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Denise Foley

History, News, People

Second Duffy’s Cut Victim Returning Home

The skull of Catherine Burns as it was found in the archeological dig. Photo courtesy of Duffy's Cut.

The skull of Catherine Burns as it was found in the archeological dig. Photo courtesy of Duffy’s Cut.

Catherine Burns is going home in July. She will be buried under a Celtic cross in the cemetery of St. Patrick’s Parish of Clonoe, County Tyrone, Northern Ireland. She is the second of the victims of the Duffy’s Cut tragedy whose remains will be interred in the country they left behind in 1832 to find a better life, but who met death instead.

Hers was the seventh body they found—a handful of bone fragments really—in the pit of clay and shale at the Malvern archeological site called Duffy’s Cut, after the 19th century railroad contractor who recruited dozens of Irishmen to work on laying tracks for the Philadelphia and Columbia Railroad, now part of Amtrak’s northeast corridor. Fifty-seven of them died there, only six weeks after arriving on American soil on the ship John Stamp, which had sailed out of Derry on its two-month Atlantic voyage.

The body was known as SK007—a designation indicating only the order in which it was discovered. But one day, several years ago, as a team of students, led by Immaculata College history professor William Watson, his twin brother Frank, a Lutheran minister, and several colleagues, worked at the site, they received a phone call that helped them give those bones a name.

“We were finishing digging out the body we were calling ‘the tall man’ when we got a call from Janet Monge, our forensic anthropologist at Penn, who told us that it was a woman,” recalled the Rev. Frank Watson. “First and foremost, we almost fainted. We had found a pelvis and a skull and Janet told us that the palate was small and it was a woman’s pelvis. We knew from the ship’s records that there had been a young woman, Elizabeth Devine, who came with her brother who was a laborer. But Janet told us she was too young. This was another woman aged around 30, so that left a woman who had traveled from Tyrone on the John Stamp with her father-in-law, John Burns, at 70 the eldest of the immigrants. She was a widow and her name was Catherine. She was 29. And we found historically that she had disappeared with John, like the others.”

And, like the others, Catherine Burns’ remains showed signs of violence. “She had been treated just like the men. She died of blunt force trauma, just like the rest of the men except for the tall man under the tree who had a bullet in his skull. She was beaten to death,” said Watson. “There were no defensive wounds, so they were probably tied up before they were killed. It’s just horrible.”

Over the years, the Watson brothers and their colleagues pieced together what is now a well known story of Irish immigrants seeking a better life who were murdered by local vigilantes who feared the spread of a cholera epidemic that had overtaken the small encampment where the laborers lived, near a likely contaminated creek running by. Only a small group of nuns, the Daughters of Charity, were courageous enough to minister to the Irish workers, coming out from Philadelphia to do so.

It’s a story told even in Clonoe, a rural parish on the southwest corner of Lough Neagh, says Father Benny Fee, pastor of St. Patrick’s. “It is surprising to me how many [of my parishioners] are aware of Duffy’s Cut and the terrible things that happened there,” he wrote in an email this week.

A friend and former parishioner, Brian McCaul, now of Upper Darby, suggested that Catherine’s remains might find a home in the Clonoe Parish Cemetery. “We got involved because as far as I know Brian gave my name to some of the people involved in the Duffy’s cut Repatriation Project,” wrote Father Fee. “We feel very honored to do something for this child of God, Catherine Burns, a lady who I suspect was given very little dignity or value in life. The seventh corporal work of mercy is to bury the dead, so it is a privilege and an honor to be asked to be involved.”

On Sunday, July 19, after a Mass performed by Father Fee, Catherine Burns’ remains will be interred at the foot of “what we call the Tall Cross of Clonoe,” wrote Father Fee.

It’s “a modern cross erected in 2008 in honour of the 150th anniversary of the apparition of Our Lady at Lourdes.,” he wrote. “It is modeled on the Papal Cross that was raised above the Altar in Dublin’s Phoenix Park for the visit of Pope John Paul to Ireland in 1979. And remember at Shannon Airport he spoke of those countless men and women who left Ireland for the New World just as he was leaving Ireland to travel on to New York to address the United Nations. The Cross is lit up at night, based on the lighting of the Bridge of Peace at Drogheda, County Louth. The Cross for us, of course, as believers in Christ is the great bridge from this world to the world of the Presence of God.”

Catherine’s remains will be accompanied by the Watson brothers and their close colleague Earl Schandlemeier who will also revisit and place a marker on the grave of 19-year-old John Ruddy, a victim from Donegal, whose body was buried a year ago in a plot in Ardara, Donegal, donated by Irish Center President Vincent Gallagher. Gallagher may also attend the ceremony. Five other victims whose remains were discovered but who have never been identified are buried in a donated plot—under a Celtic cross—at West Laurel Hill Cemetery in Bala Cynwyd where, until recently, Catherine Burns’ remains were interred.

Several local organizations, including the Philadelphia Tyrone Society and the Friendly Sons of St. Patrick, as well as individuals have contributed to the cost of repatriating the bodies. “Kathy McGee Burns gave us a significant gift he night of her installation as grand marshal of the Philadelphia St. Patrick’s Day parade,” said Watson. McGee Burns, president of the Irish Memorial, also contributed to John Ruddy’s burial in Donegal.

Work will resume at the Duffy’s Cut site on June 8—core samples will be taken to determine if there are any bone fragments in a space under the tracks where screenings found another possible mass grave, possibly the other 50 missing workers, said Watson. “Ideally, if we find what we anticipate we’ll find, the dig will reconvene this year. We have no idea what the Amtrak derailment [on Tuesday night, May 12, in Philadelphia] will mean to this.”

What makes the Watsons and their colleagues press on is something both personal and spiritual. The story started for them one day in 2002 while going through files that belonged to their grandfather, who was executive assistant to the president of the Pennsylvania Railroad, Martin Clement. Clement had kept an extensive file on Duffy’s Cut and it had wound up in their grandfather’s papers.

“We inherited the story from our grandfather and we think it’s for a reason,” said Watson. “This didn’t come to us by accident. This is a story that needs to be told and we need to work for justice and right for these people who never got the chance in their lifetime.”

Photos of other remains below from the Duffy’s Cut team.

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News, People

Local Swimmer Pursues Olympic Dreams in Ireland

Shane Ryan and grandmother Pat Bonner.

Shane Ryan and grandmother Pat Bonner.

Havertown’s Shane Ryan, the 6’6” record-setting Penn State swimmer, headed to Ireland this week with his Irish-born dad, Tom, to begin the next leg of an athletic career that could lead him to the Olympics.

A member of the USA Swimming national team, Ryan, after many discussions and soul-searching with his Penn State and US national team coach Tim Murphy, decided his best shot at a berth on an Olympic team would be in Ireland, where, because of his father, a County Laois native, he’s eligible for citizenship.

Ryan is ranked fourth or fifth in the US and he would have to place in the top two in finals in the US—where there are many topnotch swimmers–to qualify to head to Rio in 2016 as part of the US Olympic team. His pace is certainly up to par. His 100-meter backstroke time is faster than the “A” standard for Olympic qualification and he’s close to it for the 100-meter freestyle. He broke the national record in the 100-meter backstroke.

It was a tough decision, said Ryan, who sat down with me during a going-away party last weekend, attended by family and friends in the spacious backyard of his family home. “I talked it over with my coach and we decided that it was my best chance to get to the Olympics and to get a medal,” explained the 21-year-old, a recreation, park, and tourism management major at Penn State’s main campus. “In the US, they only take the top two and if I come in third, there goes my shot. But I also saw it as an opportunity for me to help put Irish swimming on the map. “

According to an article in the Irish Times, Ryan will be considered “the hottest Olympic swimming prospect in the country.” By international swimming federation (FINA) rules, he has to live for a year in Ireland before he’s eligible for the Irish team, though he will be training with them.

It’s not unusual for athletes with dual citizenships to compete for teams outside their birth countries. In fact, 120 out of the 3,000 competitors at last year’s Sochi Winter Olympics were doing just that, found a Pew Research Center survey.

Yes, they often do it for personal gain. But some, like Ryan, also have an emotional connection to another country. Like many children of immigrants, Ryan grew up with a strong sense of his heritage, and not just because of his father, who himself emigrated to the US to play Gaelic football for the Gaelic Athletic Association. His mother, Mary Beth Bonner Ryan, a singer, aquatics coach and a former Miss Mayo, “also lived for a year in Ireland when she was my age,” he says.

His grandfather was the late Phillip “Knute” Bonner, a Philadelphia police officer, a long-time member of the Philadelphia St. Patrick’s Day Observance Association. (Ryan’s mother now sits on board of the organization that plans the city’s St. Patrick’s Day parade.)

His maternal grandmother, Patricia Noone Bonner, was, like her grandson, the child of immigrants. Her father, Martin Noone, was a dedicated Irish republican from County Mayo who bequeathed to her a strong passion to bring about a united Ireland. Pat Bonner has been involved in that cause through various organizations for more than 40 years.

“And I come from Havertown, which is known as the 33rd county of Ireland, because there are so many Irish here,” says Ryan. “Being Irish has always been a big part of my life.”

He’ll be missing his family—his parents, brother Brendan, college student, and 16-year-old sister Tara, and his grandmother. (See photos below.) But he won’t be wanting for kin. “My Dad is one of 10,” he says. He has dozens of cousins, some his own age, who will be a short trip away in Portlaoise, south west of Dublin where Ryan will be living.

He’ll be working while he’s in Ireland, but is taking a year’s hiatus from college. But he’ll head back to Penn State, where he has a full scholarship, for his degree once his Olympic dreams in Ireland are played out one way or the other. There are no guarantees.

“I need to do my job,” says Ryan. “It’s going to be a lot of hard work. You don’t get there just by being faster and having natural talent. I realize that this is a once-in-a-life time opportunity and I think if you have a chance to do something, you ought to take it.”

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Music, News, People

Local Trad Performers Score Big at the Fleadh

Emily and Livia Safko with some of their fleadh trophies.

Emily and Livia Safko with some of their fleadh trophies.

The Delaware Valley will be well represented this year at the Fleadh Cheoil na hEireann in Sligo, the annual “Olympics” of Irish traditional music sponsored by Comhaltas Ceoltoiri Eireann, the international organization dedicated to the preservation of Irish music and culture. A total of 10 local Irish traditional music performers, most of them under 18, qualified at the annual Fleadh (pronounced “flag:) in Parsippany, NJ, last weekend for what are known as the All-Irelands. Some of them have already competed—and won—there.

One competitor, fiddler and concertina player Livia Safko of Medford Lakes, NJ, made Comhaltas (pronounced coal-tas) history when she placed first in four competitions at the Fleadh, any one of which would qualify her to compete in Sligo, which is hosting its second All-Irelands competition.

Livia took first in the under 15 duets, which she won with her older sister, Emily, on harp. The other firsts: under 12 fiddle, under 12 fiddle slow airs, and concertina.

Emily Safko also took home firsts in under 15 harp and harp slow airs.

Other local musicians also brought home trophies—some almost as big as they are. Catherine Bouvier of Merchantsville, NJ, a student of local harper Kathy DeAngelo, took home first place in under 12 harp and her twin sister, Olivia, won second place.

The Converse Trio—fiddlers Haley Richardson of Elmer, NJ, and Alexander Weir of West Chester along with piper Keegan Loesel of Kennett Square—took home first place in under 18 trios. They earned a third place in trios in last year’s All-Ireland completion, also in Sligo. Richardson and Loesel also won second place in duets in Parsippany last weekend.

Richardson, a second place winner in slow airs in Sligo in 2014, won first in under 15 fiddle and second in fiddle slow airs. Loesel took firsts in under 18 whistle slow air and uillean pipes solos and slow airs. Weir, a third place winner in fiddle slow airs in Sligo, earned a first in under 18 fiddle slow airs in Parsippany.

Fiddler Patrick “Patch” Glennan of Mantua, NJ, won a silver medal in his first competition.

Another Jersey winner: Katherine Highet of Voorhees, a second place in over 18 harp.

Mary Kay Mann of Media also won first places in over 18 harp slow airs and flute.

One interesting thing many of these winners have in common: They are or were members of the Next Generation, a group of young performers who play together at the Irish Center in Philadelphia, led by husband-and-wife team Dennis Gormley and Kathy DeAngelo (Comhaltas Hall of Famers) and Chris Brennan Hagy. “This is how they met each other and started playing together,” says DeAngelo. “[This is a] point of pride for me and Dennis. Six of them are or were my students.”

The photos below were shared with us by Katherine Ball Weir, Amy Safko, and Kathy DeAngelo.

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How to Be Irish in Philly

How to Be Irish in Philly This Week

Wearing her team on her cheek.

Wearing her team on her cheek.

Irish music and real estate dominate this week’s events in Irish Philadelphia.

Dine and dance on Saturday night at the Irish Center with the Galway Society, holding it’s annual dinner dance featuring the music of the Vince Gallagher Band.

Also on Saturday, Timlin and Kane are performing at Catherine Rooney’s in Wilmington.

On Monday, learn why investing in Irish property is a good business move at a special workshop at The Union League in Philadelphia, sponsored by the Irish American Business Chamber and Network. Pretty sure they’re not going to be talking about thatched cottages, but you never know.

Get your reserves in asap for Irish harper Maire Ni Chathasaigh and English acoustic guitarist Chris Newman who will be doing a house concert on Wednesady in Center City at the home of musicians Gabriel Donohue and Marian Makins. It’s their livingroom, so seats are limited.

The Celtic Tenors will be in nearby Millville, NJ on Thursday at the Levoy Theater.

On Friday, take yourself out to the ballgame. It’s Irish Heritage Night at the Phillies, with lots of Irish musicians and dancers to enliven the evening.

Two local groups are debuting some new material from upcoming albums this week. On Friday, Burning Bridget Cleary will be performing at Steel City Coffee House, a cozy venue in Phoenixville. Then on Saturday, The John Byrne Band will be at another cozy venue, the Tin Angel on Second Street in Philadelphia, playing songs and tunes fresh from the recording studio. Expect a new CD from them come September.

On Sunday, May 18, join the Donegal Association at a fundraiser at the Irish Center to help St. Columba’s Church in Glenswilly, County Donegal, make some much needed repairs. It’s not seen quite as much these days, but it’s been traditional for Irish immigrants to maintain ties with their home parish and to help in fundraising efforts. This is your chance to experience that.

And to all you Irish mammies out there, Happy Mother’s Day!

Music

Celtic Thunder’s Emmet Cahill Coming to The Irish Center

Emmet Cahill, going solo.

Emmet Cahill, going solo.

One of the things that happens when you join a popular music group already in progress is that you inherit their fans. In the case of Celtic Thunder, you inherit the “Thunderheads,” as they’re called, admirers so devoted they’ll travel to other countries and continents at great expense to see their “boys” perform.

That’s what happened to Emmet Cahill when he was chosen to join the theatrical Irish singing group in 2010 at the age of 20. The adulation was an eye-opener. “When I first walked on stage and heard the cheering I was looking around for who they were cheering for,” he admits.

How did he cope?

“Oh it was awful, absolutely terrible, I’m still recovering from the emotional scars,” laughs Cahill, now the ripe old age of 24 and launching his first American tour of his solo career which will bring him to Philadelphia’s Irish Center on Wednesday, May 27. “Of course, it was absolutely brilliant!”

He’s talking by phone from his family home in Mullingar, County Westmeath, where he’s preparing his set list for the tour. “There’s sheet music all over,” he says. “You caught me in mid-destruction, as my mam likes to call it.”

Celtic Thunder was started in 2007 by producer Sharon Browne and musical director Phil Coulter, an experiment to see if five different voices from men of different ages (from 14 to 44 at one point) would meld. They melded just fine. The group has released 11 albums, appeared on countless PBS specials, and was Billboard’s top world album artist for three years.

Over the years, members have come and gone. Paul Byrom, Damien McGinty, and George Donaldson are probably the best known of the former singing mates who’ve moved on to solo careers. Sadly, Donaldson, who performed frequently in Philadelphia, died suddenly last year of a heart attack at the age of 46. Cahill had left the group by the time of Donaldson’s death, but he rejoined them for a tribute tour to the man they called “Big George” in Australia last year and was on the group’s most recent fan cruise in November.

Cahill grew up in a musical family—his father is a music teacher and both parents sing. He started piano when he was four and his mother had him in voice training at the age of seven. “When I was 12 I was still a boy soprano and I won a music scholarship to high school,” he says. “I also took up guitar and violin as well. I was quite busy as you can imagine.”

He always had his sights set on a solo career in music. In 2010, he was at the Royal Irish Academy of Music studying opera and theater where he was awarded the John McCormack Bursary for the most promising young tenor, named the most promising young singer at the Academy, and was a multiple prize winner at the National Feis Ceoil singing competition.

Then to his own surprise he found himself auditioning for Celtic Thunder. “I knew nothing about Celtic Thunder and I didn’t even want to do it but my Dad pushed me into it,” says Cahill. He thinks the fact that he really didn’t know what he was getting into—and was reluctant to even do it—curbed any audition stress he might have felt that would have affected his performance. They grabbed him up. “I guess those are the ones you get, the ones you don’t care about,” he says, laughing. “It helps when you walk in and you’re easy going.”

Though someone as musically gifted as Cahill might be dreaming of the rock star life, the 24-year-old was classically trained and raised on old recordings of famed Irish tenor John McCormack, who was also from Westmeath, operatically trained and enormously popular in both Europe and the US in the early 20th century.

So there are plenty of McCormack songs among the sheet music Cahill is using to build his set list. “I like to think I’m following in his footsteps,” says Cahill. “He made a career in America singing Irish songs. He was so well-loved in the States. So I’m going to be singing some of the songs he made famous during my tour.”

Songs like “I Hear You Calling,” and “Macushla” – don’t worry if you don’t think you know them. You’ve probably heard them and can even download McCormack’s versions from iTunes to refresh your memory.

“I’ll be doing Irish favorites, like ‘I’ll Take You Home, Kathleen,’ and I’m known for singing the likes of ‘Danny Boy.’ In Celtic Thunder, it was my big solo song,” he says.

Expect some Rogers and Hammerstein, some gospel music (when he’s home he’s the cantor at Mullingar Cathedral) and, when he picks up the guitar, some old folk tunes. “I do modern songs as well,” he adds. “I want there to be something for everyone, from grandparents to kids.”

While he’s inherited a tight fan base from Celtic Thunder, his goal for his US tour is to introduce himself to Thunder fans and others who may not know that he’s also a good storyteller (“I have no trouble getting up telling embarrassing stories about myself and my childhood. Most of them are fresh in the memory,” he quips, giving himself a jab about his age.) and to create new fans—Emmet Cahill fans. He hopes the smaller venues for his US tour will let fans get to know him, up close and personal.

“I’m really looking forward meeting people and letting them get to see me up close. I know from my Celtic Thunder experience, especially from the cruises, that that’s something people are interested in. They ask me, ‘Emmet, what do you do when you’re off?’ They’re sometimes more interested in that than the songs I’m singing. When I’m up on stage, I want people to feel that they know me, that I’m a guy they could go have a beer with.”

And, he says, that’s not out of the question. “There’s no barrier. If you walk up to me in the street to have a chat and ask me how it’s going I’ll tell you if it’s good or going crap,” he laughs. “I think people see me as a young fella from Ireland singing songs and having a bit of craic.”

Which, of course, is what he is. And enjoying every second of it. “What other job gives you the opportunity to bring happiness to people?” he says. “I want to do that as long as possible.”

Catch Emmet Cahill at the Irish Center, 6815 Emlen Street, Philadelphia, PA 19119, on Wednesday, May 27, at 7;30 PM. Order tickets here. 

News, People

“I Lost My Dance Partner”

Ed and Mary Reavy as most usually saw them.

Ed and Mary Reavy as most usually saw them.

A group of Irish musicians, led by 87-year-old Tyrone native Kevin McGillian and his sons John and Jimmy, were playing dance music at the front of St. Kevin’s Church in Springfield on Tuesday morning, as hundreds filed in to pay their last respects to Ed Reavy Jr.

Dance music at a funeral? Ed Reavy would have loved it. In fact, he would have been up there in front of the church, kicking up his heels with his wife, Mary. And it wouldn’t have been the first time the Reavys danced in the aisle of church, as Father John McNamee noted in his homily during the Mass of Christian Burial for the 89-year-old Reavy, who was known as a teacher of ceili dance teachers in the Philadelphia area.

The former pastor of St. Malachy’s Church in North Philadelphia, which was built by Irish immigrants, recalled one November Sunday at the annual fundraising concert in the church organized by famed Irish musician and folklorist Mick Moloney. Something—the sound or the lights—wasn’t working.

“So I got up in the pulpit and announced that the show wasn’t going to start on time, but it might make the time pass if Ed and Mary Reavy got up and danced for us,” recalled the priest. “Mary poked Ed in his side and they got up and danced in the aisle till the concert began. That took a lot of courage.”

Ed Reavy Jr. died last week after a long illness. He was confined to wheelchair, living at the Broomall Presbyterian Village; he hadn’t danced for years. But in the minds and memories of those who came to say goodbye to him, he was still dancing and would forever be. To each person who came to touch her hand or wrap their arms around her, Mary Reavy said tearfully, “I lost my dance partner.”

Many recalled the tap shoes he wore. “He wore those clip shoes up the aisle at his son’s wedding,” said longtime friend Jim McNicholas whose wife and Ed’s first wife were cousins. “All you could hear as he walked was clip, clip, clip.”

And they remembered his stories. His father, the late Cavan-born fiddler Ed Reavy, considered one of the greatest composers of Irish traditional music in the 20th century, was known for his prodigious memory for tunes. One melody would remind him of another and it seemed he could go all night, fiddling the songs of his homeland and the ones he wrote that reminded him of home. His son told stories the same way, in a chain, as one reminded him of another and another.

When her daughter, Caitlin Finley, was a young fiddler, said Denys Everingham, “Ed took an interest in her as he did all the young musicians he liked to encourage. He would talk to her about all her musical mentors at the time. He told her stories about how he used to sit on the stairway of their house and listen to them playing downstairs with his father. She gave him a CD of friend who was an All-Ireland fiddler—he really knew a good fiddler when he heard one—and he commented on how good his slow airs were. Then he told her about a pretty famous fiddler he knew. ‘He couldn’t do a slow air to save his life,’ he told her. That really made us laugh. He had several copies of his father’s tunes left and he gave one to Caitlin. He did so much to promote the music and the culture. He really touched a lot of people.”

He’s credited with helping revive ceili dancing, a form of Irish country dancing, in the Delaware Valley in the 1970s, when Irish music regained a foothold in the region’s Irish community. The dances were staple stuff at Reavy house parties and at the many dance halls in Philadelphia where the Irish would gather, like 69th Street and Connelly’s on Broad Street. Many of the people who teach it today learned from Reavy. And dance was brought Ed, then a widower, together with Mary McGoff, who took lessons from him and became his wife.

“I really remember his dancing,” said Lorraine McDade Kelly, whose late sister, Maureen, founded the McDade School of Irish Dance in Delaware County. “He would kick his heels up really high.” She smiled at the memory. “I got to know him because my dad, Jimmy McDade, was a musician who played with his father. And I would see him at the nursing home. On or around St. Patrick’s Day, Irish musicians would show up to play for him and the other residents. Once he gave me a photo of my Dad that he found, and he was such a story teller, he could tell me the whole story of where it was and what was going on when it was taken.”

The Reavys, particularly Ed’s brother Joe, dedicated their lives to keep their father’s music and name alive. Reavy compositions were being passed from musician to musician and in some cases, attributed to other composers or “anonymous.” In the 1960s, Joe Reavy began transcribing and annotating their father’s tunes from the elder Reavy’s homemade 78s and that remarkable memory. Joe produced the first Ed Reavy songbook in 1980.

The last of Ed Jr.’s 17 visits to Ireland came in 2010 when, with Mary, he was the guest of honor at a tribute concert to his father at the Fleadh Choeil in County Cavan where the first annual Ed Reavy Sr. Traditional Music Festival will be held October 15-18 this year in Cootehill and Cavan Town. (See below for some photos from that event, graciously provided to us by the Ed Reavy Festival committee.The other photos are from our archives.)

On May 15, Mick Moloney, who first recorded Ed Reavy Sr. in the 1970s, will be speaking at a special program at the Cavan County Museum on “Ed Reavy: His Music, His Legacy” to kick off the festival.

Bill McKenty—always “Brother Bill” to Reavy—met the man who became his close friend of more than 20 years when McKenty, a ground water scientist by training, was playing in a session at The Bards pub in Philadelphia in the early 1990s. “A gentleman sits next to me and says, ‘that’s good soundin’ flute playing,’’ recalls McKenty. “I said thanks and went up to get a glass of water and someone says, ‘You know who that is, don’t you? That’s Ed Reavy.’ So when I went back I played one of his father’s tunes.”

They started chatting and, as often happened to Ed Reavy, the shared love of music created a friendship. “We started trading music, becoming friends. I did a website for him,” said McKenty. “He’s of that generation where a computer is not appropriate in a home, so he put it in the closet and had a little chair there. We got him a dial-up internet account, and soon he was surfing, burning CDs, having a lot of fun.”

In recent years, Reavy also struck up a friendship with a 15-year-old dancer and fiddler from Tennessee, says McKenty. “His father’s music connected him to this young lady. Somehow she got his number at the nursing home and over the last two to two-and-a-half years they developed a special friendship over the phone. She was so sweet to him, but they never met. But he hooked her up with all kinds of people to help her with her playing, the Brian Conways, Eileen Ivers and Tony DeMarcos of the world. She was devastated when she learned he had died.”

The other memory McKenty cherishes of his friend was the relationship Reavy had with Mary. Reavy’s daughter, Erin Reavy Fredericks, in her eulogy, read by her step-sister’s husband, James Dale, acknowledged the strong bond between her father and her stepmother.

“I know he hung on as long as he did because of your special love,” she wrote in the tribute to her father, who she recalled as a loving father “who showed up to Girl Scout meeting before that was acceptable, tied my shoes, taught me to ride a bike, throw a ball and recognize a good deal at a garage sale.”

“Talk about a marriage,” said McKenty. “That was one where you reach for the stars and they got it. Did you see his poem?”

In the booklet handed out at the funeral Mass was a poem Reavy wrote for Mary called “Rock,” that begins, “I will never forget the first time I saw you, just as I cannot forget when I knew I did not want to go through life without you.”

It ends, presciently, “I have greed of your time and your space within by being in dread of the spectre of life without you so, I entreat that I be taken before your time need I beg the fairness of this could I manage sanity without my Rock.”

“That’s the way he was,” says McKenty. “Vociferously in love with her. It was puppy love, all that and more. I wish I had that. I’ll miss him greatly.”

Along with his wife, Mary, Ed Reavy Jr. is survived by his son, Edward P. Reavy (the late Linda) and his daughter, Erin Fredericks (Michael); his brothers Joseph and George (Pat) and sister, Eileen Carr. He is also survived by his grandchildren Thomas and Cara Fredericks and Colleen Reavy Karpinski (Mark) and Kevin Reavy; his great-grandchildren Emma and Alexander Karpinski; his step-grandchildren Lauren Ashley, Gavin, Brian, Austin and Dalton Coigne and Matthew, Maureen, Patrick and Maeve Dale and his step-great-grandchildren Catherine, Cailin, Patrick and Caroline Ashley.

In lieu of flowers, the family asks that contributions be made in his memory to the Wounded Warrior Project, PO Box 758517, Topeka, KS. 66675

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How to Be Irish in Philly

How to Be Irish in Philly This Week

You'll kick up your heels at the Philly Fleadh this Saturday.

You’ll kick up your heels at the Philly Fleadh this Saturday.

Are you feeling the excitement? I am. There are two great music events this weekend. I think we should mash them together and call them the Irish Woodstock, but without all the rain, mud, and bad acid.

On Saturday, it’s the Philadelphia Fleadh (pronounced “flah”—in Irish, many letters are silent) which was moved two weeks ago from its original Pennypack Park location to Cherokee Festival Grounds, 1 Declaration Drive, in Bensalem.

Jamison Celtic Rock’s Frank Daly and CJ Mills, who make up the production company American Paddy’s Productions, have brought in a stellar lineup of performers, incuding the Mahones. They’re an Irish punk band from Canada that’s been around for two decades and have some serious awards under their belts (Best Punk Album for “The Black Irish” from the Independent Music Awards) and even some cinema cred (if you saw the Academy Award-winning movie “The Fighter” with Mark Wahlberg, you heard them in the climactic fight scene). Even if you think you don’t like punk rock, you’re probably going to enjoy it with a little Irish seasoning. Trust me.

Also on the bill, our own homegrown (well, via Dubin) John Byrne Band; Raymond Coleman (stolen from Tyrone); the wickedly funny and musically talented Seamus Kennedy; the high-energy Kilmaine Saints; two bands that never seem to take a break, The Broken Shillelaghs and the Birmingham Six; Killen-Clark (wait till you hear Kim Killen sing—she’ll give you goosebumps); Jamison Celtic Rock, of course; and a host of trad performers including All-Ireland winner Alex Weir with accordion player Mikey McComiskey.

Comhaltas Ceoltoiri Eireann, a worldwide organization dedicated to promoting Irish music and culture, will be hosting a ceili at 1 and 3 PM so you’ll get your chance to do some traditional Irish dancing. (Never done it before? Ask them to do the Siege of Ennis—even I can do that one.)

And to complete the Irish experience, there will be a feis (pronounced “fesh”—in Irish, sometimes letters are also missing)which is a competition of Irish stepdancers. It’s open to all dancers.

There are also vendors selling both merchandise, food, soft drinks, and beer.

Tickets are $30 at the door. For more information, go to the Fleadh site.  To see last year’s fun, look at the photos below.

By the way, May 2 has been designated “Mayo Day,” so if you see someone from Mayo, give them a big hug and a kiss.

Part two of the Irish Woodstock is on Sunday at Marty Magee’s Pub in Prospect Park. Musicians including John Byrne, Galway Guild, Mary Malone and Den Vykopal, Paraic Keane, Vince Gallagher and Robbie Furlong, Diarmuid MacSuibhne, Mike Fahy, Scott McClatchy and more will be playing everything from folk to rock to trad to raise money for the Sunday Irish radio shows on WTMR 800AM.  Listen here on Sunday from 11 AM to 1 PM. Radio host Marianne MacDonald is queen of the raffle baskets so there will lots of great prizes, guaranteed. A recent on-air fundraiser brought in more than $10,000 for the shows which the hosts, including Vince Gallagher, pay for themselves. (Nah, nobody’s getting rich promoting Irish culture except maybe Bono.)

If neither of these events piques your interest (so, what are you doing reading this?), you might be intrigued by Belfast-born Keith Getty, a Christian singer-songwriter, who will be performing at a free luncheon at Proclamation Presbyterian Church in Bryn Mawr on Saturday, May 2, from noon to 2 PM. One lucky attendee will win two tickets to see Keith and wife Kristyn’s debut at the Kimmel Center’s Verizon Hall (yes, they can fill it) as part of their “Joy: a Christmas Tour” this year.

Also on Sunday, there’s a beef-and-beer fundraiser at the Philadelphia Ballroom in Philadelphia for John Sweeney, a physical therapist who traces his ancestry to Tyrone and Donegal, and who is struggling to regain his mobility after life-altering spinal surgery. The proceeds will help ease the financial burden of his ongoing rehabilitation.

Do a good thing on Sunday. There’s an Irish Tay-Sachs screening at 3 PM at the Haverford YMCA in Havertown. Albert Einstein Medical Center in Philadelphia is conducting a study on the prevalence of genetic markers for this deadly disease that strikes babies in people of Jewish, French Canadian, and Irish descent. There have been three cases of Tay-Sachs in the Philadelphia area, all children born to parents of Irish heritage who carry the gene. I got tested. It doesn’t hurt and it could help others avoid the heartache of losing a child little by little to this terrible disease.

On Tuesday, there’s a special Irish tribute to Philadelphia Councilman Bobby Henon (he’s Johnny-on-the-spot for many Irish wants and needs in the city) at the FOP Lodge #5 in Northeast Philadelphia. There will be food, drinks, and entertainment. Someone needs to play some Mummers’ music that evening. I saw him strut with St. Patrick’s Day Parade Director Michael Bradley at the Friendly Sons of St. Patrick dinner-dance this year, and he is quite the dancer.

On Wednesday, genealogist Frank Southcott (a specialist in Chester County history) will be conducting a workshop on searching for your Irish ancestors at the Bethlehem Public Library between 6:30 and 8 PM.

Then, on Thursday, bingo! The Young Ireland Gaelic Football Club is sponsoring a night of bingo to help raise money for the club. Prizes are co-ed so guys, don’t be afraid. You won’t be playing for purses. It’s at the Highland Park Firehouse in Upper Darby.

Check our calendar for more details and check back during the week for late-breaking events. We’re adding to the calendar just about every day.

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How to Be Irish in Philly

How To Be Irish in Philly This Week

That's camogie.

That’s camogie.

It’s a sporting weekend in Irish Philadelphia. On Saturday, there’s a beef-and-beer fundraiser at Daly’s Pub in Philadelphia for the Shamrocks Youth Camogie Team. Camogie is the feminine side of the Irish sport of hurling and there hasn’t been a camogie team in Philly in recent memory. You can see some of our photos from the camogie finals at the National GAA Championship games in Philadelphia a few years ago at the bottom of this page.

On Sunday, the Glenside Gaelic Club is opening its 2015 season at the Bishop McDevitt High School grounds.

For you music lovers in Jersey, the John Byrne Band is giving a free concert at the Burlington County Library Ampitheater in Westhampton Township on Sunday afternoon, starting at 2.

This coming Thursday, the Irish and the British make up. Well, sort of. The Irish American Business Chamber and Network is holding a networking event with the British American Business Council at the Trestle Inn in Philadelphia. There will be a panel discussion about corporate social responsibility.

Also on Thursday, the group Carbon Leaf, a fusion of Americana, bluegrass and Celtic flavors, is performing at the Sellersville Theatre.

On Friday—the first Friday of May—join the Paul Moore Band at their usual spot, Brittingham’s in Lafayette Hill.

And mark your calendars: Saturday, May 2, is the Philadelphia Fleadh, a day of music, ceili dancing, kids’ events, a dance feis, vendors, this year in a new location, the Cherokee Festival Grounds, 1 Declaration Drive, in Bensalem. You’ll hear music from the Mahones, The John Byrne Band, Jamison, the Birmingham Six, the Broken Shillelaghs, Galway Guild, Seamus Kennedy and more. Bring your lawn chairs and blankets and enjoy the day.

On Sunday, May 3, join another group of local trad and Celtic rock musicians, including John Byrne, the Derry Brigade, Galway Guild, Paraic Keane and more, at Marty Magee’s Pub in Prospect Park to help raise money for the Sunday Irish radio shows: Vincent Gallagher’s Irish Hour and Come West Along the Road hosted by Marianne MacDonald. This is your chance to enjoy another day of Irish music and see the magnificent Irish mural painted on the side of Marty Magee’s.

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