties had the wrong date. (Crisis averted: They can do it on the 22nd.) “I thought, man, are you trying to give me a heart attack,” Daly said, laughing.

That’s right. He’s still laughing. Because in the end, he says, it will all work out. “If I thought about all the possible things that could go wrong that day I would never sleep at all. CJ (American Paddy and Jamison partner CJ Mills) and I keep each other sane and positive. We were sitting there the other night, all stressed out, and we suddenly said, do you realize what we’re doing here? This is really cool. So we cracked open a couple of beers, said ‘cheers’ and now let’s get back to it.”

Cool is the word for it. On the Celtic Rock stage, the Young Dubliners are headliners, though it’s likely the crowd will also be packed with fans of the local talent that includes Jamison, Blackthorn, Bogside Rogues, Galway Guild and Clancy’s Pistol. Hosting will be Dan Cronin of Chorus Communications, who is also a Celtic DJ and runs the Hair O’ The Dog gala, a event that has raised thousands of dollars for local nonprofits.

Over at the Sugarhouse Casino Trad Acoustic Stage, the John Byrne Band will be doing their Pogue’s Tribute Show, with the Ladeens, Seamus Kelleher and the Raymond Coleman Band performing. At noon, the Jameson Sister’s Terry Kane will be hosting a new tunes workshop at noon and hosting a session at 1 PM open to all local musicians. Marianne MacDonald, host of the WTMR 800AM radio show, “Come West Along the Road,” will be the trad stage emcee,

The Celtic Club Tent is for those whose taste veers to other musical genres—it’s a full day of DJs, including DJ Daily, DJ April, DJ AJ, DJ Ernesto, and Joey Catz.

On the Goodchild Repair Center American Ceili Stage you’ll be treated to performances by the Celtic Flame School of Irish Dance, the Cummins School of Irish Dance, the Pride of Erin, and, for a little American flare, demonstrations by teams from Action Karate. At 3 PM, you can also attend a workshop on Irish step dancing so you can do a little jigging yourself.

There are vendors, food, and bounce activities and face painting for the kiddies in the Leprechaun Green Kids Zone (“I let my 10-year-old girl name that,” explains Daly).

Daly expects a good sized crowd. “We’re already getting a lot of buzz,” he says. And he’s checked out the weather report. “Back in January I predicted it was going to be 83 degrees and partly cloudy and I looked at the extended weather report this week. It’s going to be 83 degrees and partly cloudy.”

Frank Daly is already better than the local stations at predicting the weather, so if he says it’s going to be a great time—and he does—you’d better believe him.

For more details or to buy tickets, go to the Philadelphia Fleadh website.

 

Music

From Celtic Girl to Celtic Woman

Chloë Agnew

Chloë Agnew

Irish singer Chloë Agnew is the daughter of globe-trotting musical parents, entertainer Adele “Twink” King and oboe virtuoso David Agnew. She first appeared on her mother’s RTE show when she was still in diapers. (Though, to be fair, she didn’t sing on the show until she was 6 years old.) She recorded her first CD when she was 12; her second, in 2004. Later on that same year, she appeared onstage in Dublin, the youngest member of what supposed to be a limited-run group, Celtic Woman.

And you probably know what happened to all thoughts of a limited run after that.

Agnew, now 23, and her luminous voice will appear with the latest lineup of Celtic Woman Sunday night at 8 at the Mann Center. It’s the group’s last stop on a long North America tour that began in early April. Catch them while you can.

Though Agnew has packed more musical stardom into her young life than many singers do over decades, performing never stops being a thrill—and at times surprisingly challenging for one so talented and experienced.

“I was born on the stage,” Agnew says. “I was immersed in all things music and theatre. It was just a way of life for me—it was like breathing air.”

But don’t assume singing before jam-packed auditoriums is a walk in the park. It’s certainly not disabling, but it’s no walk in the park, either.

“I think every performer wrestles with stage fright at some stage. If they tell you they don’t, they’re lying. For many years, I didn’t know how to harness it. It can come in fits and spurts. It’s actually a very healthy thing. The day you stop getting it (stage fright), obviously your heart and soul aren’t the way they once were. You have to keep battling through it, and use it as a positive thing. I’m all in favor of it, as awful as it is.”

For Agnew, life before Celtic Woman provided plenty of opportunity to get used to jitters. Her Wikipedia entry is impressive. Here are the high points:

• She won the grand prize at the first International Children’s Song Competition in Cairo in 1998.
• A year later, Agnew appeared in The Young Messiah, an updated interpretation of Handel’s Messiah.
• In 2000, she approached director David Downes (among other accomplishments, he was Riverdance’s Broadway music director) about recording a song to benefit the children of war-torn Afghanistan. The song, Angel of Mercy, was included in a successful CD, This Holy Christmas Night.
• After that, a three-year stint with the Christ Church Cathedral Girls’ Choir in Dublin.
• In 2002, the first CD, with support from Downes, the first CD, Chloë. In 2004, CD number 2, Chloë: Walking in the Air.

There were some non-musical accomplishments along the way. Growing up in Ireland, naturally, Agnew learned the Irish language, but she also sings in Italian, German and Latin. She also taught herself some Japanese. Since the show travels the world, she gets plenty of opportunities to employ her multilingual skills. “It’s been a real joy to be able to sing in all those languages,” she says. “It’s been incredible to do that.”

It probably should not have come as a surprise when Downes asked her to appear in Celtic Woman—back when no one had any idea that this gathering of gifted Irish females would become one of Ireland’s most successful exports, and a sure-fire public television fund drive money magnet.

“I had just turned 15,” Agnew recalls. “It all happened so quickly. I was still in school, and suddenly, to be getting the call to be a part of this show, it was just incredible. It was a fantastic night. We all knew something special would happen.”

Now, as the show approaches its 10th anniversary and it rolls into Philadelphia—where, Agnew says, local Irish are among the show’s biggest fans—Celtic Woman still feels as fresh as ever. “It’s like watching a child grow,” she says. “Just when you think it can’t get bigger and better … it does.”

Music, News

Still Bringing Music to Ambler

Gerry Timlin

Gerry Timlin

In the Delaware Valley, his name is synonymous with Irish music, but what’s got Gerry Timlin really excited right now is an Italian guy who plays jazz. Not just any old guy—Vince Giordano and his 11-piece orchestra the Nighthawks, Grammy winners for their soundtrack for HBO’s hit series, Boardwalk Empire.

“He is fabulous, just fabulous,” says Timlin, who until about two years ago was owner of The Shanachie Restaurant and Pub in Ambler and is one of the movers and shakers behind the Ambler Arts and Music Festival, scheduled for June 14-15, on the borough’s main drag, Butler Avenue.

Giordano is the headliner for the two-day festival and he is quite a get. Giordano and the Nighthawks play twice a week at Sofia’s Restaurant, near the Edison Hotel in New York’s Times Square, but they headline away gigs like the Newport Jazz Festival, and Jazz at Lincoln Center. Giordano and the band have also played on more than half a dozen Woody Allen soundtracks, in Francis Ford Coppola’s film, “The Cotton Club,” Martin Scorsese’s “The Aviator,” and Sam Mendes’ film, “Revolutionary Road, as well as two other HBO presentations, “Grey Gardens” and “Mildred Pierce.”

It’s part of an eclectic mix of performers who will occupy two stages among vendors beer gardens, and art exhibits, including local favorites, rocker Tommy Conwell, the country-western band, 309 Express, singer-songwriter Craig Bickhardt, the McKendry Brothers, the King Brothers, party band Doc Freeman, cover band BKWG, and Jersey Shore favorites, Secret Service Band. The Trammps (“Disco Inferno”) will close out Saturday night with some R & B.

If you’re a former Shanachie denizen, you know Bickhardt, the McKendrys and the King Brothers as regulars at Timlin’s musical pub and you’re likely to hear at least some Irish music. “But the idea was to make it all-inclusive,” says Timlin, who still performs regularly solo and with partner of 40 years, Tom Kane, at Irish music venues on the East Coast.

Though Ambler has had an arts festival, this is the first year that music will be side-by-side with fine art, pottery, and jewelry makers. Timlin volunteered to help add the musical notes. “I thought this was something that could really help Ambler and I kept looking as my blueprint Bethlehem at what Musikfest and Celtic Fest have done for the Lehigh Valley.”

Most of the festival is free. Only the Giordano concert, which is being held at the Ambler Theater, is ticketed ($45). Parking is cheap ($5 no matter how long you stay). And some of Ambler’s best restaurants—and there are many—will be selling food street-fair style along with outdoor table service.

For more information, check out the festival website.

Music

Anatomy of a Pipe Band

Click on the icons on the big photo, below.

Full disclosure: I’ve played drums in several area bagpipe bands for over a dozen years, so it’s probably no accident that our first interactive photo app is all about the old wheeze and squeeze—the Philadelphia Emerald Society Pipe Band, in particular.

Anyway, we found a neat new tool for making our images (we have thousands) a lot more fun than they already are, and we just had to give it a go.

It’ also the time of year where you’re likely to see pipe bands more often—in parades, of course, but also at area Highland games. This new app will answer most of the questions you might have about the instruments, uniforms, and history. It’ll also tell you where to see pipers this summer.

Look for more of these fun interactive pics in weeks to come.

Music, News

Coming Soon!

Philly's next big Irish event.

Philly’s next big Irish event.

Like many Irish-American musicians, Frank Daly, a Mayfair boy, grew up listening to Irish music. “My grandmother used to play the Clancy Brothers and Tommy Makem all the time,” recalls the lead vocalist for the popular Celtic rock group, Jamison. “I hated it.”

You didn’t see that coming, did you? Yet Daly’s story probably resonates with many Irish-Americans who were force-fed music—from interminable slow airs to diddly-die tunes—that couldn’t hold a candle to the rock (or, in Daly’s case, punk) they were hearing on the radio or watching on MTV.

Then, something happened to change his thinking. “I’ll tell you the moment when I said, ‘Wow, this is awesome.’ It was seeing the Pogues [the ‘80s Celtic band from London] play ‘White City.’ I remember watching and going, Oh. My. God. I bought the Pogue’s cassette and played it until it snapped and then I bought it again. It was like, Irish songs can be fun! And then, as I got older, I began to appreciate the Clancy Brothers and Tommy Makem, the Bothy Band, and Solas.”

That was, in part, the impetus for Daly and Jamison fiddler C.J. Mills, to launch American Paddy’s LLC—to lure those Irish Americans who had lost or never connected with their culture by setting it to a different beat.

Their first show was the very successful An American Celtic Christmas, featuring a Mrs. Murphy’s chowder of performers, from traditional and Celtic rock to hip-hop with some Irish step-dancing sprinkled in, held last December at Bensalem High School.

Their second production is on an even grander scale. The Young Dubliners are headlining The Philadelphia Fleadh (fleadh is an Irish word meaning festival) at the Ed Kelly Amphitheater in Pennypack Park in Philadelphia on June 22. There will be five different stages, each highlighting a different aspect of Irish culture, including Celtic rock, traditional music, and dance, as well as an international bagpipe event, sheepdog demonstrations (“yes, they’ll be bringing sheep,” Daly laughs) and traditional sessions and workshops. Right now, the bill also includes Jamison, Blackthorn, the Bogside Rogues, Galway Guild, The John Byrne Band, Raymond Coleman, and Seamus Kelleher, and seven DJs spinning all kinds of music. More is being added every day.

“The idea is that people who aren’t regularly exposed to the Irish culture and who are coming to see DJ Freezie because she’s great will see the ceili stage and think, hey, that’s awesome too and it becomes a cool segue into the Irish culture,” says Daly, who left his job as marketing director of the Kildare’s Pub chain in October last year to become a fulltime musician and entrepreneur.

He was inspired last year by visiting the Dublin, Ohio, Irish festival  which sprawls over 29 acres and draws 100,000 people from all over the country, and Bethlehem’s Celtic Classic, a three-day event in September. “There’s no reason why Philly can’t have the same thing,” says Daly. “Philadelphia is a great Irish American city, with the third or fourth largest Irish population in the country. I can foresee in four or five years this becoming a destination festival like those, where people are coming from out of town to attend.”

Big dreams? Maybe. But when three people started Bethlehem’s Celtic Classic in 1988, it drew 30,000 people, even though the temperatures dipped down into the 30s. Last year, more than a quarter of a million people showed up—many of them people who have kept the festival’s dates permanently on their calendars for decades.

Daly is hopeful, largely because of what he’s seen on the Irish music scene in Philadelphia. “CJ and I did [St. Patrick’s Day] parade benefits all throughout the city in March and we met a lot of people who want desperately to be part of the Irish community,” says Daly. “For some of them, this may be how they start.”

Tickets, which cost $18-$20, are on sale now and you can find out more at the Philadelphia Fleadh website.

Music

The Philadelphia Ceili Group’s Singers’ Session Welcomes Their Donegal Guests

The McGill Family Singers

The McGill Family Singers

The Singer’s Session hosted by the Philadelphia Ceili Group the first Wednesday of every month generally has a featured singer, but this month’s guests were a little bit extra special; they came all the way from Ardara, County Donegal, to do the honors.

Bernie McGill and daughters Mairead and Aine were in Boston last week where Aine competed in the World Irish Dancing Championships. But a trip to the States wouldn’t be complete without a stop in Philadelphia to visit the McGill cousins, and since they all share a love of music, an appearance at the Singers’ Session was a natural way to cap off the week.

And they brought the crowds with them. Terry Kane, who runs the session, noted, “This is the first time we’ve had more than 30 people here.”

But probably not the last. Although the Singers’ Session takes the summers off, there are two more to go this spring:  May 1st and June 5th. May’s featured singer isn’t set yet, but Karen Boyce McCollum is scheduled for June, and that’s another evening of singing not to be missed.

So if you have a love for singing Irish songs (in English or in Irish), come on out to the Irish Center in Mt. Airy. All levels of singers are welcome. You can find more information on the Philadelphia Ceili Group website.

And to listen to a few songs from Bernie, Mairead and Aine McGill, with a little help from their Philadelphia relatives and friends, check out our videos:  “There Were Roses” and “Gleanntain Ghlas’ Ghaoth Dobhair.”