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Jeff Meade

Music, News

Albannach-analia

Jamesie, at play

Jamesie, at play

They’re one of the regulars—and a huge crowd-pleaser—at Bill and Karen Reid’s annual Mid-Winter Scottish & Irish Festival in Valley Forge. They’re certainly the only Scottish tribal drumming band, and the only band at the festival with a mosh pit.

Their music is electrifying, pounding its way down into your heart and soul, challenging you not to jump up and down like a tattooed, pierced marionette.

We’ve captured countless photographs of Albannach over the years—we can’t resist them, either—and we thought we’d share of bunch with you. If you’ve seen Albannach before, maybe our pics will get you riled up before you even get to the festival. (Jump up and down in your house if you want, but don’t scare the cat.)

If you haven’t seen Albannach, we hope we’ll give you a good reason to go.

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News

Mick Pic of the Week

Haley

Haley

One of the great things about Robin Hiteshew’s photo exhibit in New York this week was this: he hasn’t only documented the older stars of traditional Irish music, he’s also captured images of some of the rising stars, too.

Robin took the photo of All-Ireland fiddle champ Haley Richardson at the Philadelphia Art Museum, according to mom Donna.

There were a lot of photos from the exhibit, but this is one we liked best.

News

A Picture-Perfect Night for Robin Hiteshew

Robin Hiteshew, Pat McGann and Haley Richardson

Robin Hiteshew, Pat McGann and Haley Richardson

Robin Hiteshew joined the Philadelphia Ceili Group to learn how to dance.

It didn’t take long before he had moved well beyond learning jigs, reels and polkas. The entire world of Irish dance, music and culture opened up to him quite unexpectedly—right from the start.

“People were very welcoming,” Hiteshew recalls of his first night of lessons in the early fall of 1978 at the Water Tower Recreation Center in the Chestnut Hill section of Philadelphia. “When they put on the music for dancing, and I heard those wonderful jigs and reels, it was like the muse bit me. The next thing you know, I was going down to all the record shops on South Street looking for Irish music.”

He was so inspired, he booked a flight to Ireland just under a year later, searching out the pubs and bars where traditional Irish tunes were played, soaking up the music and chatting with the musicians. “I heard Irish music three out of the four nights I was there.”

One thing led to another, and Hiteshew soon found himself in the Philadelphia Ceili Group, eventually rising to a leadership position. In time, he came to realize the importance of documenting the many Irish music superstars—although they probably wouldn’t think of themselves in those terms—who passed through the city. Ultimately, that documentation found its fullest expression in the form of yet another of Hiteshew’s passions—photography, until recently done the old-fashioned way—on film. “I knew right from the beginning that what the Ceili Group was doing was important. And so I began to document.”

Hiteshew came to know many of those musicians as they traveled through Philadelphia for Ceili Group concerts. “Musicians would wind up staying with me in those days, and I would photograph them the next morning after the concert,” Hiteshew recalls. “With Irish and early mornings … well, they were a little groggy, and sometimes they were getting on the next plane, but they were very gracious. A lot of them are sitting, holding their instrument or playing.”

Some of the photos were also taken in Ireland.

Hiteshew quickly came to understand the importance of documenting the old guard, but also the new young musicians who in turn went running with the music, making it their own. “In two cases,” Hiteshew says of his portraits, “it was a father teaching his child.” (Such as Mike and Mary Rafferty.)

The now extensive collection, he says, “demonstrates the passing of the tradition, from one generation to the next, and the vitality and relevance of the tradition in the 21st century.”

The fruits of Hiteshew’s labors were recognized Thursday night at an exhibition at the Irish Consulate in New York City.

So many faces, 50 in all, lovingly preserved in stark black in white, incredibly crisp silver prints: Leitrim flutist Eddie Cahill, fiddler Paddy Reynolds (“The Music Master of Dromard”), County Sligo master fiddler Andy McGann, Chicago fiddler Liz Carroll, singers Mary Black and Dolores Keane, multi-instrumentalist and folklorist Mick Moloney, the late great Belfast flutist and Altan co-founder Frankie Kennedy, the family trio of Seamus, Siobhan and Rory Ann Egan (taken when they were very young), and so many more … including Philadelphia’s own young All-Ireland fiddler Haley Richardson.

The simply framed prints lined the walls of the consulate’s bright 17th floor exhibit space. There were so many guests it was hard to move. Some of the region’s all-star musicians were also on hand, including fiddlers Tony DeMarco and Don Meade, and piper Jerry O’Sullivan. Later on in the evening, about a dozen of them played a rocking impromptu session—and then it got a lot harder to move, because no one was moving. They were just standing there listening.

Most who attended Thursday night’s event at the Consulate seemed overwhelmed by Hiteshew’s lifelong labor of love—including the Consul herself Barbara Jones. “This is Ireland,” she said as she gestured around the room. “Fifty photographs that have never seen the light of public space. This is the work of a genius.”

“And of course,” she added, drawing laughs from a large local contingent, “that genius is from Philadelphia.”

Hiteshew, for his part, takes a more modest view.

“I want the viewer to know something about the person in the photo and want to know more. If you look at a photo and it speaks to you, then I feel like I’ve done my job.”

Plans are currently under way to move the exhibit to Philadelphia. Stay tuned.

Photos and video below.

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People

Meet the Montco Parade’s 2015 Grand Marshal

Kelley and Mick McBride

Kelley and Mick McBride

Mick McBride arrived in Roxborough from Kilmacrennan, County Donegal, by way of London, liked what he saw, and stayed.

That was in 1990. Long since married to a lovely girl from Abington named Kelley, and the father of three kids, he doesn’t regret a moment. For McBride, America truly has been the land of opportunity. He owns a busy exterior plastering outfit in Plymouth Meeting, where he and his family live.

He’s proud to say he’s an American citizen, and if you want to know what motivated him, all you have to know is this date: September 11, 2001.

“I was always thinking about it, yes, and never getting around to it, but that inspired me,” he recalls in the distinctive accent of Ireland’s Northwest, where every declarative sentence ends on interrogative up note. The terrorist attacks on that day “I just felt hurt. I didn’t like what happened. It pissed me off, y’know? I was sworn in 2002.”

Those who have come to know McBride over the years recognize him for the generous soul that he is, a genuine “shirt off his own back” kind of guy, a friend to everyone, self-effacing, glad to be an American but equally grateful to be a native Irishman. A burly guy with a big hands and a brushy mustache, he pours a lot of himself into Ancient Order of Hibernians Notre Dame Division 1 in Swedesburg, Montgomery County, where he has been a member since about the same time he decided to become a citizen.

Now, the guy who gives so much is getting something in return. Mick McBride is the 2015 Montgomery County St. Patrick’s Day Parade grand marshal.

“I found out about it at Members Appreciation Night here at the hall,” he says. When they announced his name, “I was floored. I know there were a lot of good candidates. It’s a great honor, obviously. I thank my wife. I couldn’t do anything here without her by my side.”

Not a bad accomplishment for a boy from Kilmacrennan who came to America to find work, and who decided to make it his new home.

A friend, onetime Kilmacrennan neighbor and Gaelic Athletic Association (GAA) footballer, James Brady, lived in Roxborough at the time, and invited him over.

“I left school when I was 16,” he says, “and then I learned interior and exterior plastering. I left Ireland when I was 20. I went to London in 1986 to seek employment. I stayed there for four years. In 1990, I came over to visit—kind of a vacation, like, but James had me set up before I even set foot on the plane. I got a six-month visa, and I liked it so much I stayed.”

Ultimately, he got his green card on a Donnelly visa, named for Congressman Bill Donnelly who proposed the bill that created the new visas.

What appealed?

Well, for one, warmer climes. “I came in June. It was hot, though, but I liked the weather.”

Another reason: the Philly GAA. At the time, the local Donegal team was playing exceptionally well and went to Chicago for the North American championship. “The Irish contingent was all in Upper Darby. I knew a lot of them. My friend was the team goalkeeper—and they won.

Yet another: Better money for the work he was doing.

Finally, as if McBride needed any additional motivation to stick around, one more walked into his life.

“I met Kelley at a Wolfe Tones concert in 1992 in Springfield. She was at the concert. I didn’t know her. A friend of mine introduced us. She was very pretty; her personality was the nicest I’ve ever met. She played hard to get—‘Watch those Irish guys,’ her grandmother always told her’—but after several phone calls, she agreed to go out. We dated a little over two years, and got married in 1994.”

After that, along came the kids, and after years of working for another contractor, he started his own exterior plastering business, McBride Plastering, Inc. Gradually, he became more and more integrated into life in the States, helped along, perhaps, by the fact that he made friends so easily.

It was one of those friends who kept trying to persuade him to join the AOH in Swedesburg. After six months of prodding, he gave in.

“I came over here and liked it,” he said. “I couldn’t believe there was a bar in the basement. They said, ‘You’re Irish, you gotta join. The next thing I know, a form was shoved in my face.”

He loved it from the start, he says.

McBride went on to endear himself to the division by joining its pipe band, Irish Thunder, which practiced in the first-floor meeting room, just above the bar, on Wednesday nights.

“I’d never played a note of music in my life,” he says. “I never heard of piping until I came to this club. I was sitting downstairs here at the bar and the next thing, I heard a ‘BRRRRRRR!’ from upstairs, and I said, ‘What’s that?’ I signed up.”

McBride remembers being one of 12 prospective pipers who sat down for lessons that first night. A year later, only two people were still there, nearing the point where they could join the band on the street. The other guy was Joe McGlinchey, who nominated his friend for grand marshal.

McGlinchey and McBride have been friends from the first night the big guy joined.

“He walked in the door, and you couldn’t help but love him, and then we joined the pipe band together. We really pushed each other. One week, I did bad, one week he did bad. I don’t know if I would be where I am now on the pipes without Mick.”

McGlinchey also admired McBride’s dedication to the AOH, all in, right from the start.

“He’s one of our biggest fund-raisers for our charities. Whatever charity comes up and we need to raise money, he gives 200 percent. He’s loved by everyone. I don’t think he has an enemy in the world.”

When McGlinchey wrote his letter nominating McBride, he had no idea, of course, how it would all turn out. As McBride says, there are always other great candidates. “You never know.”

When McBride was selected, McGlinchey was probably just as pleased.

“I was ecstatic,” McGlinchey says. “A better man couldn’t have been selected.”

Dance, Music

Kiss Me, I’m Sober

sstpdaySt. Patrick’s Day arrives, and it’s as if someone has uncorked a magic bottle, and the genie of booze appears in our midst, granting but one wish: the wish to become really, most sincerely drunk. Because that’s what the Irish do on St. Patrick’s Day do, right?

Well, there’s no escaping it—some do. But it’s pretty clear that you don’t need to be Irish to wander from bar to bar, wearing silly hats and draped with green beads. Many aren’t.

And it’s a big night for booze, as boozy nights go. According to the financial website The Motley Fool, St. Patrick’s Day accounts for up to 1 percent of annual beer sales in the United States.

The potential consequences of all that binge drinking are pretty serious. More than a third of all traffic fatalities on the saint’s day, especially into the evening and into the next morning—are associated with drunk driving.

Then, of course, there’s a problem near and dear to many Irish hearts—the perpetuation of a cultural stereotype that many find distasteful.

Well, Katherine Ball-Weir wants to shove that cork back into the bottle. So if you’re up for a party, and the thought of waking up the next morning with bed spins doesn’t appeal to you, she’d like to welcome you to Sober St. Patrick’s Day—an epic bash in the Hamilton Media Commons at WHYY studios on Independence Mall on Sunday, March 15. That’s the day of the Philadelphia St. Patrick’s Day parade and the focal point of the city’s celebration.

“We’re bringing in incredible entertainment,” says Ball-Weir, chairperson of the Delaware Valley Branch of Comhaltas Ceoltóirí Éireann, a worldwide Irish music, dance, language and cultural organization. “It’ll be a wonderful Irish party without any alcohol. There will be children’s activities. They can learn an Irish dance step or how to beat a bodhran (a traditional Irish frame drum) or how to say ‘hello’ or ‘goodbye’ in Irish Gaelic. There will be activities for adults, too.”

A lot of those activities revolve around music and dance, with some truly world-class entertainment—including seven-time All-Ireland button accordion champ John Whelan, four-time fiddle champion Dylan Foley, Patrick Hutchinson, an All-Ireland uilleann pipe champ.

Some young local All-Ireland champs will be on hand as well: The Converse Crew, fiddlers Alex Weir (Ball-Weir’s son) and Haley Richardson, Keegan Loesel on pipes and whistle, and Dylan Richardson on guitar.

If you want a workout, there will be ceili dancing. If you want to replenish all the calories you’ve lost pounding the boards, there will be plenty of baked goods, snacks and drinks—non-alcoholic, of course. Look for special guest Maria Walsh, the International Rose of Tralee and Philly’s Rose, and performances by the Emerald Isle Academy Dancers.

All of this alcohol-free merry-making is not a new idea, says Ball-Weir.

“It’s been a sold-put event in New York City for three years, and it’s in other cities, too. There’s one in Richmond, Va., Casper, Wyoming, Northern Ohio, and Belfast (Northern Ireland) had a huge one. I knew about the event in New York because I also knew some of the musicians who performed in it, and as I learned more about it, I thought: This is a great idea! So I went to Maureen Donachie, who is the number 2 person with the New York Sober St. Patrick’s Day group, and I said, I really like this idea. How can we do this in Philadelphia?”

With some thoughts and encouragement from Donachie, Ball-Weir presented the idea to the Philadelphia Comhaltas (COAL-tuss) board, and they loved it, too.

Presenting a big event like this is exactly up the organization’s alley.

“Although we are a small group, in the last couple of years our branch has been hosting and co-hosting more and more music events,” says Ball-Weir. “We have co-sponsored or helped to support events of the Philadelphia Ceili (KAY-lee) Group or the Coatesville Traditional Irish Music Series with Frank Dalton, and some events at West Chester University. It’s exciting for me to think about doing things with other groups. The best way for us all to succeed is for us to work together.”

In this case, the partnership is with Frank Daly of American Paddy’s Productions. “They produce the Philadelphia Fleadh and an American Celtic Christmas, among other things. I asked him to partner with us—Frank, specifically, because he and I had teamed up previously to present some Irish concerts and workshops—and he agreed. I couldn’t do it without him.”

Philly’s Comhaltas branch hopes the event will attract families with children, says, Ball-Weir, along with “adults who want to celebrate but not in an overindulgent way, and the third is the recovery community.”

Just because you won’t find Guinness or Jameson at this particular party, Ball-Weir says, doesn’t mean Comhaltas is against drinking, but they are against the binge drinking rampant on St. Patrick’s Day.

As the mother of a one-time Irish dancer, she knows what she’s talking about.

“Alexander was an Irish dancer before he was an Irish fiddler. We went to a lot of pubs on St. Patrick’s Day, where the dance schools would dance, and it was just awful. The bars start serving drinks at the same time they put out breakfast, so a lot of people are totally out of it by the end of the day. These are stupid Americans who are looking for an excuse to get drunk. They hang their hat on St. Patrick’s Day.”

Ball-Weir and her organization want to open Irish eyes to a more authentic celebration, one that hangs its hat on only two things: Ireland and Irish culture.

“This event is basically for anyone who wants to celebrate Irish culture in an environment that will be respectful of Ireland and its culture. It’s a new way to reclaim the day.”

For details and tickets to the event, hosted by WHYY’s Ed Cunningham:

http://www.soberstpatricksday.org/Philadelphia.html

The event starts at 4 p.m., and ends at 7.

 

Sports

Celtic Supporters Get Ready to Rumble

ploughboys-homepage

Super Bowl? What’s the Super Bowl compared to a match-up between Glasgow’s legendary Celtic Football Club and the Rangers? Now, that’s super.

OK, so it’s the Sevco Rangers, not quite the Rangers team that has been Celtic’s nemesis since the dawn of time, but no matter. It’s a big deal. And if you don’t think so, show up at the Plough and Stars in Old City on Sunday, February 1, at 8:30 in the morning. The game will start at 1:30 in Scotland, so Celtic fans will be up early.

And thanks to the ardent Philly fan group, the 2nd Street Plough Bhoys CSC, there will be a lot of them. A lot, as in hundreds. And not just on Sunday, when the game will be displayed on a giant screen, but the whole weekend, in an event billed as the East Coast Celtic Supporters’ Féile. Féile is a Gaelic word meaning “festival,” but in this case the word seems somehow insufficient.

“This place will be bouncing from Friday through the whole weekend,” said Seamus Cummins, Plough Bhoys spokesman, chatting over beers at the Plough last Sunday along with several other members of the club. “This is our second year. Last year, we had 300, and they came from everywhere. This place was rocking.”

Fellow Plough Bhoy Mairtin O’Braidaigh still seems surprised at that year’s turnout. “We thought we’d bring in people from New York,” he said. Somehow or other members of clubs from around the country came. And from out of the country, too, including Scotland. “We had people drive down from Canada. They left at 4 a.m., and arrived here at 6 p.m. Some people, we didn’t even know were coming. They just came.”

Some of those who joined in the Celtic mania didn’t know that’s what they were joining. Plough Bhoy William “Fitz” Fitzgerald remembers. “People came in off the street, and they were just having a great time. There was just laughter all the time.”

Cummins expects even more fans this time around.

“We expect people to come from Ontario,” he said, “and Detroit, Athens, Ga., the Bronx, Boston, North Jersey, D.C., South Carolina, and Ohio. There will be people who will cross the Atlantic. We call it the Celtic family … and it really is a family.”

One of the highlights of this year, he said, is the premiere of “The Asterisk Years,” a film by author Paul Larkin, documenting the alleged decade-long financial shenanigans by the Rangers organization that many insist cheated Celtic out of titles.

(Highlights of the weekend’s schedule is below.)

The Plough Bhoys are thrilled that this year’s Féile just happens to coincide with a Celtic-Rangers match-up.

“We set this date back in June or July,” Cummins said with something approaching glee in his voice. “We thought the game was going to be against Kilmarnock, just a regular game. But the stars aligned, and we drew our ancient rival. This will be the first time we’ve played a team named the Rangers in three years. We should give them a right hammering. That’ll really kick the party into overdrive.”

Some party it will be.

And, oh, yeah, if you’re interested, there’s some inconsequential little American football game later in the day.

Friday, January 30
4-6 p.m. – The welcoming of the Celtic Family. Celtic Supporters from all over North America will begin to arrive for the Féile weekend. Please bring your club’s banner to be proudly hung in the pub.
7 p.m. – Live Irish/Celtic Music by Jamison’s, John O’Callaghan

Saturday, January 31
11 a.m. – Blessing of the Celtic Family at the National An Gorta Mor Memorial by Father Edward Bradley
1 p.m. – The USA Premier of Paul Larkin’s, “The Asterisk Years”
2:30 p.m. – Q&A Following the film by Paul Larkin, Hosted by Graham Wilson of the The Beyond The Waves Celtic Show
4-7 p.m. – Live Irish/Celtic Music by Ardboe, County Tyrone’s own, Raymond Coleman
7-10 p.m. – Live Irish/Celtic Music by The Bogside Rogues

Sunday, February 1
8:30 a.m. – The first-ever meeting between Celtic & The *Rangers 2012 in the League Cup Semi-Final
12 p.m.  until Kick off of Super Bowl XLIX – Traditional Irish Music Session

Keep up to date on Twitter, official hash tag #celticphillyfeile15

News

Dedicating the New Mural at Marty Magee’s

muraldedication-home

“I knew this would be no ordinary mural,” said artist Eric Okdeh as he looked across a freezing parking lot to the side wall of Marty Magee’s pub on Route 420 in Prospect Park.

More than 100 people who came on Saturday for the dedication of Okdeh’s masterwork, depicting scenes from Irish history, apparently agreed. Bundled up in heavy coats, scarves, mittens and hats, they disregarded the cold and took it all in. It’s a lot to take in. Most seemed enraptured by it.

Commodore Barry, Michael Collins, the immigrant railroad workers of Duffy’s Cut, the Molly Maguires and more—they all grace the side of the pub in a theme that, if you look at it carefully, artfully blends in the green, white and gold colors of the Irish flag.

Owner Joe Magee had suggested some slightly more in-your-face rebel themes, Okdeh kidded, “but I said, ‘We can’t do that—we’ll scare everyone away.'”

Okdeh, Magee and Prospect Park Mayor Jeff Harris presided over the brief ceremony, with Philadelphia St. Patrick’s Day Parade Director Michael Bradley as emcee.

After the dedication, the crowd filed into Magee’s bar to warm up with a drink or two, and to celebrate the occasion with music from Blackthorn, and guests from several other area Irish bands.

We have the pics.

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News

New Year’s Eve at the Irish Center

Sean McMenamin and Kathy McGee Burns were the welcoming committee.

Sean McMenamin and Kathy McGee Burns were the welcoming committee.

For the Philadelphia Irish Center/Commodore Barry Club, 2014 ended on a hopeful note.

Faced with a  huge financial shortfall, friends of the venerable institution set a fundraising goal of $50,000. By early October, the drive had passed $60,000, and the dollars kept pouring in. The grand total as of November 1: $84,416.

So what better way to close out the year but by dancing, singing, and raising a glass or two? The Irish Center is not one community—it’s many, from John Shields’ marvelous dancers to the Philadelphia St. Patrick’s Day parade committee to the Philadelphia Ceili Group to the county associations … and we could go on. Many of them were represented on New Year’s Eve, all of them up and kicking their heels.

2015 brings another round of fund-raising—the first big event is a painting party January 11—and with any luck at all, the next New Year’s Eve bash will bring another round of fun-raising.

 

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