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Jeff Meade

Music

A Night of Music and Laughs

A tartan dinner jacket is just the thing when you're singing "Donald, Where's Your Trewsers."

A tartan dinner jacket is just the thing when you’re singing “Donald, Where’s Your Trewsers.”

He’s billed as the “Happy Man.” That’s the name of the song that rocketed Cahal Dunne to the top of the heap in the 1979 Eurovision Song Contest.

On Sunday night, the Cork native brought his show to the Philadelphia Irish Center for a night of tunes and G-rated jokes. With his white grand piano perched upon a temporary stage, he held court in the Irish Club’s Fireside Room for close to three hours.

Dunne is well-known for his charm, wit, expert piano playing, and superb voice–and he has an established following.

More than 70 of his fans filled the room, with even more perched at the bar. it’s pretty tight. There wasn’t a moment when he didn’t hold that audience in the palm of his hand, singing old Irish standards, Broadway tunes, and even ’50s doo-wop. He played for laughs (and got them), when he donned a tartan dinner jacket, and sang about a wayward kilt-wearing Scot (“Donald, Where’s Your Trewsers). Even more laughs for a tune of his own composition, “Here Comes Menopause.” More than a few of the ladies fanned themselves with their programs as he sang it.

The fans had plenty of chances to join in on sing-a-long songs, and later in the evening, they danced.

In short, a very big night for the Irish Center and its continuing fund-raising effort, emceed by Marianne MacDonald.

Music

The Irish Way to Close Out a Weekend

Mick Conneely and David Munnelly

Mick Conneely and David Munnelly

OK, technically, it was not last weekend, but the weekend before. Fiddler Mick Conneely and button accordion player David Munnelly dazzled the crowd in an Irish Center concert sponsored by the Philadelphia Ceili Group.

It really was dazzling. No hyperbole. We were in the presence of greatness for a couple of hours. Hard to believe anyone could play that fast, and still with such precision. Lucky there weren’t any cops around, or these guys would have been arrested for speeding. Thanks, Ceili Group!

It was a pretty good-sized audience, and actually a good reminder, as if we need one, of how important the Irish Center is. It was some of the best Irish music you’ll ever hear, played by traditional music rock stars, and the Irish Center is home to so much of it.

So give this video a listen (and a look), and let it remind you how important the Irish Center is. And fork over a little cash to help the Irish Center keep the tunes coming: http://www.gofundme.com/save-the-irish-center

And don’t forget, much more musical greatness is on its way in a couple of weeks (September 11-13) with the arrival of the 2014 Philadelphia Ceili Group Festival. Check it out, buy tickets, and go.

 

Music

Singing to Save the Irish Center

Cahal Dunne

Cahal Dunne

Cahal Dunne has had his first name butchered in stage introductions all across the country. If he’s lucky, it’s pronounced “Ca-HAWL.” That’s how he pronounces it.

Actually, his last name has suffered at the hands of well-meaning Americans, too. He says that’s been pronounced “DOO-nee.” (It’s “DUNN.” The “e” is silent.)

Still, he says, it could be worse. “My first name translated from the Irish is “Charlie,” and “Dunne” means “brown.”

Whatever you call him, Cahal Dunne is a superb singer, pianist and raconteur, with a charming and witty stage presence, best known for ballads and old standards. He tours the country playing concerts to loyal crowds. They often see him again and again, and follow him to Ireland on the tours he operates.

He’s grateful for his success. Dunne has come a long way—from the Cork of his childhood to Pittsburgh, where he lives now, and from one very big hit in Ireland to living in near poverty as he tried to catch on in the United States.

If anyone can be called a natural talent, Cahal Dunne is, and the adults in his life took notice early on.

“My dad was a teacher, and he played piano he played piano accordion. He was a member of some of the better male voice choirs. When I was only 3, my grandmother on my dad’s side died, so he inherited the piano. It was the most important thing I’ve ever touched. I’ve been doing it all my life. Ka-plonking on that was magical. My dad played “Peg of my Heart,” and that was it for me.”

His musical career began not long after. One day, his teacher was playing an octave organ, and he corrected her. “She wanted to see my parents. I thought I was in trouble, but she said, ‘He’s got a good ear,’ and they sent me off to music school.”

Throughout his young life, he steadily improved, and ultimately, he graduated with a music degree from the University College of Cork.

He moved to Dublin to have a go at making it.

In 1979, he did. His song “Happy Man” won the Irish National Song Contest, qualifying him for the Eurovision Song Contest, where he came in fifth against 19 competitors. Fifth in Eurovision is still a very big deal. Eurovision, he says, “is like American Idol. People like Abba had won it a few years before. Had I won it for Ireland, I would not be here.”

“Happy Man” soared to No. 1 in Ireland and Europe.

It was all a dazzling turn of events. “One day I was giving piano lessons for 2 pounds an hour. I was living in a crummy, damp basemen efficiency in Dublin. The next day, I had won on television. You become sort of an overnight name. You’re known overnight. I was one of the beautiful people for a few months.”

His record company, CBS, sent him on tour throughout Europe. “One of the high points for me was, I’ve always been in love with Sophia Loren, and I was sitting next to her at dinner once.”

Then the Irish economy tanked, and along with it, Dunne’s hope for fame in Ireland. “All those little things that were very nice happened. It was a bitter pill to see it all going down the toilet. “

Dunne joined the emigrating masses, hoping to find more opportunities in the States.

He began on the bottom rung, living in a trailer. “I started out singing in Chicago in a pizza restaurant. Guys would yell out, ‘Couldja turn down the goddam music? I’m trying to eat a pizza!’ It was a toughening up experience. I think I’m the singer I am now because of it all.”

After a while, he moved to Pittsburgh. A comedian friend of his supposed to play in a big banqueting hall. The friend got sick. Dunne took his place, and that was the break he’d been looking for.

“The owner used to hire the likes of Hal Roach and The Wolfe Tones. He asked their agents to help me get up to New York, Philly and Boston. That was a a significant step, around 1982.”

Touring brought Dunne another stroke of good luck. It’s how he met his wife, who’s from Haddon Heights.

“Kathleen and I met at Carney’s in Cape May in 1989. (He played on the nights Ken McBride wasn’t performing.) I was playing in the piano bar section. She came up and gave me $2 tip to play a song. I didn’t know the song. She was gorgeous.”

Dunne walked up to her during a break and gave her the $2 back, and they began to chat. And that’s how they got together.

By that time firmly ensconced in Pittsburgh, Dunne had begun to find the audience that has kept him touring for years.

“I would describe myself more as a cabaret act, the kind you’d see in Branson or on a cruise ship, where I play to people 50 years old and up. That’s my market. In a normal show, I would sing Irish, Broadway, and country tunes, tell a few clean jokes, a little bit of doo-wop, and a patriotic end. It would be more a dinner show for seniors. They appreciate it. Over the years, I’ve worked myself out of the bars, which are very hard and very tough.

“My main work thrust of work is Florida. I play in the retirement communities January through March. I work every night of the week. I drive about 10,000 miles in three months. I also run a couple of tours. I love it. I love bringing them over to Ireland. I get a bit of commission. I’m not that busy in the summer, anyway, and it does Ireland good. I started it to help Ireland a bit. It’s a treat, to be honest.”

Dunne has played in Philadelphia a few times over the years, and this Sunday, he’s coming to the Philadelphia Irish Center. It’s a fund-raiser to help the Irish Center keep going.

Dunne’s very much aware of the importance of this particular concert.

“This is a nice one, and I hope it will be well attended. I’ve actually played there before, but it was maybe 15 years or so. I’m really hoping to get a nice crowd. It would be tough to see it go.”

The show starts at 7:30 at the Center, 6815 Emlen Street in Philadelphia’s Mount Airy neighborhood. Tickets are $20. For details, call 215-843-8051 or email Marianne MacDonald at rinceseit@msn.com

News

Local Irish Protest Gaza Bloodshed

Finding common cause at the Irish Memorial

Finding common cause at the Irish Memorial

Israel’s bombardment of Gaza has brought demonstrators out around the world—including Ireland. In 16 locations throughout the island nation last Saturday, thousands took to the streets in angry protest, calling for an end to the bloody violence that has Palestinian civilians caught in the crossfire between Israel and Hamas.

The day after that, on a warm July afternoon in Philadelphia, a little over 20 local Irish and Irish-Americans, joined by about 10 Palestinian-Americans, carried their own protest to the Irish Memorial on Penn’s Landing.

They draped black and white Palestinian keffiyehs (traditional scarves) around the necks of the iconic figures of Irish immigrants descending from the boats that brought them to America. A few others tried to hang the Palestinian flag, but couldn’t find a spot that would hold it.

One of the organizers, Kevin Ward, wearing a green T-shirt emblazoned with a shamrock and the words “Made in Ireland” across the front, wanted to be sure potential critics knew what drew him to be there.

“The Irish are doing this because we can understand the struggle the Palestinians are going through. We’ve been oppressed ourselves by the British Empire. We can relate to where these people are coming from. We all know this is an uneven fight. This is not a war. They’ve already demolished 55 percent of Palestine in this attack right now—what’s left of it.”

As for the location—the Memorial—Ward thought it entirely appropriate, given that it stands in remembrance of the suffering the Irish endured under British oppression.

Organizer Aine Fox said the protest came together almost spontaneously. “We all just happened to cross paths at an Irish Center fundraiser. I was happy to see people who understand the context better than most Americans do. Just from a human perspective … this is just a small act of solidarity.”

For tourists and local dog-walkers passing by, the scene might have seemed like an unusual slice of American life. There were accents from the West Bank and Donegal; green Phillies caps and traditional hijabs (head scarves); Palestinian flags and the banner of the Kevin Barry Gaelic Football Club.

It was a kind of United Nations moment, Irish and Palestinians lined up in front of the memorial, holding hand-lettered cardboard protest signs—“Israel is a terrorist with a billion$ budget,” “End the Occupation Now,” and “Saor Gaza Anois” (“Free Gaza Now,” in the Irish language)—all chanting “Brick by brick, wall by wall, the Israeli apartheid has to fall.”

Some of the Palestinian protesters said they really weren’t surprised at Irish interest in their cause, given Ireland’s history with Britain.

“Palestinians are searching for the same thing,” said Jihad Abdeljaber, born in the United States of Palestinian parents. “This brings us together as one people for justice. We appreciate Ireland’s support, and the support of people around the world. It’s a crisis of humanity.”

The protest didn’t last long, but those who were there felt they’d made their point, and they hoped people would listen. For Brian McGarrity, Hamas doesn’t enter into the equation. It’s the suffering of the people. “The amount of casualties … its been more of a massacre than a war.”

Ward, standing nearby, concurred, saying Hamas is a terrorist organization. But at the same time, he suggested Israel’s response to Hamas missile attacks was disproportionate. “Let’s say England said tomorrow, we’re going to go get the IRA. So in order for us to destroy the IRA, we’re going to level the whole island. Let’s be sure we get them all.”

Fox, for her part, just wanted people to understand that the protest is about drawing attention to oppression by a foreign power. “I grew up in West Belfast,” she said, “and I understand that perfectly.”

Here are the photos

Sports

Penn State Pride Heads to Dublin

Linda and Michael Bradley, with Penn State coach James Franklin, and the hefty Dan Rooney Trophy

Linda and Michael Bradley, with Penn State coach James Franklin, and the hefty Dan Rooney Trophy

When the Nittany Lions square off in their season opener against the University of Central Florida in Dublin’s Croke Park on August 30, passionate Penn State grad Michael Bradley will be just one of the thousands of fans watching the game.

Bradley, director of the Philadelphia St. Patrick’s Day Parade and one of the Irish community’s best-connected and most efficient organizers, confesses he had virtually nothing to do with this memorable football game. Gaelic Athletic Association (GAA) and PSU officials hammered out details, he says, with the involvement of Pittsburgh Steelers chairman and former U.S. Ambassador to Ireland Dan Rooney.

“Once he got involved, it started snowballing,” Bradley says. “I was out after that.”

They call it the Croke Park Classic (pronounced crowe), and it’s the first game played outside of the United States for both teams. The last time an American football match-up took place in Croke Park was 1996. It was the Shamrock Classic, Notre Dame vs. Navy. Notre Dame won. Of course.

The winner of this match-up will carry home the very heavy (Bradley has held it) Dan Rooney Trophy, a wood made of bog yew from Ireland, and steel recycled from Three Rivers Stadium.

Configured for this game, Croke Park will hold 70,000. (The stadium typically holds 82,000 for the far more customary Gaelic football and hurling.) Attendance at the Shamrock Classic was poor, but that won’t be an issue this time, Bradley says. “We’re up around 43,000 tickets.  We should be pretty close to sellout by game time.” (Penn State travel packages are already sold out.)

For its part, the GAA knew it had its best chance of success with Penn State. “The GAA really pushed to get Penn State. They have the largest alumni association in the world.”

Even though Bradley was content to let others take the lead, he had the opportunity to become acquainted with the athletic director, Dave Joyner, and the then head football coach Bill O’Brien. “Bill and I became kind of close. He’s Irish, with roots in County Clare. His wife is named Colleen. It was a perfect match.”

He also made the acquaintance of new coach James Franklin. Franklin’s father was black, but his mother was from England. “He said to me, “You know where were they married? Ireland. I’m more Irish than you are, dude.’”

For Franklin’s players, this might be their first trip to Ireland, and after all of the trauma of the past few years, Bradley hopes that, for the players at least, it’s part of the healing process. “It’s great for the kids. They’re really excited about it.”

The excitement won’t last all that long, though. “Franklin is a real taskmaster,” Bradley says. “He’s sticking them on the plane and flying them right back.”

Like any Penn State game, this one will be preceded by a pep rally—this one in Temple Bar. And for this, Bradley has taken on a job—organizing a band for the occasion. “I’m sending out emails to alumni members who are coming on the trip who play an instrument, and I’m asking them to bring it. I don’t care if it’s only 10 guys. It’ll be a lot of fun.”

History

An Interactive Timeline of the Philadelphia Irish Center

Mayo Ball

Mayo Ball

A lot of people see the words “Irish Center,” and assume the Irish have always been there.

Nope. It started out not long after the beginning of the 20th century as a club for automobile hobbyists—with a full-time mechanic, no less. It was also the first home of the Germantown Jewish Centre. Dancers, singers, pipers, county organizations, and more have called it their home for more than 50 years. It has played host to ambassadors and rebel-rousers. It has seen big parties in the ballroom, and quiet little gatherings (sometimes not so quiet) at the bar.

As we continue to raise the money to keep the doors to this landmark open for another 50 years, we thought you might like to see what it is we’re trying to save—and what we hope you will try to save. Maybe it will inspire you.

The timeline is interactive. Mouse over the little dots top see the milestones, some great and small, pop up.

We probably don’t have all of the dates right—you can feel free to correct us–and we invite you to share your own historical photos. Post them to our Facebook page, and tell us what we’re looking at. Remember to include the dates.

News

Big Boost for Irish Center Fund Drive!

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Were you ever afraid to talk about something really great happening because you were afraid you’d jinx it?

My partner Denise doesn’t let things like that worry her purty little head.

If you were perusing our Facebook page Monday at exactly 4:59 p.m., you would have seen Denise’s dispatch from Irish Philadelphia Pledge Central on behalf of the online fund drive to raise $50,000 to save the Philadelphia Irish Center:

Thanks to everyone who donated today! I’m going out for a bit, but when I’m back, I’m hoping to see that the second shift is up and keeping those dollahs flowing tonight. Let’s see if we can get to $9,000 by the weekend. Oh heck, let’s make it an even $10,000!

By early Tuesday morning, we’d cracked $9,000.

By Tuesday afternoon: more than $9,600.

And by 8:59 p.m.: $10,215!

That was a huge day, in what has proved to be a really big week. As we head into the weekend, we’re closing in on $11,000. There’s still a long way to go until we hit $50,000, but a week like this shows you what’s possible. We’re thankful for all the generous donations, but we’re just as thankful for the many warm thoughts and memories that went along with them, such as this one from The Durkan Family:

We would like to make a donation in memory of our husband/father, John Durkan. John emigrated from Swinford, County Mayo in the late 50’s to Philadelphia and was a strong advocate for The Irish Center. His love of Irish music and the people of Ireland was evident in everything he taught us. Our family has years of memories of events at the Center and anyone who knew him is aware that if he were here with us still he would be one of the people leading this campaign.

And this from Patti Wyatt:

We have just recently discovered all this gem of the Irish Community has to offer and have only begun to take an active part in the community. We have to save the Center for all the future generations and slow-comers like us!!

Along with this from Kathy McGee Burns:

My whole life changed, twenty five years ago when I first walked into the Irish Center. That day I was introduced to my Irish heritage. I knew that was where I belonged. Please help us save this treasure.

And that’s what the Irish Center is—a true treasure, albeit one that has fallen into financial difficulty. The Irish Center has never needed your help more than it does now. You can help save the Irish Center by visiting our online fundraising site, and giving as generously as you can.

One other really fun way to help? Head on over to Maloney’s Pub, 2626 East County Line Road, in Ardmore tomorrow night, starting at 6, for what promises to be a rollicking house party. Live music and dance, some incredible raffle items, and more, right on until 9. Tickets at the door: $25. See you there.