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Jeff Meade

How to Be Irish in Philly

How To Be Irish in Philly This Week

Olympic boxer Danny O'Connor. Photo by Andre Lambiase.

Olympic boxer Danny O’Connor. Photo by Andre Lambiase.

Another jam-packed week in Irish Philadelphia. Yay us!

On Saturday, you can support the Claddagh Fund, which raises money for underfunded nonprofits in the Philadelphia region, at the fights. The main event is a matchup between national amateur champion and 2008 Olympian Danny O’Connor and former world champion Vivian Harris. You can also see Three of Ireland’s best young boxers: Anthony “Anto” Cacace, Irish prospect of the year for 2012 and, despite that name, from West Belfast;former Irish super-featherweight champ (and former child actor) Tyrone McKenna, and super middleweight Ray “Irish Sugar” Ginley.

Oh, and you can expect to hear a little Dropkick Murphys too—lead singer Ken Casey is the brains behind the Claddagh Fund. They’ll be playing an acoustic set before the main event to get everyone into the fighting spirit. It all takes place at The Electric Factory. You can meet Ken Casey, Danny O’Connor, and the others fighters at Xfinity Live on Friday night at 6, prior to the Flyers’ game.

Beneficiaries of this event: The Hero Thrill Show, Inc., which raises money to pay for the college education of the children of police or firefighters who have died in the line of duty.

The Claddagh Fund will also honor two local men they say “exemplify the Irish fighting spirit:” former boxing commissioner, philanthropist and litigation lawyer, James J. Binns, and John Kane, business manager for the Plumbers Union Local 690.

That same night, a couple of more champs are performing at the Irish Center—that would be James Keane, one of the finest Irish box players in the world and Michel Tubridy, known for his prowess on the flute, tin whistle and concertina. Tubridy is one of the founders, with Keane’s brother, Sean, of The Chieftains. We would not be surprised if Keane’s nephew, Paraic, a remarkable fiddler whose home base is Philadelphia, showed up too.

On Monday, join the lively seniors for lunch at The Irish Center, where there’s sure to be some music and dancing too.

On Monday evening, The Coatesville Traditional Irish Music Series welcomes uillean piper Emmet Gill, who learned his craft in his native London though his roots are County Galway, and his partner of 10 years, Jesse Smith of Baltimore, a fiddler who learned to play from the acclaimed Brendan Mulvihill.

On Thursday, it’s time to fiddle around. The Celtic Fiddle Festival comes to Sellersville Theatre with Celts from all over: Kevin Burke from Ireland, Christian Lemaitre from Brittany, and Andre Brunet from Quebec, accompanied by master open tuning guitarist Nicola Quemener. You can hear Celtic music three different ways from some of the finest performers on the planet.

On Friday, our good friend, writer Liz Kerr, will be one of four Irish authors reading from their works at the Fishtown Tavern on Frankford Avenue in Philadelphia. Liz’s short stories and poetry have appeared in Philly Fiction, City Paper, Rust Belt Rising and The Galway Review. She’ll be joined by novelist Shawn McBride, writer/teacher Corinne Kelly, and poet Sean Kearney.

Another good friend and sometime contributor, photographer Brian Mengini, is offering specially priced photo sessions next Saturday at Ridley Lake in Ridley Park, with 15% of the session fee going to support The Irish Immigration Center. Now’s the time to get those Christmas photos done by a really remarkable photographer. And you get a 5 X 7 for free!

See our calendar for more information about all these events.

Music

Celtic Fiddle Festival: Still Going Strong After 20 Years

Celtic Fiddle Festival

Celtic Fiddle Festival

Legendary Irish fiddler Kevin Burke is wrestling with what he suspects is an insoluble problem.

“I’m looking for a job,” Burke says. “I need to get a proper job. I’m still waiting for one to come along. In the meantime, I’m playing the fiddle.”

For now, that fiddle thing seems to be working out OK. Burke’s career includes membership in the iconic Bothy Band and Patrick Street. His always fresh, bright style of play is on full display throughout countless collaborations, including an early relationship with Arlo Guthrie—and, more recently, a marvelous album with the superb Portland, Oregon, guitarist Cal Scott. The New York Times once described Burke as “one of the great living Celtic fiddlers.” No doubt, he’s gratified to be counted among the living. So rest easy. Kevin Burke seems to be paying the bills.

Burke is also one of the founders of a brilliant international musical partnership called the Celtic Fiddle Festival. In 1993, Scottish fiddler Johnny Cunningham joined Burke, together with famed Breton Christian Lemaître, to merge the distinctive musical influences of the world’s fiddle hot spots. Regrettably, Cunningham passed away in 2003. Québécois fiddler André Brunet joined the lineup not long after Cunningham’s death. The great Nicolas Quemener accompanies the group on guitar. The four recently released a triumphant album, “Live in Brittany,” recorded in Quemener’s home town of Guémené-sur-Scorff.
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The eclectic ensemble is touring now, and will appear in concert Thursday night, October 17, at the Sellersville Theater. The show starts at 8.

It’s hard to believe the idea is so long-lived, Burke reflects.

“When we did it, it was kind of an experiment. We thought many people would find it moderately interesting and amusing. We didn’t think it would go any further than that. Now, it’s almost like a band, even though the personnel has changed.

“The Celtic Fiddle Festival stands for this amalgamation of this kind of music, even though we’re all playing the same instrument. What Johnny and I thought would be a one-off has become part of the folk music establishment, which is great. If you go back 20 or 30 years ago, Breton and Québéc fiddling were not as well known here. Even among the Irish music fans, a lot were not quick to embrace music from other areas, even though there are obvious strong ties there. Now they see that this amalgamation is not an oddity, but something they can take for granted.”

Twenty years on, the band still hasn’t lost its propensity to surprise. Fans frequently discern a little tweak or twist they haven’t heard in previous performances. They’re not alone. Burke says he always hears something new. Each fiddler’s style reflects the musical influence and sensibilities of his native region, but each comes from a different creative starting point.

“We all play solo to show how unique each style is, and how they’re quite connected,” Burke explains. “It doesn’t take much for one to fit with another. We try to choose pieces of music that demonstrate that. It’s a fun bunch of guys, and it’s always challenging because the repertoire is not exactly native to me, you know, but that’s part of the fun—learning more and more about the Breton and Québéc music. André and Christian seem to have an endless store of knowledge about my own music. I hope, if you were talking to them, they would say the same thing about me.”

After all these years, Celtic Fiddle Festival remains true to its roots.

Burke believes his his co-founder would be pleased, but in his own distinctive way. With a laugh, Burke remembers how Cunningham sized things up. “Johnny used to say that we demonstrate how three cultures can be destroyed by one common instrument.”

You’ll be forgiven if you don’t see it the same way.

News

A Look Back at the Irish Gathering 2013

Crafter and frequent irishphiladelphia.com Gwyneth MacArthur shows off her wares.

Crafter and frequent irishphiladelphia.com Gwyneth MacArthur shows off her wares.

Dancers, bagpipers, Glenside Gaelic Athletic Association kids, singers–if you wanted to see what the Philadelphia Irish Center/Commodore is all about, you had your chance last Sunday.

Irish Gathering 2013 drew visitors to the venerable old cultural center at Carpenter and Emlen in Mount Airy, all in search of that intangible je ne sais quoi that makes makes the Barry Club what it is—the beating heart all that is Irish in the city and beyond.

The day started with an Irish breakfast, and good food always draws a hungry and appreciable crowd. In the center’s Fireside Room, one of the loveliest spaces anywhere and frequent venue for the Philadelphia Ceili Group’s concerts, Irish radio hosts Vince Gallagher and Marianne MacDonald broadcast live through out the morning. In between tunes, they took the opportunity to take the Irish Center’s good-natured message of camaraderie and craic to the masses. A steady stream of representatives from the groups that make the Irish Center their home stepped up to the mike and made their pitch.

In the Barry Room, vendors hawked jewelry and crafts. Marita Krivda Poxon beat the drum for her pictorial history, “Irish Philadelphia.”  longtime Irish Edition editor Jane Duffin handed copies of the region’s Irish newspaper.

The afternoon was given over to music and dancing, including performance by singer Terry Kane and harper Ellen Tepper, and one of the area’s most accomplished Irish songbirds, Rosie McGill. Cummins School dancers performed, and they rounded out the afternoon by teaching newbies a set dance.

We have a lot of photos from the day. Check them out.

How to Be Irish in Philly

How To Be Irish in Philly This Week

John Byrne and Andy Keenan of the John Byrne Band: at the Irish Center on Friday!

John Byrne and Andy Keenan of the John Byrne Band: at the Irish Center on Friday!

It’s a tough call for Sunday night. At Quest Fest 2 in Philadelphia, you can see All-Ireland fiddler Haley Richardson, 11, with her fiddling friend, Paraic Keane on stage, along with singer Marian Makins who will do a tribute to the late poet Seamus Heaney.

At the Irish Center, Portland, Oregon’s Colleen Raney has chosen the City of Brotherly Love for the release party for her new CD, “Here This is Home.” Raney sings traditional music from the Celtic tradition and will be performing with Dublin-born accordionist Johnny B. Connolly and bouzouki and guitar player Sean Ernest.

Either way, you can’t lose.

On Monday, the Irish American Business Chamber and Network and the German American Chamber are co-sponsoring a luncheon with the German Ambassador to the US, Peter Ammon, at the Union League. There will be networking opportunities for those inclined.

On Monday night, the first of many events leading up to the centennial of the 1916 Easter Uprising in Dublin: A lecture on the 1913 Dublin lockout, when members of the Irish Transport and General Worker’s Union were locked out of their jobs until they signed a pledge not to unionize. The Irish Citizens Army, an outgrowth of this fight, played a pivotal role in the 1916 uprising. Patricia Campbell, president of the Independent Worker’s Union in Ireland, is the guest speaker at the event, being held at Finnigan’s Wake in Philadelphia.

The John Byrne Band will be performing next Friday night at the Irish Center to benefit the Center, which is in dire need of repair. The popular band will be doing its Pogues’ show, which sold out at the World Café Live. Tickets are $15 and are available at the door or by calling 215-843-8051.

Also on Friday, Blackthorn is headlining a benefit at the FOP Lodge #5 for the Fallen Officers Fund; Irish country music performers Ally Harron and Marian Curry will be at the Knights of Columbus Hall in Newtown Square (wear your cowboy boots and be prepared to dance); and Olive McElhone is appearing at the newest Irish pub in the region, St. Declan’s Well, at 3131 Walnut Street in Philadelphia (where we hear they have a lovely breakfast on the weekends).

Enjoy the week!

History, News

Remembering the Hunger Strikers

Members of AOH Div. 39 carry photos of the Hunger Strikers into the church.

Members of AOH Div. 39 carry photos of the Hunger Strikers into the church.

The Patrick Coughlin Honor Guard of AOH Div. 39 marched into St. Anne’s Church in Philadelphia on Sunday, each carrying a large black and white photo of faces that, for many Irish, have become so familiar they didn’t need to be identified. They were the 1981 hunger strikers, 10 men held in HM Prison Maze who were demanding they be treated as political prisoners of the British government: Bobby Sands, Micky Devine, Francis Hughes, Raymong McCreesh, Patsy O’Hara, Joe McDonnell, Martin Hurson, Kevin Lynch, Kieran Doherty, Thomas McElwee. See more photos by Christopher Conley Sr. here.

Father Ed Brady, pastor of St. Anne’s who serves as chaplain to many Irish organizations in the region, celebrated a Mass in commemoration of their sacrifice. One of the speakers at the Mass was Christopher Conley, Jr., who explained the historical significance of the hunger strike, from its ancient roots in Brehon law (it’s known as the “trocad”), and its link to the protests that came before, from the Mayo land wars to the great Dublin lockout of 1913. Conley shared his speech with us:

The poem “The King’s Threshold” by William Butler Yeats, which describes an ancient bard engaging on a hunger strike against a tyrannical, miserly king who refuses him hospitality, is often used as an introduction to discussion and reflection on hunger striking in Irish Republicanism. It is a fitting place to start, for its feudal setting illustrates how deep-seated the ancient act of hunger striking is in Irish culture.

Dating back to pre-Christian times, by the Middle Ages the hunger strike was enshrined in the Brehon Law codes. Known as the “toscad” the hunger strike was a last ditch method of grievance whereby a person wishing to compel a wrongdoer to justice, oftentimes over an unreasonable debt, would literally starve himself on the wrongdoer’s doorstep. If the wrongdoer allowed the hunger striker to die, it was written in the code that ” He who disregards the faster shall not be dealt with by God nor man … he forfeits his legal rights to anything according to the decision of the Brehon.”

Looking at this historical tradition of the hunger strike that legally enshrined morality over economic greed, we can see how the hunger strike came to be such a compelling and powerful tool in Irish Republicanism. A depraved level of economic oppression meant to exploit and subjugate the native Irish has long been a favorite weapon in the imperial arsenal of the British occupiers. During the genocide falsely called a famine a perverse sense of superiority and entitlement was used to justify the engineered starvation and forced emigration of millions in the name of free trade.

The next generation of Irish people responded to the legacy of genocide through resistance in the form of the land wars in County Mayo, by no coincidence the county most hardest hit by the genocide. This agrarian rent struggle against the gombeen men of British imperial landlords gave birth to a word that has taken on a wider meaning in labor disputes, the “boycott.” But it is important for us here to recognize that in its origin the boycott was a weapon used by the proud people of Ireland to subvert British rule and demonstrate to their occupiers that there was nothing in their whole Imperial economic arsenal that can break the spirit of the Irish people who do not wish to be broken.

With these precedents in mind, when we then look at the events of the great Dublin lockout of 1913 and the forgotten hunger striker James Byrne we can correctly place them in their Irish Republican context. The great Dublin lockout is not just a labor struggle which happened to have some Republicans on the picket line. Rather, the lockout was an anti-imperial Republican action to organize the Irish people through industrial unionism in order to sever the colonial chains of Britain by asserting that the Irish people had ownership of their land and therefore the right to the fruits of all labor produced there.

This was the inspirational message of James Larkin and James Connolly that inspired another James, James Byrne to join the Irish Transport and General Workers Union. A 38-year-old married father of six, James Byrne was the secretary of the Bray and Kingstown trades council and an Irish Transport & General Workers’ Union branch secretary. On October 20, 1913, he was falsely accused of intimidation of a strikebreaking tram driver and imprisoned by the Dublin Metropolitan Police. He was thrown into Mountjoy Prison, in a cold, damp cell. When he was refused bail, he embarked on a hunger and thirst strike. Although the British government gave in to the protest after several days and granted him bail, the weakened physical state brought about by the strike combined in a tragic way with the deplorable environment of his jail cell. James Byrne caught pneumonia and died in a hospital just two weeks after his arrest.

His funeral was held on Nov 3, 1913, before a throng of 3000 people. James Connolly delivered an oration from atop a cab due to the size of the crowd. In his speech Connolly underscores the Republican importance of James Byrne’s sacrifice. He is quoted as telling the mourners that “Their comrade had been murdered as surely as any of the martyrs in the long line list of those who had suffered for the sacred cause of liberty. … [and] If their murdered comrade could send them a message it would be to go on with the fight for the sacred cause of liberty, even if it brought them hunger, misery, eviction and even death itself, as it had done Byrne.”

Although we have focused on James Byrnes’ hunger strike in this 100th year Anniversary of the Dublin lockout, its important to note that highlighting him does not neglect our brave men of ’81. As a matter of fact, through studying James Byrne’s sacrifice, we are actually emphasizing the context of and adding to significance of the sacrifice of the ten brave men.

Just as James Byrnes and James Connolly were radicalized by overbearing poverty in the Dublin area, it should come as no surprise that 46 years after the great Dublin lockout the spirit of Irish Republicanism rose like a phoenix from the working-class nationalist neighborhoods of Derry and Belfast. Once again, Britain was using economics as a means of subjugation and oppression by first imposing an artificial border that created two economically unviable states, and then as a further act of conceit and contempt, in the statelet under their rule, they intentionally marginalized the Irish Nationalist community from prosperity.
Furthermore, it should come as no surprise to us that much like James Byrne, our ten brave men found themselves in cold, damp cells, denied due process of the law or any objective form of justice. We should also take moment to pause and reflect that much like James Byrne most of these ten men were husbands and fathers. And yet these men bravely and selflessly gave their lives, deliberately starving in order to compel Britain to justice, and so became martyrs in the long line list of those who suffered for the sacred cause of Irish liberty. And like the people who crowded the cemetery to hear James Connolly speak, we are all here to acknowledge their sacrifice as heroes in the liberation struggle for Ireland.

In conclusion, I would like to say that when I was first asked to give the reading today, I was nervous. After all, I would be speaking to many people who were alive when history was made, so to speak. However, I think that by asking me to give a reading emphasizes the very reason we gather to honor these brave men, because it was the devotion to the Irish cause from my teachers of the generations before me who inspired me to become involved and to begin teaching my son as well.

The current Haass talks drive home how important it is for Irish America to stay vigilant in regards to the cause of Irish freedom. But more importantly, a piece of history was made in between this Mass and our last memorial. A particularly odious antagonist in the summer of ‘81, Margaret Thatcher, has passed away. Although Margaret Thatcher received a whitewash treatment in a Hollywood movie that completely omitted the hunger strikes, nevertheless even in death she could not escape the shame that the hunger strikers had brought to her doorstep; as a matter of fact, almost every obituary mentioned it.

And there lies the poetic justice. Just like the King in W.B. Yeats poem, Thatcher scoffed at the toscad as an “old and foolish custom,” and yet through a law more ancient than the Brehon our bold men have managed to leave the onus of shame on the doorstep of Thatcher’s grave. I do say that this is poetic justice served at this point; the legacy of Irish freedom remains still an “unfinished song.” But through our continual vigilance and advocacy, we can hope to finally see a rising of the moon that lets us tell our brave men that our day has come.

News

Irish Gathering 2013

A trio of Timoneys from last year's gathering.

A trio of Timoneys from last year’s gathering.

It doesn’t matter whether you’ve never visited the Commodore Barry Club, Philadelphia’s own Irish Center, and the cultural epicenter of everything Irish in the city and surrounding counties. It doesn’t matter whether you were there a long time ago, but haven’t visited since. Frank Hollingsworth invites you to come and experience the (at least for some) the hidden treasure that is the Irish Center. You can do it this Sunday from 11 to 6, as the Irish Center hosts its second annual Gathering.

“Maybe the last time they were here, it was with their father or grandfather. Maybe they moved out to the suburbs,” says Hollingsworth, now in the home stretch of planning for the weekend celebration. “Some may have heard about it, but don’t know exactly where it is.”

If you don’t know where it is, we’re happy to tell you. It’s at Carpenter Lane and Emlen Street in the Mount Airy neighborhood of Philadelphia. 6815 Emlen St., Philadelphia, Pa. 19119, if you want to punch it into your GPS. Or just get off at the Carpenter Lane stop on the Chestnut Hill West regional rail line.

If you are still an amateur Irish person, no fear. The Gathering is a total immersion experience. You’ll be a seasoned pro by day’s end.

The day begins with two live radio shows—Vince Gallagher at 11, followed by Marianne MacDonald at noon. As the day goes on, there’ll be a lot more.

“We’ll feature all the different groups who use the Irish Center,” says Hollingsworth. “Emerald Society Pipe Band players will play. We’ll have the Cummins School of Irish Dance, and John Shields and his group of dancers. Kids from the Next Generation Irish music group are going to play. Rosie McGill is going to sing, representing the Philadelphia Ceili Group. The kids from the Glenside Gaelic Club (part of the local Gaelic Athletic Association) will be here, with information and posters. We’ve got Hollis Payer, who teaches fiddle lessons here, and also harpist Ellen Tepper and singer Terry Kane. Vince Gallagher will be getting some musicians together. If there are enough musicians around, they may start a session—especially if John Shields and his dancers are around. They can certainly keep things going. The library upstairs will be open, and Lori Lander Murphy will be here to answer questions about genealogy.”

And look for dancing in the ballroom. If you don’t know how, don’t worry. They’ll show you.

Hold your breath, there’s more. Vendors will be on hand with lots of arts, crafts and jewelry. You can also meet local authors, including Marita Krivda Poxon, who wrote “Irish Philadelphia,” a great pictorial local Irish history.

The Irish Center, which has been serving greater Philadelphia since the pope was an altar boy, currently has around 400 members. Hollingsworth would like to see that number grow. “We want to have them come, and let them know they’re welcome.”

How to Be Irish in Philly

How To Be Irish in Philly This Week

There will be guys just like this at the Celtic Classic.

There will be guys just like this at the Celtic Classic.

This weekend, bringing up the rear of Irish festival month is one of the largest festivals of all, the Bethlehem Celtic Classic, which features Barleyjuice, Burning Bridget Cleary, Jamison, RUNA, the Makem and Spain Brothers (yes, that Makem), and Timlin and Kane, among others, amid caber tossing, sheepdog demonstrations, and haggis-eating. There are more kilts than you can shake a shillelagh at from Friday through Sunday in the Christmas city.

We’re closing out September on a high note all around. Harpists Grainne Hambley and William Jackson will perform for Crossroads Concerts (which brings ethnic music to Philadelphia) on Saturday.

At The Irish Center in Philadelphia, it’s the second year for “The Gathering,” which brings music, local authors, dancers, and vendors to the ballroom where local radio hosts, Vince Gallagher and Marianne MacDonald (WTMR 88 AM) will be doing their shows starting at 11 AM. Who knows? Maybe you could make some announcements!

At 12:30 PM Sunday, there will be a memorial Mass commemorating the 32nd anniversary of the Irish Hunger Strike, celebrated by Father Ed Brady at his parish, St. Anne’s, on E. Lehigh Street in Philadelphia. This is one of a number of events over the next few weeks that will highlight the Irish fight for freedom. On October 7, there will be a lecture commemorating the 1913 Dublin Lockout Centennial, a labor strike that laid the groundwork for the 1916 uprising, at Finnigan’s Wake in Philadelphia and on October 19, there will be a fundraiser to support the dependents of Irish Republican political prisoners at Bobby T’s in Port Richmond. Raymond Coleman will be performing and there will be a raffle and buffet.

Live Irish music—Scanlin & O’Leary—at the Farmhouse in Doylestown may make you want to while away this Sunday afternoon indoors even if it’s gorgeous outside.

Are you a Celtic supporter? That’s the Celtic Football Club, a Glasgow-based team that’s taking on Barcelona next week. There’s already a huge fan base in the US and it’s just getting bigger. On Tuesday, October 1, a new club, The Second Street Plough Bhoys Celtic Supporters Club, will have its first meeting at The Plough and the The Stars in Philadelphia to watch the game. It’s an afternoon meeting—starting at 2:45 PM—so lay some groundwork for calling out on Tuesday. Sniff, cough, I think I’m getting a cold.

On October 8, at Villanova University, National Book Award Winner Colum McCann (Let the Great World Spin) will be reading from his book, Transatlantic, a tale of three iconic and historical crossings—two aviators attempting the first nonstop flight across the Atlantic, an international lecture tour by abolitionist Frederick Douglass, and the journey of Senator George Mitchell to shepherd Ireland’s peace talks to their then uncertain conclusion. The event starts at 7 PM in the Connelly Center Cinema.

Later in October, musician/folklorist Mick Moloney will be speaking at Villanova and performing “with friends” at St. Malachy’s Church in North Philadelphia, his yearly fundraiser for the acclaimed mission school.

Music

A Successful 39th Ceili Group Festival

Everyone had fun at the festival. Photo by Gwyneth MacArthur.

Everyone had fun at the festival. Photo by Gwyneth MacArthur.

The seats were all taken for all the concerts, there was hustle and bustle in the vendor’s area, and dozens of people learned to sean nos dance, play the bodhran, and write like the Book of Kells monks at the workshops at the 39th annual Philadelphia Ceili Festival of Irish Music and Dance last weekend.

Acclaimed Sligo-style fiddler Tony DeMarco was the final concert headliner with his new group, Atlantic Wave, featuring singer Donie Carroll, All-Ireland fiddler Martin O’Connell and guitarist Sean Earnest, all of whom gave workshops on Saturday. Cherish the Ladies’s Joanie Madden along with Gabriel Donohue hosted the Friday night Rambling House featuring half a dozen local talents, including Matt Ward, Teresa Kane, Ellen Tepper, and Rosaleen McGill (who, along with Madden and Donohue, sang “The Rocks of Bawn,” with her father, Jim McGill, one of the founders of the annual traditional music festival). Popular musician, singer, and comic Gerry Timlin in his second year of hosting Singers Night, kept the packed audience laughing and tapping their feet.

We could tell you more, but we have more than 100 photos, and over 20 videos, that speak 1,000 words.

Check out Singers Night and the Rambling House. 

Check out some of the workshops and kids’ activities from Saturday in this set by photographer Gwyneth MacArthur.

Saturday’s concerts and activities.

Singers Night Videos

Rambling House Videos

Saturday Night Finale Videos