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Jeff Meade

How to Be Irish in Philly

How to Be Irish in Philly This Week

Blackthorn on stage at Penns Landing.

Blackthorn on stage at Penns Landing.

If you don’t know how to get your Irish on this week, then you’re just not trying.

First off, and we mentioned this last week, but the Ancient Order of Hibernians Montgomery County Irish Festival, which started Friday night, continues through the weekend at Saint Michael’s Picnic Grove, 203 Jacob Street, in Mont Clare. It’s on the other side of the Schuylkill across from Phoenixville. $10 admission; kids under 12, free.

It’s a very family-friendly event, with music from Celtic Spirit and the Belfast Connection. Lots of food and fun. The festival runs from 10 a.m. till the cows come home on Saturday and Sunday.
Details.

Also on Saturday, the Philadelphia Irish Center plays host to Satharn Na Gael , an immersion course in the Irish language. If nothing else, you’ll learn how to pronounce “Satharn Na Gael”—and what it means. (We’re not saying.)

Seriously, we’ve attended this event , and it’s a great way to delve into your heritage. You’ll learn some useful words and phrases in the Irish language. (We remember one useful phrase in particular: “Bí ciúin!” Pretty sure it means, “shut up!” Which just goes to prove we can be rude in two languages, at least.) There are also workshops in music and dance, and a big party at the end of the day. Details here.

But wait! We’re not done yet. (Not even close.)

One of the highlights of Philly’s Irish year is the Philadelphia Irish Festival Sunday down on the Great Plaza at Penns Landing. It’s an all-day fest, from 1 p.m. to 8 p.m., with more dance schools and Irish bands than you can shake a shillelagh at. If you love the Bogside Rogues, Blackthorn and Jamison, you’d better be there, because they will be. There’s food, drink and vendors all over the place. Sunday is supposed to be sunny, with a high of 79, so it might be the nicest day in a while. It’s also usually about 110 degrees in the shade for this event, so we got lucky. Pasty-faced Irish people have been known to jig in front of the festival stage, and then spontaneously combust.

Follow details on their Facebook page.

Also, keep your eyes out for the folks from Einstein’s Irish Tay-Sachs Screening project. Tay-Sachs is an inherited disorder—rare, thank God—and over time it destroys nerve cells in the brain and spinal cord. It most commonly occurs in infancy. If you are of Irish heritage, please find out if you’re a carrier. We’ve done it, and it’s painless. And free.

OK, take a deep breath, because most of the rest of the week is given over to a celebration of Joyce’s “Ulysses.” Here’s what’s on:

• Deciphering Ulysses: A Playful Introduction to Joyce’s Novel Exhibit, an exhibit at the Rosenbach Museum, starts Tuesday. It runs though September September 6.

• Take a Ulysses Virtual Twitter Tour on Wednesday. Follow #UlyssesinPhilly throughout the day on Twitter @RosenbachMuseum . Ulysses will be making cameo appearances throughout Philly. Wednesday from 9 to 5.

• One of our favorite pubs, Fergie’s on Sansom Street, hosts “Ulysses” Quizzo Thursday from 6 to 7 p.m. Bring your thirst for knowledge and, well, your thirst.

• On Friday from 3 to 4, get a really good look at the Rosenbach’s famous James Joyce and Irish Authors collection. These items usually are not on public display, and you’ll have an opportunity to check them out, up close and personal. Advance registration is strongly recommended. Registration is limited. Register here.

• Also Friday, from 6 to 9 p.m., local Ulysses experts will lead you through a crash course on the novel. They promise fun facts and study snacks. It’s called the “Ulysses Crash Course Bash.”

All of the Rosenbach’s Ulysses events are here.

That’s all, folks!

(P.S.: Parts of our website are still on the disabled list. We’ve been working on it this week. Amazingly, 3-in-1 Oil didn’t help much. We’re pretty sure the injured parts will be back in the lineup early next week, possibly over this weekend. In the meantime, if you want to check out the calendar, there’s a nicely readable version of it here.

Music

Charlie Zahm Sings “Grace”

Charlie Zahm

Charlie Zahm

One of the performers at Sunday’s fundraiser for the restoration of St. Columba’s Church in Glenswilly, County Donegal, was the great Charlie Zahm. One of the best songs he pulled out of his hat was the one you’ll hear on this page. It’s “Grace,” written about Irish patriot Joseph Plunkett and Grace Gifford. They were wed just a few hours before Plunkett was executed for his part in the 1916 rising.

News

Raising the Roof for a Little Chapel on a Hill

Lisa, Dillon and Declan Girill

Lisa, Dillon and Declan Girill

Ethel McGarvey was 22 when she immigrated to America from Glenswilly, County Donegal, but it would be hard for her to forget the little chapel where she was baptized and received communion.

St. Columba’s Church in Glenswilly has a long and storied history. Built in 1814, McGarvey recalls it as “a beautiful little place.” Now, a long-needed top-to-bottom restoration project is in progress, and that beautiful little place is in need of some cold hard cash—680,000 Euros. McGarvey and her family—including some who just happened to be visiting from back home—were on hand at a Donegal Association-sponsored fundraiser at the Irish Center last weekend to help get the job done.

The church has been closed for two years, McGarvey says. “It’s all stone, a small little church sitting on a hill, looking out onto a glen—a beautiful little place. The inside was renovated, but two years ago, the roof fell in. Now it’s very close to being ready.”

The parish has grown large, McGarvey says—300 to 400 households—but even a large parish can come up with only so many Euros.

Sunday’s fundraiser should help. It drew lots of people like the McGarvey family to the Irish Center ballroom, with music from beginning to end, a bit of dancing now and again, tables full of food and desserts, and raffles a-plenty.

Organizers Mary Crossan and Pat Duddy hadn’t counted the money yet, but judging by all the filled tables, they regarded the event as a success. There was nothing dribs-and-drabs about it. Several other organizations had been holding meetings earlier in the afternoon, Duddy said, and when they came out, they went looking for something—so the place filled up pretty quickly. “People have been very generous.”

The event had special meaning for Crossan. “Glenswilly is where I was raised,” she says. “My parents and grandparents are buried in Glenswilly graveyard. Glenswilly was my foundation. It’s where I started out.”

We took some snaps while we were there. Check them out, below.

Also check out a video of Charlie Zahm singing the ballad “Grace.”

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People

‘Philly Will Not Ever Again Be the Same Without Her Ever Humble and Gracious Presence’

Sister Cecile, St. Patrick's Day, 2011.

Sister Cecile, St. Patrick’s Day, 2011.

Marybeth Phillips thought twice about what she would wear to the funeral of Sister Cecile Reiley. Most people would say you’re supposed to wear dark clothes. Instead, after some thought, Phillips chose a floaty type of skirt with patterns of light purple, dark purple, and blue. She chose it to honor the memory of her friend, a passionate devotee of the arts.

“No matter what anybody else is thinking,” Phillips thought, “Cecile is going to love it because it looks like Van Gogh’s ‘Starry Night.’”

When Phillips arrived at St. Joseph’s Villa, she found the chapel awash in the most fuchsia, pink roses and other bright, colorful flowers—and Sister Cecile, in repose, in the most cheerful of hues, including a lavender linen jacket and a woven purple scarf.

“I thought, wow, she was more colorful than I was,” Phillips says. That wasn’t surprising, she adds. “She knew where she was going, and she was going to go with great spirit and joy.”

Sister Cecile Anne Reiley, SSJ, passed away April 24 at the age of 76. A tireless, lifelong advocate on behalf of the poor and the powerless and an ardent peace activist, she made her mark as parish services director at St. Malachy Church in North Philadelphia, where she seemed to take on any task that came her way, from pastoral counseling to organizing the annual benefit Irish music concert featuring Mick Moloney and friends.

A self described “coal cracker” born in Pottsville, Schuylkill County, Sister Cecile was diagnosed with rheumatoid arthritis—a chronic, painful and crippling disease, at a very early age. Friends knew she endured great suffering, but she just went on about her life, attacking it with gusto.

“She never complained,” says friend Kathy McGee Burns, who visited Sister Cecile in the hospital in her final days. “Little by little, I saw her body give way. It sure didn’t reduce her spirit, or her ability to get where she wanted to go. She got things done that were amazing that you never would have dreamed she would get done. People loved to do for her. If she called, you couldn’t say no. She never complained … and she still got the job done.”

Father John McNamee, St. Malachy’s pastor emeritus, saw that can-do quality in Sister Cecile right from the beginning of their relationship.

“I met her more than 20 years ago.” Father Mac says. “We were protesting against a nuclear facility near Drexel.”

The two struck up a conversation. What happened after that is lost in the mists of time. Somehow, Sister Cecile wound up working at St. Malachy’s. “I didn’t even remember that I invited her in. I must have. She had a desk, a computer, a phone, and her friends stopping by.”

Once she was there, Father McNamee was happy to let her work her magic. St. Malachy’s needed all the help it could get, and having someone with Sister Cecile’s indomitable energy was a decided plus. Father McNamee reflects, “It was Andy Warhol who said that half of life is showing up.” And that’s what Sister Cecile did.

Sister Cecile also lent her artistic talents to St. Malachy, including directing the decoration of the altar for holy days and for the Mick Moloney concert. Art remained a lifelong love.

“We had a lot of conversations about great artists … Renoir, Van Gogh,” recalls Marybeth Phillips. “She always said Renoir inspired her. Renoir said he was going to keep painting until he could no longer hold the brush. She said, I want to do that, not just with my art, but with everything I do. She was doing that until two weeks before she died.”

We would also like to share with you one very special remembrance from great friend and devoted colleague Mary Heron:

Sister Cecile Reiley brought joy and wisdom wherever she went. And she went many places over her lifetime. Unfortunately, I only knew her for the last 20 years as she served as parish services director for St. Malachy. In the early days of our friendship we enjoyed all kinds of entertainment from movies to Shakespeare to picnics to fireworks. She was always ready to go. As the years went by, it became harder for her to get around but her fold-up wheelchair fit in the trunk of my small car and we continued to go.

Meantime, she was organizing concerts for St. Malachy Church usually benefits for the school. Some of those concerts included the St. Malachy choir from Belfast, the Cappella Cecilia concert also from Ireland, and of course, the annual Mick Moloney & Friends concert which she loved. In recent years, an Irish Mass with Irish musicians was begun as an annual tradition, in early March.

When she could no longer go to shows, she brought the shows to St. Joseph’s Villa. She drafted Tony Braithwaite, professional comedian often performing at Ambler’s Act 2 Playhouse, to help launch a comedy and drafted the nuns as actors. It was a great success and was written up in the Irish Edition and the Chestnut Hill local. Several concerts were presented at the Villa through her direction and persuasion to bring the musicians to perform.

Sister Cecile never let her physical limitations hold her back. Her perseverance, patience and vitality were an inspiration to all who knew her. Herself an accomplished pianist and singer before being overtaken by rheumatoid arthritis, Sister Cecile followed in the footsteps of her namesake, the patroness of music. Her artistic talent stretched to painting and she presented her work in an exhibit at Chestnut Hill College in the 1990’s.

The community of St. Malachy feels a great loss at her passing. And I will miss her attentive listening, insight and guidance along with the joy we shared.

Father Mac also shared this remembrance from Mick Moloney, who was traveling in Asia:

Sister Cecile was one of the loveliest people I have ever met. A living saint, really. The most gentle of souls but with a calm inner strength that was extraordinary.

Every year for nearly three decades we were in contact regarding the big concert we have done at St. Malachy’s Church every fall for the past 28 years. Typically she had to hound me to confirm the date and then the names of the various musicians I would be performing with on the day. As the PR deadlines approached the hounding became more insistent but it was always graceful. And the job always got done even if it came down to the wire. It was always worth it and her big welcome to all of us arriving at the magical church every year was just unforgettable. Even as Cecile grew weaker physically over the past few years she continued to touch every musician who came by with her courage, her humility, her grace and her fortitude. I will miss her deeply. Coming back to Philly will not ever again be the same without her ever humble and gracious presence.

Dance, Music

We Were Wearing Our Movie Directors’ Hats, Too

Seamus Kennedy in a reflective moment.

Seamus Kennedy in a reflective moment.

These days, when we go to many Philly Irish events, we’re occasionally doing double duty. You’ll sometimes see one of us with both a still camera and a video camera draped about the next. We’re often confused about what to do with which.

We got over our confusion the day of the Philly Fleadh down at the Cherokee Festival Grounds last weekend, enough so that you can see some of the dancing, hear some of the music, and generally take in all of the fun.

Dance, Music

Picture This: The 2015 Philadelphia Fleadh

Maggie Carr Wreski and John Byrne share a laugh.

Maggie Carr Wreski and John Byrne share a laugh.

For one day, the Cherokee Festival Grounds was a microcosm of just about everything that is Irish in the Delaware Valley.

On Saturday, this broad tree-lined lawn played host to a fèis—an Irish dance competition sponsored by the Celtic Flame School of Dance—along with open-air concerts by Burning Bridget Cleary, Jamison Celtic Rock, Seamus Kennedy, Ray Coleman, the Mahones, the Bogside Rogues, and pretty much of the royalty of Irish music from Philly and beyond, traditional and otherwise. People lined up for chips on a stick—what genius invented them?—hot dogs, burgers, bite-sized Guinness cupcakes with swirls of Bailey’s frosting–and again we ask, what genius invented them?–and cold brews to wash it all down with. There were vendors all over the place. If you wanted to buy a Goth-y corset, the Philly Fleadh was just the place to get one.

Thank America Paddy’s Productions for pulling it all off smoothly. We ran into one of the aforementioned Paddys, Jamison front man Frank Daly, who seemed a whole lot more relaxed about things this year than last. And that, even after a last-minute switch from the original festival location, Pennypack Park. Everything worked out for the best—maybe better than the best.

We have a pile of pictures from the day.

Here ya go:

[flickr_set id=”72157652346004665″]

 

 

News

Dedication of “A Waltz in the Woods”

stickvideohomeSculptor Patrick Dougherty’s newest installation, a cluster of stickwork cottages in a little meadow at Morris Arboretum, inspired awe among all those who came to its dedication last Saturday.

We captured the whole thing, soup to nuts in video, including an interview with a volunteer who helped Dougherty bring his little village to fruition.

 

News

Houses Made of Sticks

The perfect place for hide and seek

The perfect place for hide and seek

It looks like a village made for hobbits—a small cluster of cottages in a sunlit meadow at Morris Arboretum. If you didn’t know any better, you might expect a visit from Frodo Baggins at any minute.

In reality, these dwellings are entirely temporary. They’ll succumb to the ravages of time and weather, but for now they are the newest sculpture by Patrick Dougherty—his people came from Donegal—and it was crafted entire of bent and twisted willow, and other woodsy odds ends harvested by the sculptor and arboretum volunteers over the course of just a few short weeks. Rain and late March snow couldn’t stop the construction of the installation known as “A Waltz in the Woods.”

Over that time, more than a few arboretum visitors, puzzled, wander over to the building site to ask: what is it? What it is, is a technique called stickwork–and Dougherty, who has built similar, and not so similar, installations all around the world is known as the “Stickman.”

On the day the arboretum sculpture was dedicated, accompanied by songs by the Irish Center’s Vince Gallagher and Philadelphia Emerald Society pipers, adults marveled at the construction. As for the kids, they knew exactly what to do–play hide and seek. And no better place to do it.

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